scholarly journals Sense Sphere of Buddhism in the Art World in The Boundless Rice Field by Nguyen Ngoc Tu

2013 ◽  
Vol 16 (3) ◽  
pp. 34-42
Author(s):  
Hien Thi Thu Phan
Keyword(s):  
Rice Field ◽  
Daily Life ◽  
Literary Work ◽  
Art World ◽  
Rural South ◽  
Space And Time ◽  
Current Affairs

The philosophy of Buddhism which encourages remaining tranquil, constraining one’s hatred, cultivating and expanding one’s compassion is thoughts composed in the literary work The Boundless Rice Field by Nguyen Ngoc Tu to breathe inspiration into readers. In the poetic world of The Boundless Rice Field, the cast of characters as well as images embracing space and time are structured and built on the contrast between the darkness of hatred, destruction, termination, death, despair and light of compassion, protection, life, faith, etc. The plot is widely known as current affairs closely connected to the daily life of farmers and peasants in the rural South; however, in this work, Nguyen Ngoc Tu’s words go beyond the private, the personnal self to express a universal message of humankind full of thirst for love, tolerance and salvation.

scholarly journals ANALISIS KOREOGRAFI TARI KETIMANG BURONG SUKU SAWANG

JOGED ◽  
2019 ◽  
Vol 13 (1) ◽  
pp. 59-72
Author(s):  
Martha Sarassati Afnal
Keyword(s):  
Sequence Comparison ◽  
Daily Life ◽  
Energy Space ◽  
Motion Pattern ◽  
Transition Sequence ◽  
Space And Time ◽  
Choreographic Analysis ◽  
Male Dancers

Tari Ketimang Burong adalah sebuah pertunjukan tari yang lahir dari masyarakat suku Sawang Belitung. Tari ini adalah tari kelompok yang ditarikan oleh 6 orang penari laki-laki dan 6 orang penari perempuan secara berpasangan. Dilihat dari gerak, pola lantai, dan syair yang dilantunkan oleh para penyanyi memberikan gambaran mengenai kehidupan keseharian masyarakat suku Sawang yang dahulunya adalah suku yang menghabiskan hidupnya di lautan lepas.  Pemahaman analisis koreografi terdiri dari prinsip-prinsip kebentukan yang meliputi: keutuhan, variasi, repetisi, transisi, rangkaian, perbandingan dan klimaks.Dengan pendekatan Koreografi yang meliputi aspek bentuk, teknik, dan isi, serta menganalisis gerak tari dari aspek tenaga, ruang, dan waktu. Ketiga konsep tersebut merupakan satu kesatuan dalam bentuk tari yang tidak dipisahkan dan merupakan satu kesatuan bentuk tari yang utuh.  Tari Ketimang Burong suku Sawang merupakan suatu tari hiburan dengan bentuk koreografi tari kelompok. Koreografi dalam tari ini memiliki motif gerak yang sangat sederhana, setiap motif geraknya dilakukan berulang-ulang. Dari kesederhanan yang terdapat dalam tari Ketimang Burong menyimpan berbagai makna disetiap hal yang terkait dengan tari tersebut, diantaranya tema, gerak, kostum, pola lantai, dan syair yang menjadi aspek penting dalam tari Ketimang Burong. This researchment analyze choreography of Ketimang Burong as a dance that comes from Sawang’s People of Belitung. This dance is a group dance that was danced by 6 male dancers and 6 female dancers in pairs. This dance is a dance that’s very closely related to daily life of the Sawang’s people. Judging from the motion, pattern of the floor, and the lyrics that sung by the singer provide an overview of the tribe of Sawang people who were former as the tribe who spend their life  in the sea.  This Researchment uses choreography appoarch, covering the aspect of form, technique, and content. And analyze the motion of dance from the aspect of energy, space, and time. The three concepts are unity in the form of dance that is not separated and is a unified whole dance form. The understanding of choreographic analysis consists of the principles of deformity which include : wholeness, variety, repetition, transition, sequence, comparison and climax.  Ketimang Burong dance of Sawang’s people is a entertainment dance where the form of choreography is a group dance. Choreography in this dance has a very simply motif, it is like every single of motion motif is done repeatedly. From the simplicity of Ketimang Burong dance, there are various meaning in ever thing related to the dance among theme are theme, motion, costume, floor pattern, and poem which become important aspect in Ketimang Burong dance.

