Turkishness on the stage: Affective nationalism in the Eurovision Song Contest

2018 ◽  
Vol 22 (4) ◽  
pp. 519-535
Author(s):  
Haktan Ural
Keyword(s):  
National Identity ◽  
Cultural Space ◽  
Discursive Formation ◽  
Eurovision Song Contest ◽  
The Media ◽  
Media Texts

This study examines the Eurovision stage as a cultural space that cultivated an affective-discursive terrain forging Turkish national identity. It draws upon the media texts as a heuristic to examine how an image of ‘Turkishness’ was created and negotiated. Focusing in particular on four specific cases (Semiha Yankı in 1975, Çetin Alp in 1983, Şebnem Paker in 1997 and Sertab Erener in 2003), this study suggests that the Eurovision stage was a space where ‘Turkishness’ encountered an imagined ‘Europeanness’. In these cases, affective discourses gave meanings of national allegories of ‘Turkishness’ to performing bodies on the Eurovision stage. The affective registers generated a discursive formation shaping the contours of ‘Turkishness’ in relation to Europe. Yet these discourses did not generate fixed and stable meanings. In particular, the construction of national success was negotiated and contested in terms of the appropriateness of the national embodiment.

Media discourse of national identity: Russia and Germany

2021 ◽  
Vol 12 (1) ◽  
pp. 357-358
Author(s):  
Tatyana Kaminskaya
Keyword(s):  
National Identity ◽  
European Countries ◽  
Media Discourse ◽  
Relevant Object ◽  
The Past ◽  
National Characteristics ◽  
The Media ◽  
Media Texts

The media discourse of both Russia and European countries today seems to be a representative and relevant object for the study of national identity. The discourse of national identity in the media is presented as media texts directly related to the topic, and included in it through the comments of the recipients. The leading sub-discourses or thematic dominants in this case are major sports competitions, international competitions and commemorative practices of the past. The vast majority of assessments of national characteristics in the comments of the recipients of journalistic publications are negative, due to the criticality and self-criticism of commentators.

Ivan Cankar’s National Narrative and Its Role in the Formation of the Slovenian Cultural Identity

2018 ◽  
Vol 13 (3-4) ◽  
pp. 108-117
Author(s):  
Anna G. Bodrova
Keyword(s):  
National Identity ◽  
Cultural Identity ◽  
Symbolic Order ◽  
National Narrative ◽  
Cultural Space ◽  
Slavoj Zizek ◽  
Slavoj Žižek ◽  
The Subject

Ivan Cankar (1876–1918), who occupies an honorable place in the Slovenian cultural canon, once changed the course of development of Slovenian literature and influenced the formation of national identity. The national narrative of Cankar was based on contradictions: living far from his people, he sometimes glorified them and sometimes attacked them with heavy criticism; he correlated his homeland with his mother, the mother though being dead. Cankar’s concentration on the subject of mother and homeland is interpreted here in the framework of psychoanalysis. Following Slavoj Žižek, the author develops the idea that it was the mother who became the Symbolic Order representative or Super-Ego for the writer. The concept of “Cankar’s mother”, which became a symbol of self-sacrifice and at the same time repressiveness in the Slovenian cultural space, is considered.

The role of the media in the formation of shame in the national consciousness

2021 ◽  
Author(s):  
Alaigul Karabaevna Bekboeva
Keyword(s):  
National Identity ◽  
Social Meaning ◽  
National Consciousness ◽  
Social Phenomenon ◽  
Human Relationships ◽  
Social Existence ◽  
A Value ◽  
State And Society ◽  
The Media

This article considers the role of the media as a partner of the state and society, as well as spontaneity. Due to this, media serve as one of the factors in the formation of national self-consciousness and its elements, such as shame. The author analyzes such element of national identity as national shame. It is proved that national shame as a social phenomenon has a social meaning of the regulator of human relationships in social existence. It is noted that national shame is socially determined, has a permanent character, and its socially significant semantic principles are passed from generation to generation as a form of behavior through implantation and interspersing it as a daily norm of people's behavior, giving each act a value-significant meaning.

scholarly journals LINGUISTIC ANALYSIS OF SLAVIC MEDIA TEXTS CONTAINING HATE SPEECH

2020 ◽  
pp. 40-46
Author(s):  
Larysa Gorodnycha ◽  
Maryna Olkhovyk ◽  
Svitlana Gergul
Keyword(s):  
Hate Speech ◽  
Interdisciplinary Approach ◽  
Internally Displaced ◽  
Linguistic Resources ◽  
Media Space ◽  
Resources Distribution ◽  
The Media ◽  
Internally Displaced Person ◽  
Media Texts ◽  
Goals And Objectives

