The First Female Gaze at Post-war Japanese Women: Tanaka Kinuyo, Film Director

Tanaka Kinuyo ◽  
2018 ◽  
pp. 104-125
Author(s):  
Irene González-López ◽  
Ashida Mayu
Keyword(s):  
Gender Roles ◽  
Public Sphere ◽  
Power Dynamics ◽  
Social Changes ◽  
The Moon ◽  
The Public ◽  
Female Gaze ◽  
The Subject ◽  
The Public Sphere ◽  
Post War

The chapter focuses on the production and reception of Love Letter (Koibumi, 1953) and The Moon Has Risen (Tsuki wa noborinu, 1955) –the first two films directed by Tanaka—to call into question the meaning and construction of the category of ‘woman director’. The chapter is divided in three parts. The first contextualises Tanaka’s decision to become a director within the post-war legal and social changes affecting women, illuminating how she positioned herself within trending discourses. The second offers a textual analysis of the representation of gender roles and power dynamics in both films to question whether Tanaka was offering new perspectives on the subject. The last part illuminates how the figure of ‘woman director’ was being defined, contextualised and negotiated in the public sphere by a detailed analysis of promotional material and reviews from the contemporaneous Japanese press.

scholarly journals A Review of the Halal Poultry Slaughtering from Welfare and Legal Perspectives: Analysis of Research Results

2021 ◽  
Vol 30 (3) ◽  
pp. 11-27
Author(s):  
Karrar Imad Abdulsahib Al-Shammari
Keyword(s):  
Public Sphere ◽  
Animal Cruelty ◽  
The European Union ◽  
The Public ◽  
Current Review ◽  
The Subject ◽  
Muslim Majority ◽  
The Public Sphere ◽  
Controversial Aspect

The subject of halal slaughtering is one of the most widely discussed issues of animal cruelty and animal welfare in the public sphere. The discrepancy in understanding the contemporary and religious laws pertaining to animal slaughtering does not fully publicize to Islamic and Muslim majority countries especially with respect to interpreting the use of stunning in animals. The electrical stunning is the cheapest, easiest, safest, and most suitable method for slaughtering that is widespread and developed. However, stunning on head of poultry before being slaughtered is a controversial aspect among the Islamic sects due to regulations of the European Union and some other countries. The current review highlights the instructions of halal slaughtering, legal legislation, and the effect of this global practice on poultry welfare and the quality of produced meat.

scholarly journals Dealing with a hangover of Public Archaeology: Scattered thoughts on the Italian ‘Archeologia Pubblica’

2021 ◽  
Vol 10 ◽  
pp. 53
Author(s):  
Francesca Benetti
Keyword(s):  
Public Sphere ◽  
Public Archaeology ◽  
The Public ◽  
National Conference ◽  
The Subject ◽  
The Public Sphere ◽  
University Of Florence ◽  
The University ◽  
First Time ◽  
Scientific Topic

Public Archaeology is a young discipline, we all know that. It’s even younger in Italy, where public archaeology has not even reached ‘adulthood’. Cited for the first time by Armando De Guio in 2000 (De Guio and Bressan 2000), it was only a decade later that Public Archaeology has started to become ‘a thing’, thanks to some pioneering experiences at the University of Florence (Bonacchi 2009; Vannini 2011), and especially after a national conference in 2012 (in Florence: see Zuanni 2013 for a summary). Italian archaeologists’ first reaction was to overlap the new discipline with the experiences already in place, which in Italy were under the category of ‘valorizzazione’ (enhancement). They were not exactly the same: while Public Archaeology is characterised by a reflection on the objectives of the research from the very start, a focus on having a reliable methodology, and a strong element linked to evaluation, ‘enhancement’ experiences – while often valuable and successful – lacked the same structure and reliability. This is probably due to an underestimation of these practices as a scientific topic, thus deserving the same structure required for any other type of research. Often this resulted in a mere description of the activities carried out, with a generic objective like ‘increasing the knowledge of archaeology in the public sphere’ without really evaluating if the activities worked or not. Public Archaeology became a sort of a trendy subject, outdating the term ‘valorizzazione’, at least in most of the university milieu, and creating confusion on the subject and the methodology. This sometimes has led to a sort of ‘hangover’ effect, similar to what happens with summer songs: they sound fun when you first hear them, but after months you just want to move on! Few doctoral theses awarded in Archaeology have been devoted to topics related to Public Archaeology up to the present date and the risk is that after this ‘hangover’ the subject will be penalised in comparison to others.

