scholarly journals Colour Sense Considered.  The analysis of colour, light and volume in interior architectural spaces.

2021 ◽  
Author(s):  
◽  
Renee Pescini
Keyword(s):  
Research Methodology ◽  
Emotional Response ◽  
Design Thinking ◽  
Emotional Responses ◽  
Design Strategies ◽  
Innovative Design ◽  
Interior Spaces ◽  
Analysis Process ◽  
Colour Sense ◽  
Architectural Spaces

<p>This thesis examines the spatial comprehension and perception of architectural interior spaces through the diverse variables of colour, light and volume. The research methodology is through experimentation, adapted from the Stanford design thinking innovative design analysis process. The purpose of this research is to understand the effects of manipulating colour, light and volume in architectural interior spaces. This will be explored through various design strategies and techniques to achieve the desired experience and human emotional response in a positive atmospheric manner. This will allow architects and designers interested in applying colour, light and volume more efficiently within the interior built environment with the purpose to achieve certain atmospheric qualities and experiences. This thesis will be of particular interest to those designing to create atmospheric qualities and human emotional driven responses in interior architectural spaces. Pleasant and stimulating are the key human emotional responses that the research experiments and observations focus on.</p>

scholarly journals Colour Sense Considered.  The analysis of colour, light and volume in interior architectural spaces.

2021 ◽  
Author(s):  
◽  
Renee Pescini
Keyword(s):  
Research Methodology ◽  
Emotional Response ◽  
Design Thinking ◽  
Emotional Responses ◽  
Design Strategies ◽  
Innovative Design ◽  
Interior Spaces ◽  
Analysis Process ◽  
Colour Sense ◽  
Architectural Spaces

<p>This thesis examines the spatial comprehension and perception of architectural interior spaces through the diverse variables of colour, light and volume. The research methodology is through experimentation, adapted from the Stanford design thinking innovative design analysis process. The purpose of this research is to understand the effects of manipulating colour, light and volume in architectural interior spaces. This will be explored through various design strategies and techniques to achieve the desired experience and human emotional response in a positive atmospheric manner. This will allow architects and designers interested in applying colour, light and volume more efficiently within the interior built environment with the purpose to achieve certain atmospheric qualities and experiences. This thesis will be of particular interest to those designing to create atmospheric qualities and human emotional driven responses in interior architectural spaces. Pleasant and stimulating are the key human emotional responses that the research experiments and observations focus on.</p>

scholarly journals HOW DESIGN PROPOSALS ARE EVALUATED - A PILOT STUDY

2021 ◽  
Vol 1 ◽  
pp. 1715-1724
Author(s):  
Michael Deininger ◽  
Claus Thorp Hansen
Keyword(s):  
Decision Making ◽  
Pilot Study ◽  
Emotional Response ◽  
Rank Order ◽  
Emotional Responses ◽  
Decision Making Process ◽  
Design Strategies ◽  
Study Participants ◽  
Design Proposal ◽  
Potential Customers

AbstractIn addition to being functional and well-engineered, successful products in today's market are also desirable and appealing to customers. A decision to purchase a product or not is often influenced not only by facts, but also by emotions. Qualities like desirability and appeal that trigger an emotional response can be challenging to satisfy. These qualities can be difficult to quantify and measure and do not easily translate into requirements and specifications. Therefore, understanding the emotional responses of potential customers to product proposals would allow designers to adapt their design strategies. In this study, participants were invited to review a range of design proposals and asked to rank order them relative to one another. The participants were asked to record their comments while discussing their ranking. The findings show that study participants often made decisions about how good or bad they thought a design proposal was without providing rationale to support their rankings. In some cases the rankings were aligned with the comments, but sometimes they were in conflict. More work is needed to further explore the decision-making process and the criteria used when reviewing design proposals.

scholarly journals Effect of congruence between sound and video on heart rate and self-reported measures of emotion

