Imagining the Sudan in British Film, 1925–53

2020 ◽  
Vol 17 (3) ◽  
pp. 334-354
Author(s):  
Zach Bates
Keyword(s):  
British Empire ◽  
Popular Literature ◽  
The Political ◽  
Complex Picture ◽  
The Relationship

Due to its status as a territory under the joint rule of Egypt and Britain, the Sudan occupied an awkward place in the British Empire. Because of this, it has not received much attention from scholars. In theory, it was not a colony, but, in practice, the Sudan was ruled primarily by British administrators and was the site of several developmental schemes, most of which concerned cotton-growing and harnessing the waters of the Nile. It was also the site of popular literature, travelogues and the most well-known of Alexander Korda's empire films. This article focuses on five British films –  Cotton Growing in the Sudan (c.1925), Stark Nature (1930), Stampede (1930), The Four Feathers (1939) and They Planted a Stone (1953) – that take the Sudan as their subject. It argues that each of these films shows an evolving and related discourse of the region that embraced several motifs: cooperation as the foundation of the relationship between the Sudanese and the British; Sudanese peoples in conflict with a sometimes hostile landscape and environment that the British could ‘tame’; and the British being in the Sudan in order to improve it and its people before leaving them to self-government. However, some of the films, especially The Four Feathers, subtly questioned and subverted the British presence in the Sudan and engaged with a number of the political questions not overtly mentioned in documentaries. The article, therefore, argues for a nuanced and complex picture of representations of the Sudan in British film from 1925 to 1953.

‘Enemy Agents at Work’: A microhistory of the 1954 Adamjee and Karnaphuli riots in East Pakistan

2020 ◽  
pp. 1-36
Author(s):  
LAYLI UDDIN
Keyword(s):  
Prime Minister ◽  
Central Government ◽  
Paper Mill ◽  
The State ◽  
The Political ◽  
The Real ◽  
Complex Picture ◽  
History Of ◽  
First Time ◽  
The Relationship

Abstract Between March and May 1954, an election and two riots took place in East Pakistan, with far-reaching implications. On 30 May, the prime minister of Pakistan, in a bellicose tone, declared that ‘enemy agents’ and ‘disruptive forces’ were at work and imposed governor's rule for the first time in East Pakistan. The autocratic and high-handed attitude of the Central government in Karachi over the seemingly wayward East Wing was to become a portent of future conflicts between the province and the state, eventually leading to the unmaking of Pakistan in 1971. What precipitated the 1954 crisis? Who were the enemy agents and disruptive forces that the prime minister had alluded to? The reference was to the Bengali labourers in East Pakistan—the main protagonists of the 1954 Karnaphuli Paper Mill and Adamjee Jute Mill riots. These were the most violent industrial riots in the history of United Pakistan, if not the subcontinent. Using sensitive materials obtained from multiple archives, this article dismantles the conventional thesis that these riots were ‘Bengali–Bihari riots’, fanned by the flames of Bengali provincialism at the political level, or events instigated by the Centre to derail the democratic hopes of the Bengali population of Pakistan. A microhistory of the events demonstrates a more complex picture of postcolonial labour formations and solidarities; the relationship between state-led industrialization and refugee rehabilitation, and conflicting visions of sovereignty. This is a story of estrangement between employers and workers over the question of who were the real sovereigns of labour, capital, and Pakistan itself.

Immigration and national identity: constructing the nation

1996 ◽  
Vol 22 (3) ◽  
pp. 235-255 ◽  
Author(s):  
Roxanne Lynn Doty
Keyword(s):  
World War Ii ◽  
International Relations ◽  
British Empire ◽  
Political Violence ◽  
The Political ◽  
Nation State ◽  
World War ◽  
Exclusionary Practices ◽  
Freedom Of Movement ◽  
The Relationship

Prompted by the integration of Europe, Derrida recently posed the following questions. ‘Indeed, to what concept, to what real individual, to what singular entity should this name be assigned today? Who will draw up its borders?’ While this question speaks of the political entity called Europe, it has much broader resonance. It echoes concerns about identity, boundaries, and the relationship between the inside and the outside of political entities, concerns that have not escaped the attention of critical International Relations scholars. Nor are these necessarily new concerns. The situation in post–World War II Britain prompted the same questions Derrida raises about Europe in 1992. To what real individuals, to what singular entity the terms ‘British’ and ‘Britain’ should be assigned was a question that prompted debate, political violence, and a series of increasingly restrictive and, some would suggest, racist immigration policies. The transformation of Britain from an empire to a nation–state was accompanied by a crisis of identity whereby early postwar proclamations that Britain ‘imposed no colour bar restrictions making it difficult for them when they come here’ and that ‘there must be freedom of movement within the British Empire and the Commonwealth’ were, rather quickly, to give way to exclusionary practices and a retreat to ‘little England’.

