Typology of musical cultures of Central Asia(aspects of commonality of language and economic-cultural types)

2019 ◽  
Author(s):  
Gulzada Omarova
Keyword(s):  
Central Asia ◽  
Musical Cultures ◽  
Cultural Types

scholarly journals On the perspective of a comparative study of instrumental traditions of Turkic peoples (in terms of the typology of musical cultures)

2020 ◽  
Vol 132 (3) ◽  
pp. 83-91
Author(s):  
G.N. Omarova ◽  
Keyword(s):  
Central Asia ◽  
Cross Cultural ◽  
Cultural Traditions ◽  
Central Asian ◽  
Cultural Systems ◽  
Musical Cultures ◽  
Different Types ◽  
Musical Thinking ◽  
Different Levels ◽  
Comprehensive Study

The article raises issues of ethno-cultural parallels that are identified in the field of musical art of Turkic and, more broadly, Central Asian peoples. Based on the position on different levels of commonness of ethnic cultures and using the methods of comparative historical and comparative typological research, the author, using the example of 2-string bow instruments with hair strings and some features of the musical thinking of the “Eastern” and “Western” Türks, actualizes the typology of musical cultures of the peoples of Central Asia. It is concluded that in the regional traditions of kobyz and dombra music (tоkpe and shertpe), one can observe a symbiosis of different historical and cultural traditions. They were reflected not only in instrumentation and musical stylistics, but also in the different types of musical thinking characteristic of the “East Turkic” and “West Turkic” cultural systems. According to the author, a comprehensive study of the musical cultures of Central Asia, as well as their cross-cultural studies, will reveal both the cultural typology and the unity of the TurkicMongolian-Iranian culture of this area.

scholarly journals Features of historical and cultural development in different geographical conditions (in example of Central Asia)

2020 ◽  
Vol 1 (1) ◽  
pp. 267-277
Author(s):  
Anatoliy Sagdullaev ◽  
Utkir Abdullaev ◽  
Jasur Togaev
Keyword(s):  
Central Asia ◽  
Bronze Age ◽  
Human Activity ◽  
Asian Population ◽  
Cultural Development ◽  
Tribal Communities ◽  
Central Asian ◽  
History Of ◽  
Cultural Types ◽  
The Bronze Age

The history of all societies is associated with human activity, his economic and cultural needs, therefore, activity and needs as vital qualities of people are widely reflected in their interaction with nature and the environment. In the process of labor and production, nature is the main object of human activity, and certain economic and cultural types have developed in different geographic conditions. This law of historical and cultural development is confirmed by the example of the history of the Bronze Age in Central Asia. In the Bronze Age, among the population living on the territory of the steppes, the socio-economic system was preserved, characteristic of the tribal communities of cattle-breeding tribes, which were at the stage of decomposition of primitive communal relations. In Central Asia at this time, the process of allocation of historical and cultural regions and ethnic territories was noted. This article is dedicated to analysis of features of historical and cultural development of Central Asian population in different geographical conditions. The main attention is paid to the fact that the history of economic-cultural types and their development is connected with geographical atmosphere.

scholarly journals Features of historical and cultural development in different geographical conditions (in example of Central Asia)

2020 ◽  
Vol 1 (1) ◽  
pp. 267-277
Author(s):  
Anatoliy Sagdullaev ◽  
Utkir Abdullaev ◽  
Jasur Togaev
Keyword(s):  
Central Asia ◽  
Bronze Age ◽  
Human Activity ◽  
Asian Population ◽  
Cultural Development ◽  
Tribal Communities ◽  
Central Asian ◽  
History Of ◽  
Cultural Types ◽  
The Bronze Age

The history of all societies is associated with human activity, his economic and cultural needs, therefore, activity and needs as vital qualities of people are widely reflected in their interaction with nature and the environment. In the process of labor and production, nature is the main object of human activity, and certain economic and cultural types have developed in different geographic conditions. This law of historical and cultural development is confirmed by the example of the history of the Bronze Age in Central Asia. In the Bronze Age, among the population living on the territory of the steppes, the socio-economic system was preserved, characteristic of the tribal communities of cattle-breeding tribes, which were at the stage of decomposition of primitive communal relations. In Central Asia at this time, the process of allocation of historical and cultural regions and ethnic territories was noted. This article is dedicated to analysis of features of historical and cultural development of Central Asian population in different geographical conditions. The main attention is paid to the fact that the history of economic-cultural types and their development is connected with geographical atmosphere.

