scholarly journals The past participle constructions LEE(NE)- + PTCP and SAA- + PTCP as future time reference devices: the example of Livonian against a Southern Finnic background

2015 ◽  
Vol 2015 (95) ◽  
Author(s):  
Miina Norvik
Keyword(s):  
Epistemic Modality ◽  
The Other ◽  
Past Participle ◽  
Future Time ◽  
European Contact ◽  
The Past ◽  
Subordinate Clauses ◽  
The Future ◽  
Primary Meaning ◽  
Secondary Function

The present article studies the semantic functions and syntactic behaviour of past participle constructions in Livonian: līdõ ‘will be’ + active past participle (APP) / passive past participle (PPP) and sǭdõ ‘get; become’ + APP / PPP. Parallels are drawn with the corresponding constructions in the other Southern Finnic languages, as well as Northern Finnic and the Indo-European contact languages. The main focus is on Livonian līdõ ‘will be’ + APP.  Considering the primary meaning element, time reference (future, past, or present), and the clause type (main or subordinate), a distinction is made between two main functions: (i) expressing anteriority, and (ii) epistemic modality. It is argued that Livonian līdõ + APP deserves to be regarded as the future perfect, as its primary function is to express anteriority in the future domain. Furthermore, līdõ + APP is shown to stand out with regard to the usage of temporal (future) meaning in subordinate clauses, as it is more common for a future-marking device to be redundant in subordinate clauses or associated with modal meanings. The expression of epistemic modality is regarded as its secondary function and possibly a later development; the epistemic usage is primarily associated with the construction occurring in main clauses.

Evolution de l’ordre des mots en moyen-français et cohésion du groupe verbal

2006 ◽  
Vol 29 (1) ◽  
pp. 147-161
Author(s):  
Claude Muller
Keyword(s):  
The Other ◽  
Final Position ◽  
Past Participle ◽  
Subsequent Evolution ◽  
Middle French ◽  
Verb Phrase ◽  
The Past ◽  
Subordinate Clauses ◽  
The Subject ◽  
Topological Framework

We examine the evolution of the syntax of the verb phrase in Middle French, in a topological framework. The V2 hypothesis can be maintained for this stage if we admit that V becomes a VP in Middle French, thus explaining that the non topicalised subject will be placed further after the verb, particularly after the past participle, understood as a verbal constituant ; in the same time, a final position of focus appears, leading to place a heavy subject in the last position of the clause. The other major position of the subject, just before the verb, is the most frequent in subordinate clauses. A major fact of the subsequent evolution is the restriction to the adverbials in the possibilities of insertions between verb and participles or infinitives, and also between a relative subject or a complementizer and the verb in subordinate clauses.

‘Newness which never perishes’? Schoenberg’s ambivalent reception of Haydn

2010 ◽  
Vol 51 (1-2) ◽  
pp. 215-224
Author(s):  
Alexander Carpenter
Keyword(s):  
The Other ◽  
Major Influence ◽  
Musical Style ◽  
The Past ◽  
Other Hand ◽  
The Future ◽  
Music Tradition

This paper explores Arnold Schoenberg’s curious ambivalence towards Haydn. Schoenberg recognized Haydn as an important figure in the German serious music tradition, but never closely examined or clearly articulated Haydn’s influence and import on his own musical style and ethos, as he did with many other major composers. This paper argues that Schoenberg failed to explicitly recognize Haydn as a major influence because he saw Haydn as he saw himself, namely as a somewhat ungainly, paradoxical figure, with one foot in the past and one in the future. In his voluminous writings on music, Haydn is mentioned by Schoenberg far less frequently than Bach, Mozart, or Beethoven, and his music appears rarely as examples in Schoenberg’s theoretical texts. When Schoenberg does talk about Haydn’s music, he invokes — with tacit negativity — its accessibility, counterpoising it with more recondite music, such as Beethoven’s, or his own. On the other hand, Schoenberg also praises Haydn for his complex, irregular phrasing and harmonic exploration. Haydn thus appears in Schoenberg’s writings as a figure invested with ambivalence: a key member of the First Viennese triumvirate, but at the same time he is curiously phantasmal, and is accorded a peripheral place in Schoenberg’s version of the canon and his own musical genealogy.