The evolution of the public sphere

Kybernetes ◽  
2019 ◽  
Vol 49 (9) ◽  
pp. 2201-2219
Author(s):  
José J. Blanco
Keyword(s):  
Public Sphere ◽  
Design Methodology ◽  
Complex Dynamics ◽  
Media Theory ◽  
Language Games ◽  
Content Type ◽  
The Public ◽  
The Subject ◽  
The Public Sphere ◽  
Dominant Paradigm

Purpose The purpose of this study is to rethink the issue of publicity from a cross-cultural and evolutionary perspective. Design/methodology/approach Assuming that there is a dominant paradigm in the studies of the public sphere centered on Habermas’ ideas, media theory (and especially Luhmann who is considered as a media theorist) is selected as a new context that provides different concepts, ideas, language games and metaphors that allow the re-foundation of the study of publicity. Findings Publicity as a social structure emerges – and acquires different forms during history – out of the complex dynamics resulting from the interaction between success media, such as power, and different kinds of dissemination media. Originality/value A research into the forms of publicity not only promotes awareness of the ubiquity of the phenomenon across cultural evolution, but also offers tools to make new discoveries and systematize what is already known about the subject and its ramifications.

Women in the Public Sphere

Making Icons ◽  
2017 ◽  
Author(s):  
Jennifer Coates
Keyword(s):  
Public Sphere ◽  
Positive Affect ◽  
Case Studies ◽  
Young Women ◽  
The Public ◽  
Modern Girl ◽  
The Public Sphere ◽  
Post War

Chapter 5 analyses positive motifs related to hope and healing in the characterization of nurse and schoolteacher roles. This positive affect contrasts with the threatening representation of young women in the public sphere embodied by the ‘modern girl,’ or moga character. The second part of this chapter contextualizes this post-war character in relation to the pre-war moga, making a case for the post-war gangsters molls played by Mihara Yōko as a post-war equivalent. Case studies include One Wonderful Sunday (Subarashiki nichiyōbi, Kurosawa Akira, 1947), Drunken Angel (Yoidore tenshi, Kurosawa Akira, 1948), Twenty Four Eyes (Nijushi no hitomi, Kinoshita Keisuke, 1954), and the Line series (Ishii Teruo, 1958-1961).

Churchill, women and the politics of gender

2018 ◽  
Author(s):  
Richard Toye
Keyword(s):  
World War Ii ◽  
Public Sphere ◽  
Conservative Party ◽  
The Political ◽  
Woman Question ◽  
World War ◽  
Equal Pay ◽  
The Public ◽  
The Public Sphere ◽  
Post War

This chapter investigates how Churchill related to women at the political level, and how women voters in turn related to him. Churchill had a blurred Conservative-Liberal identity, and this affected his approach to ‘the woman question’. Hostile to female enfranchisement at the start of his career, he became a reluctant convert during his Edwardian Liberal phase, provided that it could be done in such a way as to benefit his own party electorally. As a renegade Tory during the 1930s he drew on the services of a range of female anti-appeasers such as Shiela Grant Duff. During World War II, however, he controversially opposed equal pay for women teachers. It is well-established that, in the post-war years, the Conservative Party benefitted from its gendered approach to rationing and austerity, Churchill himself did little to appeal explicitly to women voters. Although he did accept a role for a limited number of ‘exceptional’ women in the public sphere, he was never an enthusiast for substantive gender equality.

Communist daughters : In the vanguard of feminism

2019 ◽  
Vol 22 (4) ◽  
pp. 339-355
Author(s):  
Elke Weesjes
Keyword(s):  
Cold War ◽  
Gender Roles ◽  
The Netherlands ◽  
Public Sphere ◽  
Private Sphere ◽  
Traditional Practices ◽  
The Public ◽  
Changing Roles ◽  
The Public Sphere ◽  
The Cold War

Abstract This article explores communists’ attitudes towards gender roles and sexuality in Britain and the Netherlands during the Cold War (ca. 1948‐1970). It looks at the changing roles of women in the communist movement in the public sphere, as well as the changes in practices of gender relations in the communist home—that is, the private sphere. This article, which is based on interviews with Dutch and British individuals raised in communist families, argues that communist children who were taught progressive theories while simultaneously witnessing traditional practices in the home were spurred to feminist thinking and so joined the movement in its early stages. In light of these findings, this article makes the case for the inclusion of communists in the vanguard of feminism in Britain and the Netherlands.

Open Research Questions on Information and Technology in Global and Domestic Politics—Beyond “E-”

2008 ◽  
Vol 41 (04) ◽  
pp. 835-837
Author(s):  
Micah Altman ◽  
Kenneth Rogerson
Keyword(s):  
Public Sphere ◽  
Technological Change ◽  
Information Technologies ◽  
Domestic Politics ◽  
Political Debate ◽  
Public Speech ◽  
The Public ◽  
Political Theories ◽  
The Subject ◽  
The Public Sphere

Accelerating technological change is one of the defining characteristics of this era. And the intersection of information, technology, and politics is a constantly changing arena. Technological change can provide the subject for political debate, such as in the controversy over electronic voting (see Tokaji 2005); affect the means by which politics is conducted, such as in the use of information technologies to provide government services and collect regulatory feedback (see Fountain 2001; West 2005; and Mayer-Schonberger and Lazer 2007); or challenge our understanding of political theories and concepts, such as the meaning of privacy and of the public sphere (see Etzioni 2000 and Sunstein 2007 on the meaning of privacy and the compartmentalization of “public” speech, Bimber 2003 on the effect of information technologies on democracy, and Benkler 2006 on the reinterpretation of the public sphere). Each of these perspectives is visible locally, regionally, nationally, and globally.