Dickens, Industry, and Technology

2018 ◽  
pp. 435-451
Author(s):  
Richard Menke
Keyword(s):  
Public Health ◽  
Nineteenth Century ◽  
Daily Life ◽  
Spiritual Meaning ◽  
Human Power ◽  
Space And Time ◽  
Factory Production

This chapter discusses Dickens’s treatment of industry, technology, and invention, forces that were reshaping not only the culture, economics, and geography but also the texture of daily life in nineteenth-century Britain. While the growth of London and other cities demanded innovations in sanitation and public health, revolutionary technologies in transport and communication reshaped the very experience of space and time. Some of Dickens’s most vocal contemporaries saw machinery and factory production as embodying the evils of the age, but Dickens approached technology with a more hopeful sense of its ability to magnify human power, to provoke dreams and wonder, and ultimately perhaps to offer a kind of spiritual meaning. Dickens expresses this rich vision in a range of works, from novels and stories to the essays he wrote and commissioned for his journals.

scholarly journals Sait Faik Abasıyanık’ın Seçilmiş Üç Öyküsünde Zaman, Mekân ve Ahlak

2020 ◽  
Vol 1 (1) ◽  
pp. 54-65
Author(s):  
Kıvılcım Uzun ◽  
Arda Arıkan
Keyword(s):  
Short Stories ◽  
Literary Work ◽  
White Gold ◽  
Space And Time ◽  
Turkish Literature ◽  
The Subject ◽  
Temporal And Spatial

One of the most influential Turkish literature authors after the post-republic period, Sait Faik Abasıyanık pursued virtue and morality in his literary work, although literary critics have not underlined this aspect of his work. In his non-didactic and open-ended stories, the perception of morality he adopted is quite evident. Analyzing Sait Faik’s selected stories in the context of their temporal and spatial settings, this study aims to resolve the moral equation manifested. In this paper, three randomly selected short stories by Abasiyanik were studied to understand how he perceived morality and how the subject of morality is treated in his select short stories. His short stories The Old Teenager, The White Gold, and Just a Story were studied in terms of how the selected subject, morality, appears in these texts. While analyzing these stories, it is recognized that the author was affected from the space and time in and during which he lived and wrote in Istanbul.

scholarly journals Diario de muerte de Enrique Lihn

2019 ◽  
Author(s):  
Daniel Rojas Pachas
Keyword(s):  
Literary Work ◽  
Space And Time ◽  
Enrique Lihn

This paper presents a reading of Enrique Lihn’s Diary of Death prioritising how the author inscribes the agony of the poetic subject in relation to the disease of the biographical subject, taking advantage of the possibilities that the autobiographical genre gives to represent death in a situated way and expose the limitations of language. Notion that Lihn developed in his literary work through self-reflexivity, situated poetry, foreignness and reflective intertextuality. Also this paper analyses the dislocation Lihn makes of the private journal, transgressing the space and time of enunciation.

scholarly journals ETNOSENTRISME DALAM TENGGELAMNYA KAPAL VAN DER WIJCK KARYA HAMKA DALAM PERSPEKTIF STRUKTURASI GIDDENS

2019 ◽  
Vol 7 (1) ◽  
pp. 90
Author(s):  
Uci Elly Kholidah ◽  
Siti Hardiyanti Amri
Keyword(s):  
Social System ◽  
Literary Work ◽  
Social Activities ◽  
The Novel ◽  
Space And Time ◽  
Literary Context ◽  
Anthony Giddens ◽  
Theory Of Structuration ◽  
Agent Structure

