scholarly journals The creativity of local accordionists in the context of pop-jazz performance at the turn of the XX - XXI centuries

2021 ◽  
Author(s):  
Andrii Yeremenko
Keyword(s):  
Urban Culture ◽  
Theory Of Knowledge ◽  
Dance Music ◽  
Creative Activity ◽  
Solo Performance ◽  
Basic Principles ◽  
Jazz Music ◽  
Main Factors ◽  
Academic School ◽  
Jazz Performance

The purpose of the article. To highlight the peculiarities of the functioning of pop-jazz music in the bayan-accordion art of Ukraine in a certain period. The methodology is based on the basic principles of the theory of knowledge, such as objectivity, scientific character, historicism, integrity, interconnection, and interdependence of phenomena and processes of reality, as well as conceptual provisions of the theory of professional skills. The scientific novelty lies in the coverage of the creative activity of local button accordion players and the systematization of the stages of development and creative achievements of the academic school of the specified period. Conclusions. Pop-jazz music in the context of performing creativity of local and foreign bayan accordionists has a consistent character and develops on the musical basis of Negro folklore, urban culture (genres of everyday dance music - waltzes, polkas, tango, foxtrots, etc.), professional music - improvisations, concert transcriptions, retro suites for jazz themes, jazz-style suites, jazz-rock-partitas). The main factors that influenced the dynamics of the development of pop-jazz music in the bayan-accordion art of Ukraine and abroad were various artistic processes that took place during the period under study, determined by the evolution of quality indicators. Keywords: button accordion (accordion), accompanying instrument, solo performance, jazz compositions, composer technique, academization. .

scholarly journals Renewable energy sources in future energy balance of the republic of Kazakhstan

2018 ◽  
Vol 58 ◽  
pp. 03006 ◽  
Author(s):  
Bekzhan Mukatov ◽  
Ravil Khabibullin
Keyword(s):  
Renewable Energy ◽  
Development Strategy ◽  
Large Scale ◽  
Renewable Energy Sources ◽  
Energy System ◽  
Energy Sources ◽  
Basic Principles ◽  
The World ◽  
Main Factors ◽  
The Republic

The article describes the main factors determining the development of renewable energy sources in the world. The assessment of the applicability of foreign RES development strategies to Kazakhstan’s energy system has been made. The main tasks facing Kazakhstan’s energy system with large-scale implementation of renewable energy were formulated. On the basis of the analysis and performed calculations recommendations and basic principles have been made on development strategy of renewable energy sources in the Republic of Kazakhstan.

Socrates and the Acquisition of Knowledge

Antichthon ◽  
1972 ◽  
Vol 6 ◽  
pp. 1-9
Author(s):  
R.S.W. Hawtrey
Keyword(s):  
Theory Of Knowledge ◽  
Basic Principles

It has been accepted since antiquity that one of the basic principles of the philosophy of Socrates was ‘virtue is knowledge’; that this was so is made abundantly clear by both Plato and Aristotle. It has also been assumed by scholars ancient and modern that Socrates, who believed that in this knowledge lay happiness, spent his life looking for it. In the early dialogues Plato represents Socrates as frequently professing either partial or total ignorance, but as always more or less confidently searching for the truth. The traditional interpretation continues with the belief that somewhere near the time of his first visit to Sicily Plato’s thought began to develop beyond that of his master, and that one of his first advances was his theory of knowledge by recollection, which he developed presumably because of dissatisfaction with Socrates’ ideas on how knowledge could be attained.

