scholarly journals “Their accent is just too much”: Tracing the sonic color line in public radio production

2021 ◽  
Author(s):  
Laura Garbes
Keyword(s):  
Production Process ◽  
Color Line ◽  
Public Radio ◽  
The Public ◽  
Employees Of Color

How does the sonic color line manifest in the public radio production process? In this paper, I analyze how voices are evaluated as (in)appropriate for broadcast in a public radio story. Using 75 interviews with public radio employees of color, I identify two main points in the production process where public radio standards disproportionately exclude voices marked as nonwhite: in sourcing stories and in voicing stories. Further, these evaluations place a burden on public radio employees of color that seek to deviate from these exclusionary standards. Tracing this industry’s production process reveals the sonic color line at work in evaluating voices as (in)appropriate for the airwaves.

scholarly journals PELATIHAN MATERIAL FLOW COST ACCOUNTING (MFCA) BAGI PARA UMKM DI DKI JAKARTA

2022 ◽  
Vol 3 (2) ◽  
pp. 197-202
Author(s):  
Virna Sulfitri ◽  
Henik Hari Astuti ◽  
Budi Santosa
Keyword(s):  
Production Process ◽  
Community Service ◽  
Material Flow ◽  
Cost Accounting ◽  
Face To Face ◽  
The Public ◽  
Direct Contribution ◽  
Effectiveness And Efficiency

Community Service is one part of the direct contribution from academics, in this case the Faculty of Economics and Business, Trisakti University to the community. On this occasion the Trisakti University FEB team had the opportunity to provide training on Material Flow Cost Accounting (MFCA) for MSMEs. This training is considered important considering that the understanding of MSME actors in terms of the flow cost of material is still very minimal, so that in the implementation of their business there are still very few who apply it in the production process. This training aims to educate MSME actors in terms of flow cost accounting for the use of their production materials, MSMEs can sort out the types and types of materials to be used so as to increase the effectiveness and efficiency of production to increase sales and business profits. PKM training will be carried out using an online method considering the conditions of the COVID-19 pandemic, which until now has not allowed face-to-face/off-line training. The output of this PKM will be published to the public so that it can provide wider benefits.

The Gatekeeping of iNews.id about News on Worship in Mosques Due to the Covid-19 Pandemic

MEDIASI ◽  
2021 ◽  
Vol 2 (2) ◽  
pp. 100-107
Author(s):  
Shania Shaufa ◽  
Thalitha Sacharissa Rosyidiani
Keyword(s):  
Production Process ◽  
Media Coverage ◽  
System Level ◽  
Organizational Level ◽  
Online Media ◽  
Individual Level ◽  
The Public ◽  
The Social ◽  
The Media ◽  
The Individual

This article explains about online media iNews.id in implementing gatekeeping function. This study aims to find out how gatekeeping efforts iNews.id in the production process on the issue of preaching restrictions on worship in mosques during Ramadan in 2020. During the Covid-19 pandemic, the current media situation, especially in the midst of a crisis, encourages the public to become heavily dependent on media coverage. With a qualitative approach, researchers analyzed five levels of influence on the gatekeeping process in online media iNews.id. The results of this study show that factors that influence the way iNews.id in the production process of preaching restrictions on worship in mosques due to the Covid-19 pandemic are the individual level of media workers, the level of media routine, the organizational level, the extramedia level, and the social system level. The conclusions of this study state the most dominant levels is the organization level and the media routine level in the iNews.id.

