scholarly journals Analisis Perspektif Psikologi Tokoh Silas Marner dalam Novel Silas Marner Karya George Eliot

2020 ◽  
Vol 6 (2) ◽  
pp. 593-599
Author(s):  
Heni

A literary work is a form of the author's imagination written with a background in various fields of life. The characters in a literary story also have the same problems as humans in real life. The author, in writing a story, is motivated by the conditions and environment that exist around him and affects him. The story in a novel, short story, or poetry reflects various aspects of human life. Literary works will present a story that can be viewed from various points of view, including from a psychological perspective. We can examine each character from a psychological point of view. How the character's psychological condition will appear from a story that can be examined by looking at the character's behavior, how he relates to other characters, and how he deals with problems in his life. George Eliot's Silas Marner novel is an interesting story which can be examined from a psychological point of view, namely the psychology of existentialism. Silas Marner's character in this novel will be analyzed from a psychological perspective. How Silas Marner's character in self-existence will appear in the psychology of existentialism.

2021 ◽  
Vol 2021 ii (15) ◽  
pp. 146-182
Author(s):  
Haroula Hatzimihail ◽  
Ioannis Pantelidis

In this announcement, the various –linguistic and non-linguistic- symbols used in the literary work 'Around the world in 80 days', written by Jules Verne, are examined from an intertemporal and contemporary point of view. The references through these points of view, in matters of multiculturalism and multilingualism, are becoming classical in nature: they concern the necessity of the applied ability to communicate between individuals who belong to different social classes and age groups, speak the same or different languages, come from different cultures, with rights and obligations in their various areas of life, etc. Key-words: linguistics, multilingualism, multiculturalism, semiotics, semiotic systems, symbols


Author(s):  
Yeter Beris ◽  
◽  
İsmail Erim Gulacti ◽  

Contemporary artists have included classical methods together with innovative digital printing technologies to their artistic manufactures and thus their technological production interactions have been reflected on current art as well. Today’s artists have also been in collaboration with each other by involving the digital printing technologies which kept advancing during the recent 20 years in their works of art just like Degas and Manzi did in their relationships of production partnerships in 19th Century. Besides, those opinions which originated from modernism ideas and movements consist of the core of this cooperation post Industrial Revolution era. Therefore, the concept of nationalism, the devastating consequences of the world wars and the latest industrial and technological advancements have all transformed human life irreversibly. Consequently, during this transformation era, various significant movements of art such as Impressionism and Expressionism emerged in the 20th century and representatives of those art movements substituted such a lot of printmaking practices in their works of art. None of those mentioned above took place in other previous movements of art. They reflected their points of view that they display social movements and none of the other artists who represent other senses of art have ever exhibited such a lot of printmaking practices. Thus, various printing technologies which present a new laboratory environment to the artists. As a result of this, printing technologies have been preferred as a sort of new artistic media value and it started to take its prominent place in collections of art as well as in museums during artistic presentations. Within this context, this article aims at studying the phenomenon of art by considering how it has changed during the historical process by examining those works of art which reveal these variations. Common production and working techniques in traditional printmaking, contributions of the technological advantages to the artistic manufacture. Besides, periodical innovations will be examined and presented by introducing an updated point of view to the topic within the content of this article that contain some citations from the second part of the thesis titled “Effects of fine art printmaking on the phenomenon of contemporary art”.


2021 ◽  
Vol 12 (1Sup1) ◽  
pp. 238-256
Author(s):  
Rarita Mihail

Moral sentimentalism can be defined as the philosophical theory according to which emotions are the source of our value judgements, in general, and of our moral judgements, in particular. It follows that, from a historical and conceptual point of view, moral sentimentalism has emerged and developed in opposition to moral rationalism, according to which reason allows us to formulate and understand value judgments from a psychological point of view and is also the source of our axiological knowledge from an epistemic point of view. In this article we present the theoretical issues related to the sentimentalist approach to morality and evaluative judgments, starting from the diverse theories of the classical representatives of sentimentalism, Shaftesbury, Hutcheson, Hume and Smith, and especially the three theses they defended: psychological perspective, the theory of moral sense and the theory of moral feelings. I also argue that the first moral sentimentalism emerged from the confrontation of three distinct aporia: the first aporia refers to the conceptualization of emotions and emotional states; the second deals with the possibility of axiological knowledge; and the third refers to the nature and existence of values. Finally, we are interested in the birth of sentimentalism in order to highlight a series of difficulties inherent in this theoretical approach and which we find today in contemporary moral sentimentalism. The aim is to highlight the conceptual and argumentative tensions that were at the heart of sentimentalism at its emergence.


