Realism is to Think Historically: Overlapping Elements in Lukácsian and Brechtian Theories of Realism
The Brecht and Lukács debate constitutes one of the most important theoretical disputes in the history of Marxist criticism. Generally, Lukács is seen as an outmoded orthodox Marxist scholar, while Brecht is viewed as a champion of political modernism who managed to flee from the shackles of Marxist Orthodoxy and renew our understanding of politics and representation. Nonetheless, there are a number of overlapping elements in Brechtian and Lukácsian theories of realism. Telling in this respect is that in their definition of realism both theorists endorse Friedrich Engels’ assertion that realism is ‘the reproduction of typical people under typical circumstances’. This chapter analyses common elements in Brechtian and Lukácsian cinematic realism. The chapter is divided into two parts. In the first part, the chapter explores intersecting elements in Brecht and Lukacs’ critical writings on cinema, whilst, in the second part, the chapter explores case studies of films by Miklos Jancso and András Kovács. Both filmmakers have been previously discussed through a Brechtian lens, while Lukács also considered their films to be models of cinematic realism. In focusing both on the theoretical and practical paradigms of Brechtian and Lukácsian cinematic realism, this chapter sets out to rethink the Brecht and Lukács debate, and identify the common features in their understanding of politics and representation.