scholarly journals The Voices of Berlin: Busking in a ‘Creative’ City

Author(s):  
Claudia Seldin

The city of Berlin is often advertised as one of the most prominent creative cities today. In the past two decades, its marketing agencies have constructed a carefully crafted urban image designed to attract the young, mobile and creative workers that move the contemporary economy. To do that, they rely on cultural temporary uses that enable selected urban spaces to have the desired ‘cool’ and authentic ambiance that distinguishes this city from others within the competitive global network. This paper investigates the phenomenon of abundant street performers in the German capital to find out if and how these artists perceive their role and instrumentalisation within these creative policies. The field research carried out through the method of ethnography reveals that their understanding of their art as small resistances in urban space often clashes with their use in broader placemaking schemes that have negative consequences. The article begins with a discussion of creative policies in Berlin from an Urban Planning point of view, highlighting how it encourages the migration of young artists and creative professionals. It then analyses the definitions of busking in the existing literature in the Social Sciences to understand its potential as a builder of sociability. Moreover, it draws on theories that speak of the “looseness” of space and the idea of tactically appropriating a place through art to build an interdisciplinary approach between the different fields. Lastly, it presents the case study, using the performers’ own testimonials to draw conclusions about the temporary uses of urban space within a broader urban context.

2012 ◽  
Author(s):  
Χαρίκλεια Μαρίνη

This thesis contributes to discourses concerned with urban space and performancepractice. It identifies ways in which built environments become performative; how thebuilt environment performs meaning(s) within the urban context and how spatialpractices of contemporary performance engage with city-spaces. The programmingand order of urban space tends to fix meanings; increasingly regulated and singlepurposecity-spaces seem unable to react to informal or unplanned activities. However,this thesis suggests that urban space entails inherent opportunities for conceiving andpractising space otherwise and looks at a spatial spectrum – from leftover spaces toLondon’s landmarks. It analyses incomplete presences in the built environment andtheir unexpected (re)uses, which make urban space an arena of ideas, interaction andcreativity. It examines how spatial practices of performance, such as site-specificperformance, audio-walks and installations, inform our (re)thinking of space, itsmeaning and its re-appropriation. It argues that through performative concepts andactions, space manifests a changeable and dynamic quality, rather than motionlessness and inertia.The thesis involves an interdisciplinary approach employing geography, urban,architectural and performance studies. It looks at four types of built spaces that havebeen used for performance purposes; a disused warehouse at 21 Wapping Lane, theconverted power station housing the Tate Modern art gallery, the exterior of theNational Theatre’s building and the London district of Wapping. All of these sites areawaiting, or are undergoing, major alterations in their design or planning, involvingreconstruction and expansion, or total demolition. The uncertain future of these sitesand buildings, the inevitable decay of their material, and the temporality of the builtenvironment invite questions of architectural design and urban planning in terms ofperformance. The examination of these sites at this moment of change and thepotential impact of the redevelopment plans on city life make this research timely,since the thesis emphasises the imperative of re-defining concepts of space, planningstrategies, and design processes so as to imagine a less determinate, more creative urban space.


2018 ◽  
Vol 15 (6) ◽  
pp. 693-707 ◽  
Author(s):  
Olga N. Astafyeva ◽  
Natalia V. Kuzmina

The article examines the aesthetic category of “interesting” as a dominant of urban environment development. The authors try to comprehend this category from the point of view of cultural know­ledge. The article includes a theoretical section, where, basing on well-known concepts, the authors outline the principles of embedding the “interesting”, as something aesthetics and artistic, in the postmo­dern fabric of modern megacities. The analytical part of the article is based on specific examples represen­ted by urban cultural landscapes, by the post­modern clash of art and non-art in urban space, by event communications and other forms of urban culture representation. The study resulted in designation of one of the main problems of modern cities: as a result of their excessive saturation with “interesting”, there can be observed a gro­wing cultural and aesthetic insensitivity to the “inte­resting” among their citizens.From the methodological point of view, the study revealed that, in interpretation of modern phenomena of socio-cultural reality, it is not enough to proceed from the basic principles of a particular science. So, the interdisciplinary approach, as a methodolo­gical resource in demand today, allows revealing, by the example of the concept of “inte­resting”, the interconnection and interdependence of the methodological approaches of aesthetics and culturology for stu­dying the cultural environment of modern cities.The authors analyze the “interesting” as an instrument of influencing on the cultural environment of the city and the perception of its text. As a result, the “interesting” intensifies the nonlinearity and fractality of urban space. On the example of Russian ci­ties development, the article reveals that the formation of a new cultural environment is always connected not only with changing of artistic design solutions or/and aesthetics trends. The authors prove that the need for “interesting” widens the frames of the subject field of aesthetics. The “interesting” is moving to the cen­ter of interdisciplinary cultural studies.


