A new look at Korean Canadians and the immigrant experience in Toronto as explored in Canadian media: CBC’s Kim’s Convenience

2021 ◽  
Author(s):  
Withya Ganeshalingam

CBC’s Kim’s Convenience (2016) is a play by Ins Choi that was adapted into a TV show in October 2016. This show focuses on a Korean–Canadian family and their convenience store situated locally in Regent Park, Toronto, Ontario. The show speaks to the immigrant experience and life in Canada as described through first generation parents, and second-generation Korean Canadian children. This MRP will analyze the ways in which stereotypes are presented in Kim’s Convenience to subvert naturalized dominant negative discourses and tropes of racialized bodies, while simultaneously being used as a tool to produce counternarratives. Using Critical Discourse Analysis (CDA) as a methodological tool, this paper will explore the use of stereotypes in the portrayal of racialized accents, intergenerational conflicts, intercultural relationships, and the use of Regent Park as a setting for the show.

2021 ◽  
Author(s):  
Withya Ganeshalingam

CBC’s Kim’s Convenience (2016) is a play by Ins Choi that was adapted into a TV show in October 2016. This show focuses on a Korean–Canadian family and their convenience store situated locally in Regent Park, Toronto, Ontario. The show speaks to the immigrant experience and life in Canada as described through first generation parents, and second-generation Korean Canadian children. This MRP will analyze the ways in which stereotypes are presented in Kim’s Convenience to subvert naturalized dominant negative discourses and tropes of racialized bodies, while simultaneously being used as a tool to produce counternarratives. Using Critical Discourse Analysis (CDA) as a methodological tool, this paper will explore the use of stereotypes in the portrayal of racialized accents, intergenerational conflicts, intercultural relationships, and the use of Regent Park as a setting for the show.


2021 ◽  
Vol 29 ◽  
pp. 96
Author(s):  
David G. Nieto

Drawing upon Critical Discourse Analysis (CDA) as theoretical framework and methodological tool, the present paper critically examines the legislation that has established English as official language in 30 states. This study captures the motivation and rationale of the policies, their stated outcomes and educational implications. The analysis situates the discourse embedded in official language policies within its socio-historical context and the conceptualization of race and language in the US. The results indicate that official English legislation responds to a conservative raciolinguistic ideology that seeks to reaffirm the hegemony of English as a mechanism of internal colonization. Official English attempts to establish monolingual educational and governmental practices that serve as an instrument to protect the status quo and, thus, perpetuate the privilege of whiteness and the subordination of immigrants, and Black, Indigenous, and People of Color (BIPOC). 


2021 ◽  
Vol 9 (2) ◽  
pp. i-xiii
Author(s):  
Jesús Romero-Barranco ◽  
Paula Rodríguez-Abruñeiras

Corpus Linguistics has proved of great value as a methodological tool in shedding light on how discourse is constructed in different text types. This opening contribution to the special issue “Corpus-linguistic perspectives on textual variation” provides an account of some of the most common applications of Corpus Linguistics, describes some of the most widely used corpora, and pins down some of the most influential corpus-based research works. In so doing, we contextualise the contributions to this collection of articles. The main aim of this special issue is to showcase cutting-edge research on textual variation based on linguistic corpora, thus illustrating how Corpus Linguistics draws from but also feeds a multiplicity of linguistic branches, such as (Critical) Discourse Analysis, Register Studies, Historical Linguistics, and Dialectology.


Author(s):  
Michal Janíčko

The article deals with how the 1990s civil war in Bosnia and Herzegovina was represented in the media that currently remain influential among Bosniaks and Bosnian Serbs. Critical discourse analysis is used both as a theoretical approach to discourse and as a methodological tool for its study. In the analysis, the civil war discourse in Bosniak and Bosnian Serb media is represented by two daily newspapers on each side. The analysis reveals mutually incompatible representations of the causes and nature of the war, the prevailing absence of dialogue, and the unwillingness of each side to consider the other side’s war victims. Looking at more specific topics, a number of discourses are identified on both sides, among which some present the potential for dialogue with alternative representations. The discourses are interpreted through Bosniak and Bosnian Serb nationalist ideologies. The findings might support further research on the relation between the media and nationalism and on the ongoing Bosnian political dispute concerning the desired nature of the state.