2018 ◽  
Vol 14 (3) ◽  
pp. 621-631
Author(s):  
Sebastián Calderón ◽  
Raúl Rincón ◽  
Andrés Araujo ◽  
Carlos Gantiva
Keyword(s):  
Heart Rate ◽  
Emotional Response ◽  
Emotional Responses ◽  
Subjective Perception ◽  
Video Clips ◽  
Bimodal Stimulus ◽  
Emotional Dimension ◽  
Valence And Arousal

Most studies of emotional responses have used unimodal stimuli (e.g., pictures or sounds) or congruent bimodal stimuli (e.g., video clips with sound), but little is known about the emotional response to incongruent bimodal stimuli. The aim of the present study was to evaluate the effect of congruence between auditory and visual bimodal stimuli on heart rate and self-reported measures of emotional dimension, valence and arousal. Subjects listened to pleasant, neutral, and unpleasant sounds, accompanied by videos with and without content congruence, and heart rate was recorded. Dimensions of valence and arousal of each bimodal stimulus were then self-reported. The results showed that heart rate depends of the valence of the sounds but not of the congruence of the bimodal stimuli. The valence and arousal scores changed depending on the congruence of the bimodal stimuli. These results suggest that the congruence of bimodal stimuli affects the subjective perception of emotion.

scholarly journals Patient Clothing as a Healing Environment: A Qualitative Interview Study

2021 ◽  
Vol 18 (10) ◽  
pp. 5357
Author(s):  
Seon-Ju Kam ◽  
Young-Sun Yoo
Keyword(s):  
Emotional Response ◽  
Positive Emotions ◽  
Design Method ◽  
Medical Center ◽  
Emotional Responses ◽  
University Hospital ◽  
Hospital Environment ◽  
University Hospitals ◽  
Pattern Design ◽  
Qualitative Interview Study

Patients’ emotional responses to the hospital environment can be considered as important as medical technology and equipment. Therefore, this study investigated their experiences to determine whether the pattern using hospital identity (HI) elements, a widely used design method for patient clothing in university hospitals, can affect their emotional response and contribute to healing. It aimed to identify whether controlling the motif characteristics, arrangement, and spacing in this pattern design, and the direction between motifs, could be a method to design patient clothing for healing. To investigate patients’ emotional response and suggestions for patient clothing design, an interview-based qualitative approach was used. In-depth interviews were conducted with 12 patients discharged from Kyung Hee University Hospital Medical Center (KHUMC), Seoul. The interview questions consisted of two parts. One part featured questions about participants’ emotional responses to the medical environment and their latest patient clothing experience, and the other featured questions about their emotional response to, and suggestions for, the healing expression of pattern design using HI. The results confirmed that the motif characteristics, arrangement, and spacing, and the direction between motifs, influenced patients’ positive emotions and contributed to the healing effect. Therefore, when the HI elements of a medical institution are applied in the design of patient clothing with the characteristics of a healing design, patients perceive this as providing stability and comfort. The design of patient clothing becomes a medium that not only builds the brand image of medical institutions, but also enhances the quality of medical services centered on patient healing.

Evidence from young children regarding emotional responses to music

2008 ◽  
Vol 31 (5) ◽  
pp. 581-582 ◽  
Author(s):  
Steven John Holochwost ◽  
Carroll E. Izard
Keyword(s):  
Pilot Study ◽  
Young Children ◽  
Facial Expressions ◽  
Emotional Response ◽  
Emotional Responses ◽  
Theoretical Framework ◽  
Future Research

AbstractJuslin & Västfjäll (J&V) propose a theoretical framework of how music may evoke an emotional response. This commentary presents results from a pilot study that employed young children as participants, and measured musically induced emotions through facial expressions. Preliminary findings support certain aspects of the proposed theoretical framework. The implications of these findings on future research employing the proposed framework are discussed.