Neophilology ◽  
2020 ◽  
pp. 385-392
Author(s):  
Yuee Guan

We consider the problems of composing a literary text based on the material of texts by B.A. Uspenskiy. It is proved that as a compositional possibility in the formation of a work can be elicit one or many points of view from which the narration in the literary work is conducted on the concept of “polyphonic collegiality”, in the other words, it finds expression both “internal” (with respect to the work) and “external” points of view on how the point of view of collegiality in the text is understood and determined. Collegiality is one of the main characteristics of the Russian national spirit, which has a telling Impact not only on the creative thoughts of Russian writers, but also on the thinking of Russian theorists in the construction of literary theories. It is justified that the poetics of B.A. Uspenskiy's composition is a continuation and development of M.M. Bakhtin's theory, that M.M. Bakhtin's polyphony is only one of the components in the relation of various points of view in ideological terms. According to B.A. Uspenskiy, the composition of literary text is a multidimensional spatial “free and organic unity”, consisting of multifaceted points of view, possessing both their relative independence and interconnected among themselves.


1944 ◽  
Vol 37 (8) ◽  
pp. 341-346
Author(s):  
H. V. Baravalle

The psychological point of view focuses primarily on the effect which the learning of a subject has on the mind itself. It seeks to find out the creative impulses which can be conveyed, for instance, through the lessons of arithmetic during the various grades.


2020 ◽  
Vol 3 (1) ◽  
pp. 74-81
Author(s):  
Indra Aditya Arsyad Suni

Karya sastra yang berjenis drama menjadi mimik untuk jendela kehidupan nyata. Dalam naskah drama Badai Sepanjang Malam karya Max Arifin tergambar bagaimana idealisme yang tinggi mampu dipatahkan oleh pahitnya kehidupan. Mental serta keteguhan hati nurani dipertaruhkan di atas sebuah idealisme. Penulis mengkaji salah satu naskah drama, yaitu naskah drama Badai Sepanjang Malam karya Max Arifin melalui pendekatan prakmatik dari sudut pandang psikologi. Karena dalam naskah drama Badai Sepanjang Malam karya Max Arifin terdapat konflik batin yang sangat rumit. Sumber data penelitian di dapat dari kutipan-kutipan dialog naskah drama Badai Sepanjang Malam karya Max Arifin. Metode yang digunakan penulis memakai metode penelitian deskriptif kualitatif. Dengan hal tersebut penulis berharap dapat memberikan kajian yang objektif.   Literary works that are of the type of drama become the expression for the window of real life. In the drama drama Badai Sepanjang Malam Max Arifin's work illustrates how high idealism can be broken by the bitterness of life. Mental and perseverance are at stake above an idealism. The author examines one of the drama scripts, namely the drama script Badai Sepanjang Malam by Max Arifin through a pragmatic approach from a psychological point of view. Because in the drama script Badai Sepanjang Malam Max Arifin's work contains a very complicated inner conflict. The source of research data can be obtained from dialogues from Max Arifin's drama drama dialogues by Badai Sepanjang Malam. The method used by the author uses descriptive qualitative research methods. With this the authors hope to provide an objective study.


Author(s):  
Monica Intan Sari ◽  
Henrikus Joko Yulianto

This study was aimed to discover the types of processes used and how they influence the author’s writing style in Oscar Wilde’s short story entitled “The Happy Prince”. The methodology used in this study was descriptive-qualitative so the analysis was presented in the form of words, phrases, sentences, and utterances. The study focused on discourse analysis employing ideational function approach, which analyzed the short story from the point of view of linguistics especially Transitivity, a theory developed by M. A. K. Halliday. As a result, there were seven types of processes found in the story namely material, mental, behavioral, verbal, relational, existential, and meteorological. The results of the study showed that material process was the most frequently used process (37%) conducted by the author. Yet, the six others were each employed for about 1% - 25%. This indicated that the use of the type of process influenced the writing style of the author in constructing the story where the different process emphasized different portrayal. The use of material process as the most dominant process might reflect the author’s eagerness to do what he cannot do in his real life. However, it was also supported by the author’s previous career and achievement as a journalist, editor, and critic before he wrote the story. Ultimately, the researcher found that Oscar Wilde’s writing style incorporates the vivid descriptions, aesthetic appearance, conversational style, repetitive pattern, simple and clear language.   Keywords: Oscar Wilde; Writing Style; Discourse Analysis; Ideational Meaning; Transitivity


