scholarly journals Adam Bede, Realism, the Past, and Readers in 1859

2020 ◽  
Author(s):  
Gail Marshall
Keyword(s):  
Publishing Industry ◽  
Political Context ◽  
The Novel ◽  
The Past ◽  
Adam Bede ◽  
The Social ◽  
New Form ◽  
The Way

This article gives an account of the immediate publication context of George Eliot’s first novel, Adam Bede, in terms of competing opportunities for leisure, anxieties about the reading of fiction, the publishing industry, and the social and political context of February 1859. It examines the way in which the novel engages with its first readers, specifically through its treatment of the experience of reading fiction, and the ways in which Adam Bede differs from readers’ previous experiences. The article argues that the novel’s impact is determined by its engagement with the past of its setting, and by the ways it which it encourages a historically-nuanced appreciation in its readers, and that these factors are integral to Eliot’s articulating a new form of realist fiction.

scholarly journals A new myth regarding the Great Trek: Reinvention of identity in Die pad na skuilhoek [The path toSkuilhoek] by Hans du Plessis.

Literator ◽  
2013 ◽  
Vol 34 (2) ◽  
Author(s):  
Marlies Taljard
Keyword(s):  
Social Issues ◽  
National Identities ◽  
Historical Novels ◽  
The Novel ◽  
Historical Interpretation ◽  
The Past ◽  
The Social ◽  
Social Myth ◽  
The Way

This article aims to illustrate how Hans du Plessis, in his novel Die pad na Skuilhoek [The path to Skuilhoek] (a place of shelter), subverts the way in which history had been presented in historical novels in the past by addressing social issues that contemporary readers find relevant. The first part of the article deals with the social codes that shape the identities of the main characters and how these identities are relevant in terms of the social framework within which the novel is received. In the second place the focus will shift towards Du Plessis’s representation of cultural and national identities. The question: ‘Who were the Afrikaners at the time of the Great Trek?’ will be answered with reference to these identities. In conclusion it will be pointed out how Du Plessis avoids dated practices of historical interpretation by choosing ecocrticism as the ideological framework for his novel and is, in this way, constructing a new social myth about the Great Trek.

scholarly journals Bolivia Hoy: Rupturas, inercias y desafios

2011 ◽  
Vol 18 ◽  
pp. 23-48 ◽  
Author(s):  
Pablo Stefanoni
Keyword(s):  
Political History ◽  
The Political ◽  
The Novel ◽  
Social Equality ◽  
The Past ◽  
Constituent Assembly ◽  
The Social ◽  
The Government ◽  
Vague Objective ◽  
The Way

The arrival of Evo Morales to power in January of 2006 –supported with an unprecedent 54% of the votes– marked a milestone in Bolivian political history and opened the way to an ambitious project of re-foundation of the country. Those events were translated in the call for a Constituent Assembly and in the nationalization of hydrocarbons, within the framework of a strong “ruralización de la política”. More than five years of that one triumph has passed and after a re-election with 64% of the votes in December 2009 that consolidated the “evista” hegemonyhas declined.  Now the government faces a series of challenges tied to the effective materialization of the change proposed in the re-foundational speeches. This article analyses the novel experience of “Indians in the power” centered in the tension between the changes implemented and the inertias of the past in spheres such as the democratic radicalization, the social equality, the model of development, and the political project. All these themes affected by a powerful, and yet somehow vague objective: the decolonization of the country.La llegada de Evo Morales al poder en enero de 2006 ―avalado con un inédito 54% de los votos― marcó un punto de inflexión en la historia política boliviana y abrió paso a un ambicioso proyecto de refundación del país. Esos ejes se tradujeron en la convocatoria a una Asamblea Constituyente y en la nacionalización de los hidrocarburos, en el marco de una fuerte “ruralización de la política”.  A más de cinco años de aquel triunfo y luego de una reelección con el 64% en diciembre de 2009 que consolidó la hegemonía “evista”, el gobierno enfrenta una serie de retos vinculados a la materialización efectiva del cambio propuesto en los discursos refundacionales. En este artículo se analiza esta experiencia novedosa de “los indios en el poder” centrada en la tensión entre los cambios operados y las inercias del pasado en esferas como la radicalización democrática, la igualdad social, el modelo de desarrollo y el proyecto político. Temas todos ellos atravesados por un objetivo tan poderoso como por momentos impreciso: la descolonización del país.

