scholarly journals The role of art tourism in the process of forming tourist attractiveness of the territory

2021 ◽  
Author(s):  
Olena Plyuta
Keyword(s):  
Contemporary Art ◽  
Cultural Analysis ◽  
Street Art ◽  
Film Festivals ◽  
Research Guidelines ◽  
History Of ◽  
Entire History ◽  
History Of Culture ◽  
Historical Heritage

The purpose of the article is to determine the role of modern art tourism, its components, and varieties in the process of the formation of tourist attractiveness of a certain territory. The methodology of the research is based on the use of general scientific methods (systemic, structural and functional, genetic, typologization, etc.) with the involvement of research guidelines of socio-cultural analysis of phenomena and processes. The scientific novelty of the results obtained is to find out the role of art tourism in the process of forming a tourist attractiveness of the territory, which consists in the formation of a positive image of the latter due to the use of new methods and mechanisms for promotion. Conclusions. The article presents an article characteristic of art tourism, which provides intellectual rest, that is, a combination of pleasant with useful, namely purposeful visits to various art measures and events: forums of contemporary art, large artistic and photo exhibitions, theatrical prime minister, film festivals, etc. Art tourism creates positive characteristics of a particular territory, forms a certain image of a consumer about cultural and historical heritage, contemporary art, everyday style of life, etc. The features of modern street art, which is one of the directions attracting tourists from all over the world. Street art is able to tell an entire history of culture and life without a single word. More and more communities include Street Art and Graffiti in the concept of designing modern quarters and areas of their cities. Important attention is paid to this direction of creative tourism activity as an art hotel, which distinguished from the overall mass with its originality, artistic design, and creative approach to service.

scholarly journals High Voltage of the City: The Development of Siberian Historical Urban Studies in the Works of an Irkutsk Historian (to the 70th Anniversary of the Birth of Professor Vadim Shakherov)

2021 ◽  
Vol 22 (4) ◽  
pp. 733-751
Author(s):  
Natalya Gavrilova ◽  
Irina Dameshek ◽  
Sofia Kuras
Keyword(s):  
Social Activity ◽  
State University ◽  
Credit System ◽  
Research Career ◽  
20Th Century History ◽  
Merchant Class ◽  
History Of ◽  
Historical Heritage ◽  
The City

The article provides the analysis of the main stages in the research career of the famous historian, urbanist and expert in the history of Siberian entrepreneurship, Doctor of Historical Sciences, Professor V. Shakherov. The evolution of the scholar’s scientific interests is highlighted in the text. The author outlines the main areas of the scientist’s research: studying the role of the city in building economic and socio-cultural environment of Siberia in the period from the 18th to the early 20th century, history of merchant class and entrepreneurship in pre-revolutionary Siberia, history of banking and credit system of the region, historic and cultural monuments of Siberia. The article presents the analysis of Shakherov’s major works, which reflect his contribution to the development of Siberian studies. Special attention is paid to his scientific, pedagogical and social activity aimed at preserving historical heritage of Irkutsk. The author of the article emphasizes that the research career of V. Shakherov and History Faculty of Irkutsk State University are tightly connected.

The Artist as Reader of the Bible. Visual Exegesis and the Adoration of the Magi

2005 ◽  
Vol 13 (4) ◽  
pp. 337-373 ◽  
Author(s):  
Martin O'Kane
Keyword(s):  
Subject Matter ◽  
Biblical Narrative ◽  
Biblical Story ◽  
Image Viewer ◽  
The Bible ◽  
History Of ◽  
Entire History ◽  
Visual Exegesis ◽  
Textual Meaning

AbstractThe article explores the processes at work in a painting's engagement of its viewer in biblical subject matter. It accentuates the role of the artist as an active reader of the Bible and not merely an illustrator of biblical scenes, the dynamic that occurs in the text-reader process as paradigmatic for the image-viewer relationship and the important role of the developing tradition that felt the need to change or rewrite the biblical story. The processes are explored in terms of hermeneutics and exegesis: hermeneutics defined as 'the interweaving of language and life within the horizon of the text and within the horizons of traditions and the modern reader' (Gadamer) and exegesis as 'the dialectic between textual meaning and the reader's existence' (Berdini). Applied to the visualization of biblical subject matter, the approaches of Gadamer and Berdini illumine the key role given to the viewer in the visual hermeneutical process. The biblical story of the adoration of the Magi (Matt. 2: 1-12), the first public and universal seeing of Christ and one of the most frequently depicted themes in the entire history of biblical art, is used to illustrate their approach. The emphasis in the biblical narrative on revealing the Christ child to the reader parallels a key concept in Gadamer's hermeneutical aesthetics, namely Darstellung, the way in which a painting facilitates its subject matter in coming forth, in becoming an existential event in the life of the viewer.