Knowledge management for library building design

2016 ◽  
Vol 37 (1/2) ◽  
pp. 2-12 ◽  
Author(s):  
Zhixian Yi
Keyword(s):  
Knowledge Management ◽  
Tacit Knowledge ◽  
Explicit Knowledge ◽  
Continuous Process ◽  
Building Design ◽  
Design Principles ◽  
Design Strategies ◽  
Innovative Design ◽  
Content Type ◽  
Practical Implications

Purpose – In the digital age, constant changes in libraries inform contemporary building design. An innovative library building design is a complicated process and can be viewed as a continuous process of the use of tacit and explicit knowledge and innovative tools and approaches. Knowledge management (KM) can bring about the much needed innovation, and transform tacit knowledge to explicit knowledge. For the design of a library to be successful, it is necessary to apply KM to library building design. The purpose of this paper is to look at key change impacts, to explore how to manage knowledge in building design and to identify key design principles. Design/methodology/approach – This paper looks at key change impacts, explores how to manage knowledge in library building design and pinpoints design principles. Findings – This paper finds that KM can be vital to library building design, and it can be used in all stages: to examine the internal and external environments, transform tacit knowledge to explicit knowledge by using portals, and analyze existing and future issues and trends. When effectively used, KM will result in innovative design strategies and also will reduce the time and costs of the building design and plan processes. The main principles of library building design are flexibility, accessibility, safety and security, applicability, adaptability, efficiency, and sustainability. Practical implications – This paper provides a useful overview of how to manage knowledge in library building design and design principles. Originality/value – The views, discussions, and suggestions will be of value to improve the effectiveness of library building design.

scholarly journals Clinician Emotional Response Toward Narcissistic Patients: A Preliminary Report

2015 ◽  
Vol 18 (1) ◽  
Author(s):  
Annalisa Tanzilli ◽  
Antonello Colli ◽  
Laura Muzi ◽  
Vittorio Lingiardi
Keyword(s):  
Personality Disorder ◽  
Psychological Functioning ◽  
Emotional Response ◽  
Theoretical Orientation ◽  
Emotional Responses ◽  
Emotional Reactions ◽  
Narcissistic Personality Disorder ◽  
Assessment Procedure ◽  
Narcissistic Personality ◽  
Therapist Response

Patients with narcissistic personality disorder are among the most difficult to treat in therapy, especially for their strong resistance to treatment and several difficulties in establishing a therapeutic relationship characterized by intimacy, safety, and trust. In particular, therapists’ emotional responses to these patients can be particularly intense and frustrating, as reported in the clinical literature but rarely investigated empirically.The aims of this preliminary study were: 1) to examine the associations between patients’ narcissistic personality disorder and distinct therapists’ countertransference patterns; and 2) to verify whether these clinicians’ emotional reactions were influenced by their theoretical orientation (as well as gender and age).A national sample of psychiatrists and clinical psychologists (N = 250) completed the Therapist Response Questionnaire (TRQ) to identify patterns of therapist emotional response, and the Shedler-Westen Assessment Procedure-200 (SWAP-200) to assess personality disorder and level of psychological functioning in a patient currently in their care and with whom they had worked for a minimum of eight sessions and a maximum of 6 months (one session per week).From the complete therapist sample, we identified a subgroup (N = 35) of patients with narcissistic personality disorder, and we found that this personality pathology was positively associated with criticized/mistreated and disengaged countertransference, but negatively associated with positive therapist response. Moreover, our results confirmed that the relationship between patients’ narcissistic personality disorder and therapists’ emotional responses was not dependent on clinicians’ theoretical approach (as well as their age and gender).These findings are consistent with clinical observations, as well as some empirical contributions, and have meaningful implications for clinical practice of patients suffering from this challenging pathology.

scholarly journals Redesigning Systems Thinking

2017 ◽  
Vol 10 (1) ◽  
Author(s):  
Birger Sevaldson
Keyword(s):  
Strategic Management ◽  
Systems Thinking ◽  
Design Thinking ◽  
Design Strategies ◽  
Working Paper ◽  
The Core ◽  
Core Competences ◽  
Core Concepts ◽  
Many Core ◽  
Systemic Design