2019 ◽  
Vol 16 (3) ◽  
pp. 429-439
Author(s):  
Kamber Güler

Discourses are mostly used by the elites as a means of controlling public discourse and hence, the public mind. In this way, they try to legitimate their ideology, values and norms in the society, which may result in social power abuse, dominance or inequality. The role of a critical discourse analyst is to understand and expose such abuses and inequalities. To this end, this paper is aimed at understanding and exposing the discursive construction of an anti-immigration Europe by the elites in the European Parliament (EP), through the example of Kristina Winberg, a member of the Sweden Democrats political party in Sweden and the political group of Europe of Freedom and Direct Democracy in the EP. In the theoretical and methodological framework, the premises and strategies of van Dijk’s socio-cognitive approach of critical discourse analysis make it possible to achieve the aim of the paper.


Metahumaniora ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 56
Author(s):  
Indah Mustika Santhi

ABSTRAKPenelitian ini berjudul “The Media Conspiracy Behind the Death of Diana, Princessof Wales: A Study of Critical Discourse Analysis”. Penelitian ini bertujuan untuk menjelaskanbagaimana kematian Putri Diana direpresentasikan oleh The Daily Mail dalam artikelartikelpemberitaannya melalui dimensi tekstual dan juga memaparkan cara pandang TheDaily Mail sebagai pelaku media konspirasi pada praktik kerjanya terkait berita kematianPutri Diana dalam dimensi sosiokultural. Objek penelitian ini adalah The Daily Mail, salahsatu tabloid harian terbesar di Inggris. Metode yang digunakan dalam penelitian ini adalahmetode kualitatif, analisis deskriptif. Penulis menggunakan teori analisis wacana kritisFairclough (1995), disertai dengan beberapa teori pendukung lainnya, seperti teori klausasebagai representasi Halliday (2004), teori konspirasi Feaster (2008), Birchall (2006),Barkun (2003), Hodapp dan von Kannun (2008). Hasil dari penelitian ini menunjukkanbahwa representasi kematian Putri Diana dalam dimensi tekstual didapat melalui prosesmaterial, proses mental, proses relasional, proses verbal, dan proses eksistensial yangterdapat dalam artikel-artikel The Daily Mail. Sementara itu, cara pandang The Daily Mailsebagai pelaku media konspirasi atas berita kematian Putri Diana didapat melalui prosestataran sosial, tataran institusional, tataran sosial pada dimensi praktik sosiokultural.Kata Kunci: Transitivitas, Analisis Wacana Kritis, Media konspirasi.ABSTRACTThis thesis is entitled “The Media Conspiracy Behind the Death of Diana, Princessof Wales: A Study of Critical Discourse Analysis”. This thesis is aimed to describe therepresentation of Princess Diana’s death and The Daily Mail’s perspective as a mediaconspiracy actor through textual and sociocultural dimension. The object of this thesis isThe Daily Mail, one of the widest national daily newspapers in England. The method that isused in this thesis is a qualitative method, a descriptive analytic method. The writer uses thecritical discourse analysis theory of Fairclough (1995) and some other supported theories,such as clause as representation theory by Halliday (2004), the conspiracy theory by Feaster(2008), Birchall (2006), Barkun (2003), Hodapp and von Kannun (2008). The result of thisresearch shows that the representation in textual dimension that appear on Princess Diana’sdeath is derived from material process, mental process, relational process, verbal process, andexistential process. While The Daily Mail’s perspective on Princess Diana’s death is derivedfrom situational level, institutional level and social level of sociocultural practice dimension.Keywords: Transitivity, Critical Discourse Analysis, Media Conspiracy.


2020 ◽  
Vol 1 (8) ◽  
pp. 69-83
Author(s):  
N. S. Dankova ◽  
E. V. Krekhtunova

The article is devoted to the study of the media representation features of the situation of coronavirus infection spread. The material was articles published in American newspapers. It is shown that the metaphorical model "War" is widely used in media coverage of the pandemic. The relevance of the work is due to the ability of the media to influence the mass consciousness. The methodological basis of the research is formed by critical discourse analysis, which establishes the connection between language and social reality. The article provides an overview of works devoted to the study of metaphor. The theoretical foundations for the study of metaphorical modeling are given. In the course of the analysis, the linguistic means of updating the metaphorical model "War" were revealed. The authors note that this metaphorical model is represented by such frames as “War and its characteristics”, “Participants in military action”, “War zone”, “Enemy actions”, “Confronting the enemy”. It is shown that modern reality is presented in the media as martial law, the coronavirus is positioned in the media as a cruel and merciless enemy seeking to take over the world, the treatment of the disease is represented as a fight against the enemy. It is concluded that the use of the metaphorical model "War" is one of the ways to conceptualize the spread of coronavirus.


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