Author(s):  
Volodymyr Antofiichuk

The paper deals with the story “Za hotar” (“Beyond the Boundary”) by Olha Kobylianska from the point of view of modernist sacral aesthetics, since, as it has been observed, its architectonic structure comprises the parable of the Good Samaritan. It is proven that the relationship between the parable and the story is displayed at different levels of the literary text. The plot of the story “Za hotar” has many obvious parallels with the Christ’s parable, down to the coincidences in the image of a merciless priest. The modernist sacral perspective of the literary work by Olha Kobylianska makes it possible not only to observe the presence of hidden signs of the New Testament parable, but also to interpret the possibility of a genre shift. This procedure allows denoting this literary work not as an essay, but as a short story, since the parable of the Good Samaritan has a characteristic feature of a short story (its main idea is represented in showing mercy by one of the Samaritans, who in biblical times were considered as people lacking any sympathy towards strangers). The work by Olha Kobylianska provides an extremely powerful and philosophically deep insight. The plot includes the death of a daughter. On the one hand, it is perceived as quite substantiated (the child ran outdoors undressed in winter), but in terms of the mystical perspective it becomes a symbol of Christian mercy, or even a Christian self-sacrifice. Thus, the literary work “Za hotar” by Olha Kobylianska is based on the architectonical ground of the parable about the Good Samaritan. From the realistic perspective it may be interpreted as an essay revealing the mental traditions, everyday life, ideological foundations of the Bukovynian village contemporary for the writer. Although it becomes a parable in the modernist sacral perspective, which hides the fundamental gospel basis behind a realistic plot.


2019 ◽  
Vol 3 (2) ◽  
pp. 45-55
Author(s):  
Sabah Haji ◽  
Fakhir Mohammed

This study explores the use of presuppositions in the Kurdish short story, Zilkê Şixatê (The Matchstick), which is written in Northern Kurmanji dialect (hence, NK) by Isma’il Hajani. It attempts to determine which type of presupposition is the most recurring one in the short story and why it is so. The data in this study are analyzed descriptively and qualitatively. Yule’s (2006) classification which divides presupposition into six types has been employed: existential, factive, non-factive, lexical, structural, and counterfactual. The data of the research are sentences which contain presupposition triggers (i.e. linguistic forms to mark presuppositions). Applying the formula presented by Oktoma and Mardiyono (2013: 79), the results obtained throughout this paper show that different types of presuppositions have different percentages from the total number of presuppositions. They are (94) in number. It is noted that the most dominant type of presupposition used in the short story is the existential presupposition, manifesting definite descriptions of facts about real life, while the structural presuppositions have the lowest percentage. This shows that much of the story text is written to definitely describe the main theme, the characters and the events as they are. Finally, this study is particularly important because no other such studies have been conducted on the use of presuppositions in any literary work in NK. Therefore, this study occupies a crucial place in the research literature into pragmatic aspects of NK.


Author(s):  
Ioannis Koskosas ◽  
Nikolaos Sariannidis

This research investigates the role of project commitment in the context of information systems security. In doing so, the research adopts a psychological point of view by exploring and discussing the concept of project commitment in setting information security goals. Information security can be viewed as the efficient control of uncertainty arising from malicious acts intended to exploit valuable assets, and in the context of information systems the valuable assets under consideration are data. Data were collected by using an interpretive approach through in-depth interviews and observation within a single case study in Greece. The contribution of this research to interpretive information-systems consists of the study of project commitment and goal theory in an information security-management context, and its grounding within an interpretive epistemology. Ultimately, this research promotes an interdisciplinary and interorganizational theory that fosters a dialogue transcending industry-specific contexts and explores different management practices that can improve security project commitment and management in its real life context.


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