The Re-enchanted Hierarchy, 1970–2004

2020 ◽  
pp. 210-246
Author(s):  
Tobias Harper
Keyword(s):  
Social Capital ◽  
Twentieth Century ◽  
British Empire ◽  
Civil Servants ◽  
British Society ◽  
The Political ◽  
Voluntary Service ◽  
Autobiographical Writing ◽  
The Relationship

At the end of the twentieth century there were major reforms to the honours system. These were connected to larger processes of social change following the political and social shifts of the 1980s and 1990s. In 1993 the honours system was revised by John Major and civil servants concerned about its reputation as class-based and automatic for civil servants. The lower ranks of the Order of the British Empire (which make up a majority of total honours given out) were reoriented towards voluntary service and away from professional state service. Honours became a way of paying volunteers to do work once done by the state using social capital rather than money. This chapter also details the relationship between these changes and the role of the monarchy in British society. After 1948, all British recipients of honours at the level of MBE and above were entitled to visit Buckingham Palace and receive their award from a royal personage. Autobiographical writing suggests a set of characteristic experiences and feelings. Many who recorded their experiences not only celebrated their encounter, but also expressed empathy with the monarch, affirming both the normalcy of the royal family and also their special status. John Major’s reforms (and similar ones that followed them in the early 2000s) thus reintegrated two functions of the monarchy—its role as the affirmer of national merit through the honours system and its status as the leader of the voluntary sector in Britain.

H. H. Stevens and the Chinese: The Transition to Conservative Government and the Management of Controls on Chinese Immigration to Canada, 1900-1914

2013 ◽  
Vol 20 (2-3) ◽  
pp. 175-189
Author(s):  
Julie F. Gilmour
Keyword(s):  
British Empire ◽  
Political Life ◽  
The Political ◽  
Immigration Control ◽  
Conservative Government ◽  
Canadian Immigration ◽  
The Relationship ◽  
Member Of Parliament ◽  
Ideological Context ◽  
At Home

This article uses the political life of H. H. Stevens, a Vancouver businessman, Conservative member of parliament, and anti-Asian activist to examine the nature of the relationship between the institutions of Canadian immigration control and the political and ideological context of the time. It shows how the transition from Liberal to Conservative government after the Canadian election of 1911 provides an opportunity to examine the importance of individual and party choices in the implementation of immigration regulations. It becomes clear that the policies of control were subject to a certain amount of improvisation on the part of those responsible for implementing the system and allowed those who had strong opinions to harden the line against Chinese immigration. Further, the article reveals how differences in Liberal and Conservative attitudes on Chinese immigration are clearly not merely differences in racial outlook, but rather differences in individuals’ material position at home and their political calculations in the larger context of the British Empire.

Kämpfe um Bergbau und die Möglichkeiten demokratischer Transformation

2017 ◽  
Vol 47 (189) ◽  
Author(s):  
Kristina Dietz
Keyword(s):  
Direct Democracy ◽  
Social Power ◽  
Political Agenda ◽  
The Political ◽  
Liberal Democratic ◽  
Political Effects ◽  
Mining Project ◽  
National Governments ◽  
The Relationship

The article explores the political effects of popular consultations as a means of direct democracy in struggles over mining. Building on concepts from participatory and materialist democracy theory, it shows the transformative potentials of processes of direct democracy towards democratization and emancipation under, and beyond, capitalist and liberal democratic conditions. Empirically the analysis is based on a case study on the protests against the La Colosa gold mining project in Colombia. The analysis reveals that although processes of direct democracy in conflicts over mining cannot transform existing class inequalities and social power relations fundamentally, they can nevertheless alter elements thereof. These are for example the relationship between local and national governments, changes of the political agenda of mining and the opening of new spaces for political participation, where previously there were none. It is here where it’s emancipatory potential can be found.