2015 ◽  
Vol 747 ◽  
pp. 40-43
Author(s):  
Yong Seng Toong ◽  
Nangkula Utaberta

The terminology and concept of city image is very much related to good city planning and reflects strong image which, defined by Kelvin Andrew Lynch, a town-planner. He elaborates such terminology with regarding to people perception on urban space in term of city legibility and image-ability. Elizur who has classified city image as “rich” and “poor” in his study reminds of prototype and stereotype city place respectively. City image generally refers to the characteristic of a true urban image such as skylines, landmarks and panoramas. Architects, urban designers and town-planners play a crucial role in carrying out the task of shaping the city image. However, when discussion on city image which regards to economics point of view, city image could be interpreted as active use and passive use in accordance to a paper presented by some scholars. Active use means usage of the old buildings restoration and preservation which generates incomes to cover their building’s maintenance and expenses. Examples such as cafés, boutique hotels, art galleries. Conversely, passive use does not generate substantial income but contribute to and beneficial of the community. Examples such as community library, museums and other social activity buildings. Both active and passive use are portraying adaptive re-use of the old buildings. This paper unfolds the common ground which integrates adaptive re-use of pre-war shophouse buildings as architecture concept in Kuala Lumpur Chinatown (KLC) and contributing the city image under the term of conservation. The study is conducted with photographic records, on site study, observation (visual survey technique) and analysis.


2021 ◽  
Vol 4 (2) ◽  
Author(s):  
Gianluca Gaias

The social transformations and the spatializing practices that individuals and groups put in place on the contemporary urban territory, especially for what concerns different human groups in the same urban context, have long been the subject of much research in social geography. How to place oneself, as a researcher, in a hybrid and complex space such as that of the intercultural and cosmopolitan city? Starting from a field research conducted in the City of Cagliari, this contribution aims to discuss the methodologies used, the postures adopted and the critical issues that emerged in conducting an analysis centered on those emerging territorialities attributable to the presence of foreign individuals and communities recently settled in the urban space.


2007 ◽  
pp. 253-274 ◽  
Author(s):  
Danica Popovic

Essential concepts in Christian thought and practice, the desert and holy mountain denote a particular kind of monastic and sacral space. They are secluded from the world, intended for asceticism, and ambivalent in nature they are inhospitable and menacing zones populated with demons, but also a monastic paradise, places for spiritual conversion and encounter with the divine. From earliest times, deserts and holy mountains had a few distinguishing characteristics. All forms of monastic life, from communal to solitary, were practiced side by side there. Monks of a special make-up and distinction known as holy men who were also often founders of illustrious communities, future saints and miracle-workers acted there. Furthermore these locales were important spiritual and bookmaking centre's, and therefore, strongholds of Orthodoxy. When trying to research Serbian material on this topic, we face a specific situation: few surviving sources on the one hand, and devastated monuments on the other. The ultimate consequence is that the entire subject has been neglected. Therefore the study of the Serbian deserts and holy mountains requires a very complex interdisciplinary approach with systematic field work as its essential part. It should address the following issues: corroboration, on the basis of written sources, of the reception of the concept of the monastic desert and holy mountain in a particular, regional, context; the distinct means and mechanisms employed in their physical realization; interpretation of their function; the recognition of patterns preserved in the surviving physical structures. Even the results obtained so far appear to be relevant enough to become included in the sacral topography of the Christian world. The author of this study gives particular attention to the detailed analysis of written sources of various genres - diplomatic sources, hagiographic material, liturgical texts, observation notes - in order to establish the meaning and the function of the monastic locales labeled as deserts and holy mountains (and, in a limited number of cases, also known as caves). The most important conclusions that may be drawn would be the following: the terms are interchangeable and were used both in a broader and a narrower sense, but in either case in reference to the space intended for higher forms of monastic life. A particularly broad range of meanings had the term desert which could refer to a distinct locale, as a rule a river gorge, or a mountain inhabited by hermits, but also a cave hermitage, the hesychasterion of a coenobitic community. The distinct forms of monastic life in such areas were communities of two or three or a few monks, organized as a skete or as a cell. In the deserts and mountains hermits primarily pursued the practice of 'agon and hesychia', but were also engaged in manuscript copying - an important peculiarity of Serbian eremitic monasticism. Finally, such locales were thought of by their dwellers as spiritual cities and the narrow path leading to Heavenly Jerusalem. The other thematic focus is an analysis of spatial patterns and architectural structures based on the relevant examples studied so far. Different types of monastic communities functioning as deserts were considered, from the point of view of their spatial situation and their relationship to the coenobia. In this context, field research identified examples of the so-called internal deserts, which was reconfirmed by the records from written sources. Special attention was given to the mechanism for creating a holy mount in the Serbian environment, according to the recognizable, athonite model. Also analyzed were architectural solutions characteristic of Serbian monastic deserts, from the simplest ones such as wooden huts and walled-up caves to monumental multi-storied edifices, equipped with different features. Finally, the conclusions that have been reached serve as a basis for defining future priorities in the field research of this topic.


