Libel, Scandal, and Bad Big Names
This chapter discusses four of Cukor's films which focus on socially condoned and legitimated identities, especially on their tendency to articulate a particular performance of self as the truthful and necessary expression of one's identity while concealing broader social forces that work to disempower the individual. These four films also illustrate selves that transcend societal prescriptions and, consequently, cannot ever find stable realization within the filmic world that contains them. The films under scrutiny are: Camille (1936) and Romeo and Juliet (1936), which both feature socially forbidden love; and It Should Happen to You (1954) and Les Girls (1957), both of which explore the problematic female self-image.
2020 ◽
Vol 26
(1)
◽
pp. 12-17
Keyword(s):
Keyword(s):
2003 ◽
Vol 9
(2)
◽
pp. 73-81