scholarly journals Sharing Music: Social and Communal Aspects of Concert-Going

2016 ◽  
Vol 9 (2) ◽  
Author(s):  
Lucy K. Dearn ◽  
Sarah M. Price
Keyword(s):  
Chamber Music ◽  
Social Interactions ◽  
Classical Music ◽  
Symphony Orchestra ◽  
Academic Community ◽  
Cultural Institutions ◽  
The Social ◽  
Aesthetic Pleasure ◽  
Motivating Factor ◽  
Selection Of

There is increasing interest in the academic community to better understand how concert audiences experience and value live classical music (Kolb 2000; Pitts 2005; Pitts et al. 2013; Radbourne, Glow & Johanson 2013). Numerous authors have recognised the social value of concert attendance, especially important for infrequent and young attendees (Brown 2002; ACE 2004), however it is often assumed that frequent attendees are motivated by purely aesthetic reasons. Similarly, it has been acknowledged that a listener’s experience of a concert is impacted by the presence of other audience members (Pitts 2005), yet there has been little research on the nature of the ‘community’ formed by a concert audience. In this paper, we wish to share our initial findings from our two collaborative doctoral awards in partnership with a regional chamber music promoter and a regional symphony orchestra. Through questionnaires, focus groups and interviews with audience members, we have sought to add additional understanding of concert attendance as a form of socialising, the short-term communal aspects of being ‘in-audience’, and the longer-term communities that surround cultural institutions, which can be seen to be displaying fan-like qualities. We aim to demonstrate that aesthetic pleasure is never the only motivating factor behind concert attendance, even for frequent attendees, as their selection of concerts and their listening experiences are always influenced by social interactions.  

The Cypriotization of Beethoven or Beethoven’s Cypriotization: The Composer’s Traces Throughout the Foundation of the “Westernized” Cypriot Music Scene

2021 ◽  
Vol 61 (1-2) ◽  
pp. 149-159
Author(s):  
Georgia Petroudi
Keyword(s):  
Twentieth Century ◽  
Chamber Music ◽  
Cultural Context ◽  
Symphony Orchestra ◽  
Cultural Institutions ◽  
Symphony Orchestras ◽  
Music Festivals ◽  
Music Scene ◽  
Concert Programming ◽  
Concert Programs

The focus of this paper is the reception of Ludwig van Beethoven’s works at the turn of the twentieth and twenty-first centuries, from the establishment of symphony orchestras and other cultural institutions. These works include symphonic and chamber music, performed in the framework of symphonic concerts as presented by the Cyprus Symphony Orchestra and chamber music as presented by chamber music festivals. This paper will shine a light onto the preserved concert programs of the orchestras, as well as other concerts that can be traced in newspapers and other printed magazines, in order to demonstrate how Beethoven’s compositions became part of the concert programming. The rapid but simultaneously abrupt growth of the cultural scene in the twentieth century, was interweaved with what kind of compositions and what composers could be included in concert programs, taking into consideration the restrictions that governed large performances such as performers’ numbers and the diversity of instrumental players, who would support the staging of certain works. The reception of Beethoven’s works is studied in the changing local political, historical, social and cultural context.

scholarly journals Public Wi-Fi

2020 ◽  
Vol 2 (3) ◽  
pp. 17
Author(s):  
Alex Lambert ◽  
Scott McQuire ◽  
Nikos Papastergiardis
Keyword(s):  
Social Interactions ◽  
Public Space ◽  
Urban Areas ◽  
Large Scale ◽  
Public Spaces ◽  
Cultural Institutions ◽  
Social Good ◽  
City Councils ◽  
The Social ◽  
Large Scale Networks

Public Wi-Fi services are rolling out across Australia, with city councils and telcos building large-scale networks in urban areas. Questions as to the value of public Wi-Fi have never been more significant in the Australian context. In this article we explore how free Wi-Fi services offered by cultural institutions and municipalities influence public spaces, and ask how such services can engender practices which promote the social good. Drawing on ethnographic research into six Wi-Fi equipped spaces in Victoria, we find a variety of issues which influence whether a service will be popular and hence have a significant influence on public space. Services which are popular enable a range of uses, and this can add to the appeal and atmosphere of a space. However, Wi-Fi has yet to truly facilitate the kind of social interactions and rich civic placemaking we associate with the social good.

