scholarly journals ON THE PROBLEM OF INTERPRETING ANCIENT AND EARLY MEDIEVAL ARCHAEOLOGICAL SOURCES IN THE STUDIES ON THE HISTORY OF THE MUSICAL CULTURE OF CENTRAL ASIA

Author(s):  
Aleksandr Djumaev ◽  
Author(s):  
Yoo In Young ◽  

Sogdia is one of the oldest cultural centers not only in Uzbekistan but also in Central Asia. The development of the history of the oasis is extremely rich in historical and cultural monuments of different stages of development. We have recognized the richness of historical and cultural monuments of Zarafshan and Kashkadarya oasis because of archeological excavations in the region. The article deals with the archeological excavations carried out by researchers of the Samarkand Institute of Archeology and researchers of Samarkand State University in the early medieval monuments of Central Sughd.


2020 ◽  
Vol 48 (3-4) ◽  
pp. 13-26
Author(s):  
Brandon W. Hawk

Literature written in England between about 500 and 1100 CE attests to a wide range of traditions, although it is clear that Christian sources were the most influential. Biblical apocrypha feature prominently across this corpus of literature, as early English authors clearly relied on a range of extra-biblical texts and traditions related to works under the umbrella of what have been called “Old Testament Pseudepigrapha” and “New Testament/Christian Apocrypha." While scholars of pseudepigrapha and apocrypha have long trained their eyes upon literature from the first few centuries of early Judaism and early Christianity, the medieval period has much to offer. This article presents a survey of significant developments and key threads in the history of scholarship on apocrypha in early medieval England. My purpose is not to offer a comprehensive bibliography, but to highlight major studies that have focused on the transmission of specific apocrypha, contributed to knowledge about medieval uses of apocrypha, and shaped the field from the nineteenth century up to the present. Bringing together major publications on the subject presents a striking picture of the state of the field as well as future directions.


2019 ◽  
Vol 16 (2) ◽  
pp. 73-77
Author(s):  
Akmal Marozikov ◽  

Ceramics is an area that has a long history of making clay bowls, bowls, plates,pitchers, bowls, bowls, bowls, pots, pans, toys, building materials and much more.Pottery developed in Central Asia in the XII-XIII centuries. Rishtan school, one of the oldest cities in the Ferghana Valley, is one of the largest centers of glazed ceramics inCentral Asia. Rishtan ceramics and miniatures are widely recognized among the peoples of the world and are considered one of the oldest cities in the Ferghana Valley. The article discusses the popularity of Rishtan masters, their products made in the national style,and works of art unique to any region


Author(s):  
EVE KRAKOWSKI ◽  
SACHA STERN

Abstract Halper 331 is the fragment of a codex that has been styled the ‘oldest dated document of the Cairo Genizah’. It preserves the opening of a Jewish legal document dated to the year 1182 (Seleucid era), which appears to have been copied into this codex, probably as a formulary, not long after this date, in the late 9th century. In this article, the text of this fragment, in Aramaic and Hebrew, is edited, and its identification as the beginning of a marriage contract (ketubbah) is evaluated. Its Egyptian provenance is questioned, partly because the earliest evidence for the introduction of the Seleucid era by Jews in Egypt dates from the mid-10th century. The article surveys the history of Jewish dating methods in early medieval Egypt and the Near East, in an attempt to clarify this question. The specific date of the document deviates from the rabbinic calendar, but agrees with that of the contemporary Jewish Near Eastern sectarian groups of Abū ʿImrān al-Tiflīsī and Ismāʿīl al-ʿUkbarī; this document could thus uniquely attest one of these sectarian Jewish calendars.


2017 ◽  
Vol 54 (3) ◽  
pp. 317-338 ◽  
Author(s):  
Corinne Lefèvre

Relying on the Majalis-i Jahangiri (1608–11) by ʿAbd al-Sattar b. Qasim Lahauri, this essay explores some of the discussions the Mughal Emperor Jahangir (r. 1605–27) conducted with a wide range of scholars, from Brahmans and ʿulama to Jesuit padres and Jewish savants. By far the most numerous, the debates bearing on Islam and involving Muslim intellectuals are especially significant on several accounts. First, because they illuminate how, following in the steps of his father Akbar (r. 1556–605), Jahangir was able to conciliate his messianic claims with a strong engagement with reason and to turn this combination into a formidable instrument for confession and state building. These conversations also provide promising avenues to think afresh the socio-intellectual history of the Mughal ʿulama inasmuch as they capture the challenges and adjustments attendant on imperial patronage, depict the jockeying for influence and positions among intellectuals (particularly between Indo-Muslim and Iranian lettrés), and shed light on relatively little known figures or on unexplored facets of more prominent individuals. In addition, the specific role played by scholars hailing from Iran—and, to a lesser extent, from Central Asia—in the juridical-religious disputes of the Indian court shows how crucial inter-Asian connections and networks were in the fashioning of Mughal ideology but also the ways in which the ongoing flow of émigré ʿulama was disciplined before being incorporated into the empire.


1972 ◽  
Vol 3 (2) ◽  
pp. 169-186
Author(s):  
Yu. E Borshchevsky ◽  
Yu. E. Bregel

The history of literature in Persian has not been sufficiently studied although it is almost twelve centuries old, and was at times in widespread use in Afghanistan, Eastern Turkestan, India, Turkey and the Caucasus, as well as in Iran and Central Asia. The comparatively late development of Iranian studies and the condition of source materials are to blame for this situation.


2020 ◽  
Vol 1 (2) ◽  
pp. 176-180
Author(s):  
T. Zh. Yeginbayeva ◽  

Global processes in the musical culture of Kazakhstan are the result of the numerous events that have taken place in the country over the past 20 years. The independence of the state has become a key factor that has had a decisive impact on the economic, socio-political and cultural development of the country. We have entered a new life, which has a rich cultural heritage and was carefully preserved by our ancestors. One of the proofs is the history of Kazakh kobyz art from ancient times to the present day. Modern kobyz art is closely connected with ancient history and has a rich natural tendency for new development, based on centuries of experience. Therefore, kobyz music of the XXth–XXIst centuries absorbed the traditions of European genres and styles, and is widely used in mass music, in various directions of ethnorock, art-rock, folk and others. Two lines of development of music for kobyz and music on kobyz existed in ancient times and nowadays. From here comes the divergence of creative direction among modern composers and in ensemble performance.


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