Diario de muerte de Enrique Lihn

America: il racconto di un continente | América: el relato de un continente - Biblioteca di Rassegna iberistica ◽

10.30687/978-88-6969-319-9/044 ◽

2019 ◽

Author(s):

Daniel Rojas Pachas

Keyword(s):

Literary Work ◽

Space And Time ◽

Enrique Lihn

This paper presents a reading of Enrique Lihn’s Diary of Death prioritising how the author inscribes the agony of the poetic subject in relation to the disease of the biographical subject, taking advantage of the possibilities that the autobiographical genre gives to represent death in a situated way and expose the limitations of language. Notion that Lihn developed in his literary work through self-reflexivity, situated poetry, foreignness and reflective intertextuality. Also this paper analyses the dislocation Lihn makes of the private journal, transgressing the space and time of enunciation.

Download Full-text

Sait Faik Abasıyanık’ın Seçilmiş Üç Öyküsünde Zaman, Mekân ve Ahlak

Sosyolojik Bağlam Dergisi ◽

10.52108/2757-5942.1.1.5 ◽

2020 ◽

Vol 1 (1) ◽

pp. 54-65

Author(s):

Kıvılcım Uzun ◽

Arda Arıkan

Keyword(s):

Short Stories ◽

Literary Work ◽

White Gold ◽

Space And Time ◽

Turkish Literature ◽

The Subject ◽

Temporal And Spatial

One of the most influential Turkish literature authors after the post-republic period, Sait Faik Abasıyanık pursued virtue and morality in his literary work, although literary critics have not underlined this aspect of his work. In his non-didactic and open-ended stories, the perception of morality he adopted is quite evident. Analyzing Sait Faik’s selected stories in the context of their temporal and spatial settings, this study aims to resolve the moral equation manifested. In this paper, three randomly selected short stories by Abasiyanik were studied to understand how he perceived morality and how the subject of morality is treated in his select short stories. His short stories The Old Teenager, The White Gold, and Just a Story were studied in terms of how the selected subject, morality, appears in these texts. While analyzing these stories, it is recognized that the author was affected from the space and time in and during which he lived and wrote in Istanbul.

Download Full-text

ETNOSENTRISME DALAM TENGGELAMNYA KAPAL VAN DER WIJCK KARYA HAMKA DALAM PERSPEKTIF STRUKTURASI GIDDENS

Jurnal POETIKA ◽

10.22146/poetika.v7i1.45407 ◽

2019 ◽

Vol 7 (1) ◽

pp. 90

Author(s):

Uci Elly Kholidah ◽

Siti Hardiyanti Amri

Keyword(s):

Social System ◽

Literary Work ◽

Social Activities ◽

The Novel ◽

Space And Time ◽

Literary Context ◽

Anthony Giddens ◽

Theory Of Structuration ◽

Agent Structure

Sebagai makhluk sosial, manusia saling berinteraksi dengan gugus pengetahuan dan pengalaman berbeda satu sama lain. Penelitian ini bertujuan untuk menganalisis etnosentrisme dalam novel Tenggelamnya Kapal Van der Wijck karya Hamka dengan perspektif Strukturasi Giddens. Strukturasi menolak pandangan dualisme dengan menekankan dualitas agen dan struktur. Setiap agen bertindak berdasarkan skemata atau struktur dalam ruang dan waktu tertentu. Selanjutnya, aktivitas sosial para agen tersebut memengaruhi struktur itu kembali. Dalam konteks sastra, agen merujuk pada penulis dan tokoh-tokoh yang ada di dalam karya sastra. Hasil penelitian ini menunjukkan bahwa gejala etnosentrisme melalui tindakan para tokoh dalam novel merupakan manifestasi struktur penulis. Novel Tenggelamnya Kapal Van der Wijck merupakan sarana komunikasi Hamka selaku agen yang dimotivasi oleh keinginan akan perbaikan dan perubahan terhadap struktur budaya Minangkabau. Karya ini juga mampu mengubah sistem sosial yang membentuk struktur etnosentrisme Hamka.Kata Kunci: Strukturasi; Agen; Struktur; Anthony Giddens; Tenggelamnya Kapal Van der Wijck As social beings, humans interact using a distinct set of knowledge and experiences. This research aims to analyze ethnocentrism in the novel Tenggelamnya Kapal Van der Wijck by Hamka through the perspective of Giddens’ structuration. The theory of structuration rejects the notion of dualism by highlighting the duality of agent and structure. Every agent acts on a schemata or structure in a certain space and time. Furthermore, the agents' social activities conversely affect the structure. In literary context, agents refer to both writer and characters in literary work. The result of this study indicates that the phenomenon of ethnocentrism showed through the actions of the characters in the novel isthe manifestation of the author's structure. The novel Tenggelamnya Kapal Van der Wijck is a media of communication for Hamka as an agent motivated by his desire for improvements and changes in the structure of Minangkabau culture. This work is also able to change social system that actually constructs Hamka ethnocentrism structure.Keywords: Structuration; Agent; Structure; Anthony Giddens; Tenggelamnya Kapal Van der Wijck.

