ARTISTIC IMAGERY AS PHENOMENON CREATION ANALITICAL MEANS IN DIFFERENT KINDS OF ARTS

ASJ. ◽  
2021 ◽  
Vol 1 (49) ◽  
pp. 14-22
Author(s):  
L. Chernitskaia
Keyword(s):  
Analytical Methods ◽  
Point Of View ◽  
Structural Elements ◽  
Artistic Creation ◽  
Artistic Image

The article treats artistic imagery from the point of view of its ability to analyse phenomenon of creation. The author states that not only scientific categories can analyse it but artistic image also can do it none the worse, and discover such aspects in the essence of phenomenon of creation that science did not consider yet. It is proved by analyses of XIX-XX century works of worldwide authors in different spheres of artistic creation: literature in prose and poem forms (Pushkin, Joyce, Sarraute, Tsvetaeva); dramaturgy (Tchechov, Bekket, Ionesco); cinema ( Fellini, Tarkovsky); painting (Picasso).The author finds links between their images using such analytical methods as structural, semiotics and comparison ones, and author’s method of metatextual invariability. It makes possible to find fundamental structural elements as invariants of analysed artistic systems. Each of them develops in his own way invariants’ semantics concerning creation phenomenology notably that of artist’s seeking his individual language as expression of his reality subjective viewing. What kind of phenomena happen then in the artist’s soul can discover only artistic imagery means; scientific categories are powerless of doing it.. The author points out at the whole set of symbols which are used as phenomenon creation analytical means in artistic discourse.

CAPRICCIOʼS GENRE IN MANDOLIN MUSIC AT THE END OF THE 19th – THE EARLY OF THE 20th CENTURIES (for example of the concert pieces by С. Munier)

2019 ◽  
pp. 60-71
Author(s):  
N. V. Bashmakova ◽  
K. V. Kravchenko
Keyword(s):  
19Th Century ◽  
Analytical Methods ◽  
17Th Century ◽  
Point Of View ◽  
Historical Approach ◽  
The Creation ◽  
Characteristic Features ◽  
Concert Works ◽  
In The Beginning ◽  
The 19Th Century

The purpose of this article is process of analyzing in reference to concert capriccio by C. Munier for mandolin with piano («Bizzarria», op. 201, Spanish сapriccio, op. 276) from the point of view of their genre specificity. Methodology. The research is based on the historical approach, which determines the specifics of the genre of Capriccio in the music of the late 19th and early 20th centuries and in the work of C. Munier; the computational and analytical methods used to identify the peculiarities of the formulation and the performing interpretation of the original concert pianos for mandolins with piano that, according to the genre orientation (according to the composerʼs remarks), are defined as capriccio. Scientific novelty. The creation of Florentine composer,61mandolinist-vertuoso and pedagog C. Munier, which made about 300 compositions, is exponential for represented scientific vector. Concert works by C. Munier for mandolin and piano, created in the capriccio genre, were not yet considered in the art of the outdoors, as the creativity and composer’s style of the famous mandolinist. Conclusions. Thus, appealing to capriccio by С. Munier, which created only two works, embodied in them virtually all the evolutionary stages of the development of genre. In his opus of this genre there are a vocal, inherent in capriccio of the 17th century solo presentation, virtuosity, originality, which were embodied in the works of 17th – 18th centuries and the national color of the 19th century is clearly expressed. Thus, the Spanish capriccio is a kind of «musical encyclopedia» of national dance, which features are characteristic features of bolero, tarantella, habanera, and so forth. The originality of opus number 201 – «Bizzarria», is embodied in the parameters of shaping (expanded cadence of the soloist in the beginning) and emphasized virtuosity, which is realized in a wide register range, a variety of technical elements.

Vídeo experimental e autorretrato

2021 ◽  
Author(s):  
Filomena Antunes Sobral ◽  
Daniela Morgado Oliveira
Keyword(s):  
Crucial Role ◽  
Point Of View ◽  
The Self ◽  
Self Awareness ◽  
Cindy Sherman ◽  
Artistic Creation ◽  
Multiple Variable ◽  
The Relationship ◽  
Theoretical Foundations ◽  
Creative Production

