scholarly journals EARTH'S CREATION STIMULUS: CREATION OF GRAPHIC ARTS WITH USED PLYWOOD MEDIA

2021 ◽  
Vol 2 (1) ◽  
pp. 33-41
Author(s):  
Sigit Purnomo Adi ◽  
Pande Made Sukerta ◽  
M. Dwi Marianto ◽  
Sri Hadi
Keyword(s):  
Climate Change ◽  
Abstract Expressionism ◽  
Natural Phenomena ◽  
Graphic Arts ◽  
Graphic Art ◽  
Creation Process ◽  
Creative Methods ◽  
Printing Technique ◽  
The Creation ◽  
Stimulation Of

 Natural phenomena, especially climate change, are increasingly worrying lately. Graphic art can be used to express concern for the environment in response to climate change. The creation of this graphic art work uses the concept of the earth's creation stimulus. The creative methods used include: experimentation, contemplation, and formation. Abstract Expressionism was chosen as the style of personal expression in the creation of this work. The creative technique used is high printing technique with used plywood media. The results of the creation process show that the visualization of the concept of the earth's creative stimulus produces the forms of circles and lines. These forms are the main motif in the creation of graphic art with the stimulation of this earth's creativity 

scholarly journals PERAN PENDIDIKAN TINGGI DALAM MENGEMBANGKAN SENI GRAFIS DI INDONESIA

2019 ◽  
Vol 3 (1) ◽  
pp. 46-51
Author(s):  
Nuning Y Damayanti
Keyword(s):  
Formal Education ◽  
Fine Arts ◽  
Study Program ◽  
Graphic Arts ◽  
Graphic Art ◽  
Human Needs ◽  
Printing Technique ◽  
History Of ◽  
Institute Of Technology ◽  
Areas Of Interest

Conventional Graphic Art is understood by academics through the history of its development.The Chinese nation is thought to have started the tradition of print as the forerunner of graphicart in its 'primitive' era, while the Romans began etching-glass techniques for portraying gladiators.Furthermore, the Japanese in the 8th century had begun their first authentic print by tracing andprinting Buddhist faces. When the Europeans used it as a printing technique as a medium forartistic expression, the word "printmaking" emerged, which was later adopted by the field of artuntil now. Later the graphic arts were increasingly used to reproduce various human needs. Inearly 1900 the Dutch introduced the technique of Graphic Printing in education at the BandungTechnical College is now the Bandung Institute of Technology. History and development ofIndonesian Graphic Arts in history began at Institute of Technology Bandung (ITB) as the firstacademic provider of formal education in the Department of Fine Arts, then now a Faculty ofFine Arts and Design (FSRD) of ITB. Conventional Graphic Printing Techniques become oneof the main areas of interest, the Graphic Arts Studio of the Fine Arts Department, then becamethe Fine Art Study Program and the Graphic Art Printing Technique until now is still the mainarea of interest and subject matter in the curriculum of the FSRD ITB Fine Arts Study Program.

scholarly journals Contemporary Graphic Arts: Synthesis of the Creation Process for Products with Cultural Dimensions

2013 ◽  
Vol 9 (4) ◽  
Author(s):  
Kanokwan Nithirattapat ◽  
Songkoon Chantachon ◽  
Marisa Koseyayothin
Keyword(s):  
Cultural Dimensions ◽  
Graphic Arts ◽  
Creation Process ◽  
The Creation

scholarly journals ABSTRAKSI FIGUR PUNOKAWANDENGAN TEKNIK STENLING (Menggabungkan Teknik StencilDan Teknik Marbling)

2018 ◽  
Vol 10 (1) ◽  
Author(s):  
Much. Sofwan Zarkasi ◽  
S., Sukirno
Keyword(s):  
Fine Arts ◽  
Two Dimensional ◽  
Graphic Arts ◽  
Graphic Art ◽  
Art Works ◽  
The Creation ◽  
Dimensional Printing ◽  
The Prestige