Download Full-text

sobre Christopher M. Travis, Resisting Alienation. The Literary Work of Enrique Lihn y Adriana Valdés, Enrique Lihn: vistas parciales

Revista Iberoamericana ◽

10.5195/reviberoamer.2010.6766 ◽

2010 ◽

Vol 76 (232) ◽

pp. 996-1000

Author(s):

Luis Correa-Díaz

Keyword(s):

Literary Work ◽

Enrique Lihn

reseña

Download Full-text

Sense Sphere of Buddhism in the Art World in The Boundless Rice Field by Nguyen Ngoc Tu

Science and Technology Development Journal ◽

10.32508/stdj.v16i3.1645 ◽

2013 ◽

Vol 16 (3) ◽

pp. 34-42

Author(s):

Hien Thi Thu Phan

Keyword(s):

Rice Field ◽

Daily Life ◽

Literary Work ◽

Art World ◽

Rural South ◽

Space And Time ◽

Current Affairs

The philosophy of Buddhism which encourages remaining tranquil, constraining one’s hatred, cultivating and expanding one’s compassion is thoughts composed in the literary work The Boundless Rice Field by Nguyen Ngoc Tu to breathe inspiration into readers. In the poetic world of The Boundless Rice Field, the cast of characters as well as images embracing space and time are structured and built on the contrast between the darkness of hatred, destruction, termination, death, despair and light of compassion, protection, life, faith, etc. The plot is widely known as current affairs closely connected to the daily life of farmers and peasants in the rural South; however, in this work, Nguyen Ngoc Tu’s words go beyond the private, the personnal self to express a universal message of humankind full of thirst for love, tolerance and salvation.

Download Full-text

Tangga-Tangga Pendakian Menuju Ridha Allah dalam Manâzilus-Sâ`irîn ila al-Haqqil-Mubîn Karya Abû Ismâ’îl Al-Harawy: Telaah Pendidikan Sufistik

Jurnal Penelitian Pendidikan Islam ◽

10.36667/jppi.v6i1.151 ◽

2018 ◽

Vol 6 (1) ◽

pp. 1

Author(s):

Fadlil Munawwar Manshur

Keyword(s):