In the development of the relationship between the artist and his artistic creation, the deconstruction of concepts and ideas within the scope of artistic praxis leads to the reflection of the crucial role that the artist has in the conception and meaning of the work. His creative production, in turn, appropriates not only the expressive force of the author to assert itself as an artistic creation, but can also assume to be the reflection of the self, its identity and materializes in the form of self-portrait. The self-portrait expands the artist’s interiority, externalizing concerns and questions, and conveys a subjective point of view about himself and his view of art. But how does self-portrait contribute to self-awareness? And how does the artist reveal himself and communicate beyond his appearance?Based on these questions, the objective of this paper is to provide a reflection on self-portrait presenting the results of an artistic installation project that involved photographic language in the form of self-portrait and experimental video to represent feelings of disquiet. Influences such as Cindy Sherman, Lais Pontes or Francesca Woodman, whose creations approach the self-portrait in a not only original, but critical style, stand out.It is a project of academic and artistic nature supported by theoretical foundations. The results allow us to conclude that the artistic installation, which began by presenting a self-portraying self-seeking identity, frees itself from its creator to enhance multiple variable interpretations depending on the observer’s attention.

Eleonora Duse: An Actress-Manager for the Italian Film Industry in the 1910s

2018 ◽  
Vol 45 (1) ◽  
pp. 81-95
Author(s):  
Maria Pia Pagani
Keyword(s):  
Nobel Prize ◽  
Film Industry ◽  
Silent Film ◽  
White Hair ◽  
Point Of View ◽  
Artistic Creation ◽  
Box Office ◽  
Original Case ◽  
Italian Film

From a historiographical point of view, the Italian diva Eleonora Duse (1858–1924) as an actress-manager offers an original case study in relation to her only film performance in Cenere ( Ashes, 1916). This is a film adapted from the eponymous novel by Grazia Deledda (Nobel Prize for Literature in 1926). In the 1910s, when Duse decided to work in the Italian film industry, she was a celebrity and her name was a guarantee of success for the Ambrosio Company in Turin. The film producers wanted to use her celebrity in order to ensure success at the box office. As an actress-manager with a long and acclaimed international career in the theatre, Duse knew this mechanism very well, but her position was contrary to their expectations. In fact, she aimed to present herself as an anti-diva, with her wrinkle-furrowed face and white hair, proposing a fascinating artistic creation based on the ‘mother roles’ that she had created for the theatre. This paper explores new elements concerning the position of Duse as an actress-manager for the Italian film industry in the 1910s. It is focused on her strategy of reiterating her stage success in playing a mother. On film, she did not want to be an instrument used for commercial purposes, and she did not want to create a common popular diva film. With Cenere, Duse's capability as an actress-manager can be seen in her creation of this non-conventional, poetic role for the silent film industry in wartime Italy.

The Properties of Welded Joints Made by 6082-T6 Aluminium Alloy and their Behaviour under Cyclic Loading Conditions

2015 ◽  
Vol 812 ◽  
pp. 375-380 ◽  
Author(s):  
D. Pósalaky ◽  
János Lukács
Keyword(s):  
Cyclic Loading ◽  
Automotive Industry ◽  
Welded Joints ◽  
Structural Engineering ◽  
Physical Simulation ◽  
Base Material ◽  
Point Of View ◽  
Test Results ◽  
Structural Elements ◽  
Effective Use

The magnitude of different aluminium alloys, especially the ones with higher strength, are increasing in the structural engineering, not just the usual applications (like the aerospace industry) but more likely in the automotive industry. There are more assumptions of the effective use of aluminium; we should highlight two important factors, the technological and the applicability criterions. The technological criterion is the joining of structural elements, frequently with welding thus the technological criterion ultimately is the weldability. The assumption of applicability comes from the loading capability of these structures, which is typically cyclic loading so the key issue from the point of view of applicability is the resistance to fatigue. This article represents physical simulation and fatigue test results both on the base material and on the welded joints.

scholarly journals A mathematical model for production routing of mechanical engineering products

2021 ◽  
Vol 25 (3) ◽  
pp. 332-341
Author(s):  
I. V. Fokin ◽  
A. N. Smirnov
Keyword(s):  
Mathematical Model ◽  
Mechanical Engineering ◽  
Complex Geometry ◽  
3D Models ◽  
Point Of View ◽  
Structural Elements ◽  
Production Environment ◽  
Automatic Mode ◽  
The Cost ◽  
Production Routing

