scholarly journals Reference and Reverence: An Exhibition of Photographic Works

2021 ◽  
Author(s):  
Kenneth Chou
Keyword(s):  
United States ◽  
Visual Culture ◽  
Environmental Concern ◽  
The United States ◽  
The Body ◽  
Burial Practices ◽  
The World ◽  
Funeral Practices

Reference and Reverence is a two-year long photographic project on the emerging trend of ecological burial in the United States. The body of work is a photo-based documentary that considers natural burial as an alternative to standard funeral practices. My thesis project is in book form as well as an exhibition installation. The work addresses green burial’s newfound re-emergence as well as the examination of visual culture regarding death, dying, and funeral practices. In an era of environmental concern, the importance of planet stewardship and modern industrial burial practices are questioned. The reflection is one of re-visiting death as tradition, as well as one of contemplating our co-existence with the world.

scholarly journals Reference and Reverence: An Exhibition of Photographic Works

2021 ◽  
Author(s):  
Kenneth Chou
Keyword(s):  
United States ◽  
Visual Culture ◽  
Environmental Concern ◽  
The United States ◽  
The Body ◽  
Burial Practices ◽  
The World ◽  
Funeral Practices

Reference and Reverence is a two-year long photographic project on the emerging trend of ecological burial in the United States. The body of work is a photo-based documentary that considers natural burial as an alternative to standard funeral practices. My thesis project is in book form as well as an exhibition installation. The work addresses green burial’s newfound re-emergence as well as the examination of visual culture regarding death, dying, and funeral practices. In an era of environmental concern, the importance of planet stewardship and modern industrial burial practices are questioned. The reflection is one of re-visiting death as tradition, as well as one of contemplating our co-existence with the world.

Comparative Funeral Practices

1969 ◽  
Vol os-16 (2) ◽  
pp. 49-62
Author(s):  
Vanderlyn R. Pine
Keyword(s):  
United States ◽  
Social Support ◽  
The United States ◽  
Psychological Needs ◽  
The Body ◽  
Religious Ritual ◽  
Funeral Practices ◽  
Funeral Practice

By comparing funeral practices in Bali, Japan, Russia, England, and the United States, the author shows that funeral practices are designed to provide socially sanctioned solutions to deep psychological needs at the time of bereavement. Suggested universal features of funeral practice across cultures include the provision of social support for the bereaved, religious ritual, funeral expenditure, sanitary disposal of the body, visual confrontation, and the funeral procession, which is generally conceived as a family parade.

Morrissey as Latina/o Literary and Cultural Icon

2018 ◽  
Author(s):  
Melissa M. Hidalgo
Keyword(s):  
United States ◽  
Los Angeles ◽  
Cultural Production ◽  
The United States ◽  
The Body ◽  
The United Kingdom ◽  
Fourth Decade ◽  
The World ◽  
United States Mexico ◽  
North And South America

Morrissey is a singer and songwriter from Manchester, England. He rose to prominence as a popular-music icon as the lead singer for the Manchester band The Smiths (1982–1987). After the breakup of The Smiths, Morrissey launched his solo career in 1988. In his fourth decade as a popular singer, Morrissey continues to tour the world and sell out shows in venues throughout Europe and the United Kingdom, Asia and Australia, and across North and South America. Although Morrissey enjoys a fiercely loyal global fan base and inspires fans all over the world, his largest and most creatively expressive fans, arguably, are Latinas/os in the United States and Latin America. He is especially popular in Mexico and with Chicanas/os from Los Angeles, California, to San Antonio, Texas. How does a white singer and pop icon from England become an important cultural figure for Latinas/os? This entry provides an overview of Morrissey’s musical and cultural importance to fans in the United States–Mexico borderlands. It introduces Morrissey, examines the rise of Latina/o Morrissey and Smiths fandom starting in the 1980s and 1990s, and offers a survey of the fan-produced literature and other cultural production that pay tribute to the indie-music star. The body of fiction, films, plays, poetry, and fans’ cultural production at the center of this entry collectively represent of Morrissey’s significance as a dynamic and iconic cultural figure for Latinas/os.