Argentine New Theatre: The Coming of Age of Popular Tradition

1989 ◽  
Vol 14 (2) ◽  
pp. 165-174 ◽  
Author(s):  
Claudia Kaiser-Lenoir
Keyword(s):  
Mass Culture ◽  
Coming Of Age ◽  
Political Context ◽  
Social Sector ◽  
Central Question ◽  
The Social ◽  
Dynamic Links ◽  
The Way ◽  
Popular Drama

In order to assess Argentine New Theatre and traditional popular drama as comprising a phenomenon of convergence and continuity, one needs first to examine both forms in their relationship to hegemonic culture. Culture is viewed here not in monolithic terms, but rather as defined by its organic ties to a specific socio-political context. Consequently, the central question to be addressed is the way those ties become explicit in the artistic products themselves and, most importantly, in their functionality within the social sector they are inserted in. That functionality defines the ideological line between popular and mass culture, and determines the dynamic links between the New Theatre and traditional dramatic forms, in spite of obvious differences in discourse.

Futures Honed

Futures ◽  
2021 ◽  
pp. 118-134
Author(s):  
Barbara Adam
Keyword(s):  
Social Sciences ◽  
Original Work ◽  
Collective Responsibility ◽  
The Past ◽  
Writing Theory ◽  
Time Space ◽  
The Social ◽  
The Future ◽  
Verse Form ◽  
The Way

This chapter comprises an interview between Barbara Adam and the editors, and is followed by Adam’s ‘Honing Futures’, which is presented in four short verses of distilled theory. In the interview Adam reflects on thirty-five years of futures-thinking rooted in her deeply original work on time and temporality, and her innovative response to qualitative and linear definitions of time within the social sciences. The interview continues with a discussion of the way Adam’s thinking on futures intersects in her work with ideas of ethics and collective responsibility politics and concludes with a brief rationale for writing theory in verse form. In ‘Honing Futures’, a piece of futures theory verse form, Adam charts the movements and moments in considerations of the Not Yet and futurity’s active creation: from pluralized imaginings of the future, to an increasingly tangible and narrower anticipated future, to future-making as designing and reality-creating performance. Collectively, the verses identify the varied complex interdependencies of time, space, and matter with the past and future in all iterations of honing and making futures.

The Diaspora of the Novel

1992 ◽  
Vol 2 (1) ◽  
pp. 131-146
Author(s):  
Artemis Leontis
Keyword(s):  
Uneven Development ◽  
Literary Genre ◽  
The Novel ◽  
History Of The Novel ◽  
The West ◽  
The Past ◽  
The Social ◽  
Economic Transformations ◽  
History Of ◽  
New Type

Reflection on the history of the novel usually begins with consideration of the social, political, and economic transformations within society that favored the “rise” of a new type of narrative. This remains true even with the numerous and important studies appearing during the past ten years, which relate the novel to an everbroadening spectrum of ideological issues—gender, class, race, and, most recently, nationalism. Yet a history of the genre might reflect not just on the novel’s national, but also its transnational, trajectory, its spread across the globe, away from its original points of emergence. Such a history would take into account the expansion of western markets—the growing exportation of goods and ideas, as well as of social, political, and cultural forms from the West—that promoted the novel’s importation by nonwestern societies. Furthermore, it could lead one to examine the very interesting inverse relationship between two kinds of migration, both of which are tied to the First World’s uneven “development” of the Third. In a world system that draws out natural resources in exchange for technologically mediated goods, the emigration of laborers and intellectuals from peripheral societies to the centers of power of the West and the immigration of a western literary genre into these same societies must be viewed as related phenomena.