scholarly journals Anti-Memorials and the Art of Forgetting: Critical Reflections on a Memorial Design Practice

2008 ◽  
Vol 15 ◽  
Author(s):  
SueAnne Ware
Keyword(s):  
Human Activity ◽  
The Other ◽  
Complex Spectrum ◽  
Design Practice ◽  
Design Work ◽  
The Past ◽  
Heroin Overdose ◽  
The Future ◽  
Changes Over Time ◽  
Over Time

Andreas Huyssen writes, ‘Remembrance as a vital human activity shapes our links to the past, and the ways we remember define us in the present. As individuals and societies, we need the past to construct and to anchor our identities and to nurture a vision of the future.’ Memory is continually affected by a complex spectrum of states such as forgetting, denial, repression, trauma, recounting and reconsidering, stimulated by equally complex changes in context and changes over time. The apprehension and reflective comprehension of landscape is similarly beset by such complexities. Just as the nature and qualities of memory comprise inherently fading, shifting and fleeting impressions of things which are themselves ever-changing, an understanding of a landscape, as well as the landscape itself, is a constantly evolving, emerging response to both immense and intimate influences. There is an incongruity between the inherent changeability of both landscapes and memories, and the conventional, formal strategies of commemoration that typify the constructed landscape memorial. The design work presented in this paper brings together such explorations of memory and landscape by examining the ‘memorial’. This article examines two projects. One concerns the fate of illegal refugees travelling to Australia: The SIEVX Memorial Project. The other, An Anti-Memorial to Heroin Overdose Victims, was designed by the author as part of the 2001 Melbourne Festival.

The Bridge Spanning Past, Present, and Future: Time Infrastructure

2021 ◽  
Vol 46 (2) ◽  
Author(s):  
Rob Shields
Keyword(s):  
Future Time ◽  
Topological Approach ◽  
Heritage Sites ◽  
The Past ◽  
Temporal Aspects ◽  
The Future

Background: This article considers the temporal aspects and effects of infrastructure that bridges past, present, and future rather than connecting places or delivering services.  Analysis: Four “moments” of time infrastructure will be considered in the case of a reconstructed heritage wooden bridge: heritage sites that link to the past, undertakings that mark the present, endeavours that project the current society forward into the future, and the forgetful overlooking of infrastructure as a taken-for-granted and abject temporality.  Conclusion and implications: This requires a topological approach, studying “infrastructurality” as heterochronic and as a liminal “super-object” that transcends its normative presence and Euclidean dimensions. Contexte : Cet article examine les aspects et effets temporels des infrastructures qui relient passé, présent et futur plutôt que de relier des lieux ou de fournir des services. Analyse : Quatre « moments » de ces infrastructures temporelles seront considérés par rapport à un pont en bois patrimonial reconstruit : les sites patrimoniaux qui évoquent le passé, les initiatives qui marquent le présent, les efforts qui projettent la société actuelle vers l’avenir, et l’oubli de l’infrastructure car on la considère comme temporalité abjecte qui va de soi. Conclusion et implications : Cette étude requiert une approche topologique où l’on envisagerait l’« infrastructuralité » comme hétérochronique et comme « super-objet » liminal transcendant sa présence normative et ses dimensions euclidiennes.

(B) Liberating the Past from the Future

2009 ◽  
pp. 95-102
Author(s):  
Andrew Targowski
Keyword(s):  
Human Development ◽  
The Other ◽  
Information Communication ◽  
The Past ◽  
Intrinsic Values ◽  
Other Hand ◽  
Communication Processes ◽  
The Future

The purpose of this chapter is to define intrinsic values of information-communication processes in human development. The development of civilization depends upon the accumulation of wisdom, knowledge and cultural and infrastructural gain. Man is prouder of his heritage than of that which he can eventually achieve in the future. The future is often the threat of the imminent unknown, something that can destroy our stability, qualifications and position within society. On the other hand, the “future” is also the hope of the desperate for a better life.