Golden Age of Psychodrama at Saint Elizabeths Hospital (1939–2004)

2017 ◽  
Vol 65 (1) ◽  
pp. 9-32
Author(s):  
Dale Richard Buchanan ◽  
David Franklin Swink
Keyword(s):  
United States ◽  
New Zealand ◽  
Criminal Justice ◽  
Law Enforcement ◽  
The United States ◽  
The Body ◽  
Theory And Practice ◽  
Body Of Knowledge ◽  
The World ◽  
Elizabeths Hospital

The Psychodrama Program at Saint Elizabeths Hospital (SEH) was founded by J. L. Moreno, MD, and contributed to the profession for 65 years. A strong case can be made that, next to the Moreno Institute, the SEH psychodrama program was the most influential center for psychodrama in the United States and the world. This article describes those contributions, including training 16% of all certified psychodramatists; enhancing and advancing the body of knowledge base through more than 50 peer-reviewed published articles or book chapters; pioneering the use of psychodrama in law enforcement and criminal justice; and its trainees making significant contributions to the theory and practice of psychodrama including but not limited to founding psychodrama in Australia and New Zealand.

Filipino American Visual Culture

2019 ◽  
Author(s):  
Sarita Echavez See
Keyword(s):  
United States ◽  
Visual Culture ◽  
Interior Design ◽  
Visual Representation ◽  
The United States ◽  
The Philippines ◽  
The Body ◽  
Filipino American ◽  
Wide Range ◽  
Cultural Forms

The visual display of Filipinos in the United States temporally and ideologically coincides with the American military conquest of the Philippines at the end of the 19th century, a brutal and brutally forgotten war that some scholars have described as genocidal according to even the most conservative definitions of genocide. This intimacy between empire and vision in the Philippine case has shaped and sharpened the stakes of studying Filipino American visual culture and its history, aesthetics, and politics. As with other minoritized communities in the United States, Filipino American visual culture is a means and site of lively and often contentious debates about representation, which typically revolve around how to document absence and how to establish presence in America. However, because Filipino Americans historically have a doubled status as minoritized and colonized—Filipinos in the United States were legally categorized as “nationals” during the colonial period even as the Philippines was deemed “foreign in a domestic sense” by the US Supreme Court—the matter of legal and visual representation is particularly complex, distinct from that of other Asian Americans and comparable with that of Native Pacific Islanders and Native Americans. So, while the politics of Asian American representation generally can get mired in debates about the absence or presence of “voice” in literature and the stereotypical or authentic depiction of the “body” in visual culture, Filipino American studies scholars of visual culture have provided valuable, clarifying insights about the relationship between imperial spectacle and history. To wit, the hypervisible representation of the Filipino in American popular cultural forms in the early decades of the 20th century—from the newspaper cartoon to the photograph to the World’s Fair exhibition—ironically enabled the erasure of the extraordinarily violent historical circumstances surrounding the emergence of the Filipino’s visibility. This relationship between spectacle and history or, rather, between visual representation and historical erasure, continues to redound upon a wide range of Filipino American visual cultural forms in the 21st century, from the interior design of turo turo restaurants to multimedia art installations to community-based murals.

scholarly journals The European Topos

Media-N ◽  
2018 ◽  
Vol 14 (1) ◽  
pp. 38-45
Author(s):  
Matt Bernico
Keyword(s):  
United States ◽  
Visual Culture ◽  
Zero Point ◽  
The United States ◽  
Media History ◽  
Media Archaeology ◽  
Decolonial Theory ◽  
Starting Point ◽  
The World ◽  
Adolfo Bioy Casares

There is an unexplored synergy between the ways media archaeology and decolonial theory handle the notion of modernity. Both consider modernity as happening at different places and at different times: modernity is an event that is larger than Europe or the United States. Using this resonance, this article will make a media archaeological reading of the decolonial theorists, Walter Mignolo and Santiago Castro-Gomez’s concept, the zero point. The zero point will be read as a media topos present throughout the immersive media that grounds much western media history and visual culture. Finally, based on these criticisms, this article will offer an alternative starting point based in the imaginary media of Adolfo Bioy Casares’ novel, The Invention of Morel. The goal of this intervention is to demonstrate the way the western paradigm of technology has imperialized the imaginations of the world and to offer another place for media artists and technologists to begin from.

Obesity and its Impact on Health

2021 ◽  
pp. 485-487
Author(s):  
Veerabhadrappa G Mendagudli ◽  
Shivaleela S Sarawad
Keyword(s):  
United States ◽  
Body Mass Index ◽  
Children And Adolescents ◽  
Body Mass ◽  
The United States ◽  
Overweight And Obesity ◽  
The Body ◽  
Obese Children ◽  
Obese People ◽  
The World

Obesity has almost tripled globally since 1975. More than 1.9 billion people aged 18 and up were overweight in 2016. Over 650 million of them were obese. In 2016, 39% of adults aged 18 and up were overweight, with 13% being obese. Overweight and obesity kill more people than underweight in the majority of the world's population. In the year 2019, 38 million children under the age of 5 were overweight or obese. In 2016, over 340 million children and adolescents aged 5 to 19 years old were overweight or obese. Obesity can be avoided. Currently, India has over 135 million obese people. Until recently, the body mass index (BMI) was used to measure obesity. By 2020, there will be 158 million obese children around the world, rising to 206 million by 2025 and 254 million by 2030. In reality, India will have the most obese children after China, with 27,481,141 or 27 million, well ahead of the United States' 17 million.