The aim was to create a mathematical model describing the development of a production (shop-to-shop) routing of mechanical engineering products based on a 3D model and allowing the cost of the final product to be reduced. The developed mathematical model was simulated based on 3D models designed in the Siemens NX system, which were subsequently imported into the *stp format and recognized by a designed module written in the Phyton programming language. The factors of the production environment affecting the formation of the production routing of mechanical engineering products were determined. A diagram of the algorithm for the “constructive element - technological operation - means of technological equipment (equipment-tool)” relationship was developed. Based on the results of testing the developed mathematical model, the use of neural networks as a tool for the implementation and automation of the work was found advantageous as compared to the standard scheme of work of a process engineer when developing a production routing of mechanical engineering products. These advantages include a decrease in the time for the development of a routing and the cost of the final product. The developed model has a practical limitation consisting in a rather complex geometry of some structural elements of a unit, which impedes the development of an algorithm for recognizing their structure. The use of a neural network prototype in automatic mode is advisable for relatively simple parts (including a flange, hole, chamfer and rounding). However, since the number of simple units from the recognition point of view amounts to about 40% among the nomenclature of manufactured units, the reduction in the development time of the technological process in comparison with the conventional approach comprises only 10–25% of the total time of technological preparation.

scholarly journals Basic concepts and physical-chemical phenomena, that have conceptual meaning for the formation of systemic clinical thinking and formalization of the knowledge of systemic structural-functional organization of the human’s organism

Pain medicine ◽  
2020 ◽  
Vol 5 (2) ◽  
pp. 15-62
Author(s):  
Viktor Poberezhnyi ◽  
Oleksandr Marchuk ◽  
Oleksandr Katilov ◽  
Oleh Shvydiuk ◽  
Oleksii Lohvinov
Keyword(s):  
Scientific Knowledge ◽  
Functional Organization ◽  
Point Of View ◽  
Structural Elements ◽  
Clinical Thinking ◽  
Objective Representation ◽  
Physical And Chemical ◽  
Clinical Systems ◽  
Conceptual Meaning ◽  
Internal Speech

From the point of view of perception and generalization processes there are complex, logic and conceptual forms of thinking. Its conceptual form is the highest result of interaction between thinking and speech. While realizing it, human uses the concept, which are logically formed thoughts, that are the meaning of representation in thinking of unity of meaningful features, relations of subjects or phenomena of objective reality. Special concepts, that are used in the science and technique are called terms. They perform a function of corresponding, special, precise marking of subjects and phenomena, their features and interactions. Scientific knowledge are in that way an objective representation of material duality in our consciousness. Certain complex of terms forms a terminological system, that lies in the basis of corresponding sphere of scientific knowledge and conditions a corresponding form and way of thinking. Clinical thinking is a conceptual form, that manifests and represents by the specialized internal speech with gnostic motivation lying in its basis. Its structural elements are corresponding definitions, terms and concepts. Cardinal features of clinical systems are consistency, criticality, justification and substantiation. Principles of perception and main concepts are represented in the article along with short descriptions of physical and chemical phenomena, that have conceptual meaning for the formation of systematic clinical thinking and formalization of systemic structural-functional organization of the human’s organism

A PEDIATRIC-PSYCHIATRIC VIEWPOINT ON OBESITY

PEDIATRICS ◽  
1957 ◽  
Vol 20 (3) ◽  
pp. 552-556
Author(s):  
Reginald S. Lourie
Keyword(s):  
Point Of View ◽  
The Other ◽  
Structural Elements ◽  
Practical Point ◽  
The Third ◽  
History Of ◽  
Gastric Mucous ◽  
History Of Obesity ◽  
Excessive Quantity ◽  
Layer Concept

FROM the viewpoint of the pediatric psychiatrist, the problems of obesity, as seen clinically, can be thought of as having three layers. The first is constitutional, better described as physiologic, which may be broken down into genetic and structural elements. The second is psychologic, consisting of the values that food intake or the obesity itself come to have. The third layer is made of the cultural and social reactions to food and fat. These attitudes encountered inside and outside the home intermesh in their effects with the physiologic and psychologic levels. These, in turn, are also interwoven, until one cannot separate one layer from the other. However, when individual cases are scrutinized they reveal the pathology at one layer or the other to predominate and indicate where efforts to modify the abnormality might best be directed. Incidentally, the same levels operate on the other side of the coin, anorexia. From the practical point of view, let us consider the natural history of obesity and the clinical varieties one sees in practice, and let us see how the three-layer concept fits. First, as pointed out by Gordon, there is a tendency to be complacent or even pleased with obese infants. At level one, the physiologic, such constitutional factors as those present in the neonate born with an excessive quantity of pepsinogen secreted by the gastric mucous membrane could have the effect of producing as Mirsky points out, a relatively intense or even continuous hunger, and make greater demands on its mother for nursing.

