THE UPRISING OF JULY 1936 AND INTERNATIONAL GANGSTERISM OF THE FASCIST ITALY

2021 ◽  
Vol 32 (1) ◽  
pp. 78-90
Author(s):  
Ángel Viñas ◽  

The origin of the civil war is a central theme in the history of Spain in the 20th century and has given rise to intense debates. In the author's opinion, it was the result of the combination of structural conditions (economic and social underdevelopment, accelerated modernization pro-cess, resistance to it), all necessary, but not sufficient. The latter were determined by two factors: the existence of a conspiracy against the Spanish Republic since its very advent in 1931 and the inability of the republican governments to effectively cut it off in 1936. They did not know how to do so despite all the measures adopted but, at the same time Dessert, they could not either because from the first years of his life his monarchical adversaries had the help of fascist Italy. This was gradually materializing until an agreement was reached in March 1934, well known, but also very disfigured. It was the unequivocal signal that Mussolini was willing to curtail the republican experience in Spain in order to establish fascist influence in the western Mediterranean. The unequivocal signal was given in October 1935, in parallel with the in-vasion of Abyssinia. In June 1936, after victory, he turned again to Spain. His commitment materialized in contracts for the supply of war material, for a short war, on July 1 of the same year. The author has uncovered one of the most disfigured enigmas of the origin of the civil war.

2004 ◽  
pp. 142-157
Author(s):  
M. Voeikov ◽  
S. Dzarasov

The paper written in the light of 125th birth anniversary of L. Trotsky analyzes the life and ideas of one of the most prominent figures in the Russian history of the 20th century. He was one of the leaders of the Russian revolution in its Bolshevik period, worked with V. Lenin and played a significant role in the Civil War. Rejected by the party bureaucracy L. Trotsky led uncompromising struggle against Stalinism, defending his own understanding of the revolutionary ideals. The authors try to explain these events in historical perspective, avoiding biases of both Stalinism and anticommunism.


At least four writing systems—in addition to the Phoenician, Greek, and Latin ones—were used between the fifth century BCE and the first century CE to write the indigenous languages of the Iberian peninsula (the so-called Palaeohispanic languages): Tartessian, Iberian, Celtiberian, and Lusitanian. In total over three thousand inscriptions are preserved in what is certainly the largest corpus of epigraphic expression in the western Mediterranean world with the exception of the Italian peninsula. The aim of this book is to present a state of the question that includes the latest cutting-edge scholarship on these epigraphies and the languages that they transmit. To do so, the editors have put together a volume that from a multidisciplinary perspective brings together linguistic, philological, epigraphic, numismatic, historical, and archaeological aspects of the surviving inscriptions. The study of these languages is essential to achieve a better understanding of the social, economic, and cultural history of Hispania and the ancient western Mediterranean. They are also the key to our understanding of colonial Phoenician and Greek literacy, which lies at the root of the spread of these languages and also of the diffusion of Roman literacy, which played an important role in the final expansion of the so-called Palaeohispanic languages.


2019 ◽  
Vol 27 (1) ◽  
pp. 3-22 ◽  
Author(s):  
Harriet Hawkins

It is claimed that our current environmental crisis is one of the imaginations: we are in desperate need of new means to understand relations between humans and their environment. The underground was once central to the evolution of Western environmental imaginations. Yet, this has waned throughout the 20th century as eyes and minds turned up and out. After outlining some of the history of the underground as a site from which to evolve environmental imaginations, the article will explore how the underground might propagate environmental imaginations fit for pressing contemporary environmental concerns. It will do so using examples of three caves evolved through an ongoing arts practice-based research collaboration with artist Flora Parrott. Exploring these three caves, I will explore how the underground offers a powerful site for doing the imaginative work that our current environmental crisis requires, focusing in particular on the challenges of engaging lively earths and deep times (pasts and futures) that have become commonplace in the Anthropocene. To close, the article begins to reflect on the possibilities of collaborative creative geographies as a means to rethink the idea of the imagination within geography, as not just something that might be studied but that these creative practices might enable the creation of much-needed new imaginations.


Author(s):  
Christian Fernández Chapman

<p><strong>Resumen</strong></p><p class="Pa8">El presente artículo pretende realizar un análisis sucinto sobre la trayectoria de la recuperación moderna del leonés, así como contribuir al campo de la sociolingüística a través de una valoración sobre las ideologías lingüísticas de las asociaciones involucradas en su protección, activas en la actualidad o en el pasado. Para ello, analizaremos las ideas y discursos que apoyan o refutan posturas hegemónicas y contrahegemónicas dentro del proceso de recuperación lingüística utilizando la teoría del sociolingüista gallego José del Valle mediante la contraposición que es­tablece entre las culturas de la monoglosia y de la heteroglosia, lo cual supone una novedad para entender el marco conceptual de la realidad lingüística leonesa dentro de esta disciplina.</p><p> </p><p><strong>Abstract</strong></p><p class="Pa8">The present article intends to elaborate on the history of the modern recovery of Leonese as well as contributing to the field of sociolinguistics through an analysis of the linguistic ideologies of the associations –cur­rently active or in the past– involved in its protection. To do so, after reviewing the style and language attitudes of the first writers in Leonese of the 20th century, we will focus on the ideas and rhetoric of associations that support or reject hegemonic or counterhegemonic stances within the process of language recovery using the theory of CUNY sociolinguist José del Valle, who establishes an opposition between the culture of monoglos­sia and the culture of heteroglossia. This new approach aims to provide a conceptual framework to understand the Leonese language situation within the field of sociolinguistics.<em> </em></p>


2018 ◽  
pp. 5-14
Author(s):  
Antoni Bortnowski

The beginning of 20th century was a very complicated period in the history of the Ukrainian territories. Konstantin Paustovsky spent his youth in the southern part of the Russian Empire and could observe all the historical processes happening to his country. In his autobiography Story of a life Paustovsky presents a very interesting view of Ukraine at the beginning of the 20th century and during the Russian Civil War. The author of this article analyzes Paustovsky’s perception of Ukraine and tries to give an answer to the question of how a descendant of Zaporozhian Cossacks and Polish intellectuals could become a Russian patriot.