Media Genealogy of the Contagion: Syphilis — AIDS — COVID-19

2021 ◽  
Vol 31 (1) ◽  
pp. 83-112
Keyword(s):  
Social Relationships ◽  
Sexual Relationships ◽  
Political Order ◽  
Media Technologies ◽  
The Past ◽  
Control Society ◽  
Object Based ◽  
The Social ◽  
New Form ◽  
Society Of Control

The article is devoted to a genealogy of the attitude toward viruses in social and political practice in light of the new coronavirus pandemic. The disciplinary society and the society of control have taken on a completely new configuration since the HIV crisis in the 1980s. AIDS and now COVID-19 as phenomena of social crisis have had a great impact on (sexual) relationships and have also caused a significant change in the social and political order. Epidemics and pandemics mobilize political structures and constitute power relations, thus changing the way bodies are controlled, establishing new differentiations and redefining what disease is. The authors trace the development of discourses about syphilis, AIDS and COVID-19 to describe how knowledge about the disease is being generated today; it has origins in myth and would be unthinkable without aesthetic visualization and mass media technologies. Syphilis was an exact fit for the paradigm of the disciplinary society, which stigmatized bodily pleasure and abstracted pathology by activating projection mechanisms as a sign of the Other. However, AIDS already differed significantly from that paradigm because other medical technologies are used to define HIV, and that has affected the epistemology of the disease and epidemic. The article considers HIV/AIDS as a transitional model that forms a bridge between the epidemics of the past (leprosy, plague, smallpox, syphilis) and the COVID-19 pandemic. Above all there is a change in the biopolitical regime so that bodies are no longer controlled and regulated through sexuality. COVID-19 is a new form of sociality which is not based on the exclusion of “pathological” forms of sexuality or on “deviant” or “perverted” bodies, but involves the object-based, microlevel of relations between viruses, the immune system, and the human genome, which are then mapped with distortions and substitutions onto social relationships and practices. The authors use the term “delegated control” in a new context and introduce the original term “omniopticum” to describe the new regime of biopolitics and the “control society” in the post-COVID era.

scholarly journals MODERN MIDDLE AGE IN HIGH FASHION THROUGH THE DESIGN OF ALEKSANDAR JOKSIMOVIĆ

2019 ◽  
Vol 31 (3) ◽  
pp. 777-783
Author(s):  
Dragana Frfulanović-Šomođi ◽  
Milena Savić
Keyword(s):  
Middle Age ◽  
Cultural Tradition ◽  
Clear Indication ◽  
Cultural Aspects ◽  
The Past ◽  
Historical Figures ◽  
The Social ◽  
One Step ◽  
The Creation ◽  
The Way

The design of socialist Yugoslavia received a particularly new look through the creation of Aleksandar Joksimović, which gave the new elements a traditional look, equally putting them in rank with world-famous designs of celebrated designers. This paper was created with the idea of emphasizing the importance of the creativity of Joksimović, which is within the framework of socialist norms, as an artist, remained insufficiently recognized, although his work was in the service of exclusive promotion of the cultural aspects of his country. His concept of design based on the medieval cultural tradition emerged from the framework of the then socialist clothes, and it is called grandiose exoticism. The names of the first collections given by the historical figures of medieval Serbian history are a clear indication that it is possible to draw inspiration from the past, if it is professionally approached and adequately, by contemporary trends, the audience and the market. Joksimovic's individualism, apart from design, was also reflected in the way the collection itself was modeled through models and choreographies, and clearly once again showed his step ahead of time, while the social and political circumstances forced him to stay one step behind.

scholarly journals Socialising tourism after COVID-19: reclaiming tourism as a social force?

2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Freya Higgins-Desbiolles ◽  
Bobbie Chew Bigby ◽  
Adam Doering
Keyword(s):  
Social Relations ◽  
Conceptual Analysis ◽  
The Novel ◽  
Social Force ◽  
Content Type ◽  
The Past ◽  
Ecological Justice ◽  
The Social ◽  
Novel Concept ◽  
Practical Implications