Veronicas and Artists

2017 ◽  
Keyword(s):  
Contemporary Art ◽  
Religious Images ◽  
The Public ◽  
The Past ◽  
History Of Art ◽  
The Status ◽  
History Of ◽  
The Way ◽  
Contemporary Artists

Chapter One deals with several central issues with regard to understanding the role of religious motifs in contemporary art. Besides being a repetition of imagery from the past, religious motifs embedded in contemporary artworks become a means to problematise not only the way different periods in the history of art are delimited, but larger and seemingly more rigid distinctions as those between art and non-art images. Early religious images differ significantly from art images. The two types are regulated according to different sets of rules related to the conditions of their production, display, appreciation and the way images are invested with the status of being true or authentic instances of art or sacred images. Chapter One provides a discussion of the important motif of the image not made by an artist’s hand, or acheiropoietos, and its survival and transformation, including its traces in contemporary image-making practices. All images are the result of human making; they are fictions. The way the conditions of these fictions are negotiated, or the way the role of the maker is brought to visibility, or concealed, is a defining feature of the specific regime of representation. While the cult image concealed its maker in order to maintain its public significance, and the later art image celebrated the artist as a re-inventor of the old image, contemporary artists cite religious images in order to reflect on the very procedures that produce the public significance and status of images.

Efficacy of Culture Houses and Centres in the Acquisition, Preservation, and Dissemination of Indigenous Knowledge in Zimbabwe

2017 ◽  
pp. 259-279
Author(s):  
Josiline Phiri Chigwada ◽  
Blessing Chiparausha
Keyword(s):  
Literature Review ◽  
Indigenous Knowledge ◽  
Ethical Issues ◽  
Web Presence ◽  
Digital Era ◽  
History Of ◽  
History Of Culture

This chapter documents the role played by culture centres and houses in the acquisition, preservation and dissemination of indigenous knowledge (IK) in a digital era in Zimbabwe. It states the ethical issues involved when acquiring, preserving and disseminating IK in the digital era. A history of culture houses and centres was studied and a literature review of the role of culture centres was done. In Zimbabwe, it was noted that culture houses and centres do not have a web presence. However, there are challenges that are met by information specialists working in these culture houses and centres in the process of managing IK. These challenges are part of the ethical issues that should be considered in the production, access and use of IK. Recommendations have been put forward that would help culture houses and centres in their bid to manage IK in the digital era.

scholarly journals It’s All in the Reading

Arts ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 19
Author(s):  
Déirdre Kelly
Keyword(s):  
Contemporary Art ◽  
Mass Production ◽  
Large Scale ◽  
Book Production ◽  
Art Practice ◽  
The Arts ◽  
History Of ◽  
First Time ◽  
The City

It seems inherent in the nature of contemporary artist’s book production to continue to question the context for the genre in contemporary art practice, notwithstanding the medium’s potential for dissemination via mass production and an unquestionable advantage of portability for distribution. Artists, curators and editors operating in this sector look to create contexts for books in a variety of imaginative ways, through exhibition, commission, installations, performance and, of course as documentation. Broadening the discussion of the idea of the book within contemporary art practice, this paper examines the presence and role of book works within the context of the art biennale, in particular the Venice Art Biennale of which the 58th iteration (2019) is entitled ‘May You Live In Interesting Times’ and curated by Ralph Rugoff, with an overview of the independent International cultural offerings and the function of the ‘Book Pavilion’. Venetian museums and institutions continue to present vibrant diverse works within the arena of large-scale exhibitions, recognising the position that the book occupies in the history of the city. This year, the appearance for the first time, of ‘Book Biennale’, opens up a new and interesting dialogue, taking the measure of how the book is being promoted and its particular function for visual communication within the arts in Venice and beyond.

