scholarly journals Money for Nothing? Financing the 2016 and 2020 U.S. Presidential Nomination Campaigns

2020 ◽  
pp. 39-62
Author(s):  
Maciej Turek

The aim of the paper is to analyze the relationship between campaign money and winning the 2016 and 2020 presidential nominations in the United States. While in the last two decades of the twentieth century candidates who raised most money almost always became major party nominees, the record is mixed for presidential cycles 2004-2012. By comparing various dimensions of campaign finance, including activities of candidates' campaign committees and outside groups, the Author demonstrates that while successful fundraising, resulting in dozens of millions of dollars at the disposal of candidates, seems necessary to run a competitive campaign, raising the most money is no longer pre-requisite for becoming major party presidential nominee.

Author(s):  
Juliane Hammer

American Muslims are often seen as either unassimilable immigrants or as African Americans who only “adopted” Islam as rebellion against Christian-sanctioned racist exclusion. This chapter brings into meaningful conversation these two often divided arenas of definition, agency, and political space by focusing on the categories of “Islam” and “race” and how they have been negotiated, applied, rejected, and forced by and onto various people since the eighteenth century. It shows how Muslims in the United States are both American and transnational, since the relationship between race and religion is globally negotiated. It also considers the intersections of religion and race with gender and sexuality, surveying research on Muslim slaves, naturalization cases in the early twentieth century, Noble Drew Ali and the Moorish Science Temple, the Nation of Islam, the racialization of Muslims after 9/11, and the Muslim Anti-Racism Collaborative.


2016 ◽  
Vol 15 (1) ◽  
pp. 45-59
Author(s):  
Kenneth Weisbrode

Lewis Einstein (1877–1967) was a little-known diplomat who became one of Theodore Roosevelt's closest advisers on European affairs. Roosevelt's attraction to Einstein derived not only from a keen writing style and considerable fluency in European history, literature and politics, but also from his instinct for anticipating the future of European rivalries and for the important role the United States could play there in preserving peace. The two men shared a perspective on the twentieth century that saw the United States as a central arbiter and enforcer of international order—a position the majority of Americans would accept and promote only after the Second World War. The relationship between Roosevelt and Einstein sheds light on the rising status of American diplomacy and diplomats and their self-image vis-à-vis Europe at the turn of the twentieth century.


Author(s):  
Jeffery S. McDonald

This chapter primarily analyzes the history of American Presbyterian polity from the eighteenth to twenty-first centuries, but it also gives some attention to Presbyterian polity outside the United States. It examines the Adopting Act of 1729 along with various denominational disputes and schisms. Presbyterianism was greatly affected by the First and Second Great Awakenings, which led to polarization. The schism between New Side and Old Side Presbyterians was the result of differing attitudes to conversion and issue of creedal assent. Presbyterians relationship with the Congregationalists also led to a weakening of Presbyterian polity and to differing attitudes toward evangelism. In 1837, Presbyterians split into Old School and New School parties, and thereafter Presbyterians became more reflective about their polity. The relationship between polity and theology has been a source of tension for Presbyterians, and in the twentieth century, polity was in the ascendency in American mainline Presbyterianism. Several significant twentieth-century PCUSA events reveal the dominance of polity and the resulting fracturing of American Presbyterianism.


Author(s):  
Adeana McNicholl

ABSTRACT This article traces the life of a single figure, Sufi Abdul Hamid, to bring into conversation the history of the transmission of Buddhism to the United States with the emergence of new Black religio-racial movements in the early twentieth century. It follows Hamid's activities in the 1930s to ask what Hamid's life reveals about the relationship between Buddhism and race in the United States. On the one hand, Hamid's own negotiation of his identity as a Black Orientalist illustrates the contentious process through which individuals negotiate their religio-racial identities in tension with hegemonic religio-racial frameworks. Hamid constructed a Black Orientalist identity that resignified Blackness while criticizing the racial injustice foundational to the American nation-state. His Black Orientalist identity at times resonated with global Orientalist discourses, even while being recalcitrant to the hegemonic religio-racial frameworks of white Orientalism. The subversive positioning of Hamid's Black Orientalist identity simultaneously lent itself to his racialization by others. This is illustrated through Hamid's posthumous implication in a conspiracy theory known as the “Black Buddhism Plan.” This theory drew on imaginations of a Black Pacific community formulated by both Black Americans and by government authorities who created Japanese Buddhists and new Black religio-racial movements as subjects of surveillance. The capacious nature of Hamid's religio-racial identity, on the one hand constructed and performed by Hamid himself, and on the other created in the shadow of the dominant discourses of a white racial state, demonstrates that Buddhism in the United States is always constituted by race.


