MODERN PERFORMANCE ON THE KAZAKH KOBYZ

2020 ◽  
Vol 1 (2) ◽  
pp. 176-180
Author(s):  
T. Zh. Yeginbayeva ◽  

Global processes in the musical culture of Kazakhstan are the result of the numerous events that have taken place in the country over the past 20 years. The independence of the state has become a key factor that has had a decisive impact on the economic, socio-political and cultural development of the country. We have entered a new life, which has a rich cultural heritage and was carefully preserved by our ancestors. One of the proofs is the history of Kazakh kobyz art from ancient times to the present day. Modern kobyz art is closely connected with ancient history and has a rich natural tendency for new development, based on centuries of experience. Therefore, kobyz music of the XXth–XXIst centuries absorbed the traditions of European genres and styles, and is widely used in mass music, in various directions of ethnorock, art-rock, folk and others. Two lines of development of music for kobyz and music on kobyz existed in ancient times and nowadays. From here comes the divergence of creative direction among modern composers and in ensemble performance.

Author(s):  
Jolyon Mitchell ◽  
Joshua Rey

War and Religion: A Very Short Introduction traces the history of religion and war. Is religion a force for war or a force for peace? From the crusades to Sri Lanka's civil war, religion has been involved in some of the most terrible wars in history. Yet from the Mahabharata to just war theory, religion has also provided ethical frameworks to moderate war, while some of the bravest pacifists have been deeply religious people. Ranging from ancient history to modern day conflicts, this VSI offers a nuanced view on these issues that have had such weight in the past, and which continue to shape the present and future.


2019 ◽  
Vol 16 (2) ◽  
pp. 171-182
Author(s):  
Galina A. Eremenko

The specialists note and highly appreciate the openness to creative dialogue with different European and regional cultures in their works about the artistic history of France. In the introductory section, the article is focused on the importance of the opposite trend, developed in the 19th — early 20th century in all spheres of art. The purpose of the new movement is “national revival”, interest in the ori­gins of the great heritage of the French masters of past epochs. The author concentrates on the peculiarities of interaction between leading composers, musicians-performers and teachers with the traditions of music professionalism of the French compo­ser school. Furthermore, she explains the main reason of “back to the past” addiction by desire to preserve the unique distinction of artistic thinking in the terms of intensive cultural influences in Italy, Germany and Russia. The article provides the facts of creative activity of the leaders of “national renewal”. There are presented some journalistic statements of the leading French composers to confirm their unanimous recognition of the actual value of national classics to the future of French culture. There is explicated the pa­norama of creative experiments (C. Franck, C. Saint-Saëns, E. Satie, impressionists and composers of the “young generation”) on reconstruction of national traditions of distant epochs. The coverage of events and display of artistic phenomena of musical and cultural life of France allowed the author to form a context to consider the problem of aesthetic and stylistic character: new understanding of the phenomenon of “artistic tradition” and “dialogue with tradition” in the epoch of modernism. The comparison of diffe­rent forms of “dialogue with the past” in the Russian culture of the beginning of the 20th century and in creative works of the leader of European retrospectivisme I.F. Stravinsky gave grounds to use the concept of “passeism” to characterize the special French type of inheritance of the “lessons” of the predecessors. Introducing the concept of “passeism” in contrast to the accepted in Russian musicology “musical neoclassicism” and giving reasons of the effectiveness of its application, the author seeks to identify the idea of preser­ving soil foundations of tradition as a way of national self-identity (prosody, rhetoric, form) pertaining to the French composer school.


Author(s):  
Ivan Romaniuk ◽  

The article reviews the textbook in three parts, in which well-known authors using primarily source documents, the work of domestic and foreign researchers have revealed agrarian relations in Ukraine from ancient times to the present. Particular attention is paid to issues of change in agriculture, socio-economic life of the village, the environment of the peasantry, the daily life of the Ukrainian countryside. Knowledge of the experience of the past agrarian system can become a reliable basis for a conscious choice of optimal ways of further progress of Ukraine as a democratic and prosperous state.


Author(s):  
Maria Helena Roxo Beltran ◽  
Vera Cecilia Machline

Studies on history of science are increasingly emphasizing the important role that, since ancient times, images have had in the processes of shaping concepts, as well as registering and transmitting knowledge about nature and the arts. In the past years, we have developed at Center Simão Mathias of Studies on the History of Science (CESIMA) inquiries devoted to the analysis of images as forms of registering and transmitting knowledge about nature and the arts – that is to say, as documents pertaining to the history of science. These inquiries are grounded on the assumption that all images derive from the interaction between the artistic technique used in their manufacture and the concept intended to be expressed by them. This study enabled us to analyze distinct roles that images have had in different fields of knowledge at various ages. Some of the results obtained so far are summarized in the present article.


2020 ◽  
Vol 16 (4) ◽  
pp. 378-386
Author(s):  
Katie Johnston-Goodstar

Drawing on scientific theories of racial supremacy and efforts by Western nations to develop uncivilized races, preeminent psychologist G. Stanley Hall proposed that the bio-psychological development of children recapitulated the ancient history of mankind. Utilizing Hall’s theory, US youth organizations designed programs for young people to engage corresponding sociological stages. Using archival sources, I document how Hall’s theory, and the “playing Indian” programs established from it, secured settler colonialism by marginalizing Indigenous cultures, governance, laws and ideologies and positioning tribal societies as primitive and childlike relics of the past destined to be replaced by modern man and nation. I then introduce the specter of recapitulation and how these ideas continue to harm Indigenous communities, and exponentially harm Indigenous youth. Finally, using Ermine’s concept of ethical space, I conclude by exploring the space between knowledge systems about youth and presenting possibilities for decolonizing youth development and reimagining youthwork supportive of Indigenous youth futures.