The verbal system

2019 ◽  
pp. 176-231
Author(s):  
D. Gary Miller
Keyword(s):  
The Other ◽  
Past Participle ◽  
Verbal System ◽  
The Third ◽  
The Past ◽  
Change Of State ◽  
System P ◽  
Third Person ◽  
The Third Person ◽  
Weak Verbs

Verbs in Gothic are thematic, athematic, or preterite present. Several classes, including modals, are discussed. Strong verbs have seven classes, weak verbs four. Inflectional categories are first, second, and third person, singular, dual (except in the third person), and plural number. Tenses are nonpast and past/preterite. There are two inflected moods, indicative and optative, and two voices (active, passive). The passive is synthetic in the nonpast indicative and optative. The past system features two periphrastic passives, one stative-eventive with wisan (be), the other inchoative and change of state with wairþan (become). Middle functions are mostly represented by simple reflexive structures and -nan verbs. Nonfinite categories include one voice-underspecified infinitive, a nonpast and past participle, and a present active imperative. The third person imperative is normally expressed by an optative.

The Limited Compatibilism of Epiphenomenalism with Responsibility

2020 ◽  
pp. 413-434
Author(s):  
Michael S. Moore
Keyword(s):  
The Other ◽  
General Control ◽  
Past Event ◽  
The Past ◽  
Hard Determinism ◽  
The Future

The second response to the epiphenomenal challenge is to deny that epiphenomenalism has any implications that are skeptical of responsibility. Such a compatibilist response is seemingly ruled out by adopting the classical compatibilist response to the challenge of hard determinism. Whether this is in fact so is explored in this chapter, the thesis being that in a certain range of cases we are responsible for effects that we do not cause so long as those effects are on one horn of an epiphenomenal fork the existence of which we know and the other horn of which we can control. Because such responsibility across the horns of an epiphenomenal fork can involve control of the past, and because a general control of the past to the extent that we can control the future is implausible, some care is taken to limit the scope of what in the past we can control by our present decisions. These limits are cast in terms of there being a strong necessitation of a past event by a present decision which necessitation is known to the actor as he acts to make it have been the case that such past event occurred.

scholarly journals HISTORY AS FUTURE—TIME, PREDICTION, AND HISTORICAL NARRATIVE IN THE ZUO ZHUAN

Early China ◽  
2018 ◽  
Vol 41 ◽  
pp. 29-86 ◽  
Author(s):  
Piotr Gibas
Keyword(s):  
Historical Narrative ◽  
Future Time ◽  
The Past ◽  
Time Prediction ◽  
Course Of Action ◽  
The Future ◽  
Moral Qualities ◽  
Zuo Zhuan

AbstractThis article demonstrates that historical narrative in the Zuo zhuan is founded on the concept of “timeliness,” that is, on the understanding of time as being endowed with moral qualities. The choice between a “timely” (shi 時) or “untimely” (bu shi 不時) course of action determines the success or failure of the person involved in it. The origins of the ideas of time that shape the historical narrative of Zuo zhuan can be traced to mantic literature of the same period, such as almanacs.Early Chinese writers of history—like diviners—strove to explain the past in order to predict the future. Seen in this light, “knowing history” implies understanding and mastering the mechanisms that drive it; and looking into the past is tantamount to “knowing” the future.

Reclaiming the Past, Building a Future: Māori Identity in the Plays of Hone Kouka

2001 ◽  
Vol 26 (1) ◽  
pp. 15-24 ◽  
Author(s):  
William Peterson
Keyword(s):  
Twentieth Century ◽  
New Zealand ◽  
World War I ◽  
The Other ◽  
World War ◽  
The Past ◽  
Aotearoa New Zealand ◽  
Rural And Urban ◽  
The Future ◽  
The 1960S

Hone Kouka's historical plays Nga Tangata Toa and Waiora, created and produced in Aotearoa/New Zealand, one set in the immediate aftermath of World War I, and the other during the great Māori urban migrations of the 1960s, provide fresh insights into the way in which individual Māori responded to the tremendous social disruptions they experienced during the twentieth century. Much like the Māori orator who prefaces his formal interactions with a statement of his whakapapa (genealogy), Kouka reassembles the bones of both his ancestors, and those of other Māori, by demonstrating how the present is constructed by the past, offering a view of contemporary Māori identity that is traditional and modern, rural and urban, respectful of the past and open to the future.

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