scholarly journals PERAN KONTRIBUTOR BERITA DAN JURNALISME WARGA SECARA INDUSTRIAL DALAM ERA MASYARAKAT INFORMASI

2019 ◽  
Vol 1 (2) ◽  
pp. 162-173
Author(s):  
Restiawan Permana

AbstrakPertumbuhan praktek jurnalistik saat ini menjadi tren tersendiri bagi industri media massa.Media massa telah memberdayakan masyarakat dalam membuat informasi dan sekaligusmenjadikan mereka sebagai produsen berita. Salah satu praktek jurnalistik ini disebut denganistilah jurnalisme warga (citizen journalism). Meskipun jurnalisme warga secara istilahmemang baru dikenal baru-baru ini, akan tetapi secara konsep praktik jurnalisme warga inisudah ada sejak manusia mengenal tulisan dan mengenal media sebagai saluran komunikasimassa. Citizen journalism menjadi penting karena bisa menjadi pelengkap bagi “lubang-lubang” berita yang tidak terendus oleh para wartawan profesional. Semakin terlihat jelas persaingan antara wartawan profesional dengan khalayak pembuat berita (citizen journalism)dalam kedudukannya sebagai insan media. Nyatanya, saat ini semakin banyak perusahaanmedia yang mempekerjakan jurnalis yang berstatus kontributor namun jaminan hidup bagimereka tidak jelas. Perusahaan media kerap memanfaatkan ketidakjelasan status ini, untukmengingkari hak-hak pekerja yang diatur dalam undang-undang ketenagakerjaan, engganmemberikan upah yang layak, enggan memberikan jaminan kesehatan serta tunjangan lainnyayang bisa membuat jurnalis kontributor bekerja lebih profesional. Di sisi lain, honor citizenjournalism di Indonesia justru cukup menggiurkan.Kata kunci: peran kontributor, jurnalisme warga, masyarakat informasiAbstractThe current level of journalism education is becoming a trend for the mass media industry. Mass media has empowered the public in making information and at the same time makingthem as news producers. One of these journalistic practices is called by citizen journalism.Although citizen journalism is newly known recently, but in general there are many mediathat are used as a media of communication. Citizen journalism is important because itcan be a complement to the “holes” of news unfocused by professional journalists. Moreclearly visible between journalists and newsmakers (citizen journalism) in his position as amedia person. In fact, today more and more media companies are contributor status andare still alive for them is not clear. Media companies often exploit the uncertainty of this status, to deny workers’ rights set out in labor law, to be reluctant to provide decent wages,to be reluctant to provide health and other benefits that can make contributing journalistswork more professionally. On the other hand, honor citizen journalism in Indonesia is quitetolerable.Keywords: role of contributors, citizen journalism, information society

2018 ◽  
Vol 28 (2) ◽  
pp. 164-175
Author(s):  
D.D. Nirosha Neranjala Dissanayake

Mass Media technologies are developing rapidly and media has become an integral part of our day to day life. In this context, the development of media and journalism education in schools, universities and other institutions has been confronted with many challenges. Although there are training courses and educators covering a range of skills for print journalism, broadcast, telecast and online media, there are still many issues pertaining to the quality control, practical relevance and affordability of media and journalism education. Human resource management policies of media companies do not recognize priority on continuation of education of journalists (Gunawardene, 2015). This study focuses on challenges confronted by media education in Sri Lanka. The intensive interviews and focus group discussions have been applied to collect data and information. It has transpired during the research that media and journalism syllabi should be revised with more theoretical, conceptual and practical inputs based on media education and media literacy. It is necessary to make the public in general aware of media texts. The ever fluctuating dynamics of the media industry and media education has detrimentally affected the general perception on media.


2021 ◽  
pp. 49-52
Author(s):  
Shrivastava P ◽  
Verma S ◽  
Khushboo Khushboo ◽  
Bhattacharya P K

Despite the ubiquity of health-related communications via social media, no consensus has emerged what information should be conveyed and how it should be conveyed to avoid creating panic among general population. With lockdowns social media, mass media became as a habit by people for news, information regarding COVID-19 and it is practiced even after lockdown. During the COVID-19 pandemic, mass media, social media and local news has become as the source of a toxic “infodemic” source for public. It contained both solicited and unsolicited advice. No conceptual model exists for examining the roles of media. It is important to rst assess the important mis-information, role of infodemics and prevalent casualness among the public regarding the COVID-19. Till mass vaccination is not commenced it is prudent to emphasize guidelines and practices as per COVID guidelines like social distancing, wearing mask, hand hygiene


1998 ◽  
Vol 26 (1) ◽  
pp. 52-55 ◽  
Author(s):  
A. Corda Mannino ◽  
T. Ruzzon ◽  
S. Lercari ◽  
S. Uccelli

1960 ◽  
Vol 25 (3) ◽  
pp. 402-403 ◽  
Author(s):  
Robert Ascher

AbstractThe archaeological content of ten years of Life magazine is analyzed in an attempt to identify what may go into formulating the public's images of the archaeologist and his goals. The four themes which appear in the 34 Life articles are: chance nature of archaeological discovery, role of the archaeologist as an expert, emphasis on technical knowledge and skills, and heavy use of superlatives. Analysis of other mass media, including fiction and cartoons, might lead to the identification of other themes. The image of archaeology presented by mass communication is considered important in a science so dependent upon public cooperation.