The diet selection of weaned piglets in different group sizes

1996 ◽  
Vol 1996 ◽  
pp. 9-9
Author(s):  
J.A. Dalby ◽  
M.A. Varley ◽  
J.M. Forbes ◽  
S. Jagger
Keyword(s):  
Food Intake ◽  
Social Interactions ◽  
Feeding Behaviour ◽  
Crude Protein ◽  
Diet Selection ◽  
Weaned Piglets ◽  
Feeding Experiments ◽  
The Social ◽  
Choice Feeding ◽  
Selection Of

The diet selection of weaned piglets may vary according to the social environment in which they are housed. Many choice feeding experiments have been performed with pigs housed individually, in order to monitor their food intake and preferences effectively (e.g. Kyriazakis and Emmans, 1990; Kyriazakis, Emmans and Whittemore, 1991). However commercial animals are usually housed in groups and their feeding behaviour may differ from that of individual animals as a result of social interactions (Haer and Merks, 1992). This could have associated effects on the diet selection of pigs. The intention of this experiment was to observe the behaviour and production information of pigs offered a choice of foods, that differed only in their crude protein (CP) levels, and compare this with pigs offered a single food. Pigs were housed individually, in groups of two or eight.

The diet selection of weaned piglets in different group sizes

1996 ◽  
Vol 1996 ◽  
pp. 9-9
Author(s):  
J.A. Dalby ◽  
M.A. Varley ◽  
J.M. Forbes ◽  
S. Jagger
Keyword(s):  
Food Intake ◽  
Social Interactions ◽  
Feeding Behaviour ◽  
Crude Protein ◽  
Diet Selection ◽  
Weaned Piglets ◽  
Feeding Experiments ◽  
The Social ◽  
Choice Feeding ◽  
Selection Of

The diet selection of weaned piglets may vary according to the social environment in which they are housed. Many choice feeding experiments have been performed with pigs housed individually, in order to monitor their food intake and preferences effectively (e.g. Kyriazakis and Emmans, 1990; Kyriazakis, Emmans and Whittemore, 1991). However commercial animals are usually housed in groups and their feeding behaviour may differ from that of individual animals as a result of social interactions (Haer and Merks, 1992). This could have associated effects on the diet selection of pigs. The intention of this experiment was to observe the behaviour and production information of pigs offered a choice of foods, that differed only in their crude protein (CP) levels, and compare this with pigs offered a single food. Pigs were housed individually, in groups of two or eight.

scholarly journals Sketches on the creative portrait of the composer A. B. Mulear

2021 ◽  
Author(s):  
Daniela Trocinel ◽  
Keyword(s):  
Chamber Music ◽  
Classical Music ◽  
Symphony Orchestra ◽  
Music Culture ◽  
Chamber Works ◽  
Republic Of Moldova ◽  
Wide Range ◽  
The Republic ◽  
Violin And Piano ◽  
Artistic Heritage

This article attempts to present sketches of the compositional creativity of Alexandr Boris Mulear (1922–1994), who is one of the most important figures of the music culture in the Republic of Moldova and belongs to the older generation of composers, as his glory years were between 1950 and 1980. The composer’s record contains a valuable artistic heritage that is appreciated by performers but the study of his works is not in the center of interest of musicologists yet. However, the article will present some examples of the Mulearian creativity. Analyzing the composition portfolio of A. Mulear, the author shows that chamber works predominate for the most part in his creativity, including suites, quartets, sonatas, miniatures and musical pieces, with a wide range of instrumental groups: from the duo (violin and piano, piano and voice) to the symphony orchestra. In conclusion, it is noted that the composer manifested himself in an original way in chamber music, which is more innovative and bright and reveals diverse forms of classical music in terms of style and genre.