Sebagai makhluk sosial, manusia saling berinteraksi dengan gugus pengetahuan dan pengalaman berbeda satu sama lain. Penelitian ini bertujuan untuk menganalisis etnosentrisme dalam novel Tenggelamnya Kapal Van der Wijck karya Hamka dengan perspektif Strukturasi Giddens. Strukturasi menolak pandangan dualisme dengan menekankan dualitas agen dan struktur. Setiap agen bertindak berdasarkan skemata atau struktur dalam ruang dan waktu tertentu. Selanjutnya, aktivitas sosial para agen tersebut memengaruhi struktur itu kembali. Dalam konteks sastra, agen merujuk pada penulis dan tokoh-tokoh yang ada di dalam karya sastra. Hasil penelitian ini menunjukkan bahwa gejala etnosentrisme melalui tindakan para tokoh dalam novel merupakan manifestasi struktur penulis. Novel Tenggelamnya Kapal Van der Wijck merupakan sarana komunikasi Hamka selaku agen yang dimotivasi oleh keinginan akan perbaikan dan perubahan terhadap struktur budaya Minangkabau. Karya ini juga mampu mengubah sistem sosial yang membentuk struktur etnosentrisme Hamka.Kata Kunci: Strukturasi; Agen; Struktur; Anthony Giddens; Tenggelamnya Kapal Van der Wijck As social beings, humans interact using a distinct set of knowledge and experiences. This research aims to analyze ethnocentrism in the novel Tenggelamnya Kapal Van der Wijck by Hamka through the perspective of Giddens’ structuration. The theory of structuration rejects the notion of dualism by highlighting the duality of agent and structure. Every agent acts on a schemata or structure in a certain space and time. Furthermore, the agents' social activities conversely affect the structure. In literary context, agents refer to both writer and characters in literary work. The result of this study indicates that the phenomenon of ethnocentrism showed through the actions of the characters in the novel isthe manifestation of the author's structure. The novel Tenggelamnya Kapal Van der Wijck is a media of communication for Hamka as an agent motivated by his desire for improvements and changes in the structure of Minangkabau culture. This work is also able to change social system that actually constructs Hamka ethnocentrism structure.Keywords: Structuration; Agent; Structure; Anthony Giddens; Tenggelamnya Kapal Van der Wijck. 

scholarly journals Semantic Analysis of River Fauna in Banjarese Proverbs, South Kalimantan, Indonesia

2017 ◽  
Vol 8 (3) ◽  
pp. 267-274
Author(s):  
Rustam Effendi
Keyword(s):  
Content Analysis ◽  
Rice Field ◽  
Semantic Analysis ◽  
Daily Life ◽  
Sea Turtle ◽  
Analysis Method ◽  
Common Toad ◽  
Content Analysis Method ◽  
And Behavior ◽  
Descriptive Method

Abstract Banjarese people live in South Kalimantan Indonesia. Basically, the Banjar culture is inseparable from the river because the river and lowland or swamp environments influence the development of Banjarese culture. Banjarese people perform many activities in the river, such as trading foods, transportating people and stuff, cultivating crops, etc. Various river based activity is a source of livelihood to support daily life. Hence, Banjarese culture, including Banjarese proverb, is associated with the river. This study aims to describe how the fauna in the river and swamp environment contribute and inspire the birth of Banjar proverbs. This research used descriptive method, a method which seeks to explain the data carefully as what was recorded from observation, informant interviews, and document. Data analysis processes use content analysis method (content analysis). The results of the study were described as follows: (i) faunas of the river environment that contribute to the formation of Banjarese proverbs include moluscs, fishes, reptiles, birds, and mammals; (ii) river fauna words/phrases that became part of the sentence in Banjarese proverbs including timpakul (The mudskipper), bakut (The marble goby), baung (The two-spot catfish), saluang (Rasbora), hundang (The shrimp), haruan (The striped snakehead), and pupuyu (The climbing perch); (iii) reptile word/phrases that became part of the sentence in Banjarese proverbs are tadung (The cobra), buhaya (The crocodile), bidawang (The flatback sea turtle), and kukura (The Bornean river turtle); (iii) bird word/phrases that became part of the sentence in Banjarese proverbs including itik japun (The duck), balibis (whistling duck), buak (The brown hawk-owl), and buburak (The Javan pond heron); (iv) swamp animal words/phrases that became part of the sentence in Banjarese proverbs including siput (The snail), hadangan (The buffalo), and pilanduk (The mouse-deer); (v) rice field fauna words/phrases that became part of the sentence in Banjarese proverbs including tikus (the mouse), baringkatak (Common toad), and haruan (The striped snakehead). All the phrases or words that became part of the sentence in the proverb describe river fauna life and behavior to make an analogy of life and Banjar human nature.