“You Can't Dance to It”: Jazz Music and Its Choreographies of Listening

Daedalus ◽  
2019 ◽  
Vol 148 (2) ◽  
pp. 36-51
Author(s):  
Christopher J. Wells
Keyword(s):  
Case Studies ◽  
Art Music ◽  
Dance Music ◽  
Dance Studies ◽  
Jazz Music ◽  
Jazz History ◽  
Listening Behavior ◽  
History Narratives ◽  
Modes Of Engagement ◽  
Off Time

Central to dominant jazz history narratives is a midcentury rupture where jazz transitions from popular dance music to art music. Fundamental to this trope is the idea that faster tempos and complex melodies made the music hostile to dancing bodies. However, this constructed moment of rupture masks a longer, messier process of negotiation among musicians, audiences, and institutions that restructured listening behavior within jazz spaces. Drawing from the field of dance studies, I offer the concept of “choreographies of listening” to interrogate jazz's range of socially enforced movement “scores” for audience listening practices and their ideological significance. I illustrate this concept through two case studies: hybridized dance/concert performances in the late 1930s and “off-time” bebop social dancing in the 1940s and 1950s. These case studies demonstrate that both seated and dancing listening were rhetorically significant modes of engagement with jazz music and each expressed agency within an emergent Afromodernist sensibility.

scholarly journals Features of catching white bream (Blicca bjoerkna (Linnaeus, 1758)) from Kуiv reservoir (a review)

2021 ◽  
pp. 5-22
Author(s):  
V. Lytvynenko ◽  
◽  
D. Khrystenko ◽  
G. Kotovska ◽  
N. Kolesnik ◽  
...  
Keyword(s):  
Anthropogenic Pressure ◽  
Scientific Publications ◽  
Commercial Catch ◽  
Basic Principles ◽  
Factors Influencing ◽  
Main Factors ◽  
Private Entrepreneurs ◽  
The Impact ◽  
White Bream ◽  
Commercial Harvesting

Purpose.To analyze the array of special literature and summarize the information obtained on the features of the white bream (Blicca bjoerkna (Linnaeus, 1758)) and its commercial catch from the Kуiv reservoir. Consider the basic principles of its forecasting, based on the current ecological state of this reservoir, which is of strategic importance for Ukraine. Findings. An overview of modern scientific publications devoted to the peculiarities of the commercial catch of white bream from the Kуiv reservoir, its forecasting and the prospects for using this species in fisheries is presented. The literature data on the specifics of industrial fishing in the Kуiv reservoir are summarized based on the ecological characteristics of this reservoir. The main factors influencing the adaptation of white bream populations to their commercial exploitation are described. The general directions of the impact of anthropogenic pressure on them and their consequences are considered. The prospects of using white bream as an economically valuable species are shown under the condition of rational industrial fishing in the Kуiv reservoir. Practical Value. The review can be useful for scientists, applicants, students, government authorities and private entrepreneurs involved in the process of research and commercial harvesting of living aquatic resources in reservoirs, namely in Kуiv reservoir. Keywords: white bream (Blicca bjoerkna Linnaeus, 1758), Kуiv reservoir, industrial fishing, ichthyofauna.

scholarly journals Naturalistic inquiries of M. Bashkirtseva as an artist

2021 ◽  
Vol 5 (S4) ◽  
pp. 33-43
Author(s):  
Ilona V. Dorohan ◽  
Olha S. Boiko ◽  
Kateryna M. Kyrylenko ◽  
Svitlana V. Oborska ◽  
Olha M. Shandrenko
Keyword(s):  
High Education ◽  
Urban Culture ◽  
Creative Activity ◽  
Rapid Acquisition ◽  
The Creation ◽  
At Home

The study pioneers the naturalistic search of Bashkirtseva as an artist, which was expressed in her involvement in the creation of a new movement in art, including painting, defined as naturalism. Several aesthetically significant and self-sufficient stages of its development in the creative activity of Maria Bashkirtseva are presented. It is noted that in this process the noblewoman's high education at home with her interest in the interaction of literature and painting, which in due course was understood as aesthetically valuable for painting and the artist, was initially obtained. The importance of the next naturalistic stage of Bashkirtseva is underlined, which is conditioned by her rapid acquisition of the European urban culture, one of the specific features of naturalism, first of all, the French one with the priority of Parisian peculiarities. In this way, it is emphasized that Bashkirtseva was not only focused on the development of critical and pictorial-literary trends in naturalism but also involved in their creation, developing the synthesis of literature and painting. It is emphasized that Bashkirtseva in the mastery of Dostoevsky largely anticipated the concept of Bakhtin, “following” the images of the Russian classic, giving them their naturalistic meaning. 