Pablo Neruda's Transnational Modernist Networks: Colombo-Madrid-London-Buenos Aires (1927–1933)

2017 ◽  
Vol 12 (2) ◽  
pp. 198-225
Author(s):  
Patricia Novillo-Corvalán
Keyword(s):  
Chamber Music ◽  
Latin American ◽  
Buenos Aires ◽  
Cultural Institutions ◽  
Complex Composition ◽  
British Colonial ◽  
The One ◽  
Composition Process ◽  
In Transit ◽  
Standing Question

This article positions Pablo Neruda's poetry collection Residence on Earth I (written between 1925–1931 and published in 1933) as a ‘text in transit’ that allows us to trace the development of transnational modernist networks through the text's protracted physical journey from British colonial Ceylon (now Sri Lanka) to Madrid, and from José Ortega y Gasset's Revista de Occidente (The Western Review) to T. S. Eliot's The Criterion. By mapping the text's diasporic movement, I seek to reinterpret its complex composition process as part of an anti-imperialist commitment that proposes a form of aesthetic solidarity with artistic modernism in Ceylon, on the one hand, and as a vehicle through which to interrogate the reception and categorisation of Latin American writers and their cultural institutions in a British periodical such as The Criterion, on the other. I conclude with an examination of Neruda's idiosyncratic Spanish translation of Joyce's Chamber Music, which was published in the Buenos Aires little magazine Poesía in 1933, positing that this translation exercise takes to further lengths his decolonising views by giving new momentum to the long-standing question of Hiberno-Latin American relations.

Value-driven issues throughout the development of sociological theory

2020 ◽  
pp. 147-160
Author(s):  
Gulbarshyn Chepurko ◽  
Valerii Pylypenko
Keyword(s):  
Social Interactions ◽  
Social System ◽  
Sociological Theory ◽  
Social Scientists ◽  
Social Sphere ◽  
Technological Advances ◽  
The Social ◽  
The Individual ◽  
Different Levels

The paper examines and compares how the major sociological theories treat axiological issues. Value-driven topics are analysed in view of their relevance to society in times of crisis, when both societal life and the very structure of society undergo dramatic change. Nowadays, social scientists around the world are also witnessing such a change due to the emergence of alternative schools of sociological thought (non-classical, interpretive, postmodern, etc.) and, subsequently, the necessity to revise the paradigms that have been existed in sociology so far. Since the above-mentioned approaches are often used to address value-related issues, building a solid theoretical framework for these studies takes on considerable significance. Furthermore, the paradigm revision has been prompted by technological advances changing all areas of people’s lives, especially social interactions. The global human community, integral in nature, is being formed, and production of human values now matters more than production of things; hence the “expansion” of value-focused perspectives in contemporary sociology. The authors give special attention to collectivities which are higher-order units of the social system. These units are described as well-organised action systems where each individual performs his/her specific role. Just as the role of an individual is distinct from that of the collectivity (because the individual and the collectivity are different as units), so too a distinction is drawn between the value and the norm — because they represent different levels of social relationships. Values are the main connecting element between the society’s cultural system and the social sphere while norms, for the most part, belong to the social system. Values serve primarily to maintain the pattern according to which the society is functioning at a given time; norms are essential to social integration. Apart from being the means of regulating social processes and relationships, norms embody the “principles” that can be applied beyond a particular social system. The authors underline that it is important for Ukrainian sociology to keep abreast of the latest developments in the field of axiology and make good use of those ideas because this is a prerequisite for its successful integration into the global sociological community.

The Specific Features of Public Relations Maintained by Libraries, Acting as Cultural Institutions

2020 ◽  
Vol 4 (1) ◽  
pp. 145-152
Author(s):  
Radosław Molenda
Keyword(s):  
Social Media ◽  
Public Relations ◽  
Social Environment ◽  
Review Article ◽  
Cultural Institutions ◽  
Negative Stereotypes ◽  
The Public ◽  
The Social ◽  
Public Consciousness ◽  
Significant Question

