Media discourse of national identity: Russia and Germany

2021 ◽  
Vol 12 (1) ◽  
pp. 357-358
Author(s):  
Tatyana Kaminskaya

The media discourse of both Russia and European countries today seems to be a representative and relevant object for the study of national identity. The discourse of national identity in the media is presented as media texts directly related to the topic, and included in it through the comments of the recipients. The leading sub-discourses or thematic dominants in this case are major sports competitions, international competitions and commemorative practices of the past. The vast majority of assessments of national characteristics in the comments of the recipients of journalistic publications are negative, due to the criticality and self-criticism of commentators.

2016 ◽  
Vol 3 (4) ◽  
pp. 58-63
Author(s):  
O. Siredzhuk

In the article, the notion of an occasionalism was studied; its place and role in the media discourse were outlined. While analyzing occasionalisms according to the theory of relevance by D. Sperber and D. Wilson, the inferential processes in the interpretation of utterances containing occasionalisms were traced. Thanks to conducted analysis, the meaning of occasional units was inferred, the pragmatic characteristics of these units were described and the effects, which they produce in media texts, were singled out


2018 ◽  
Vol 22 (4) ◽  
pp. 519-535
Author(s):  
Haktan Ural

This study examines the Eurovision stage as a cultural space that cultivated an affective-discursive terrain forging Turkish national identity. It draws upon the media texts as a heuristic to examine how an image of ‘Turkishness’ was created and negotiated. Focusing in particular on four specific cases (Semiha Yankı in 1975, Çetin Alp in 1983, Şebnem Paker in 1997 and Sertab Erener in 2003), this study suggests that the Eurovision stage was a space where ‘Turkishness’ encountered an imagined ‘Europeanness’. In these cases, affective discourses gave meanings of national allegories of ‘Turkishness’ to performing bodies on the Eurovision stage. The affective registers generated a discursive formation shaping the contours of ‘Turkishness’ in relation to Europe. Yet these discourses did not generate fixed and stable meanings. In particular, the construction of national success was negotiated and contested in terms of the appropriateness of the national embodiment.


2021 ◽  
Vol 48 (2) ◽  
pp. 183-190
Author(s):  
Mariana Georgievа ◽  

Media language is a prototype of the public consent for the media to be defined through compromise as a fourth position in the paradigm of power as a philosophical category, whose explications before the media are legislative, executive, judicial. The linguistic norm and the cognitive-rhetorical characteristic of the media discourse are the prototype of the metaphor of the "fourth power". The formation of the information-language culture and the preservation of the language norm is the high social responsibility of the media discourse. The media is a prototype of public consciousness, a “picture” of national identity – a unit of political and socio-economic information and cultural “taste” (a sample of art and its list).


2020 ◽  
Vol 48 (4) ◽  
pp. 737-751
Author(s):  
Stefan Metzger ◽  
Özgür Özvatan

Abstract International football is a field for national identity performances in which narratives of national belonging are articulated. Games of belonging capture discourses on and debates over national belonging. Up-and-coming national football team diversity, and its public promotion, was expected to facilitate boundary blurring in the politics of belonging; however, it caused highly contentious debates revolving around the question of who belongs to Germany and Turkey and who does not. For this reason, we ask how (ethnoculturally) diverse national football teams challenge established narratives of national belonging and, thereby, trigger debates over national belonging across time and space. We compared the media discourse on national team diversity in Germany and Turkey with a special focus on players who disrupt conceptions of ethnic and cultural homogeneity, namely Mesut Özil and Nuri Şahin. Our study illustrates that upcoming international football events constitute games of belonging. Actors from the media, football associations, and politics largely demanded unilateral national belonging from the disrupters, Özil and Şahin. Both players’ reactions, however, draw on conceptions of (trans-)national belonging which challenge and conflict with established narratives of (ethno-)national belonging.