scholarly journals Aristotle as an Idealist

2012 ◽  
Vol 7 (1) ◽  
Author(s):  
Glenn G. Pajares
Keyword(s):  
Critical Analysis ◽  
Theory Of Knowledge ◽  
Ancient Greek ◽  
Basic Principles ◽  
The Real ◽  
Greek Philosopher ◽  
The Senses ◽  
Physical Objects

The ancient Greek philosopher Aristotle is widely known as a realist in believing that the real exists in the sensible world and can be known through sense of perception or observation. But, there are others who would claim that he is a moderate realist in believing that the essences are one with physical objects but are known universally and immaterially. Contrary to these popular beliefs, this paper discussed that Aristotle is neither a realist nor a moderate realist but an idealist. The study utilized descriptive critical analysis as its method. The author explained the basic principles and teachings of Aristotle on metaphysics, epistemology and dwelt on these basic principles and teachings as bases of criticism. This article presented Aristotle’s belief that the true essences of things which he referred to as forms, essences or substance are metaphysical or universal which is beyond the physical and therefore beyond the grasp of sensation and observation. In other words, reality for him is only logical or mental in nature for it is not tangible. This also explained that Aristotle’s theory of knowledge (epistemology) which employed the senses to grasp the essences of things is not possible. Keywords - realism, idealism, metaphysics, epistemology, ethics, hylemorphism, essence, form, substance and nature.

scholarly journals Formation Of The Fundamental Principles Of Lev Venediktov's Creativity In The Performing Activities Of The Song And Dance Ensemble At The Kiev Military District

2021 ◽  
pp. 133-147
Author(s):  
Petro Ilchenko
Keyword(s):  
Professional Growth ◽  
Folk Songs ◽  
Professional Activity ◽  
Creative Activity ◽  
Professional Skill ◽  
Basic Principles ◽  
Concert Programs ◽  
Artistic Director ◽  
Further Development ◽  
Vector Approach

The little-studied period at the beginning of Lev Venediktov's creative activity in the Song and Dance Ensemble at the Kyiv Military District is considered. The scale of personality and creative work of an outstanding musician, brilliant choirmaster, conductor, teacher, artistic director of a well-known ensemble is studied. The ways of formation of professional skill of the artist, gradual formation of his individual creative method are analyzed. The influence of the Master’s personality on the professional growth of the team, education of a galaxy of talented youth, which is now the golden fund of Ukrainian culture — outstanding choirmasters, conductors, musicians, teachers, state awards, degrees, honorary titles. The peculiarities of the creative atmosphere, the moral climate in the team, the motivation of its participants to achieve significant artistic goals are described. The specific nature of the artistic director's activity during the preparation and conducting of the band's tours in Ukraine and abroad is revealed. The basic principles of the Master 's creative activity, which received their further development in the conditions of the Kyiv Opera House, are determined. His personnel policy, which was distinguished by a personal individual approach to the formation of the team is outlined. The specifics of Lev Venediktov's repertoire policy in the ensemble, its multi-vector approach with the presence of works of army patriotic, modern themes, Ukrainian folk songs, classical repertoire focused on the philharmonic, academic artistically prepared audience are established. It is proved that in the work on the repertoire the colossal erudition of the Master was shown, directed on application of synthesis of various means of stage expression in the context of theatricalization of concert programs. It is noted that Lev Venediktov's professional activity organically combined organizational-managerial, staging-demonstration, pedagogical-educational aspects of work with the team, which contributed to the creative growth and wide popularity of the ensemble in Ukraine and abroad. 