<p align="center"><strong><em>ABSTRACT</em></strong></p><p><em>Creation of Mono PrintGraphic Art Work with Abstraction of Punokawan Figure Use STENLING Technique (Combining Stencil Technique and Marbling Technique), based on opportunities related to creativity and experimentation in graphic arts that have two-dimensional printing art character. One of them is creating mono print graphic artwork with the process of combining stencil techniques and marbling techniques. The purpose of this creation is to open opportunities as wide as possible regarding creativity in graphic art works that have been seen as having occupied the position of the second art in fine arts after painting. The method applied in the creation of this work is the method of experimentation which is the incorporation of stencil techniques and marbling techniques. The creation of monoprint graphic artwork by combining these two techniques produces monoprint graphic artwork with visuals in the form of Punokawan figure characters abstraction. It is hoped that the results of the creation of this work can be one of the innovations in graphic art both in technical and form forms so that it can elevate the prestige of the graphic artwork itself.</em></p><p><strong><em>Keywords: monoprint, combined stencil &amp; marbling</em></strong></p>

scholarly journals Roosters As a Source of Ideas for Creating Graphic Art Work with Silkscreen Technique

2020 ◽  
Vol 17 (2) ◽  
pp. 97-102
Author(s):  
Ismi Aryati
Keyword(s):  
Graphic Arts ◽  
Graphic Art ◽  
The Media ◽  
Art Of Life ◽  
The Creation ◽  
Selection Of

This final task is a visualization based on the imagination in the form of silkscreen work with Rooster. The problem discussed in this final task is what is the uniqueness of rooster that becomes our correlation in life, the reason why choosing a life of rooster as a source of ideas in creating silkscreen work and how Visualize the rooster theme in silkscreen work. The purpose of writing this final task is to explain how the habits and characteristics owned by the Rooster can give a learning in our lives. Which gives reasons on the selection of Rooster that was appointed as the source of ideas in the creation of silkscreen works, visualizing the theme of rooster in silkscreen work. The rooster has unique habits and characteristics. An example of a rooster's habit is crowed in the morning and how it survives. In the characteristics of rooster that is rarely known by Banayak people is, when the head of the rooster can be in the same position when we shake the Badannnya. The balance in the rooster becomes its own characteristic. With the life of the rooster that gives an idea of the author's life that will be visualized into graphic artwork. The life of Rooster that gives its own background to the author of the Life of the rooster theme is interesting so it is lifted in the background of this final task introduction. The creation of this work is expected to attract the attention of the connoisseur of the art of life in the rooster that visualized in silkscreen work to pour the idea, the visualization of the life of Rooster is also supported by the media canvas with a Silkscreen technique. The work depicts the life of the rooster and how the results of the observations and expressions that the author poured into the work.Keywords: rooster, graphic arts, silkscreen   

scholarly journals LINO PRINTING DALAM ILUSTRASI CERITA RAKYAT SABAI NAN ALUIH LINO PRINTING IN THE SABAI NAN ALUH FOLKTALE ILLUSTRATIONS

2021 ◽  
Vol 4 (1) ◽  
pp. 67
Author(s):  
Rhomina Hestiningtyas ◽  
Achmad Syarief ◽  
Agung Eko Budiwaspada
Keyword(s):  
Research Method ◽  
Work Process ◽  
Graphic Arts ◽  
Graphic Art ◽  
Printing Technique ◽  
History Of ◽  
Printing Techniques

<p><strong><em>Abstract</em></strong></p><p><em>Lino Printing is one of the manual printing techniques that belongs to the High printing technique which is part of the graphic arts. In the history of the development of graphic arts in Indonesia, it has been able to become a means of publishing news of Indonesian independence, but the nature of this printing technique that can be duplicated makes graphic art not develop because it is considered not exclusive and its originality is doubtful However, the interesting characteristic became the inspiration to use this technique in illustration work based on the narrative in the story of Sabai nan Aluih. This research uses practice lead research method. This method is used so that the work process can be done more freely. The story of sabai nan Aluih was chosen as a form of concern for Indonesian folklore.</em></p><p><em>Keywords: lino-printing, illustration, Indonesian folklore, Sabai nan Aluih.</em></p><p><strong> </strong></p><p><strong> </strong></p><p><strong>Abstrak</strong></p><p>Lino Printing adalah salah satu teknik cetak manual yang termasuk dari teknik cetak Tinggi yang merupakan bagian dari seni grafis. Dalam sejarah perkembangan seni grafis di Indonesia mampu menjadi sarana publikasi berita kemerdekaan indonesia, namun sifat teknik cetak ini yang dapat di duplikasi membuat seni grafis tidak berkembang karena dianggap tidak eksklusif dan diragukan originalitasnya. Tetapi ciri khas yang menarik menjadi inspirasi untuk menggunakan teknik ini dalam karya ilustrasi yang berdasarkan narasi dalam cerita Sabai nan Aluih. Penelitian ini menggunakan metode practice lead research. metode ini digunaka agar proses berkarya dapat di lakukan dengan lebih leluasa. Cerita sabai nan Aluih di pilih sebagai wujud kepedulian terhadap cerita rakyat Indonesia.</p><p><strong>Kata kunci: </strong><em>lino-printing,</em> ilustrasi, cerita rakyat Indonesia, Sabai nan Aluih.</p>