2019 ◽  
Vol 55 (4) ◽  
pp. 490-506
Author(s):  
Sunčica Bartoluci ◽  
Mojca Doupona

This paper focuses on the relationship between sport, national identity and the media in the post-socialist nation-states of Croatia and Slovenia. It describes what has changed during the eight years since Jakov Fak, a Croatian-born Slovenian biathlete, changed his citizenship and began competing for the Slovenian national team. It also examines how the perception of Jakov Fak as an athlete and of his success has changed through time in different socio-political circumstances – in 2009 and 2010 when he competed for Croatia, and after 2010 when he began competing for Slovenia. To analyse this case we have used different media interpretations of Jakov Fak case, analysing four sports events: the Biathlon World Championships in South Korea (13–22 Feb 2009) and Germany (1–11 Mar 2012), and the Olympic Games in Canada (11–18 Feb 2010) and South Korea (9–25 Feb 2018). The results of discourse analysis show that in the case of Jakov Fak in the years 2009 and 2010, the public was provoked by and exposed to national symbolism, especially in political discourse. The media discourse did change between 2012 and 2018, and discourse typical of civic nationalism began to dominate. Two types of nationalism are mixed in a post-socialist context.


2021 ◽  
Vol 9 (1) ◽  
Author(s):  
Elena Viktotrovna Stoyanova

The paper is devoted to the questions of metaphor as a linguistic means and cognitive mechanism for creating a humorous effect in Bulgarian media texts. There is a similarity between the nature of metaphors and the humor, the ability of perception which refers to the evolutionary acquisition. The relationship of metaphor and humor is manifested in the comparison of the contradictory and the combination of the disproportionate. The humorous effect created by the metaphor in the media discourse is included in the general context and is the result of deliberate efforts, in accordance with pragmatic, linguistic and cultural settings. Despite the universality of humor and metaphor, the interpretation of knowledge, modeled by a comic metaphor, is governed by the sociocultural factor. The implicit functions of the metaphor fit into the functional and pragmatic parameters of media discourse, making the metaphor an integral part of media speech. The collected material allows us to conclude that there are single comic metaphors in Bulgarian media texts, or metaphors create the humorous effect of a fragment / whole media text based on one or more metaphorical models. Increasingly, in a modern Bulgarian media discourse, a metaphor is implemented as a construct script for the semantic development of the text.


2021 ◽  
Vol 25 (3) ◽  
pp. 685-704
Author(s):  
Barbara Lewandowska-Tomaszczyk ◽  
Piotr Pęzik

The focus of the paper is to identify and discuss cases of what we call emergent impoliteness and persuasive emotionality based on selected types of discourse strategies in Polish media which contribute to increasingly high negative emotionality in audiences and to the radicalization of language and attitudes when addressing political opponents. The role and function of emotional discourse are particularly foregrounded to identify its persuasive role in media discourses and beyond. Examples discussed are derived from current Polish media texts. The materials are collected from the large Polish monitor media corpus monco.frazeo.pl (Pęzik 2020). The analysis is conducted in terms of quantitative corpus tools (Pęzik 2012, 2014), concerning emotive and media discourse approaches (Lewandowska-Tomaszczyk and Wilson 2013, Lewandowska-Tomaszczyk 2015, 2017a, 2017b). The analysis includes a presentation of the ways mass media construe events (Langacker 1987/1991) in terms of their ideological framing, understood as particular imposed/constructed event models and structures (cf. Gans 1979). Special attention is paid to the negative axiological evaluation of people and events in terms of mostly implicitly persuasive and offensive discourse, including the role emotion clusters of harm, hurt and offence, anger and contempt play in the media persuasive tactics. The research outcomes provide a research basis and categorization of types of emergent impoliteness and persuasive emotionality, which involve implicit persuasion directed at negative emotionality raising with the media public, as identifiedin the analyzed media texts.