VR technologies in docudrama

2019 ◽  
Vol 11 (1) ◽  
pp. 73-80
Author(s):  
Natalia G. Stezhko
Keyword(s):  
National Culture ◽  
Film Studies ◽  
Film Production ◽  
Dual Nature ◽  
Music Score ◽  
Museum Guide ◽  
History Of ◽  
Historical Heritage ◽  
Artistic Image

The essay explores the implementation of VR technologies in film production, a development due to which audio-visual content, which is in high demand both in television and on the Internet, has taken a new direction, and which is a topical issue in contemporary film studies. VR technologies allow the viewer who sits on a swivel chair and wears a VR-helmet incorporating 360-degree rotating LCD monitors to watch different areas of action. A characteristic feature of VR content is a multi-sensory experience including sight, hearing, smell and touch. VR creates a digital reality with maximum sensory immersion. VR is different from cinema, theatre and 3D technologies: here the deception takes place not only at eye level but also at cerebral level. The essay argues that the use of VR technology is particularly successful in the genre of docudrama. A vivid confirmation of this argument is The Hermitage VR. An Immersion Into History (Russia,18 minutes). In this film, the dual nature of docudrama, which combines various elements of documentary and fiction cinema, allows to recreate historical eras, with the viewer becoming a witness to unique historic events. The films director Mikhail Antykov tells the history of the Hermitage Museum in a spectacular form, making the viewer empathize with the events they see through their VR glasses. The powerful artistic image is enhanced by the excellent acting of Konstantin Khabensky in the role of a mystical museum guide. Via facial expressions, gestures and gait, the actor conveys the emotions of a person walking through museum halls. Thoughtful re-enactment scenes representing various historical epochs, augmented by unusual camera angles, inventive lighting and music score, create a metaphor for time and give the viewer an illusion of participation in the unfolding events. Identifying the latest trends in film production, the essay demonstrates that VR technologies continue the evolution of screen arts which possess the potential to transform into an independent and profitable industry similar to traditional cinema. The author concludes that an increased interest in a national culture, little-known facts of history and the general historical heritage of a nation is a fertile source of content for the producers of VR-docudramas.

scholarly journals Nationalism in the USSR: a historical and comparative perspective

2015 ◽  
Vol 43 (6) ◽  
pp. 866-885 ◽  
Author(s):  
Andrey Shcherbak
Keyword(s):  
Structural Equation ◽  
Equation Modeling ◽  
Cultural Autonomy ◽  
Sudden Rise ◽  
Multiethnic States ◽  
History Of ◽  
Entire History ◽  
History Approach ◽  
Almost All

The late 1980s and early 1990s were characterized by the sudden rise of nationalist movements in almost all Soviet ethnic regions. It is argued that the rise ofpoliticalnationalism since the late 1980s can be explained by the development ofculturalnationalism in the previous decades, as an unintended outcome of Communist nationalities policy. All ethnic regions are examined throughout the entire history of the USSR (49 regions, 1917–1991), using the structural equation modeling (SEM) approach. This paper aims to make at least three contributions to the field. First, it is a methodological contribution for studying nationalism: a “quantification of history” approach. Having constructed variables from historical data, I use conventional statistical methods such as SEM. Second, this paper contributes to the theoretical debate about the role of cultural autonomy in multiethnic states. Finally, the paper statistically proves that the break between early Soviet and Stalinist nationalities policy explains the entire Soviet nationalities policy.

scholarly journals The Past and its Possibilities in Nahḍa Scholarship

2021 ◽  
Vol 6 (3-4) ◽  
pp. 265-287
Author(s):  
Feras Krimsti ◽  
John-Paul Ghobrial
Keyword(s):  
Twentieth Century ◽  
Special Issue ◽  
Record Keeping ◽  
The Past ◽  
History Of ◽  
Historical Heritage ◽  
The Many ◽  
Historical Reflection ◽  
Shed Light

Abstract This introduction to the special issue “The Past and its Possibilities in Nahḍa Scholarship” reflects on the role of the past in nineteenth- and early twentieth-century nahḍa discourse. It argues that historical reflection played a pivotal role in a number of scholarly disciplines besides the discipline of history, notably philosophy and logic, grammar and lexicography, linguistics, philology, and adab. Nahḍawīs reflected on continuities with the past, the genealogies of their present, and the role of history in determining their future. The introduction of print gave new impulses to the engagement with the historical heritage. We argue for a history of the nahḍa as a de-centred history of possibilities that recovers a wider circle of scholars and intellectuals and their multiple and overlapping local and global audiences. Such a history can also shed light on the many ways in which historical reflection, record-keeping practices, and confessional, sectarian, or communalist agendas are entwined.

