scholarly journals How could a work of architecture that is designed to evoke a Bilbao effect be designed sustainably and in accordance with Vitruvius’s principle?

2022 ◽  
Author(s):  
◽  
Akito Kamiya
Keyword(s):  
Sustainable Design ◽  
The Other ◽  
Architectural Style ◽  
Functional Architecture ◽  
Architectural Form ◽  
The World ◽  
Building Components ◽  
Complex Architecture ◽  
The Relationship ◽  
Bilbao Effect

<p>The economy of a region could potentially be enhanced if numerous travelers were attracted by the architecture, and it couldalso lead to improving the economy of the nation. This thesis considers three primary aspects which are Vitruvius’s principleand the relationship to “form follows function”, the sustainable design, and the Bilbao effect. Furthermore, Vitruvius’s principle has consisted of “the strength”, “the utility”, and “the beauty”, historically. In this thesis, the proposed building which is thecombination of museum, concert hall and accommodation is to fulfill those three primary aspects. However, many problemscould currently be identified in architecture. For instance, there has been fuzzy understanding of what architecture meansauthentically. In addition, while some complex architecture exists in the world, there are many different approaches to designit. As the methodology of this thesis-project, the concept which is to affect the proposed architecture will be determined. Inthis case, the meanings of the proposed site will be discovered. Subsequently, the experimentation of architectural forms willbe conducted with integrating the meanings into the forms. The forms created manually will be digitized by the software andthe plug-in, Rhinoceros and Grasshopper. Subsequent to the finalization of the architectural form, the environmental andbuilding-performance simulations will be executed by the other plug-ins, Honeybee and Ladybug. Besides the literature andprecedent review, the sustainable strategies will be specified, being based on the result of the simulations. Then, the architectural form will be customized with the necessary building components in order to become functional architecture as the developed design. As a result, the architecture which could potentially invoke a Bilbao effect with the sustainability and Vitruvius’s principle will be designed in this thesis. In the future, complex architecture which resembles Guggenheim MuseumBilbao will be able to be designed less difficultly, with integrating the sustainable aspect and the authentic architectural style.</p>

scholarly journals How could a work of architecture that is designed to evoke a Bilbao effect be designed sustainably and in accordance with Vitruvius’s principle?

2022 ◽  
Author(s):  
◽  
Akito Kamiya
Keyword(s):  
Sustainable Design ◽  
The Other ◽  
Architectural Style ◽  
Functional Architecture ◽  
Architectural Form ◽  
The World ◽  
Building Components ◽  
Complex Architecture ◽  
The Relationship ◽  
Bilbao Effect

<p>The economy of a region could potentially be enhanced if numerous travelers were attracted by the architecture, and it couldalso lead to improving the economy of the nation. This thesis considers three primary aspects which are Vitruvius’s principleand the relationship to “form follows function”, the sustainable design, and the Bilbao effect. Furthermore, Vitruvius’s principle has consisted of “the strength”, “the utility”, and “the beauty”, historically. In this thesis, the proposed building which is thecombination of museum, concert hall and accommodation is to fulfill those three primary aspects. However, many problemscould currently be identified in architecture. For instance, there has been fuzzy understanding of what architecture meansauthentically. In addition, while some complex architecture exists in the world, there are many different approaches to designit. As the methodology of this thesis-project, the concept which is to affect the proposed architecture will be determined. Inthis case, the meanings of the proposed site will be discovered. Subsequently, the experimentation of architectural forms willbe conducted with integrating the meanings into the forms. The forms created manually will be digitized by the software andthe plug-in, Rhinoceros and Grasshopper. Subsequent to the finalization of the architectural form, the environmental andbuilding-performance simulations will be executed by the other plug-ins, Honeybee and Ladybug. Besides the literature andprecedent review, the sustainable strategies will be specified, being based on the result of the simulations. Then, the architectural form will be customized with the necessary building components in order to become functional architecture as the developed design. As a result, the architecture which could potentially invoke a Bilbao effect with the sustainability and Vitruvius’s principle will be designed in this thesis. In the future, complex architecture which resembles Guggenheim MuseumBilbao will be able to be designed less difficultly, with integrating the sustainable aspect and the authentic architectural style.</p>