scholarly journals The Confluence in the Contemporary Art World of Literature and Postmodern Visual Arts in Jeff Vande Zande’s Landscape with Fragmented Figures

2020 ◽  
Vol 12 (5) ◽  
Author(s):  
Smriti Thakur ◽  
◽  
Dinesh Babu P ◽  
Keyword(s):  
Contemporary Art ◽  
Visual Arts ◽  
Aesthetic Experience ◽  
Interdisciplinary Approach ◽  
Literary Work ◽  
Academic Disciplines ◽  
Art World ◽  
The Novel ◽  
Contemporary World ◽  
Art Forms

The American poet, novelist and editor, Jeff Vande Zande’s Landscape with Fragmented Figures (2009) is a novel that deals with the contemporary world of art, which brings forth the intricacies of the art forms such as collage, action paintings, and drop cloths that have established a crucial distance between the present and the past world of pre-modern art. As the novel revolves around the world of postmodern visual arts and brings this subject into the literary world, it necessitates an interdisciplinary approach, which not only brings the two different academic disciplines of arts together for a critical appreciation, but also creates a new aesthetic experience in the reader, wherein visual arts is seen through the lens of literature, which helps foreground the hidden patterns and motives behind the art work, and the literary work is appreciated with a greater knowledge and understanding of the practices in and theories of the modern and postmodern art. By looking at the symbiotic relationship between visual art and literature through the novel, this study makes an attempt to contribute to the aesthetic appreciation of the engaging confluence of postmodern visual arts and literature in the contemporary world of art. By analysing the text, the study explores the phenomena that have reduced the difference between the original and copy in the contemporary art-world wherein the artist’s aesthetic sensibility seems to derive from other sources, and thus brings into critical discourse those factors that have determined the use of parody, pastiche, irony, and collage in contemporary art forms.

scholarly journals Traje e imaginário nos universos da moda e Festa de Dois de Julho: consonâncias entre ambos no processo de socialização nos espaços público e privado

Visualidades ◽  
2018 ◽  
Vol 16 (2) ◽  
Author(s):  
ISABEL CATARINA SUZART ARGOLO
Keyword(s):  
Daily Life ◽  
Shared Experience ◽  
Public And Private ◽  
The Public ◽  
Space And Time ◽  
Factors Of Influence

ResumoA concepção do traje como forma de comunicação (BARNARD, 2003) é apresentada sob um dos espectros da moda e do traje concebido para a festa cívica do Dois de Julho, em Salvador, Bahia. Propõe-se analisar a influência de suas distintas matrizes inspiradoras – o imaginário subjetivo (de quem cria a própria moda) e o repertório sígnico e simbólico (de quem constrói uma cosmética com os elementos da festa) – na experiência socialmente compartilhada no cotidiano das zonas públicas (SCHÜTZ, 2012; MAFFESOLI, 1989) e privadas (na criação de moda) e no circuito da Festa do Dois de Julho. Por sua vez, espaço e tempo são apresentados como fatores de influência neste processo de socialização e como agentes propulsores da imagética expressa no traje (BARNARD, 2003; WILSON, 1989). para a realização da pesquisa de campo.Abstract The design of the costume as a form of communication (Barnard, 2003) is presented under one of the fashion spectra and costume designed for the civic Festival of Dois de Julho in Salvador, Bahia (Brazil). It is analyzed the influence of its different inspirational matrices – the subjective imaginary (of those who creates the fashion itself) and the sign and symbolic repertoire (of who builds a cosmetic with the elements of the party) in the socially shared experience in the daily life of the public and private areas (in fashion creation) and in the circuit of the Festival of Dois de Julho. In turn, space and time are presented as factors of influence in this process of socialization and as agents propelling the imagery expressed in the costume.ResumenLa concepción del traje como forma de comunicación (BARNARD, 2003) se presenta en la gama de la moda y del traje diseñado para la fiesta cívica del Dois de Julho, en Salvador de Bahía. Se propone analizar la influencia de sus matrices inspiradoras – el imaginario subjetivo (de quien crea la propia moda) y los repertorios sígnico y simbólico (de quien construye una cosmética con los elementos de la fiesta), en la experiencia socialmente compartida en lo cotidiano de las zonas públicas y privadas (en la creación de moda) y en el circuito de la fiesta del Dois de Julho. Asimismo, el espacio y el tiempo son presentados como factores de influencia en el proceso de socialización y como agentes propulsores de la imagen expresada en el traje.