The Russian Conquest of Central Asia

2020 ◽  
Author(s):  
Alexander Morrison
Keyword(s):  
Central Asia

ANALISIS FAKTOR-FAKTOR MINAT NASABAH MEMILIKI KARTU KREDIT BCA PADA PT. BANK CENTRAL ASIA CABANG MANGGA BESAR RAYA

2019 ◽  
Vol 11 (2B) ◽  
pp. 47
Author(s):  
Asna Manullang ◽  
Debih Arliana
Keyword(s):  
Central Asia ◽  
Product Price ◽  
Physical Evidence ◽  
Place Promotion ◽  
Promotion Process

Tingkat pencapaian minat nasabah untuk memiliki kartu kredit BCA dipengaruhi oleh delapan kelompok variabel yang dikenal sebagai 8P yaitu Product, Price, Place, Promotion, Process, Physical evidence, People dan Produktivity and quality. Penelitian dilakukan di PT.Bank Central Asia, Jalan Mangga Besar Raya No. 128 Jakarta Pusat. Tujuan dari penelitian adalah untuk mengetahui bagaimana pengaruh faktor-faktor minat nasabah memiliki kartu kredit BCA. Penelitian ini menggunakan 2 metoda yaitu metoda deskriptif yaitu mengembangkan produk dan jasa yang sudah ada dan analisa kuantitatif dibagi menjadi dua analisa yang pertama analisa uji validitas dan analisa uji reabilitas. Data yang dianalisa yaitu analisis faktorfaktor yang menjadi daya tarik konsumen untuk memiliki kartu kredit BCA dapat dihitung dan diteliti langsung, data dianalisis dengan menggunakan SPSS versi 16.0. Responden telah mengisi 33 pertanyaan yang disebut dengan variabel dengan nilai skor dan dibagi berdasarkan kelompok sebagai faktornya. Hasil analisis dapat disimpulkan daya tarik konsumen untuk memiliki kartu kredit BCA ada 7 faktor utama. Faktor pertama Produk dengan nilai varians (11,74), faktor ke dua adalah Harga dengan nilai varians (10,73%), faktor ke tiga adalah Distribusi dengan nilai varians (8%), faktor ke empat adalah Promosi dengan nilai varians (7,77%), faktor ke lima adalah Proses dengan nilai varians (6,75%), faktor ke enam adalah Fisik dengan nilai varians (6,28%) dan faktor ke tujuh adalah Kualitas dengan nilai varians (5,76%). Faktor produk merupakan faktor yang paling mempengaruhi konsumen untuk memiliki kartu kredit BCA. Faktor ini dapat menerangkan keragaman data (varians) sebesar 11,74%. Dari beberapa analisis yang diperoleh bahwa faktor produk sangat berpengaruhi positif terhadap keputusan konsumen dalam memiliki kartu kredit BCA karena konsumen menginginkan produk yang baik agar dapat mempermudah transaksi dimana saja dan kapan saja. Kata Kunci: BCA, kartu kredit, Keputusan Nasabah

From Trinidad and Tobago to the World: Determining the role of Calypso in a new Era

2020 ◽  
Vol 5 ◽  
pp. 7-11
Author(s):  
Malek Abdel-Shehid
Keyword(s):  
Trinidad And Tobago ◽  
Regional Integration ◽  
West African ◽  
Major Influence ◽  
New Era ◽  
Transatlantic Slave Trade ◽  
Cultural Sovereignty ◽  
Caribbean Culture ◽  
Musical Cultures

Calypso is a popular Caribbean musical genre that originated in the island nation of Trinidad and Tobago. The genre was developed primarily by enslaved West Africans brought to the region via the transatlantic slave trade during the seventeenth and eighteenth centuries. Although West-African Kaiso music was a major influence, the genre has also been shaped by other African genres, and by Indian, British, French, and Spanish musical cultures. Emerging in the early twentieth century, Calypso became a tool of resistance by Afro-Caribbean working-class Trinbagonians. Calypso flourished in Trinidad due to a combination of factors—namely, the migration of Afro-Caribbean people from across the region in search of upward social mobility. These people sought to expose the injustices perpetrated by a foreign European and a domestic elite against labourers in industries such as petroleum extraction. The genre is heavily anti-colonial, anti-imperial, and anti-elitist, and it advocated for regional integration. Although this did not occur immediately, Calypsonians sought to establish unity across the region regardless of race, nationality, and class through their songwriting and performing. Today, Calypso remains a unifying force and an important part of Caribbean culture. Considering Calypso's history and purpose, as well as its ever-changing creators and audiences, this essay will demonstrate that the goal of regional integration is not possible without cultural sovereignty.

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