scholarly journals CULTUROLOGICAL ORIENTATORS OF MODERN UKRAINIAN CINEMA CRITICS

2020 ◽  
pp. 18-22
Author(s):  
T. G. Kokhan
Keyword(s):  
Creative Process ◽  
Cultural Analysis ◽  
Reference Points ◽  
Cultural Traditions ◽  
Cinema Studies ◽  
Formation History ◽  
History Of ◽  
Personalized Approach ◽  
Ethics And Psychology

The article analyses the position of Ukrainian scientists, represented in their works during the first two decades of the XXI century, when the influence of the basis of the cultural analyses on the development of cinema critics has become appreciable. The accent has been made on new approaches both to the history of Ukrainian cinema in trying to understand personalized approach prevails and to the estimation of subject direction of the films shoot on the boundary of the XX – XXI centuries. It is underlined that film expert's attention was concentrated on the further improvement of notion-categorical apparatus which provides investigations in film critics. It is shown that film science outlines some human problems which having historical cultural traditions, can appear as aesthetical-artistic reference points in creative process. It is declared that the important aspect of the article is dedicated to the fixation of the art studies formation history in the process of cinema development. The role of Danish producer Urban Gad, the author of the book "Cinema, its means and aims" is marked. It is indicated that while constantly shooting films U.Gad summarized his own experience of work in the cinema making in the first European investigation in the cinema studies. It is underlined that taking into consideration the dynamics of cinematograph's development, using of historical and cultural achievements of the past as reference points for modern cinema theory demands caution and correctness. In the context of this thesis systematization and analysis of works of Ukrainian film critics on the activities of national cinematograph's development are presented both actual and expediency. It is shown that using in the cinema study fundamental principles of cultural analysis in particular cross-scientific personalization a composed element of biographic method – to correlate cinema analysis with material of such human sciences as aesthetics, ethics and psychology. It is noticed that taking into consideration collective character of the creation in cinematograph the principle of personalization objectively appraises the contribution of each representative of the cinematic group within the creative process.

scholarly journals The Rumyantsev Museum’s History in Russian Memoir Sources

2019 ◽  
Vol 16 (5) ◽  
pp. 504-517
Author(s):  
Tatiana Ya. Briskman
Keyword(s):  
Spiritual Life ◽  
Russian Society ◽  
Great Contribution ◽  
Russian State ◽  
Analytical Review ◽  
History Of ◽  
History Of Culture ◽  
State Library

The article provides an analytical review of the memoirs on the history of the Moscow Public and Rumyantsev Museum (now the Russian State Library), which started with the collections of count N.P. Rumyantsev. The author considers the memories on the Rumyantsev Museum since its foundation in St. Petersburg in 1828, its transfer to Moscow, the activities of the Moscow Public and Rumyantsev museums from 1862 to 1917. The author notes the role of memoir literature for the study of the history of librarianship. The article gives description of the sources containing the unique bibliogra­phic information, which reflects publications of me­moirs, diaries, letters about the Rumyantsev Museum in St. Petersburg and Moscow. The article presents the history of the transfer of the Rumyantsev Museum from St. Petersburg to Moscow and gives fragments from the memoirs of V.V. Stasov and “Diary” of V.F. Odoevsky about this event. The author also presents publications dedicated to the leaders of the Rumyantsev Museum and analytically discloses the memoirs placed in them. The article gives excerpts from memoirs, diaries, letters, which reflect the events and facts from the history of foundation and formation of the Rumyantsev Museum, the role of individuals who have made great contribution to the development of the Museum and its library. The author presents information from the memoirs, diary entries of readers about visiting the Rumyantsev library, their contribution to the accession of collections. The article also gives information about the publication of memoirs of the descendants of V.D. Golitsyn, the last Director of the Moscow Public and Rumyantsev Museums who became its first Soviet Director. The author reveals the potential of memoir materials for further research of the history of the Rumyantsev Museum and its library, its role in the history of culture and spiritual life of Russian society.

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