Res Publica ◽  
1997 ◽  
Vol 39 (2) ◽  
pp. 259-270
Author(s):  
Spyros A. Walgrave

Although the quasi-confederal character of Yugoslavia, especially after the introduction of its 1974 constitution did not encourage the development of a genuine Yugoslavian public sphere wherepublic debate could transcend ethnic and republic divisions, it nevertheless allowed the formation of what could be called Yugoslav cultural space, a space within which social and political actors (feminist, peace movements) forged their identities regardless of the ethnic or national diversity that characterised their membership. However, the existence of this 'space' had a limited impact in Yugoslav politics partly due to the breakdown of inter-republic communication and the fragmentation of the Yugoslavian mass media. This paper traces the process of disintegration of the Yugoslav cultural space and the emergence of national 'public spheres' in the republics and provinces of former Yugoslavia and attempts to assess the role of the mass media and cultural institutions in these developments by identifying the key strategies of representation employed in the process of the fragmentation and 'nationalisation' of the public sphere of former Yugoslavia.


Author(s):  
Cecilia Tossounian

Chapter 2 studies how the flapper, the archetypical modern girl, was construed by popular culture in the 1920s and 1930s. Mass media was engaged in a debate about the defining traits of the American flapper and her Argentine counterpart. While the flapper inhabited a distant land, the joven moderna combined popular fashions and mannerisms both foreign and domestic. Portrayed as an upper-class character, she went beyond the traditional female role of the devoted daughter. An oversimplified media construction, the Argentine flapper alerted the public of the dangerous effects of international consumer capitalism and Americanization on gender and national identity.


Author(s):  
N. Komninos

Major new trends of our era emerge from the spread of information society and the increasing role of innovation as source of competitive advantage, development, and wealth. Innovation, however, is a tricky issue. We do not dispose adequate theories for predicting innovation in different sectors of industry and services, though we have plenty of tools and methods which assist and facilitate innovation in product development, process reorganization, and quality improvement. We tend to compensate the lack of theory about radical innovation (none can tell what the next big thing will be in an industry sector) with environments of innovation enabling the use of tools, instruments, and methods: financial tools, institutional tools, communication and information tools, creativity tools, and others. The rise of the information society opened new possibilities in the creation of environments of innovation. Digital tools and virtual (digital) innovation environments may assist organizations in learning and practicing innovation. They offer new forms of government (digital this time), online or offline, for mastering the complex processes of technological development and innovation. These virtual environments are important for companies, research institutions, technology intermediary organizations, and the public administration involved in innovation and research and development (R&D) management as well.


2019 ◽  
Vol 29 (1) ◽  
pp. 58-67 ◽  
Author(s):  
Vidi Sukmayadi

Democratization in communication is the starting point for mass media in achieving a prosperous information society. However, building an ideal democratic role of media is not trouble free. The incredible pace of the development of media industry in Indonesia in the last two decades poses at least two main threats to media consumers. First, the growth of the media industry in Indonesia has been driven by capital interests that lead to media oligopoly. Second, the integration of conventional media and the internet and social media technology place our society information flow on a stranglehold. The media consolidation gives the audience an illusion of information choice without realizing that actually they are losing their rights for reliable information. Hence, an upgrade of media literacy skill and a proper media policy are needed to cope with the current fast-paced world.


2015 ◽  
Vol 9 (2) ◽  
pp. 212-227
Author(s):  
Andrew Bradstock

A public theologian will have two questions constantly in mind: Where is the public square with which I am expected to engage? And, what are its terms of engagement? Both questions necessarily involve examining the nature and role of the media as it touches upon the given context, and it is the intention in this article to reflect upon the challenges and opportunities of undertaking public theology in an environment where, (a) significant sections of the mass media accord very low priority to serious discussion of current issues and (b) voices offering a ‘faith’ perspective, or seeking even to draw upon the language of conviction or moral value, are at worst unwelcome and at best misunderstood. What does it look like to do public theology in a ‘straitened’ public square? What challenges are presented and how might they be met?


Author(s):  
Hüseyin Çelik

Economy politics that were formed with neoliberalism affected media industry like it affected all the other spheres of economy. The concentration of media structures in the world, the companies which work in the media industry being worked in the other spheres of economy, the struggle of these companies against the regulations about the media and their emphasis on the cancellation of these regulations; and the international activities of media companies attract the attention of the public for the last 50 years approximately. These developments in the media industry have been experienced in Turkey and these continued to be experienced. Neoliberal politics that were applied after 1980s caused important changes in the media industry. Another important point that attracts the attention is that even though the media actors have changed; the number of the structures that are active in media is limited and this number has not been changed for years. This paper aims to put forward the changes in the media industry in Turkey and the structures that have been shaped around these changes in the framework of neoliberal policies which were started in 1980s. In this paper a qualitative research design is used and ownership structures are analysed to investigate the changes in Turkey’s media industry since 1980s. Consequently it is seen that media actors have been changed but their numbers stayed the same. Furthermore the ownership structure of the media that is formed as a result of these developments and the organic bond between the Government is underlined.


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