scholarly journals Parametric Design process in Architecture

Author(s):  
Saifallah Adel Wafiqe ◽  
Ghada Musa Rzouki Alslik

Parametric Design got a good deal of interest and debate since the 90s of the 20th century ,yet this debate increased  in size and influence when important buildings in the world by known architects were designed parametrically .These buildings have terms with compositional complexity and smoothness .They characterized the architecture uniqueness and practice  since 2000, which caused the academic and theoretical institutions and individuals in architecture to carry on research focusing on parametric design and exploring its activities .Previous studies concentrated on the exploring activity and process of parametric design, accordingly the research problem is identified as follows: The lack of knowledge of parametric design in architecture from the theoretical and detailed sides related to the role of the (architect) , act and process of design , and result of the architectural design .The objectives of the research are : Clarifying the specific knowledge on parametric design in general and in architecture in particular .Clarifying the (thought) aspects of parametric design considering it as a tool or a  way of design on an architectural approach .Clarifying the role of (parametric design) and exploring the comparative sides between it and the normal  ( traditional ) way of design.

Author(s):  
Samuel Helfont

Chapter 1 discusses Saddam Hussein’s rise to the presidency in Ba’thist Iraq in which he inherited an existing relationship between his regime and the Iraqi religious landscape. Saddam also inherited a rich Ba‘thist intellectual heritage, which had a good deal to say about religion, and Islam in particular, and offered what he considered to be powerful tools to face the challenges that lay before him. Chapter 1 highlights the the role of religion in Saddam’s rise to power and the secret polices on religion that he enacted. It will then discuss the initial steps he took to consolidate his power and contain uprisings within Iraq’s religious landscape. His polices reflect a Ba’thist interpretation of Islam that was first articulated by the Syrian Christian intellectual, Michel Aflaq, in the mid-20th century. Under Saddam’s leadership, the Ba’thist regime attempts to impose its ideas on religion.


2021 ◽  
Vol 7 ◽  
pp. 65-75
Author(s):  
Nurafiqah Mohamad Musa ◽  
Nur Murniza Mohd Zaidi

Conventional tourism had opened a “window” for Islamic tourism to operationalize which at present is expanded throughout the world. As the Muslim population is rising rapidly, Muslim consumer market should be critically concerned by tourism businesses to satisfy the needs and wants of the consumers. This paper attempts to explain the concept of Islamic tourism in the context of maqasid shariah – protection of religion, protection of intellect, protection of life, protection of wealth and protection of offspring; discusses the role of Islamic religiosity in shaping tourists’ behaviour, as well as tourism industry’s role in applying Islamic tourism according to maqasid shariah, from the tourism industry’s perspective and tourists’ perspective. To date, there is still lack of knowledge and related literature review on the implementation of maqasid shariah in the concept of tourism industry. The ultimate goals of shariah are vital as the platform in the development of Islamic tourism as well as Islamic religiosity among Muslim consumers because it resembles the value of Islamic concept in tourism perspectives.


2020 ◽  
Vol 58 ◽  
pp. 13-17
Author(s):  
Victor V. Aksyuchits

According to the author of the article, N.Ya. Danilevsky anticipated a lot of ideas of the 20th century, in particular those of O. Spengler and A. Toynbee, by offering his concept of cultural and historical types in the book “Russia and Europe”. At the same time N.Ya. Danilevsky was in many aspects the follower of Slavophils while interpreting the originality of Russian people and Russian culture. After the turn of the educated society circles to Russian national self-comprehension initiated by Slavophils, N.Ya. Danilevsky not only scientifically formulated the problems brought forth by the Slavophils, but also offered for the first time the resolution of new important questions by analyzing the world history and the history of Slavic peoples. The author especially stresses the role of N.Ya. Danilevsky in creating the historiosophic concept that forestalled the epoch for many decades.


