Onstage Overviews: Metadrama and the Information Market
This chapter argues that Ben Jonson’s The Staple of News presents a dystopic fantasy of control over information-gathering in which the news produced, though authorised by the eponymous Staple’s monopoly, is only as reliable as street gossip. The Staple’s sources are not ‘journalists’ in the modern sense; rather they are common informers, entirely lacking the ambivalence of Shakespeare’s magical agents. In this case, their information is publicly marketable, and thus, the play’s metadrama explores how Jonson negotiates not only the price of information, and artistic legitimacy, but ultimately authority itself. With its concealed observers, its predatory imagery, and the augmentative nature of its gathered information, this play describes the familiar conditions of both early modern informing practice and contemporary dramatic authorship, and, as ever, the deficiency of an audience’s interpretation is of prevailing concern. The chapter also suggests that Jonson’s metadrama functions as a tool of self-fashioning which only works in a market where the price of information, artistic freedom, and the legitimacy of authority, are negotiable.