scholarly journals Tangga-Tangga Pendakian Menuju Ridha Allah dalam Manâzilus-Sâ`irîn ila al-Haqqil-Mubîn Karya Abû Ismâ’îl Al-Harawy: Telaah Pendidikan Sufistik

2018 ◽  
Vol 6 (1) ◽  
pp. 1
Author(s):  
Fadlil Munawwar Manshur
Keyword(s):  
Literary Theory ◽  
Human Life ◽  
Literary Work ◽  
Human Experience ◽  
Time Constraints ◽  
Material Objects ◽  
Human Beings ◽  
Human Soul ◽  
Space And Time ◽  
Islamic Literature

Manâzilus-Sâ`irîn ilâ al-Haqqil-Mubîn is a literary work of tasawuf which contains 100 steps of climbing to the pleasure of Allah which must be passed by man to seek His pleasure. The 100 maqâmât is divided into ten levels, each level there are ten maqam, and each maqam has their own meanings and functions. For the purposes of this study, only 20 ladders were studied due to space and time constraints. The problem in this research is how the researchers interpret and analyze the 20 steps of climbing based on the perspective of Sufism. The theory used in this research is the Islamic literary theory Taufiq Al-Hakim model that says that Islamic literature comes from Allah, dimension of worship, and mission of Islamic da'wah. Islamic literature comes from God because God is the source of all sources. The method of analysis used in this research is tasawuf method and moral method. The tasawuf method is directed at how the reader expresses the elements of the formal object contained in material objects to hone and educate the human soul and heart in worshiping God and in associating with fellow human beings. The moral method is oriented on how literature regulates human experience and assesses the extent to which experience affects its activities, namely the literary activity that produces Islamic literary works containing contents of Sufism that are suitable for the guidance of human life. The superiority of this book is also seen in the unique writing techniques because the author is able to integrate the verses of the Qur'an with his imagination so that this book of tasawuf looks strong from the way of processing the substance and from the side of the moral message. Thus, the teachings of Sufism in this book become more practical and easier to understand by the reader

Bilingualism in Gadis Pantai Novel by Pramoedya Ananta Toer

2020 ◽  
Vol 4 (2) ◽  
pp. 264-277
Author(s):  
Achmad Suherman ◽  
Agus Sulaeman
Keyword(s):  
Qualitative Research ◽  
Daily Life ◽  
Secondary Data ◽  
Literary Work ◽  
Primary Data ◽  
The Novel ◽  
Language Community ◽  
Pramoedya Ananta Toer ◽  
Data Source ◽  
Local Languages

The background of this study begins from people who rarely use monoligual language (one language). But in daily life, there are still many people who use two languages (bilingualism). People who use local languages and Indonesian language for example. The purpose of this study is to describe bilingualism in novels as a sociolinguistic study that examines language in assessment with the user community. This research is used to provide information to readers about the bilingualism in Gadis Pantai (The Girl from the Coast) by Pramoedya Ananta Toer. This study uses qualitative research with content analysis methods. The data source used in this study is primary data in the form of novel as the main data source. Secondary data of this study are reference books that support the study conducted by researchers. This research is useful for studying bilingualism in Gadis Pantai by Pramoedya Ananta. From the results of the study and discussion it can be concluded that Gadis Pantai by Pramoedya Ananta Toer contains 25 sentences in bilingualism. Bilingualism that is found is between Javanese language and Indonesian language but indonesian dominated. Bilingualism is not only found directly in the communication of the language community but also can be found in literary works. This type of literary work can be in the form of a novel. Bilingualism in novels is found in conversations between characters in the novel.

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