Virginia Woolf and Being-in-the-world

2017 ◽  
Author(s):  
Emma Simone
Keyword(s):  
Virginia Woolf ◽  
Historical Context ◽  
The Political ◽  
Cartesian Dualism ◽  
Self And Other ◽  
The World ◽  
Binary Oppositions ◽  
The Individual ◽  
The Relationship ◽  
Existential Perspective

Virginia Woolf and Being-in-the-world: A Heideggerian Study explores Woolf’s treatment of the relationship between self and world from a phenomenological-existential perspective. This study presents a timely and compelling interpretation of Virginia Woolf’s textual treatment of the relationship between self and world from the perspective of the philosophy of Martin Heidegger. Drawing on Woolf’s novels, essays, reviews, letters, diary entries, short stories, and memoirs, the book explores the political and the ontological, as the individual’s connection to the world comes to be defined by an involvement and engagement that is always already situated within a particular physical, societal, and historical context. Emma Simone argues that at the heart of what it means to be an individual making his or her way in the world, the perspectives of Woolf and Heidegger are founded upon certain shared concerns, including the sustained critique of Cartesian dualism, particularly the resultant binary oppositions of subject and object, and self and Other; the understanding that the individual is a temporal being; an emphasis upon intersubjective relations insofar as Being-in-the-world is defined by Being-with-Others; and a consistent emphasis upon average everydayness as both determinative and representative of the individual’s relationship to and with the world.

On Metaphysics and the Political: A Polemics of Reading Baudelaire in the 1930s

2019 ◽  
Vol 58 (2) ◽  
pp. 249-259
Author(s):  
Joseph Acquisto
Keyword(s):  
Twentieth Century ◽  
Political Crisis ◽  
The Political ◽  
Modern Poetry ◽  
Progressive Politics ◽  
The World ◽  
Relationship Of ◽  
The Relationship ◽  
Insight Into

This essay examines a polemic between two Baudelaire critics of the 1930s, Jean Cassou and Benjamin Fondane, which centered on the relationship of poetry to progressive politics and metaphysics. I argue that a return to Baudelaire's poetry can yield insight into what seems like an impasse in Cassou and Fondane. Baudelaire provides the possibility of realigning metaphysics and politics so that poetry has the potential to become the space in which we can begin to think the two of them together, as opposed to seeing them in unresolvable tension. Or rather, the tension that Baudelaire animates between the two allows us a new way of thinking about the role of esthetics in moments of political crisis. We can in some ways see Baudelaire as responding, avant la lettre, to two of his early twentieth-century readers who correctly perceived his work as the space that breathes a new urgency into the questions of how modern poetry relates to the world from which it springs and in which it intervenes.

Risk, Desire and Adaptation: The Paradox of Queer Solidarity and the Political Possibility of Death Under Neoliberalism and Homonationalism

Somatechnics ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 185-200
Author(s):  
Natalie Kouri-Towe
Keyword(s):  
Human Rights ◽  
Social Movement ◽  
Political Activism ◽  
State Violence ◽  
The Political ◽  
Sexual Rights ◽  
Political Strategy ◽  
Rights Discourse ◽  
The Relationship ◽  
Strategy I

In 2015, Queers Against Israeli Apartheid Toronto (QuAIA Toronto) announced that it was retiring. This article examines the challenges of queer solidarity through a reflection on the dynamics between desire, attachment and adaptation in political activism. Tracing the origins and sites of contestation over QuAIA Toronto's participation in the Toronto Pride parade, I ask: what does it mean for a group to fashion its own end? Throughout, I interrogate how gestures of solidarity risk reinforcing the very systems that activists desire to resist. I begin by situating contemporary queer activism in the ideological and temporal frameworks of neoliberalism and homonationalism. Next, I turn to the attempts to ban QuAIA Toronto and the term ‘Israeli apartheid’ from the Pride parade to examine the relationship between nationalism and sexual citizenship. Lastly, I examine how the terms of sexual rights discourse require visible sexual subjects to make individual rights claims, and weighing this risk against political strategy, I highlight how queer solidarities are caught in a paradox symptomatic of our times: neoliberalism has commodified human rights discourses and instrumentalised sexualities to serve the interests of hegemonic power and obfuscate state violence. Thinking through the strategies that worked and failed in QuAIA Toronto's seven years of organising, I frame the paper though a proposal to consider political death as a productive possibility for social movement survival in the 21stcentury.