The New Historicism

2018 ◽  
Author(s):  
Marjorie Levinson
Keyword(s):  
Dialectical Materialism ◽  
The Other ◽  
New Historicism ◽  
Turn On ◽  
The World ◽  
Previous Decade ◽  
Critical Turn ◽  
The Relationship

Chapter 2 studies the relationship between historicism and Romanticism. It locates the two between Enlightenment materialism, on one side, and Marxian historical and dialectical materialism, on the other. In so doing, it isolates a paradox of materialism—namely, its production of the very concepts that undo it. These include the ideas of knowing as dissociated conceptual activity, and consciousness as absolute negativity. Romanticism and historicism, it is argued, represent solutions to a common problem—a claim defended through a reading of Wordsworth’s sonnet “The world is too much with us.” In considering how we position ourselves in relation to past literature, the chapter evaluates the choices between contemplation and empathy, knowledge and power, blame and defense. As such, it represents the first move in a self-critical turn on the new historicist method that had shaped the author’s—and part of the field’s—work in the previous decade.

Interpreting the Inter-Christian Relationship and Dialogue with Monotheistic Religions in the Document For the Life of the World

2021 ◽  
Vol 78 (4) ◽  
pp. 408-417
Author(s):  
Nicu Dumitraşcu
Keyword(s):  
The Other ◽  
Orthodox Church ◽  
Contemporary Society ◽  
The World ◽  
The Relationship

In this article I briefly examine chapter 6 of the document For the Life of the World issued by the Ecumenical Patriarchate concerning “ecumenical relations and relations with the other faiths.” In the first part, I discuss the relationship between the Orthodox Church and other Christian denominations, and in the second, the dialogue with Judaism and Islam. The document has an optimistic, inspiring, and hopeful tone, but it will simply remain an idealistic statement without a major echo inside of the Christian world and contemporary society.

scholarly journals FOREST IN THE BASHKIRS' VIEW OF THE WORLD

2022 ◽  
pp. 33-40
Author(s):  
Ю. А. Абсалямова
Keyword(s):  
World View ◽  
Construction Materials ◽  
The Other ◽  
Aesthetic Perception ◽  
Food Protection ◽  
Other Hand ◽  
The World ◽  
Other World ◽  
The One ◽  
The Relationship

В статье анализируются особенности восприятия лесного пространства башкирами. На основе языковых, фольклорных материалов сделана попытка раскрыть различные аспекты взаимоотношений лес - человек, образ леса в картине мира башкир. Как и в большинстве традиционных культур, в целом мифологический образ леса носит отрицательный характер. В фольклоре он часто описывается как тёмный, мрачный, неизвестный, таящий опасности, противопоставляясь обжитому и освоенному пространству селений. Лесной пандемониум также представлен в основном отрицательными персонажами. В целом образ леса в традиционной картине мира башкир предстаёт довольно неоднозначным. С одной стороны - это категория, связанная с потусторонним миром, неизведанная, «чужая» территория. С другой - лес издавна являлся источником различных благ - в виде строительного материала, пушнины, различных продуктов питания, укрывал от врагов. The article analyzes the features of Bashkirs' perception of the forest space. On the basis of the materials of the epos, folklore, folk ideas, an attempt was made to reveal the various aspects of the relationship between forest and man, the image of the forest in Bashkirs' world view. As in most traditional cultures, the mythological image of the forest as a whole is negative. In folklore, it is often described as dark, gloomy, unknown, fraught with danger, being contrasted with the inhabited and developed space of the villages. The forest pandemonium is also represented mainly by negative characters. On the other hand, in the domestic perception forest is valued for the benefits derived from it: shelter, food, protection from enemies. In addition, Bashkirs, distinguished by a developed aesthetic perception and contemplative thinking, appreciated its beauty, which is also reflected in folklore. In general, the image of forest in the Bashkirs' traditional view of the world appears rather ambiguous. On the one hand, it is the category associated with the other world, unknown, «foreign» territory. On the other hand, the forest has long been a source of various benefits - in the form of construction materials, furs, various food products, and it sheltered them from enemies.