The article analyzes hate speech definitions as linguistic and cultural phenomena in the context of an interdisciplinary approach, and describes features of linguistic resources distribution in the texts with the hate speech. The paper deals with the functioning of the concept “hate speech” in the regional media space of Ukraine and Bulgaria. The authors define the causes of the hate speech usage in the media texts and study the hate speech as the source of the modern vocabulary. The article gives deeper understanding of the essence of the concept “hate speech”, more clearly defining its boundaries, reasons for distribution and the main features of the functioning, considering the interdisciplinary approach to its interpretation. The research describes the features of an editor's work on the texts with the hate speech and methods of its neutralization, as well as proven discriminatory manifestation of hate speech in political neologisms as “refugee”, “migrant”, “internally displaced person”. For implementing the goals and objectives of the study, the complex of methods has been used: system approach, monitoring and analysis of the media texts in the regional media, summarizing the results of the analysis.

scholarly journals Crimean Identity in the Media Presentation of the Region

2019 ◽  
Vol 8 (2) ◽  
pp. 373-387
Author(s):  
Lyudmila Yegorova
Keyword(s):  
Mass Media ◽  
Public Space ◽  
Regional Identity ◽  
Russian Language ◽  
Historical Event ◽  
Self Identity ◽  
Media Presentation ◽  
The Media ◽  
Media Texts ◽  
The Republic

The author proposes a new approach to studying regionology, an actively emerging area of research that examines laws of functioning of a region in terms of geographical, geopolitical, geo-economic, information and historical-cultural factors. This approach lies in coordinating the theory of regionality with real facts of a certain territory media history in its dynamic characteristics displayed in media texts. The author points out that active forming of the Crimean identity is a result of the ideas of the Russian world as a uniting factor. The identity features of those who live in the peninsula manifest themselves by the formula “We are Crimean” regardless of a person’s nationality. The identity features of the Crimean people are also determined by the role of the Russian language as an integrative field of communication for the living together representatives of different cultures. Regional mass media have a significant impact on shaping a regional worldview. Applying discourse analysis to the Crimean printed texts the author demonstrates peculiarities of media constructing of the Crimean identity involving geographical, historical, cultural and personal themes. The analysis carried out allows one to conclude that the Crimean (regional) identity corresponds to the professional identity of the journalists who work in the region. This is confirmed by the main regional themes being broadcast by the most popular regional mass media. The Crimean society is a specific regional polyethnic environment formed as the result of long-term and complex cultural and historical development. Characteristics of the key events representation in public space determine their collective comprehension. The regional mass media of the Republic of Crimea through the media texts draw the audience’s attention primarily to the attributes of the unified mentality. It is important that now when several years have passed after the Crimea joined Russia it is the time to interpret this historical event to build a complex hierarchically ordered system of the peninsula citizens’ self-identity.

scholarly journals “Boundlessly Different”

2020 ◽  
Vol 32 (4) ◽  
pp. 118-147
Author(s):  
Bernhard Steinbrecher ◽  
Bernhard Achhorner
Keyword(s):  
National Identity ◽  
Young People ◽  
Popular Music ◽  
Cultural Activity ◽  
Habsburg Monarchy ◽  
German Speaking ◽  
The Media ◽  
Brass Music ◽  
Nazi Era ◽  
Current Popularity

Brass music has become increasingly popular in recent years in Europe’s German-speaking regions, especially among young people, who attend brass festivals, such as Woodstock der Blasmusik, in great numbers. This article examines this phenomenon within the context of its historical weight. Particularly in Austria, brass music is intertwined strongly with local cultural activity and heritage, alpine folklore, and national identity, with the Habsburg Monarchy and the Nazi era as well as with the rise of Volkstümliche Music and Austrian popular music. The study pinpoints the initial spark of the current popularity to the early 1990s, when young brass musicians set new tones musically and culturally. It illustrates how bands such as Mnozil Brass and Innsbrucker Böhmische, and later Viera Blech and LaBrassBanda, renegotiated established conceptions, ideas, and attitudes, and how they have, or have not, overcome habitualized ways of performing and enjoying brass music. On a broader level, the article uncovers how narratives related to regionality, Heimat, community, institutionalization, virtuosity, internationality, openness, corporality, and hedonistic pleasure all come together, at times in contradictory ways, in the media and musicians’ ethical-aesthetic discussion about contemporary brass music. Ultimately, a close music-analytical reading of selected songs shows how the music fosters and reflects these interrelations.