THEORETICAL AND PRACTICAL FUNDAMENTALS OF MUSICAL FOLKLORE PROCESSING IN THE WORKS OF DIASPORA ARTISTS

2020 ◽  
Author(s):  
Larysa Duda
Keyword(s):  
Classical Method ◽  
Folk Songs ◽  
Dance Music ◽  
Solo Performance ◽  
Important Place ◽  
Modern Approach ◽  
Xxth Century ◽  
Ensemble Performance ◽  
Instrumental Works ◽  
And Performance

The article analyzes the theoretical and practical principles of processing samples of folk music. Musical folklore is transformed in composition and performance, including for bandura, by arrangement and its varieties (harmonization, transposition, arrangement, improvisation, etc.). Musical folklore is an integral part of the bandura’s repertoire, presented in the form of vocal-instrumental and instrumental arrangements, as well as instrumental works for solo and ensemble performance. Authentic, classical and modern methods of music processing, as well as creative (author ‘s) and complex approaches are distinguished. The authentic method is inherent mainly in the art of kobzars-bandurists, who were the authors of dumas, historical and other songs and created them simultaneously with the bandura accompaniment. The classical method has been dominant since the second half of the XXth century up until now. The modern approach occurs mainly from the end of the XXth century. The transformation of folklore samples often consists in changing the genre of the original source, the environment of performance, the functional purpose of the work, the appearance of instrumental bandura accompaniment, the change of group singing into solo performance or vice versa. Genres of Ukrainian musical folklore are widely represented in the art of bandura players in Ukraine and abroad. As a result of the analysis of creativity for a bandura of the second hakf of the XX – beg. XXI centuries, in particular artists of the Ukrainian diaspora, it was found that musical folklore to a greater or lesser extent became the subject of works by L. Haidamaka, O. Herasymenko-Oliinyk, Н. Kytasty, R. Levytsky, V. Mishalow, Y. Oliinyk, P. Potapenko , M. Teliga, Z. Shtokalko and others. It is determined that vocal-instrumental arrangements of folk songs, instrumental arrangements of dance music, as well as instrumental works based on Ukrainian musical folklore, occupy an important place in the work of bandura performers and composers in Ukraine and abroad.

scholarly journals LEGAL REGULATION OF AUTHOR'S REMUNERATION UNDER THE LEGISLATION OF UKRAINE

2020 ◽  
Vol 1 (9) ◽  
pp. 51-57
Author(s):  
Kateryna Troshkina ◽  
Keyword(s):  
Legal Regulation ◽  
Logical Necessity ◽  
Creative Activity ◽  
Intellectual Activity ◽  
Basic Principles ◽  
National Legislation ◽  
Collective Management ◽  
Legal Nature ◽  
The Right ◽  
Economic Nature

The article is devoted to the analysis of normative-legal regulation of payment of royalties. The main types of royalties under current national legislation have been studied. It is established that the amount and procedure for payment of royalties for the creation of a work are established in the copyright agreement or in agreements concluded on behalf of the subjects of copyright by collective management organizations with persons who use the works. The most important property right of the inventors is the right to remuneration for intellectual activity, which contributes to the formation of promising areas of science and technology. Author's remuneration is a certain payment in favor of the author of the work, due to the use of this work by another person. The right to remuneration does not belong to the number of personal non-property or property copyrights. Legislative consolidation of royalties is a logical necessity for the development of inventive creative activity in Ukraine. The legislation of Ukraine may establish minimum rates of royalties and the procedure for their application and minimum rates of remuneration for the use of related rights and the procedure for their indexation. Despite the economic nature of the fee, its legal nature, in general, is an essential aspect of copyright and, in addition, allows you to assess the current copyright system, both at the level of individual organizations and nationwide. It is determined that the national legislation rather fragmentarily embodies the basic principles of payment of inventory fees, which certainly slows down the progressive processes of inventors and causes legal disputes between inventors, employers and other subjects of legal relations in the field of invention.

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