scholarly journals MEREFLEKSIKAN TUHAN DALAM PERSPEKTIF METAFISIKA, DAN RELEVASINYA BAGI MULTIKULTURALISME INDONESIA

2018 ◽  
Vol 16 (8) ◽  
pp. 3-18
Author(s):  
Agustinus Wisnu Dewantara
Keyword(s):  
Human Mind ◽  
The Other ◽  
Human Language ◽  
Relationship With God ◽  
Human Thought ◽  
The World ◽  
The One ◽  
Analogical Approach ◽  
Human Intellect ◽  
The Relationship

Talking about God can not be separated from the activity of human thought. Activity is the heart of metaphysics. Searching religious authenticity tends to lead to a leap in harsh encounter with other religions. This interfaith encounter harsh posed a dilemma. Why? Because on the one hand religion is the peacemaker, but on the other hand it’s has of encouraging conflict and even violence. Understanding God is not quite done only by understanding the religion dogma, but to understand God rationally it is needed. It is true that humans understand the world according to his own ego, but it is not simultaneously affirm that God is only a projection of the human mind. Humans understand things outside of himself because no awareness of it. On this side of metaphysics finds itself. Analogical approach allows humans to approach and express God metaphysically. Human clearly can not express the reality of the divine in human language, but with the human intellect is able to reflect something about the relationship with God. Analogy allows humans to enter the metaphysical discussion about God. People who are at this point should come to the understanding that God is the Same One More From My mind, The Impossible is defined, the Supreme Mystery, and infinitely far above any human thoughts.

scholarly journals Poetic Storytelling in Contemporary Photography. Relation to Nature and the Poesis of Everyday Life in Works of Selected Artist in Iceland and Other Nordic Countries

Arts ◽  
2020 ◽  
Vol 9 (4) ◽  
pp. 129
Author(s):  
Sigrún Alba Sigurðardóttir
Keyword(s):  
Everyday Life ◽  
Nordic Countries ◽  
The Other ◽  
The Past ◽  
The World ◽  
Phenomenological Perspective ◽  
The One ◽  
Climate Crisis ◽  
The Relationship ◽  
Narrative Medium

The past 20 years have seen a shift in Icelandic photography from postmodern aesthetics towards a more phenomenological perspective that explores the relationship between subjective and affective truth on the one hand, and the outside world on the other hand. Rather than telling a story about the world as it is or as the photographer wants it to appear, the focus is on communicating with the world, and with the viewer. The photograph is seen as a creative medium that can be used to reflect how we experience and make sense of the world, or how we are and dwell in the world. In this paper, I introduce the theme of poetic storytelling in the context of contemporary photography in Iceland and other Nordic Countries. Poetic storytelling is a term I have been developing to describe a certain lyrical way to use a photograph as a narrative medium in reaction to the climate crisis and to a general lack of relation to oneself and to the world in times of increased acceleration in the society. In my article I analyze works by a few leading Icelandic photographers (Katrín Elvarsdóttir, Heiða Helgadóttir and Hallgerður Hallgrímsdóttir) and put them in context with works by artists from Denmark (Joakim Eskildsen, Christina Capetillo and Astrid Kruse Jensen), Sweden (Helene Schmitz) and Finland (Hertta Kiiski) artists within the frame of poetic storytelling. Poetic storytelling is about a way to use a photograph as a narrative medium in an attempt to grasp a reality which is neither fully objective nor subjective, but rather a bit of both.

scholarly journals Cognition on the Relation between the “Ego” and the “Other” in Science Fiction Movies

2020 ◽  
Vol 7 (2) ◽  
pp. 11
Author(s):  
Yan Jun
Keyword(s):  
Science Fiction ◽  
The Other ◽  
The World ◽  
The Relationship

Mankind is always trapped in the introspection in one’s identity and the relationship with others, about which, many philosophers and psychologists like Feud and Lacan, have established various theories. Many science fiction movies can function as allegorical stories for the interpretation of those theories about the two concepts and their relation. Deep probing and comprehensive analyses of those movies in light of Feud’s and Lacan’s theories about the “ego” and the “other” make it easy to see that the “ego” has an intricating relation with the “other”, which symbolizes both other people, the world and the ego itself. The “other” is intimidating to the “ego”, but the integrity with it is also what the ego pursuits. So, for the harmony between the “ego” and the “other”, the “ego” should pursuit its integrity with the “other”, while confirming its own identity.