Showing the specificity of the work of the contemporary library, and the variety of its tasks, which go far beyond the lending of books. The specificity of the library’s public relations concerning different aspects of its activity. The internal and external functions of the library’s public relations and their specificity. The significant question of motivating the social environment to use the offer of libraries, and simulta-neously the need to change the negative perception of the library, which discourages part of its poten-tial users from taking advantage of its services. The negative stereotypes of librarians’ work perpetuated in the public consciousness and their harmful character. The need to change the public relations of libra-ries and librarians with a view to improving the realization of the tasks they face. Showing the public relations tools which may serve to change the image of librarians and libraries with particular emphasis on social media. This article is a review article, highlighting selected research on the librarian’s stereo-type and suggesting actions that change the image of librarians and libraries.

Tanks in the Spa Town. The New Book about the Events of the Year 1968 in Czechoslovakia

2019 ◽  
Vol 14 (1-2) ◽  
pp. 278-282
Author(s):  
Kirill A. Popov
Keyword(s):  
Fiftieth Anniversary ◽  
Warsaw Pact ◽  
Scientific Event ◽  
The Social ◽  
Prague Spring ◽  
The Subject ◽  
Scientific Terms ◽  
Selection Of ◽  
Regional Perspective ◽  
The Way

This review is devoted to the monograph by Jan Nedvěd “We do not decline our heads. The events of the year 1968 in Karlovy Vary”. The Karlovy Vary municipal museum coincided its publishing with the fiftieth anniversary of the Prague spring which, considering the way of the presentation, turned the book not only to scientific event but also to the social one. The book describes sociopolitical trends in the region before the year 1968, the development of the reformist movement, the invasion and advance of the armies of the Warsaw Pact countries, and finally the decline of the reformist mood and the beginning of the normalization. Working on his writing, the author deeply studied the materials of the local archive and gathered the unique selection of the photographs depicting the passage of the soviet army through the spa town and the protest actions of its inhabitants. In the meantime, Nedvěd takes undue freedom with scientific terms, and his selection of historiography raises questions. The author bases his research on the Czech papers and scarcely uses the books of Russian origin. He also did not study the subject of the participating of the GDR’s army in the operation Danube, although these troops were concentrated on the borders of Karlovy Vary region as well. Because of this decision, there are no materials from German archives or historiography in the monograph. In general, the work lacks the width of studying its subject, but it definitively accomplishes the task of depicting the Prague spring from the regional perspective.

Philosophcal review of h. white̕s tropological theory in the context of the new philosophy of history

2020 ◽  
Vol 3 (152) ◽  
pp. 92-99
Author(s):  
S. M. Geiko ◽  
◽  
O. D. Lauta
Keyword(s):  
Modern Science ◽  
Historical Knowledge ◽  
Text Organization ◽  
The Social ◽  
History Of ◽  
Actual Material ◽  
The Common ◽  
Historical Nature ◽  
Selection Of

The article provides a philosophical analysis of the tropological theory of the history of H. White. The researcher claims that history is a specific kind of literature, and the historical works is the connection of a certain set of research and narrative operations. The first type of operation answers the question of why the event happened this way and not the other. The second operation is the social description, the narrative of events, the intellectual act of organizing the actual material. According to H. White, this is where the set of ideas and preferences of the researcher begin to work, mainly of a literary and historical nature. Explanations are the main mechanism that becomes the common thread of the narrative. The are implemented through using plot (romantic, satire, comic and tragic) and trope systems – the main stylistic forms of text organization (metaphor, metonymy, synecdoche, irony). The latter decisively influenced for result of the work historians. Historiographical style follows the tropological model, the selection of which is determined by the historian’s individual language practice. When the choice is made, the imagination is ready to create a narrative. Therefore, the historical understanding, according to H. White, can only be tropological. H. White proposes a new methodology for historical research. During the discourse, adequate speech is created to analyze historical phenomena, which the philosopher defines as prefigurative tropological movement. This is how history is revealed through the art of anthropology. Thus, H. White’s tropical history theory offers modern science f meaningful and metatheoretically significant. The structure of concepts on which the classification of historiographical styles can be based and the predictive function of philosophy regarding historical knowledge can be refined.

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