2019 ◽  
Vol 11 (16) ◽  
pp. 4416 ◽  
Author(s):  
Do Young Kim

In this study, a design methodology based on prototyping is proposed. This design methodology is intended to enhance the functionality of the test, differentiating it from the prototyping that is being conducted in conventional architectural design projects. The objective of this study is to explore reference cases that enable designers to maximize the utilization of both digital models and physical models that have been currently used in architectural designs. Also, it is to explore the complementary roles and effects of digital models and physical models. Smart Building Envelopes (SBEs) are one of challenging topics in architectural design and requires innovative design process included tests and risk management. A conceptual prototyping-based model considering the topic is applied to the design studio (education environment in university). Designing SBEs is not difficult to conceive ideas, but it is impossible to “implement” using the conventional design method. Implementing SBEs requires to strengthen validities and improve responsibilities of ideas in the stages of architectural designs, with cutting-edge technologies and smart materials. The design methodology enables designers (represented by students) to apply materials and manufacturing methods using digital models (parametric design, simulation, BIM) and physical models, rather than representing vanity images that are considered simple science fiction.


2014 ◽  
Vol 679 ◽  
pp. 6-13
Author(s):  
Hafedh Abed Yahya ◽  
Muna Hanim Abdul Samad

The argumentation of previous studies demonstrated the historical evolution of the materials in architecture and the position of the materials in the design process. The purpose is to recognize the role of materials in architectural design, and the materials are a core element of the design process. This paper is about the way materials can be used to create personality and character of the design. The research finds two overlapping roles for materials which are providing technical functionality and building personality. Thus building materials were one of the major factors for new innovation forms through the history of architecture. Keywords: Building Materials, Architectural Design, Technical Functionality, Aesthetic Attributes.


1980 ◽  
Vol 14 (1) ◽  
pp. 115-135 ◽  
Author(s):  
Malcolm Bradbury

There exists a handy term, “Americanist,” that serves to describe what it is I am, and what it is I do. I teach in, indeed I started, a busy American Studies programme; I specialize in American literature. The term is handy, and yet it doesn't entirely satisfy me, explaining a good deal about the object of my academic attention, but nothing about why the attention grew up, or what part it plays in my life. I have many basic preoccupations, and many roles deriving from them: I am a university teacher, a literary critic, a writer. But if, as I think, they link fruitfully with each other, this is because they are tied by a presiding and demanding preoccupation with literature — with its stylistic nature and its social and cultural origins and existence, with its historical pastness and its insistent presentness. In such matters I spend most of my life and invest most of my imagination. And in such matters there is no doubt that the United States plays a central and a fascinating part. Yet I was interested in literature before I was interested in America, I was interested in America before I became an Americanist, and my Americanist interest is itself part of something else, an obsessive concern with the inter-nationality of writing, with the influences that shape and command it, with the world in which it works, or does not, as the case may be. So I want to go behind my Americanist function – and what better opportunity could I have than in response to the present invitation, which calls for reminiscence, and even a little confession?In many ways, of course, my American interests are inevitable enough and obvious enough: anyone drawing the map of contemporary intellectual geography would need to put the United States in some radiating and central position, and anyone considering the nature of writing today would need to agree that in its conduct and its stylistic advancement the United States plays a role of enormous power.