The Catholic and the Communist Women's Press in Post-War Italy—An Analysis of Cronache and Noi Donne

Modern Italy ◽  
2006 ◽  
Vol 11 (3) ◽  
pp. 285-304 ◽  
Author(s):  
Nina Rothenberg
Keyword(s):  
Comparative Analysis ◽  
Public Sphere ◽  
Feminist Movement ◽  
The Public ◽  
The Social ◽  
Women's Press ◽  
Gradual Development ◽  
The Public Sphere ◽  
Post War ◽  
Women's Role

This article aims to provide a systematic, comparative analysis of two of the main women's mass publications in order to trace continuities and changes in the development of women's role in the public sphere in Italy. The analysis begins with an elaboration of the social and political context, which is crucial for the understanding of media texts in general. It shows how the existence of only limited political spaces in post-war Italian society due to the polarisation of Catholicism and communism delayed both an open political discourse on women's conditions and the gradual development of an autonomous and lay feminist movement. Noi Donne of Union Donne Italiene (UDI) was closely aligned with and financed by the Italian Communist Party (PCI) and lacked any substantial autonomy until the early 1970s, while Cronache of the Catholic women's organisation Centro Italiano Femminile (CIF) was a faithful instrument for the propagation of those Catholic concepts of femininity that were redefined and reinforced by the Vatican in the Catholic publication Civiltà Cattolica.

scholarly journals The Courtroom as an Arena of Ideological and Political Confrontation: The Chicago Eight Conspiracy Trial

2021 ◽  
Author(s):  
Awol Allo
Keyword(s):  
Public Sphere ◽  
Criminal Trial ◽  
The Public ◽  
Administration Of Justice ◽  
National Convention ◽  
The Subject ◽  
The Law ◽  
The Public Sphere ◽  
A Site

AbstractNormative theories of law conceive the courtroom as a geometrically delineated, politically neutral, and linguistically transparent space designed for a fair and orderly administration of justice. The trial, the most legalistic of all legal acts, is widely regarded as a site of truth and justice elevated above and beyond the expediency of ideology and politics. These conceptions are further underpinned by certain normative understandings of sovereignty, the subject, and politics where sovereignty is conceived as self-instituting and self-limiting; the subject is understood as an autonomous and rational being capable of self-consciousness and self-representation; and politics is posited as the exercise of reason in the public sphere. In this article, I argue that such a normative conceptualization of the criminal trial and the courtroom not only ignores structures of power and privilege that produce inequalities but also forecloses possibilities for transformative judicial praxis. Drawing on the 1969–1970 trial of eight radical activists accused of conspiring to incite a riot at the 1968 Democratic National Convention in Chicago, the article argues for a performative re-conceptualization of sovereignty, the subject, and the law as indeterminate, unpredictable, and open-ended discursive formations. The article demonstrates how the accused, working with and against legal doctrines, norms, and discourses, rethought normative conceptions of sovereignty, law, and subjectivity as contingent power-knowledge constellations that are open, unpredictable, and un-closable.

scholarly journals The Whistle Stop Café and Luke’s Diner

2021 ◽  
Vol 8 (1) ◽  
pp. 71-81
Author(s):  
Julia Neugarten
Keyword(s):  
Public Sphere ◽  
Power Dynamics ◽  
Male Violence ◽  
The Public ◽  
Gendered Power ◽  
The Public Sphere ◽  
Tv Show ◽  
Over Time

This paper compares the Whistle Stop Café in Fanny Flagg’s 1987 novel Fried Green Tomatoes at the Whistle Stop Café to Luke’s Diner in the pilot episode of the TV show Gilmore Girls (2000). I argue that the two cafes are similar in that both offer up a utopian space where women can be themselves, enact their desires and speak their minds without fear of judgement or violence. Through a comparison of the two, I also show the ways in which gendered power dynamics have changed over time: while the Whistle Stop Café provides a refuge from male violence, Luke's Diner functions as a space in which women can exert their own agency through speech, thus keeping the threat of male violence at bay. My analysis shows that the culinary space of the café or diner contains traditionally feminine elements through its association with food and cooking as well as traditionally masculine elements through its presence in the public sphere.

Sign in / Sign up

Export Citation Format

Share Document