scholarly journals PRAGMALINGUISTIC FEATURES OF REPRODUCTION OF LANGUAGE MEANS OF EXPRESSION IN MODERN ENGLISH MEDIA TEXTS IN UKRAINIAN

2020 ◽  
Vol 11 (87) ◽  
Author(s):  
Yana Tikan ◽  
◽  
Kateryna Potapenko ◽  
Keyword(s):  
Mass Media ◽  
English Language ◽  
Direct Relationship ◽  
Significant Part ◽  
Expressive Vocabulary ◽  
Syntactic Structures ◽  
Emotional Meaning ◽  
The Media ◽  
Media Texts ◽  
Translation Methods

The work is devoted to topical problems of functioning and translation of expressive vocabulary in media texts of modern English-language press. The study defines the concept of "media text". Stylistic features of English – language media texts are characterized. It is noted that the language of English-language media texts has certain features and directions for certain categories of readers. The analysis of English-language media proved the direct relationship between the degree of complexity of the selected language tools and socio-cultural specific features of the target audience. Linguistic practice of mass media determines the main tendencies of development of lexical-semantic, word-forming and syntactic structures of language. The language of the media is singled out as a separate background in journalism, which has its own genre and language features. Expressiveness is a property of language units to reinforce the logical and emotional meaning of what is said. Expression is a set of semantic and stylistic features of speech expressiveness, such as quality, due to which stylistic marking (emotionality) is achieved. The concepts of expression and expressiveness are different: expression serves to increase and enhance expressiveness, and expressiveness is that expressiveness. Expressive vocabulary is constantly updated and supplemented with new lexical and semantic variants. It is emphasized that a significant part of the specific vocabulary in the English-language media is expressive vocabulary. The concepts of expressive vocabulary and their functionality in media text are considered. The results of the analysis allow us to conclude that expressive vocabulary is quite common in newspaper texts, which is reflected in articles on various topics (economic, business, entertainment, youth newspapers, etc.), creating a stylistic effect in each of them. It is noted that the transfer of expressive English vocabulary in the Ukrainian language is carried out with the involvement of such translation methods as assimilation, descriptive translation, tracing, transcription, transliteration.

MEDIA TEXT AS A BASIC CATEGORY OF MEDIA LINGUISTICS: PROBLEMS OF IDENTIFICATION, DELIMITATION, AND TYPOLOGY

2021 ◽  
Author(s):  
Кирилл Александрович Мякшин
Keyword(s):  
Basic Category ◽  
Cultural Field ◽  
The Media ◽  
Media Texts

Статья посвящена исследованию медиатекста в контексте многообразия научных подходов. Определены основные концепты, в которых себя представляет феномен данного текста. Предпринята попытка определить основные контексты существования медиатекстов, что позволяет выделить социально-культурное поле бытия медиатекста, установить его социально-историческую обусловленность. Рассмотрена типология указанного вида текста. The article deals with the study of media text in the context of a variety of scientific approaches. The main concepts in which the phenomenon of this text represents itself are defined. An attempt is made to determine the primary contexts of the existence of media texts, which allows identifying the socio-cultural field of the existence of the media text, establishing its socio-historical conditionality. The typology of this type of text is considered.

The Black Panther Has Died

2016 ◽  
pp. 158-171
Author(s):  
Samuel Mateus
Keyword(s):  
National Identity ◽  
Social Integration ◽  
World Wide ◽  
Media Ecology ◽  
Shared Experience ◽  
Public Events ◽  
Media Events ◽  
The Media ◽  
Portuguese Society ◽  
Media Event

Media ecology is characterized today by the frequent airing of disruptive events. The shared experience of broadcasting is thus taken by disenchantment, fragmentation and individualization. Does this mean that integrative and ceremonial media events are condemned to disappear? What about media rituals and collective consensus? In this chapter, we argue that the Media Events category is not just an invaluable frame to understand contemporary television but it is also a vital process on the way societies re-work their solidarities, negotiate collective belonging and publicly stage social rituals. Analysing the live coverage of the funerary ceremonies of Eusébio, the Portuguese world-wide football legend, we address this major social occurrence approaching it as a death media event, a public mourning ceremonial and a tele-ritual. Media events are still a powerful example of how media plays a major role on social integration and national identity. The television broadcast of Eusébio's funeral - it is claimed - constitutes a key example, in the Portuguese society, of the integrative dimension of public events.

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