The Philosophy of Artistic Creation: Phidias, the Ideas, and Cicero

Apeiron ◽  
2018 ◽  
Vol 51 (3) ◽  
pp. 325-344 ◽  
Author(s):  
Anna Motta
Keyword(s):  
Point Of View ◽  
Artistic Creation ◽  
Platonic Theory ◽  
Human Eyes ◽  
Human Hands ◽  
The Way

Abstract Since Antiquity Phidias seems to be the best sculptor of Gods, because he carved great statues with his human hands and succeeded in giving a physical look to that which is not visible to human eyes. This paper is devoted to Cicero’s attention on the imaginative creation of the artist and on the philosophical features of that demiurgical activity which the Roman philosopher links to his interpretation of the Platonic theory of the Forms. The survey led on some Ciceronian texts shows, from a philosophical and philological point of view, the way in which Cicero reconsiders the role of the phantasia, offering a revalution of the art.

Atorvastatin: A Review of Analytical Methods for Pharmaceutical Quality Control and Monitoring

2019 ◽  
Vol 102 (3) ◽  
pp. 801-809
Author(s):  
Ana Carolina Kogawa ◽  
Ana Elisa Della Torre Pires ◽  
Hérida Regina Nunes Salgado
Keyword(s):  
Analytical Chemistry ◽  
Quality Control ◽  
Analytical Methods ◽  
Pharmaceutical Products ◽  
Point Of View ◽  
Human Consciousness ◽  
Pharmaceutical Samples ◽  
Pharmaceutical Quality ◽  
The Impact

Abstract Background: Atorvastatin, a lipid-regulating drug, was the best-selling drug in the world in the early 2000s. Thus, monitoring of this drug is important because it is accessible to a large portion of the population. In addition, its quality control is fundamental to provide quality medicines. Method of analysis can be the first step in the rational use of pharmaceuticals. Objective/Methods: In this context, a critical review of analytical methods present in the literature and official compendia for the pharmaceutical quality control of atorvastatin was made. Results: Among the analytical methods most used in the evaluation of atorvastatin, HPLC is highlighted, followed by HPLC coupled to MS, and spectrophotometry in UV. Tablets are the most studied pharmaceutical samples, and plasma is the most studied biological matrix. In the literature, studies with atorvastatin-based pharmaceutical products are more common than biological materials. Acetonitrile is the organic solvent most commonly used in the methods surveyed to evaluate atorvastatin. Conclusions: Currently, awareness of the impact that the analytical choice has on the health of the operator and the environment is growing. Therefore, the suitability of existing methods for the determination of atorvastatin can be made to adhere to the current analytical chemistry. In this way, the analytical, environmental, and human consciousness will remain united. Highlights: Although the literature shows interesting methods from an economic and environmental point of view, such as UV, Vis miniaturized, and TLC, they can still be improved to meet the requirements of the current sustainable analytical chemistry.

Searching for lost data: outlines of aesthesic–poietic analysis

2004 ◽  
Vol 9 (1) ◽  
pp. 35-46 ◽  
Author(s):  
LAURA ZATTRA
Keyword(s):  
Computer Technology ◽  
Creative Process ◽  
Analytical Methods ◽  
Computer Music ◽  
Methodological Approach ◽  
Analysis Data ◽  
Point Of View ◽  
Computer Data ◽  
Complex Issue ◽  
The Relationship

Fifty years down the line, the analysis of computer music is still a very complex issue, highly dependent on the identity of computer music itself: the variety of software, the lack of a common musical notation for scores, the absence or presence of computer data. This has led to the emergence of a multitude of analytical methods, including aesthesical analysis, which approaches music from the point of view of perception, and poietical analysis, which pays attention to the creative process.This study aims to combine these two methods of analysis in order to understand the relationship between technology and the actual piece of music. The article presents a methodological approach – focused on six pieces produced at IRCAM in Paris and at CSC in Padua, between 1975 and 1985 – via an in-depth consideration of Mauro Graziani's Winter leaves, a work conceived in 1980 at the CSC using Music360. The method used consists of comparing data collected using a diversity of practices: repeated listening, the tracing of graphical schematics, sonogram and spectrogram analysis, data listing analysis. An algorithm has also been created in order to calculate the degree to which the software is exploited and to enable a comparison between the different analyses. It is hoped that this procedure will combine traditional musicological methods with new approaches suited to the medium and grounded in a thorough knowledge of computer technology and musical environments.

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