The resent movement of Systemic Design seeks for new synergies between Design and Systems. While the usefulness of systems approaches in design has been fairly obvious, this paper argues that many core concepts in design are beneficial in systems thinking. This seems reasonable when it comes to the concept of Design Thinking. However, as this paper argues, the more practical core concepts of design are equally important. Designerly skills have been regarded as belonging mainly in the realm of traditional commercial design, whereas design thinking has been regarded as useful in strategic management settings. This paper argues against the idea of separating design thinking from design action. The skills and competences of design, such as the composition of the shape and form that are obvious in product design, are central to Systems Oriented Design (SOD). SOD is a version in the emerging pluralistic field of Systemic Design. The Systemic Design movement should recognise the core values of design and integrate them in systems thinking. This integration would contribute to innovation in both Systemic Design and systems thinking. Among the core competences of design discussed in the paper are composition, choreography, orchestration, the notion of the Gesamtkunstwerk and open-ended multi-scalar design strategies that allow for both structural and organic development. The paper provides examples to support its proposal for the use of concrete aesthetic principles to guide Systemic Design processes. This paper expands the working paper entitled “Holistic and dynamic concepts in design: What design brings to systems thinking”, which was presented at the RSD3 symposium (2014). 

scholarly journals Language, Form and Emotion in James Joyce’s Portrait of an Artist as a Young Man: A Literary Analysis

2017 ◽  
Vol 8 (5) ◽  
pp. 158
Author(s):  
Robert S.P. Jones
Keyword(s):  
Associative Learning ◽  
Emotional Response ◽  
Emotional Responses ◽  
Human Experience ◽  
Literary Analysis ◽  
The Novel ◽  
Psychological Perspective ◽  
Literary Traditions ◽  
Language Form ◽  
The Relationship

James Joyce’s Portrait of the Artist as a Young Man has fascinated readers for more than a century and there are layers of psychological meaning to be found throughout the novel. The novel is the perfect vehicle to discuss the relationship between form language and emotion as Joyce deliberately manipulated the emotional response of the reader through innovations in form and language, departing dramatically from previous literary traditions. This paper attempts to take a fresh look at the novel from a psychological perspective and seeks to examine underlying conditioning processes at work in the narrative – particularly the concept of associative learning. Understanding emotional responses to different stimuli is the bedrock of psychological investigation and 100 years after the date of its publication, Portrait of an Artist presents remarkably fresh insights into the human experience of emotion. Despite its age, Portrait of the Artist contains many contemporary psychological insights.

scholarly journals Pussy power

2020 ◽  
Vol 1 (2) ◽  
pp. 168-184
Author(s):  
Kai Huang ◽  
Elena Nicoladis
Keyword(s):  
Galvanic Skin Response ◽  
Emotional Response ◽  
First Language ◽  
Emotional Responses ◽  
Age Of Acquisition ◽  
Childhood Experiences ◽  
Skin Response ◽  
French And English ◽  
Taboo Words

Some previous research has suggested that words in multlinguals’ first language, particularly taboo words, evoke a greater emotional response than words in any subsequent language. In the present study, we elicited French-English bilinguals’ emotional responses to words in both languages. We expected taboo words to evoke higher emotional response than positive or negative words in both languages. We tested the hypothesis that the earlier that bilinguals had acquired the language, the higher the emotional responses. French-English bilinguals with long exposure to both French and English participated. Their galvanic skin response (GSR) was measured as they processed positive (e.g., mother), negative (e.g., war) and taboo (e.g., pussy) words in both French and English. As predicted, GSR responses to taboo words were high in both languages. Surprisingly, English taboo words elicited higher GSR responses than French ones and age of acquisition was not related to GSR. We argue that these results are related to the context in which this study took place (i.e., an English majority context). If this interpretation is correct, then bilinguals’ emotional response to words could be more strongly linked to recent emotional interactions than to childhood experiences.

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