IBCLCs and Craniosacral Therapists

2016 ◽  
Vol 7 (3) ◽  
pp. 92-99
Author(s):  
Patricia Berg-Drazin
Keyword(s):  
United States ◽  
The United States ◽  
Structure And Function ◽  
The Body ◽  
Craniosacral Therapy ◽  
The World ◽  
Integral Role ◽  
And Function ◽  
Tremendous Impact

The rate of ankyloglossia (tongue-tie) appears to be on the rise in the United States and around the world. IBCLCs working with the families of babies with tongue-tie all too often are the first ones to notice the symptoms and suggest treatment. Even after the tongue has been released, these infants continue to struggle with breastfeeding. The tongue plays an integral role in breastfeeding, but it is also crucial to other oral functions such as speech, respiration, oral hygiene, swallowing, and chewing. The tongue is connected through the extrinsic muscles to bone both above and below the oral cavity. The restriction of the tongue results in associated strains in the body. We will follow the muscular connections and origins to understand the influences in the body. Craniosacral therapy (CST) has its origin in osteopathy, which teaches that structure and function are reciprocally interrelated. When structure is compromised, function will be as well. CST is a perfect complement to help these infants’ bodies release the tensions created as well as to aid in rebalancing structurally and somatically. A case study will illuminate the tremendous impact CST can have on children suffering from tongue-tie.

Politics of Vision in the Carceral State: Legibility and Looking in Hostile Territory

2017 ◽  
Author(s):  
Ashley Hunt
Keyword(s):  
United States ◽  
Visual Culture ◽  
Common Sense ◽  
The United States ◽  
Carceral State ◽  
Freedom Struggle ◽  
The World ◽  
History Of ◽  
And Control ◽  
Multiple Discourses

As we begin to think about the United States as a carceral state, this means that the scale of incarceration practices have grown so great within it that they have a determining effect on the shape of the the society as a whole. In addition to the budgets, routines, and technologies used is the culture of that carceral state, where relationships form between elements of its culture and its politics. In terms of its visual culture, that relationship forms a visuality, a culture and politics of vision that both reflects the state’s carceral qualities and, in turn, helps to structure and organize the society in a carceral manner. Images, architecture, light, presentation and camouflage, surveillance, and the play of sight between groups of people and the world are all materials through which the ideas of a society are worked out, its politics played out, its technology implemented, its rationality or common sense and identities forming. They also shape the politics of freedom and control, where what might be a free, privileged expression to one person could be a dangerous exposure to another, where invisibility or inscrutability may be a resource. In this article, these questions are asked in relation to the history of prison architecture, from premodern times to the present, while considering the multiple discourses that overlap throughout that history: war, enslavement, civil punishment, and freedom struggle, but also a discourse of agency, where subordinated peoples can or cannot resist, or remain hostile to or in difference from the control placed upon them.

Sex Differences in Mass Media Preferences Across Four Asian Countries

2011 ◽  
Vol 23 (4) ◽  
pp. 186-191 ◽  
Author(s):  
Malini Ratnasingam ◽  
Lee Ellis
Keyword(s):  
United States ◽  
Sex Differences ◽  
Mass Media ◽  
The United States ◽  
Female Students ◽  
The Internet ◽  
Evolutionary Explanation ◽  
Asian Countries ◽  
The World ◽  
Media Preferences

Background. Nearly all of the research on sex differences in mass media utilization has been based on samples from the United States and a few other Western countries. Aim. The present study examines sex differences in mass media utilization in four Asian countries (Japan, Malaysia, South Korea, and Singapore). Methods. College students self-reported the frequency with which they accessed the following five mass media outlets: television dramas, televised news and documentaries, music, newspapers and magazines, and the Internet. Results. Two significant sex differences were found when participants from the four countries were considered as a whole: Women watched television dramas more than did men; and in Japan, female students listened to music more than did their male counterparts. Limitations. A wider array of mass media outlets could have been explored. Conclusions. Findings were largely consistent with results from studies conducted elsewhere in the world, particularly regarding sex differences in television drama viewing. A neurohormonal evolutionary explanation is offered for the basic findings.

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