2021 ◽  
Author(s):  
◽  
Thomas Le Comte

<p>Architects use computers predominantly to digitise a design process that has been in use prior to the advent of the computer. Traditional analogue concepts are transferred into and sculpted through the digital world but the overall process has remained mostly unchanged for decades. Merely digitising a known process does not utilise the full power of the computer and its near limitless ability to compute.  For an architect, design of the built environment is highly important especially if they are to optimise the physical, phenomenological and psychological aspects of the space. The process of designing an architectural space is riddled with possibilities or variables that architects have used historically to aid in the design of the built environment, including but not limited to: object relationships, climate, site conditions, history, habitibility and the clients input - all project requirements that must somehow be quantified into a built object. This information is key for an architect as it will inform and form the architecture which is to be designed for the project at hand.  This information, however useful, is not easy to integrate into every aspect of the design without intensive planning, problem solving and an exploration of almost an infinite number of possibilities. This is where parametric design can be used to aid in the design. More of the fundamental aspects of the information gathered in a project can be programmed into a computer as parameters or relationships. Once this information has been quantified, the designer can run through iterations of a design which are defined by these parameters. This is not a random process. It is controlled by the designer and the outcome is a product of how the architect designs the parameters, or relationships between components of the design.  Parametric design offers a shift from merely digitising design ideas to using programmed constraints derived through the design process to influence and augment the design envisioned by the architect. Parametric design allows the system to be changed holistically and updated through the alteration of individual components that will then impact the form of the design as a whole – creating a non-linear process that is connected throughout all design phases.  This thesis seeks to explore parametric design through its implementation within a group design project to decipher how a parametric process grounded in an understanding of contemporary digital fabrication can inform architectural space. To explore parametric design, this thesis will practice this re-envisioned design process through three design phases. The first phase is the foundational knowledge stage where the applications of digital workflow, computer models, tools and material explorations are examined. Second is the production of a prototype to investigate lessons learnt from phase one and apply these lessons to an actual parametric system used to design a prototype. The final stage will be a developed design process that will further explore a parametric system and its architectural applications. These phases will be developed through a series of prototypes in the form of material explorations and scale artefacts which will explore how it would be used to address many of the designs facets from sensual to corporeal.</p>


2017 ◽  
Vol 5 (2) ◽  
pp. 64-79
Author(s):  
Basim Hasan Almajedi ◽  
Aymen Abdul hussein Jawad

Inference process is an important part in the architectural design process as well as to realize the different aspects of the product architecture, and plays an important role in bringing new products of an innovator and contrary to traditional productions, through the investment of available data and linking them with the individual and previous expertise and experience for getting creative output in architecture. The research  Inference in the architecture field in addition to the other importance of cognitive fields, And the in architecture Special through students from them problems in the weak evidentiary have a base, from here the research problem of (Ambiguity of available knowledge about the role of inference Resources in the development of creative ability with the architecture students), to achieve the goal of research in architectural directed toward investment sources inference in generating solutions to creative problems of design to get into creative output in architecture, to highlight the research hypotheses, was where the hypothesis key b (Whenever inventories increased in the architecture students memory, increased his capabilities and creative skills in design), to be then test these hypotheses through questionnaire to a group of students, where it was found that (The multiplicity of views and reasoning process by the architecture students help him to produce and give many and varied images of processors design solutions, which may contain the common factors that contribute to the formation of a new product of an architect and has a unique and iconic properties).


2020 ◽  
Vol nr specjalny 1(2020) ◽  
pp. 364-394
Author(s):  
Robert Mielhorski ◽  

The paper problematises the literary image of childhood in poetry in relation to external historical and socio-political events. The material analysed covers Polish poetry from 1939 – 1989 (a clearly distinguished segment of the historical-literary process). The choice and ordering of the case studies results from the application of two research paradigms: (i) the paradigm concerned with autobiographical motifs, which refers to such topics of 20th century writings as exile (poetry of return by Łobodowski, Wierzyński etc.) immigration (nostalgic [pansentimentalism] and emotionally neutral motifs), Holocaust (motifs of fear, division between now and then, the role of imagination) and (ii) a generation-related paradigm, which allows us to follow the topos of childhood viewed from the perspective of history according to the order of generations entering Polish literature (from the 1920 Generation to the New Wave Groups) up to the succession of consecutive literary trends in the second half of the 20th century (e.g. soc-realism and soc-plans). Poetic texts concerning childhood in the light of history are viewed as records of “rites of passage” operating from the child’s phase of the pre-personalisation area – the child’s sense of being one with the world, experiencing the harmony of being – to the period of personalisation – when history leaves its mark on this period; characterised by the sense of one’s distinctiveness from reality, individual alienation, the need for rationalisation of one’s own existence and the existence of the surrounding reality. The role of history is to lead the child from the pre-personalistic period to the experience of personalisation.


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