The Time Perception in Contemporary

2017 ◽  
Vol 41 (S1) ◽  
pp. S717-S717
Author(s):  
D.F. Burgese ◽  
D.P. Bassitt ◽  
D. Ceron-Litvoc ◽  
G.B. Liberali
Keyword(s):  
New Technologies ◽  
New Technology ◽  
The Self ◽  
The Other ◽  
The Past ◽  
The World ◽  
Relationship Processes ◽  
Competing Interest ◽  
New Phenomena ◽  
The Relationship

With the advent of new technologies, the man begins to experience a significant change in the perception of the other, time and space. The acceleration of time promoted by new technology does not allow the exercise of affection for the consolidation of ties, relations take narcissists hues seeking immediate gratification and the other is understood as a continuation of the self, the pursuit of pleasure. It is the acceleration of time, again, which leads man to present the need for immediate, always looking for the new – not new – in an attempt to fill an inner space that is emptied. The retention of concepts and pre-stressing of temporality are liquefied, become fleeting. We learn to live in the world and the relationship with the other in a frivolous and superficial way. The psychic structure, facing new phenomena experienced, loses temporalize capacity and expand its spatiality, it becomes pathological. Post-modern inability to retain the past, to analyze the information received and reflect, is one of the responsible for the mental illness of today's society. From a temporality range of proper functioning, the relationship processes with you and your peers will have the necessary support to become viable and healthy.Disclosure of interestThe authors have not supplied their declaration of competing interest.

Materialisms

2015 ◽  
Author(s):  
Elizabeth Wingrove
Keyword(s):  
The Other ◽  
Historical Materialist ◽  
Theoretical Inquiry ◽  
New Materialisms ◽  
The World ◽  
Feminist New Materialisms ◽  
The Relationship ◽  
Interpretive Frameworks

This chapter explores the diverse, sometimes discordant ways in which commitments to materialism have shaped feminist theoretical inquiry. Focusing on two alternative interpretive frameworks—historical materialist feminisms (HMF) and feminist new materialisms (FNM)—the chapter considers how distinct understandings of “materiality” sustain alternative accounts of agency, power, and difference. The chapter aims to highlight how these appeals to markedly different notions of a material “real” lead to markedly different interpretive grammars: one (HMF) emphasizing systematicity and the durability of structured relations, the other (FNM) emphasizing indeterminacy, flux, and the “messiness” of the world. Among the stakes identified in these interpretive differences are how physical bodies, processes of embodiment, and nature figure in feminist analyses; how the relationship between matter and representational systems is conceptualized; and whether oppression should serve as a central or secondary locus of analytic concern.

Sex Inequality and Bias in Sex Differences Research

1987 ◽  
Vol 13 ◽  
pp. 24-39 ◽  
Author(s):  
Alison M. Jaggar
Keyword(s):  
Sex Differences ◽  
Scientific Discourse ◽  
Sibling Rivalry ◽  
The Other ◽  
Scientific Advance ◽  
The World ◽  
Siamese Twin ◽  
The Right ◽  
Relationship Of ◽  
The Relationship

The relationship of philosophy to science is a matter of long historical dispute. Philosophy has been described variously as the mother, the queen or the handmaiden of science, depending on whether the philosopher’s role was perceived as that of giving birth to science, of regulating and legitimating scientific discourse or of clearing the conceptual underbrush in the way of scientific advance. This essay, by contrast, is grounded on a conception of philosophy and science as partners or sisters, perhaps even as Siamese twin sisters, both proceeding from the same impulse to understand ourselves and the world and to change both for the better. Occasionally relations between philosophy and science have been marred by sibling rivalry, with each sister claiming the right to control and limit the pretensions of the other. In fact, however, philosophy and science are interdependent and ultimately inseparable. To borrow a famous slogan from another context: science without philosophy is blind; philosophy without science is empty.

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