2019 ◽  
Vol 2 (5) ◽  
pp. 98-100
Author(s):  
Yusupov Izzat Sultanovich

In this article, there was highlighted the appearance and formation of communication service in human history, especially, in Khorezm the history of development of communication system dates back to early ancient. Appearance, formation and development processes of it in Khorezm oasis covers several thousand years. In the early periods, the population of the oasis had to use various ways to satisfy their requirements of communicating and relating with each other. It is necessary to emphasize that the geographical location of the oasis also was of great importance in the appearance and peculiar development of communication service in ancient times, together with the ancient history of communications with nomadic tribes in indoor and outdoor territories and states. Because the needs of rulers for the information about the situation in dependent territories always increased after the formation of slave-owning society. The beginning of paying attention to the development of controlling the system of sending and receiving messages and organizing special systems is a process continuously connected with the emergence of writings and there appeared opportunities of sending messages and information in written form because of letters. One of the ancient communication objects, postal service was an object of sending decrees and messages and it was organized in the oasis as state system in the 5th and 4th centuries B.C.. As a result there was organized postal service along caravan roads. There was left information that news bearers and ambassadors of kings were provided with food and fast-running horses in special stops on the ways and they had their peculiar costume and order (payza) approving their profession and position. Those stops were the reason for the rise of communication to a new stage together with serving as a place where tar couriers rest and change their horses.   


Author(s):  
M. Fedorova ◽  
A. Gorchatova

The rapidly changing world around us requires constant reflection and assessment of past changes and metamorphoses in order to prepare for the challenges of the future. The speed of change today is very high and every step aimed at adapting to these changes must have an appropriate basis. The cost of errors and delay increases many times. The article presents a brief history of the evolution of the profession of architect abroad and in Russia, with an emphasis on the methods of training future architects and the disciplines studied. The retrospective analysis is aimed at identifying patterns and features of the development of professional skills from ancient times to the present. It allows us to assess how much the attitude to the profession, approaches to education and the status of the architect has changed over the past time, how gradually there was a transition from a «significant figure in society» to a «blurring of the boundaries» of the profession, its branching. The analysis of current trends presented in the second part aims to formulate the requirements for which it is necessary to prepare future specialists in the field of architecture (the development of Smart cities and co-participating design), as well as to evaluate approaches to the participation of architects in the development of Smart cities abroad.


2011 ◽  
Vol 58 (4) ◽  
pp. 9-14 ◽  
Author(s):  
Radmila Sparic ◽  
Gernot Hudelist ◽  
Milica Berisavac ◽  
Aleksandra Gudovic ◽  
Snezana Buzadzic

Hysterectomy, which is one of the most common surgeries performed on women, dates back to ancient times. The history of hysterectomy comprises biographies of many humble men and the significant individual efforts that they made to fight the skepticism of the medical communities of their times. Many of the pioneers were ignored. Although there are a number of alternatives to hysterectomy available, it remains one of the most frequently performed gynaecological operations. The introduction of antisepsis, anaesthesia, antibiotics and blood transfusion made hysterectomy a safe procedure. Nowadays, we distinguish three different surgical approaches to hysterectomy: vaginal, abdominal and laparoscopic. The limitations of conventional laparoscopy have led to the development of robotic surgery, which has evolved over the past decade from simple adjustable arms to support cameras in laparoscopic surgery to more sophisticated four-armed machines now being in use worldwide.


Author(s):  
Claudia Lambrugo

This chapter addresses three interconnected topics, beginning with a short overview of the archaeology of children and childhood in Italy, explaining how and why the Italian contribution to the topic has been very recent. The chapter then moves on to explore the relationship between modern children, Italian scholars of ancient history of art and archaeology, and museums; it notes that for a very long time Italian universities and museums have not been interested in developing didactic archaeology at all, especially when the spectators were children, whether of pre-school or older age. Finally, returning to children in the past, two noteworthy case studies of the presentation of ancient children at exhibitions are illustrated as an interesting point of convergence between current archaeological studies in Italy on childhood in the ancient world, and the newly generated need to communicate to the general public the result of research works.


2009 ◽  
Vol 6 (3) ◽  
pp. 457-484 ◽  
Author(s):  
PIERRE FORCE

This article revisits what has often been called the “naive presentism” of Voltaire's historical work. It looks at the methodological and philosophical reasons for Voltaire's deliberate focus on modern history as opposed to ancient history, his refusal to “make allowances for time” in judging the past, and his extreme selectiveness in determining the relevance of past events to world history. Voltaire's historical practice is put in the context of the quarrel of the ancients and the moderns, and considered in a tradition of universal history going back to Bossuet and leading up to nineteenth-century German historicism. Paradoxically, Voltaire is a major figure in the history of historiography not in spite of his presentism (as Ernst Cassirer and Peter Gay have argued), but because of it.


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