Author(s):  
Lewis R. Gordon

Lewis R. Gordon argues that Wright’s writings cast light on the suffocating world produced by colonialism, enslavement, and racism, in which black people are treated as if they simply don’t matter. Wright showed that blacks in the United States are fundamentally historically excluded from the political, aesthetic, and epistemic institutions of the only world to which they are indigenous. By pulling readers into places “they wished never to go,” he demonstrated how the erosion of black political power in fact increased political impotence among humankind. Wright, argues Gordon, was particularly prescient about the relationship between the racist state and twentieth-century fascism. They jointly eradicate conditions of political appearance and freedom, replacing them with unilateral rule.


2021 ◽  
pp. 1-25
Author(s):  
TOM ARNOLD-FORSTER

The Scopes trial has long been interpreted through claims about science and religion and about individual rights and liberties. This article recovers a different debate about the trial's political history that emerged in the later 1920s and resonated down the twentieth century. Here the trial figured as a fraught national circus, which raised difficult questions about the relationship between media spectacle and cultural conflict in the United States. The trial's circus dynamics intensified the conflicts it staged without ever actually resolving them; this trap was then perceived and negotiated in different ways by contemporary liberals, conservatives, socialists, and far-right activists.


Author(s):  
Amy K. DeFalco Lippert

Pictures wielded considerable power in nineteenth-century society, shaping the way that Americans portrayed and related to one another, and presented themselves. This is not only a history through pictures, but a history of pictures: it departs from most historians’ approaches to images as self-explanatory illustrations, and instead examines those images as largely overlooked primary source evidence. Consuming Identities charts the growth of a commodified image industry in one of the most diverse and dynamic cities in the United States, from the gold rush to the turn of the twentieth century. The following chapters focus on the circulation of human representations throughout the city of San Francisco and around the world, as well as the cultural dimensions of the relationship between people, portraits, and the marketplace. In so doing, this work traces a critical moment in the shaping of individual modern identities.


2020 ◽  
Vol 89 (3) ◽  
pp. 317-346
Author(s):  
Veta Schlimgen

This article contributes to histories of formal American imperialism by telling the stories of Filipinas/os and Puerto Ricans who, after 1899, became “noncitizen American nationals.” Drawing on congressional, legal, and administrative sources, the article argues that noncitizen nationality was colonial subjecthood, a status invented to prevent island peoples from becoming U.S. citizens. Filipinas/os and Puerto Ricans were not the first U.S. colonial subjects, and this article shows how the similar status of “ward” had recently come to define the relationship between the U.S. and Native Americans. The article closes with an examination of some of the rights, liberties, opportunities, and obligations that gave substance and meaning to American colonial subjecthood in the early twentieth century.


Latin Jazz ◽  
2020 ◽  
pp. 90-112
Author(s):  
Christopher Washburne

This chapter examines the relationship between African America, Latin America, and the Caribbean through the music and its associated performance practices realized on the stage of the Apollo Theater in Harlem from 1934 to the early 2000s. Through the lens of race, nation, and ethnicity, the complex and often tenuous relations among the diverse peoples who colluded and collided on the stage of the Apollo to produce some of the most significant and influential contributions to popular cultural expression in the United States throughout the twentieth century are explored. Though the Apollo is considered one of the most significant and influential venues in the twentieth century for African American music, studying the discourse and historical narratives concerning the theater’s history and traditions reveals that the venue was also one of the most important Caribbean and Latin American stages in the United States during that time. Situated just blocks from one of the most vibrant Caribbean and Latin American neighborhoods in North America, Spanish Harlem or El Barrio, the Apollo Theater was and continues to be a nexus for intercultural exchange between African American, Latin American, and Caribbean musics.


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