Author(s):  
Ekaterina R. Slesareva ◽  
Оlga A. Ryzhkina ◽  
Anatoli F. Fefelov

The current paper is concerned with linguocultural (ethnolinguistic) analysis of australianisms as culture specific words which are either not found in British English (the mother tongue) or are different from their British counterparts to some extent. The main research question was to identify the key lexemes of this type and establish correlation between them and Australian values (the national identity) as well as ethnostereotypes in modern Australian society. The novelty of the approach to studying these lexical units is in looking at them in terms of their functioning in speech and pragmatics based on the most sensitive to social change and dynamic type of discourse – the media (The material was drawn for the national papers “The Daily Telegraph, Australia” and “The Australian” over the past decade). By means of the random selection method, definitional and contextual analyses six key concepts have been identified (fair go, fair dinkum, larrikin, battler, bludger, (hard) yakka – the last word being aboriginal) and their place in the national identity structure defined. Also, we found some differences in how the same australianisms were presented and ranked in either paper manifesting certain values (for example, battler) or anti-values (for example, bludger) depending on the editorial board’s opinion and/or the content. For instance, “The Daily Telegraph” clearly highlighted the idea of justice (e.g. fair go, fair dinkum), while “The Autralian” put more focus on praising the stubbornness of Australians in the struggle against various obstacles (e.g. battler). References to the boisterous (larrikin) nature of Australians were somewhat more frequent “The Daily Telegraph”, although this concept was quite important for both newspapers. One of the most interesting results we got was a shift in connotations of several australianisms. Thus, it was shown that some words (for example, larrikin), originally having a negative meaning, with time may become positively connoted, characterising a certain previously disapproved type of person / behavior as normal. The study can be continued to include more words of this type, especially aboriginal ones which are already used in media and call for ethnolinguistic (linguocultural) interpretation by researchers.


Author(s):  
Oleksandr Levko

The paper is focused on the cognitive mechanisms underlying the construction of axiological status of Tomos and autocephaly of the Ukrainian Orthodox Church in Ukrainian religious media discourse of the last few months from the standpoint of cognitive linguistics and rhetoric. The data used for the study are interviews, announcements and other media texts of the UOC (MP) and UOC (KP) leaders and spokesmen, published on respective official websites of each jurisdiction in 2018. As a result of our study, it was found out that discussions around Tomos and autocephaly gave birth to new allusion-based phraseological units in Ukrainian media space, while also actualizing the use of religious terms which had been previously unknown to average citizens, such as "Tomos", "autocephaly", "canonicity", "Eucharistic communication", "Ecumenical Patriarch" etc. In the media context, these specific terms of the Church law have acquired axiological connotations, turning into axiologems and anti-axiologems. It was also revealed that the argumentation of the positive/negative axiological status of Tomos and autocephaly in Ukrainian religious mass media largely relies on cognitive metaphors and metonymies. In the media context, these cognitive mechanisms of knowledge categorization are of great importance in swaying the public opinion and affecting the value system of the audience. In the texts under study, the most common cognitive metaphors are "Church is body", "Church leaders are doctors", "Intra-Orthodox relations are war", "Intra-Orthodox relations are play", while the most prominent cognitive metonymy is geographical metonymy, whereby the agency is transferred to location. The most productive source domains for the metaphors, which serve to express the evaluation of current processes in the Church, turn out to be human body, medicine, war, play and crime. Decisions of Church leaders regarding Tomos are conceptualized as right or wrong diagnosis and treatment for an illness, expansionist policies or war for peace, raider attack or fair/unfair play. In the media texts produced by both sides, negative connotations are also conveyed via geographical metonymy, when the Constantinople Patriarchate is substituted for by Fanar or Istanbul, whereas the Moscow Patriarchate is referred to as Moscow or Kremlin. We have come to the conclusion that cognitive metaphors and metonymies in Ukrainian religious media discourse are used with the purpose of increasing the persuasive effect of the text and swaying the audience towards adopting the viewpoint of the addresser.


2016 ◽  
Vol 9 (1) ◽  
pp. 113-129 ◽  
Author(s):  
Krzysztof Wasilewski

This article presents an analysis of the process of sacralization of history in the media discourse. Certain events and figures from the past are incorporated into the sphere of sacrum which excludes any discussion and maintains the domination of one narration of history. The process of sacralization may take places directly or indirectly. The first relies on direct inclusion to the discourse of certain words, which are associated with religion. The indirect sacralization takes place when episodes from the past are changed into universal stories of fight between the good and the evil. The analysis is performed on printed media discourses concerning three events from Poland’s contemporary history: the 1920 Warsaw Battle of Warsaw, the 1944 Warsaw Uprising and the postwar armed underground.


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