The Fragmentation of the Palestinian Political Field

2018 ◽  
Vol 11 (1-2) ◽  
pp. 189-216
Author(s):  
Jamil Hilal
Keyword(s):  
Women Workers ◽  
Political Leadership ◽  
The Political ◽  
Political Field ◽  
Cultural Field ◽  
National Representation ◽  
1960S And 1970S ◽  
The 1960S ◽  
Palestinian National Movement ◽  
The Relationship

The mid-1960s saw the beginnings of the construction of a Palestinian political field after it collapsed in 1948, when, with the British government’s support of the Zionist movement, which succeeded in establishing the state of Israel, the Palestinian national movement was crushed. This article focuses mainly on the Palestinian political field as it developed in the 1960s and 1970s, the beginnings of its fragmentation in the 1990s, and its almost complete collapse in the first decade of this century. It was developed on a structure characterized by the dominance of a center where the political leadership functioned. The center, however, was established outside historic Palestine. This paper examines the components and dynamics of the relationship between the center and the peripheries, and the causes of the decline of this center and its eventual disappearance, leaving the constituents of the Palestinian people under local political leadership following the collapse of the national representation institutions, that is, the political, organizational, military, cultural institutions and sectorial organizations (women, workers, students, etc.) that made up the PLO and its frameworks. The paper suggests that the decline of the political field as a national field does not mean the disintegration of the cultural field. There are, in fact, indications that the cultural field has a new vitality that deserves much more attention than it is currently assigned.

Kajian Sosiologis Terhadap Tema Lakon ‘Domba-domba Revolusi’ Karya Bambang Soelarto

Panggung ◽  
2014 ◽  
Vol 24 (1) ◽  
Author(s):  
Nur Sahid
Keyword(s):  
Sociological Theory ◽  
Essential Element ◽  
Literary Work ◽  
The Political ◽  
Basic Principles ◽  
Historical Figures ◽  
Sociology Of Art ◽  
The Creation ◽  
Relationship Of ◽  
The Relationship

ABSTRACTRevolutionary struggle in order to compete for the independence of Indonesia has been a source of inspiration Indonesian artists, including Bambang Soelarto who wrote drama Domba-domba Re- volusi (DDR). DDR studied drama is quite interesting because it tries to criticize the freedom fight- ers. This study aims to: first to know the theme and the problem plays DDR; second to determine the relationship of the socio - historical struggle in 1948 with the sociological elements of drama DDR themes and issues. This study uses sociological theory of art. The basic principles of the sociology of art is the fact that the creation of works of art influenced by the historical social conditions where the work was created. Research using content analysis of Krippendorf, the methods used to examine the symbolic phenomena with the aim to explore and express the observed phenomenon which is the content, meaning, and an essential element of the literary work. Based results of this research is that Bambang Soelarto as the author tries to capture di?erence between fighters during the struggle for the political aspirations for 1948 are expressed in a work of drama. Historical events inspired the creation of drama DDR. Soelarto want to respond to the political aspirations of the di?erence between historical figures and wanted to provide an assessment and outlook through DDR.Keywords: themes, drama, sociology of art, social historical ABSTRAKRevolusi perjuangan dalam rangka memperebutkan kemerdekaan Indonesia telah men- jadi sumber inspirasi para seniman Indonesia, termasuk Bambang Soelarto yang menulis drama Domba-domba Revolusi (DDR). Drama DDR cukup menarik diteliti karena mencoba mengkritisi para pejuang kemerdekaan. Penelitian ini bertujuan untuk: pertama, mengeta- hui tema dan permasalah drama DDR; kedua, mengetahui hubungan kondisi sosio-histo- ris perjuangan pada tahun 1948 dengan unsur-unsur sosiologis terimplisir pada unsur tema dan masalah drama DDR. Penelitian ini menggunakan teori sosiologi seni. Prinsip dasar dari sosiologi seni adalah adanya fakta bahwa penciptaan karya seni dipengaruhi oleh kon- disi sosial historis tempat karya itu diciptakan. Penelitian ini menggunakan metode con- tent analysis dari Krippendorf, yakni metode yang dipergunakan untuk meneliti fenome- na-fenomena simbolik dengan tujuan untuk menggali dan mengungkapkan fenomena yang teramati yang merupakan isi, makna, dan unsur esensial karya sastra. Berdasarkan hasil penelitian dapat diketahui bahwa Bambang Soelarto sebagai penulis mencoba un- tuk menangkap perbedaan antara pejuang aspirasi politik selama perjuangan tahun 1948 untuk diekspresikan dalam sebuah karya drama. Peristiwa sejarah mengilhami penciptaan drama DDR. Soelarto ingin menanggapi aspirasi politik perbedaan antara tokoh-tokoh se- jarah dan ingin memberikan penilaian dan pandangan pandangannnya melalui DDR.Kata kunci: tema, drama, sosiologi seni, sosial historis

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