PurposeThis article considers the possibilities of and barriers to socialising tourism after the coronavirus disease 2019 (COVID-19) pandemic. Such an approach allows us to transform tourism and thereby evolve it to be of wider benefit and less damaging to societies and ecologies than has been the case under the corporatised model of tourism.Design/methodology/approachThis conceptual analysis draws on the theorisation of “tourism as a social force” and the new concept of “socialising tourism”. Using critical tourism approaches, it seeks to identify the dynamics that are evident in order to assess the possibilities for socialising tourism for social and ecological justice. It employs an Indigenous perspective that the past, present and future are interconnected in its consideration of tourism futures.FindingsCOVID-19 has fundamentally disrupted tourism, travel and affiliated industries. In dealing with the crisis, borders have been shut, lockdowns imposed and international tourism curtailed. The pandemic foregrounded the renewal of social bonds and social capacities as governments acted to prevent economic and social devastation. This disruption of normality has inspired some to envision radical transformations in tourism to address the injustices and unsustainability of tourism. Others remain sceptical of the likelihood of transformation. Indeed, phenomena such as vaccine privilege and vaccine tourism are indicators that transformations must be enabled. The authors look to New Zealand examples as hopeful indications of the ways in which tourism might be transformed for social and ecological justice.Practical implicationsThis conceptualisation could guide the industry to better stakeholder relations and sustainability.Social implicationsSocialising tourism offers a fruitful pathway to rethinking tourism through a reorientation of the social relations it fosters and thereby transforming its social impacts for the better.Originality/valueThis work engages with the novel concept of “socialising tourism”. In connecting this new theory to the older theory of “tourism as a social force”, this paper considers how COVID-19 has offered a possible transformative moment to enable more just and sustainable tourism futures.

scholarly journals Two crossbows and a carbine: Out of the commentary on A.N. and B.N. Strugatsky’s novel “Hard to be a God”

2020 ◽  
pp. 51-58
Author(s):  
Irina N. Arzamastseva ◽  
Alexander V. Kuznetsov
Keyword(s):  
Science Fiction ◽  
Research Methods ◽  
Social Problems ◽  
The Novel ◽  
The Past ◽  
The Social ◽  
Fiction Writers ◽  
History Of ◽  
Sea Monster ◽  
Intertextual Connections

The article is devoted to the study of the functions of the characters’ weapons in A.N. and B.N. Strugatsky’s novel “Hard to be a God”. It is important for writing a commentary on the prologue of the novel. The authors used the historical-typological and mythopoetic research methods. As the result of reviewing the history of words-concepts, as it made by A.N. Veselovsky, the authors managed to study the intertextual connections of “Hard to be a God” with V.T. Shalamov’s poem “Crossbow” and his story “May”, as well as N.S. Gumilev’s poem “Just looks through the cliffs...” and E. Hemingway’s play “The fifth column”. Through these connections, the image of weapons is formed in the work of science fiction writers. It is necessary to destruct the mythological enemy – the sea monster, which symbolizes the social evil within the novel framework. As we have found out, the reason for such an intricate symbolism lies in the peculiarities of the age: the image of the sea monster standing for public evil is due to historical reasons. And since the elimination of social problems by such radical methods, according to the authors, is impossible, the movement towards a bright future should be only gradual and peaceful. As in reality, weapons are fundamentally unable to perform their task. Moreover, the weapon is dangerous for its owner, which indicates the ambivalence of the image. In addition, the comparison, important for the novel “Hard to be God”, of the past and future appears the first in the comparison of crossbows and carbines, further developing by other means. Weapons are involved in creating a number of important motives: doom, the danger of using force, and interference in the course of history.

scholarly journals Poetic Frameworks and Narrative Procedures of Bosnia and Herzegovina Novels about Kulin Ban

2021 ◽  
Vol 6 (4(17)) ◽  
pp. 57-72
Author(s):  
Melida Travančić
Keyword(s):  
Past History ◽  
The Other ◽  
The Novel ◽  
Historical Events ◽  
Narrative Texts ◽  
The Past ◽  
Historical Figures ◽  
The One ◽  
The Relationship ◽  
The Way

This paperwork presents the literary constructions of Kulin Ban's personality in contemporary Bosnian literature on the example of three novels: Zlatko Topčić Kulin (1994), Mirsad Sinanović Kulin (2007), and Irfan Hrozović Sokolarov sonnet (2016). The themes of these novels are real historical events and historical figures, and we try to present the way(s) of narration and shape the image of the past and the way the past-history-literature triangle works. Documentary discourse is often involved in the relationship between faction and fiction in the novel. Yet, as can be seen from all three novels, it is a subjective discourse on the perception of Kulin Ban today and the period of his reign, a period that could be characterized as a mimetic time in which great, sudden, and radical changes take place. If the poetic extremes of postmodernist prose are on the one hand flirting with trivia, and on the other sophisticated meta- and intertextual prose, then the Bosnian-Herzegovinian romance of the personality of Kulina Ban fully confirms just such a range of stylistic-narrative tendencies of narrative texts of today's era.

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