Capital Bluegrass

2020 ◽  
Author(s):  
Kip Lornell
Keyword(s):  
Metropolitan Area ◽  
Country Music ◽  
Radio Station ◽  
Washington Dc ◽  
Public Radio ◽  
The Public ◽  
Slow Decline ◽  
General Recognition ◽  
The 1960S ◽  
Bluegrass Music

This book documents the history and development of bluegrass music in and around Washington, DC. It begins with the pre-bluegrass period of country music and ends with a description of the local scene near the end of the 2010s. Capital Bluegrass details the period when this genre became recognized locally as a separate genre within country music, which occurred shortly after the Country Gentlemen formed in 1957. This music gained a wider audience during the 1960s, when WAMU-FM began broadcasting this music and the nationally recognized magazine Bluegrass Unlimited was launched in suburban Maryland. Bluegrass flourished during the 1980s with dozens of local venues offering live bluegrass weekly and the public radio station featuring forty hours a week of bluegrass programming. Although it remains a notable genre in the Washington, DC, metropolitan area, by the 1990s bluegrass began its slow decline in popularity. By 2019, the local bluegrass community remains stable, though graying. Despite the creation of both bluegrasscountry.org and the DC Bluegrass Union, it is abundantly clear that general recognition and appreciation for bluegrass locally is well below the heights it reached some thirty-five years earlier.

Edna Lewis and the Black Roots of American Cooking

Edna Lewis ◽  
2018 ◽  
pp. 58-69
Author(s):  
Francis Lam
Keyword(s):  
New York ◽  
New York Times ◽  
Public Radio ◽  
The Public

Francis Lam, host of the public radio show The Splendid Table, shares his experience reporting on Lewis’s history and legacy for New York Times Magazine. He includes colorful details of Lewis’s life and works, while artfully portraying a woman who chose to look past life’s hardships and focus instead on its beauty.

Design and Development of Virtual Interactive System for Paper-Cut Producing Process

2014 ◽  
Vol 529 ◽  
pp. 705-709
Author(s):  
Xiao Fen Wang ◽  
Yan Zhen Wang
Keyword(s):  
Production Process ◽  
Art Education ◽  
Education And Training ◽  
Interactive System ◽  
Design And Development ◽  
The Public ◽  
Interactive Animation ◽  
And Training ◽  
Virtual Interactive

In order to satisfy the strong demands of learning paper-cut from the public and paper-cut lovers and the needs of art education and training to practical ability for children and teenagers.Taking full use of the advantages and features of 2D interactive animation, we designed and implemented a virtual interactive system based on the classification of paper-cutting technique. Learners without paper-cutting experience can master the basic techniques of paper-cutting, and appreciate the integrity of the production process of paper-cutting through this system, which will promote the inheritance and development of folk paper-cut product techniques.

Battle for the Airwaves during the First Indochina War

2021 ◽  
pp. 44-70
Author(s):  
Lonán Ó Briain
Keyword(s):  
Oral Histories ◽  
Public Radio ◽  
Declaration Of Independence ◽  
Political News ◽  
The Public ◽  
Political Ideologies ◽  
Set Up ◽  
First Time ◽  
Indochina War

The VOV proudly proclaims September 7, 1945 as the foundational date for Vietnamese public radio, when the Declaration of Independence was read out on wireless for the first time. Vietnamese technicians who had been trained by the French set up a station in Hanoi to support the Viet Minh’s independence coalition. In December 1946, the French seized control of Hanoi again and established a new station, Radio Hanoi, at Rue Richaud (now Quán Sứ street). In contrast to the exclusive European radio clubs of the 1920s and 1930s, Radio Hanoi hired a troupe of Vietnamese musicians and actors who performed live on air and at popular venues in the capital between 1948 and the early 1950s. Their programming of entertainment and news in several languages appealed to Vietnamese and non-Vietnamese alike. Meanwhile the Viet Minh resumed their broadcasts of anti-colonial rhetoric from a discrete mountain location, but they struggled to sustain the attention of their listeners. To reengage with the public and draw listeners away from Radio Hanoi, they began to program communist-themed entertainment (music, poetry, stories, and short plays) alongside political news and information. Chapter 2 draws on oral histories, archival records, and historical broadcasts to reconstruct the sonic ambience of this creative conflict. The research investigates how composers, musicians, singers, and voice actors at both stations battled to nurture a resilient and attentive radio listenership with attractive artistic outputs that were often imbued with implicit (Radio Hanoi) and explicit (Viet Minh Radio) political ideologies.

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