How To Write A Narration

2019 ◽  
Vol 7 (4) ◽  
pp. 43-49
Author(s):  
Katyaa Nakova-Tahchieva
Keyword(s):  
Research Paper ◽  
Fifth Grade ◽  
Artistic Creation ◽  
Creation Process ◽  
Literature Education ◽  
The Creation ◽  
Education Process

The present work is part of a research paper for which I extend my heartfelt thanks to Assoc. Prof. Dr. Valko Kanev. It examines some specifics of the artistic creation process that lead to the creation of one of the types of written student texts - the narration. Its variations - "narration by imagination" and "narration by set supports" are regulated in the new fifth grade curriculum. The requirements for writing a narration and the exemplary thematic curriculum of optional literature classes in the 7-tgrade have proven to be applicable in the literature education process.

Mandelstam: The Realm of Unexpectedness

2021 ◽  
Vol 64 (2) ◽  
pp. 62-83
Author(s):  
Svetlana S. Neretina
Keyword(s):  
Middle Ages ◽  
Speech Act ◽  
Classical Antiquity ◽  
Logical Framework ◽  
Creation Process ◽  
The Real ◽  
Logical Construction ◽  
The World ◽  
The Creation ◽  
The Middle Ages

In the essay “Conversation about Dante,” Mandelstam described logic, which he defined as the “realm of unexpectedness,” which is unlike any everyday logical construction. Based on the analysis of Mandelstam’s text, it is assumed that we are talking about a tropology that arose in the Middle Ages, the principles of which can be derived from studies of St. Augustine’s treatise De Dialectica and Petrus Сomestor’s Historia Scholastica. It is this triple commonwealth (Augustine – Comestor – Dante, read by Mandelstam) that creates the multilayered logical framework of the work. Augustine created a completely different dialectic than in classical antiquity. Augustine considers dialectics as an art of discussion and describes the real steps that contribute to the emergence of speech, which corresponds to Mandelstam’s concept of conversation. According to Augustine, at the basis of any speech, is a trope-turn. In the article, attention is drawn to the sound nature of creation process. This logic, used in explaining the creation of the world according to the logos/word (tropology), assumes that, at the basis of the speech act, there is no the word as a unit of speech, but the sound itself – the sound, which was considered initially equivocal (ambiguous). In the process of pronounciation, the sound could turn into its opposite and could change the meaning of speech if the context has been changed. Dante expressed the meaning of tropology in practice. Mandelstam wrote that he had chosen Dante for the conversation (between poet and poet) “because he is the greatest and indisputable master of reversible and reversing poetic substance.” Mandelstam saw Dante as the Descartes of metaphor.

Direct imaging of direction-controlled molecular rotational wave packets created by a polarization-skewed double-pulse

2020 ◽  
Vol 22 (19) ◽  
pp. 10853-10862
Author(s):  
Kenta Mizuse ◽  
Naoya Sakamoto ◽  
Romu Fujimoto ◽  
Yasuhiro Ohshima
Keyword(s):  
High Resolution ◽  
Wave Packets ◽  
Double Pulse ◽  
Direct Imaging ◽  
Creation Process ◽  
Rotational Wave ◽  
The Creation

High-resolution molecular movies of direction-controlled rotational wave packets are reported, providing insights into the creation process and detailed dynamics of wave packets.

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