TERRITORIO ◽  
2012 ◽  
pp. 81-87
Author(s):  
Franz Graf

With restoration the path taken reverses, to deal firstly with the object and then with the design. In this process, awareness of the material nature of the built assumes great importance because construction often constituted the central theme of design for many protagonists of the 20th Century. The material history of architecture is addressed along three main lines: the history of the materials, the history of the construction site and the history of the construction systems. Every building is conditioned by how these three components overlap. Systematic and thorough representation of these will give rise to a monographic study which describes it precisely. The method leads to identification of the problems presented by a building through scientific analysis and at the same time the method can be used to select, clearly interpret and identify the elements that one has decided to conserve, highlight or complete.


PMLA ◽  
1957 ◽  
Vol 72 (4-Part-1) ◽  
pp. 633-644
Author(s):  
Bert O. States
Keyword(s):  
Know How ◽  

Astage history of The Cenci by Kenneth N. Cameron and Horst Frenz—“a first attempt at a task obviously long overdue” (p. 1081)—appeared in 1945 and, in uncovering some eleven productions in six countries over a fifty-year period, applied the first practical evidence to the long-debated contention that The Cenci is not an effective dramatic work. Although the history to this point was not an extensive one, the Cameron-Frenz study established that The Cenci could no longer be called a closet drama: it had, in fact, performed well as an acting play on more than one occasion. Hence, with skillful handling, it might be expected to do so in future presentations. It is unlikely that a more positive conclusion can be stated regarding The Cenci as a theatre piece. Nevertheless I feel, in the light of an impressive number of recent Cenci productions, that a continuing search of its stage history would be worthwhile, not only to substantiate the previous findings, but also (1) to indicate the interesting directions its record has taken since 1945, (2) to identify some of its limitations on the present-day stage, and (3) to bring it once again to the attention of scholars, directors, and producers who may still hold Edward Dowden's belief that Shelley, “unversed in the secrets of theatrical effect, [did not know] how to fit an acting play for the boards.”


2001 ◽  
Vol 23 (1) ◽  
pp. 15 ◽  
Author(s):  
Michael Quinn

Resolving competition over rights to the resources of Australia's rangelands is an issue of national prominence. In the early 20th century, European competition over the rangelands reflected the idea that the land needed to be used 'productively' for its occupation to be legitimate, and the idea that the rangelands were the 'public estate'. These perspectives about rights to the rangelands expose roots of today's conflicts. A central theme of 19th century Australian history has been conflict between squatters and colonial governments. By the beginning of the 20th century, occupation of the rangelands had been mostly legitimised through leases and licenses. Governments have continued to use leases to influence access and the use of the rangelands. The 20th century saw conflict continue over rights to the rangelands. Closer settlement, an expression of this conflict, sometimes led to land use that was disastrous for the land and those who used it. The career of the pastoralist Sidney Kidman illustrates the conflicts between the landed and landless, and the inseparability of 'productive' and 'legitimate' land use. The beginning of the 20th century also saw growing knowledge about the environmental impacts of rangeland pastoralism. The rights of lessees and governments were widely renegotiated, in the example of New South Wales, in all attempt to make land use better reflect this new knowledge and to protect the 'public estate'. Today, the history of the rangelands is used by different groups to justify perceived rights to its resources — these rights are legitimised culturally as well by the narrower prescriptions of the law. As social values change, different interests in the rangelands need to be accommodated. A better awareness of past ideas about the rights to the rangelands may in a small way help reconcile these interests, if only by reminding us that in the continuing process of adapting to the rangelands, rights have always been contested and negotiated rather than immutable.


2017 ◽  
Vol 4 (2) ◽  
pp. 149
Author(s):  
Alberto Ruiz Colmenar

<p>Architecture critique has historically used specialised publications as a dissemination channel. These publications, written by and for architects, have been of seminal importance in the creation of architectural culture in Spain. Nevertheless, this type of publication leaves out the non-specialised public, mistakenly considering them alien to these matters. In this case, the mass media has filled this space, carrying out a very important educational role. Its task has not been that of a mere dissemination of contents, but it has also provided a platform for criticism and analysis of some of the main events in Spanish architecture over the course of the 20th Century. In this study we analyse the years preceding and following the Spanish Civil War. A review of the issues that the main papers addressed—ABC and La Vanguardia—allows us to grasp what the general reader perceived during a key period in our history of architecture.</p>


2020 ◽  
pp. 026327642094280
Author(s):  
Vladimir Rizov

This paper focuses on the documentary photography of Eugène Atget in late 19th and early 20th-century Paris. I will begin by exploring Atget’s position as a pioneering documentary photographer in the field, followed by an engagement with the urban environment of Paris, in which Atget worked almost exclusively. Finally, I will analyse a single photograph in depth while discussing it in relation to the work of Charles Baudelaire and Jacques Rancière. This text is a contribution to a literature of critical engagement with documentary photography, urban history and the politics of class visibility. I will do so by arguing for the political significance of reading Atget’s images in a critical, political manner that engages with Rancière’s concept of the ‘anonymous multiple’. Atget is considered a key documentary photographer, and, as such, he is exemplary of the history of documentary photography and its treatment of its subjects.


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