Literary Theory ◽

Human Life ◽

Literary Work ◽

Human Experience ◽

Time Constraints ◽

Material Objects ◽

Human Beings ◽

Human Soul ◽

Space And Time ◽

Islamic Literature

Manâzilus-Sâ`irîn ilâ al-Haqqil-Mubîn is a literary work of tasawuf which contains 100 steps of climbing to the pleasure of Allah which must be passed by man to seek His pleasure. The 100 maqâmât is divided into ten levels, each level there are ten maqam, and each maqam has their own meanings and functions. For the purposes of this study, only 20 ladders were studied due to space and time constraints. The problem in this research is how the researchers interpret and analyze the 20 steps of climbing based on the perspective of Sufism. The theory used in this research is the Islamic literary theory Taufiq Al-Hakim model that says that Islamic literature comes from Allah, dimension of worship, and mission of Islamic da'wah. Islamic literature comes from God because God is the source of all sources. The method of analysis used in this research is tasawuf method and moral method. The tasawuf method is directed at how the reader expresses the elements of the formal object contained in material objects to hone and educate the human soul and heart in worshiping God and in associating with fellow human beings. The moral method is oriented on how literature regulates human experience and assesses the extent to which experience affects its activities, namely the literary activity that produces Islamic literary works containing contents of Sufism that are suitable for the guidance of human life. The superiority of this book is also seen in the unique writing techniques because the author is able to integrate the verses of the Qur'an with his imagination so that this book of tasawuf looks strong from the way of processing the substance and from the side of the moral message. Thus, the teachings of Sufism in this book become more practical and easier to understand by the reader

Download Full-text

DALAM KIDUNG BHRAMARA SAṄU PATI

Kalangwan Jurnal Pendidikan Agama, Bahasa dan Sastra ◽

10.25078/klgw.v7i1.1075 ◽

2017 ◽

Vol 7 (1) ◽

Author(s):

I Gde Agus Dharma Putra ◽

I Gusti Made Sutjaja ◽

Ida Bagus Rai Putra ◽

I Ketut Sudarsana

Keyword(s):

Literary Work ◽

Space Time ◽

Space And Time ◽

The Sublime ◽

Subject And Object ◽

The Aesthetic

Kalangwan is state of Beauty and cause melting of the distance between the seeker and the sought after. The melting distance causes the soul to drift into the sublime beauty. Distance not only as the conception of space and time, but also the consciousness that separate subject and object. Melting distance means the dissapearance of space, time, and consciousness. Such a condition become a goal by Kawi.Bhramara Sangu Pati more like a monologue that contains the expressions of love for the godness. Love expressions of hope, disappointment, sadness, beauty, especially the longing. Such expressions are axpressed in a soft metamorphosis. Literary is a kind of literature that is still in vague areas especially for researchers.Kalangwan in this text does not stop only on the aesthetic, but also the miystical. Aesthetic because it is a literary work of a hymn that has its own prosody. Mystical because in it there are teachings, especially the teachings that can be used as death. Kalangwan in this study is the level that must be followed by those who want to achieve death. Kalangwan is not abolished, but skipped. Its like climbing a ladder, to get to the tenth step, it must be through the first, second, third and so on.

Download Full-text

Some peculiarities of opera libretto as a potential literary genre

Филология научные исследования ◽

10.7256/2454-0749.2020.2.29396 ◽

2020 ◽

pp. 37-49

Author(s):

Ilia Aruslanovich Poliakov

Keyword(s):

Literary Work ◽

Literary Text ◽

Literary Texts ◽

Literary Genre ◽

Fiction Writing ◽

Space And Time ◽

Similarities And Differences ◽

Eugene Onegin ◽

Verse Novel

This article analyzes the changes pertaining to such level of literary works as a system of characters, category of space and time, phonetic system and composition; as well as changes in epic and dramatic oeuvres in the process of transformation of the text of literary work into an opera libretto. Analysis is conducted on peculiarities of the aforementioned levels of literary text and libretto. As an example of epic work, the author selected the A. S. Pushkin’s verse novel “Eugene Onegin” and the eponymous opera composed by P. I. Tchaikovsky; as an example of dramatic work, the author picked the two poetic dramas from Pushkin’s cycle “The Stone Guest” and “The Miserly Knight” and the eponymous operas by A. Dargomyzhsky and S. V. Rachmaninoff respectively. The following methods were applied in the course of this study: comparative based on juxtaposition of musical-scenic interpretation and precedent literary text; typological for determination of patterns, classification and generalization of the results. The author comes to the conclusion that the transformation of epic and dramatic literary texts into the opera libretto has similarities and differences on all levels of the text. The possible reasons of such phenomenon are discussed. The author answers a question whether or not libretto can be attributed to as a genre of fiction writing.

Download Full-text