Urban History ◽  
2020 ◽  
pp. 1-21
Author(s):  
Paweł Cembrzyński ◽  
Maciej Radomski

Abstract Empty, abandoned or covered with vegetation – such areas were inherent to the medieval urban space, yet remain overlooked in research. Here, we describe three major types of ‘empty’ space of various origins and functions in Central European towns and suggest how these types can be investigated and interpreted through an interdisciplinary approach combining archaeological, written, pictorial and cartographical sources. We propose a simple interdisciplinary protocol to trace empty spaces in the urban context. This study will help to change our perception of medieval urban space into one that is more dynamic and heterogeneous than commonly believed.


2012 ◽  
Vol 53 (3) ◽  
pp. 321-341
Author(s):  
Beata Tarnowska

Summary This article examines the urban themes in Leo Lipski’s micro-novel Piotruś: An ApocryphalTale from 1960. The narrative relies on both traditional realism (for the most part) and the 20thcentury subjective point-of-view technique to represent urban space, which in this case belongs to be a well-defined geographical location. The use of personalized narrative perspective turns the urban space of Tel Aviv-Jafa - heterogeneous and subject to differing assessments - into a labyrinth, closed, dense, expanding horizontally, chthonic, and alien.


2020 ◽  
Vol 8 (1) ◽  
Author(s):  
Khangelani Moyo

Drawing on field research and a survey of 150 Zimbabwean migrants in Johannesburg, this paper explores the dimensions of migrants’ transnational experiences in the urban space. I discuss the use of communication platforms such as WhatsApp and Facebook as well as other means such as telephone calls in fostering the embedding of transnational migrants within both the Johannesburg and the Zimbabwean socio-economic environments. I engage this migrant-embedding using Bourdieusian concepts of “transnational habitus” and “transnational social field,” which are migration specific variations of Bourdieu’s original concepts of “habitus” and “social field.” In deploying these Bourdieusian conceptual tools, I observe that the dynamics of South–South migration as observed in the Zimbabwean migrants are different to those in the South–North migration streams and it is important to move away from using the same lens in interpreting different realities. For Johannesburg-based migrants to operate within the socio-economic networks produced in South Africa and in Zimbabwe, they need to actively acquire a transnational habitus. I argue that migrants’ cultivation of networks in Johannesburg is instrumental, purposive, and geared towards achieving specific and immediate goals, and latently leads to the development and sustenance of flexible forms of permanency in the transnational urban space.


Author(s):  
Thanh Quy Ngo Thi ◽  
◽  
Hong Minh Nguyen Thi ◽  

Proverbs are important data depicting the traditional culture of each nation. Vietnamese proverbs, dated thousands of years ago, are an immense valuable treasure of experience which the Vietnamese people desire to pass to the younger generations. This paper aims to explore the unique and diversified world of intelligence and spirits of the Vietnamese through a condensed and special literary genre, as well as a traditional value of the nation (Nguyen Xuan Kinh 2013, Tran Ngoc Them 1996, Le Chi Que and Ngo Thi Thanh Quy 2014). Through an interdisciplinary approach, from an anthropological point of view, approaching proverbs we will open up a vast treasure of knowledge and culture of all Vietnamese generations. The study has examined over 16,000 Vietnamese proverbs and analysed three groups expressing Vietnamese people’s behaviors toward nature, society and their selves, and compared them with English and Japanese proverbs. The research has attempted to explore the beauty of Vietnamese language, cultural values and the souls and personalities of Vietnam. Approaching Vietnamese proverbs under the interdisciplinary perspective of language, culture and literature is a new research direction in the field of Social Sciences and Humanity in Vietnam. From these viewpoints, it is seen that proverbs have remarkably contributed to the language and culture of Vietnam as well as and constructed to the practice of language use in everyday life which is imaginary, meaningful and effective in communication. Furthermore, the study seeks to inspire the Vietnamese youth’s pride in national identity and to encourage their preservation and promotion for traditional values of the nation in the context of integration and globalisation. In the meantime, it would be favourable to introduce and market the beauty of Vietnamese language, culture and people to the world, encouraging the speakers of other languages to study, explore and understand Vietnam.


Author(s):  
SERGEY I. ROMANOV ◽  

The article deals with a special type of euphemisms-amulets, that is, linguocultural units endowed with the function of protection. There are two types of euphemisms-amulets from the point of view of relevance: obsolete and current units. Obsolete euphemisms- amulets have targets that are not recognized as dangerous by the modern linguistic and cultural community. Current euphemisms-amulets, although not always consciously, are used by representatives of the modern Russian linguistic and cultural community to protect against something bad. The paper establishes that the use of the euphemism-amulet is based on the transla- tion of the target's representation into another cultural code. The work reveals that the euphemisms-amulets are directed not to mitigate an unwanted nomination but how to replace it. An undesirable nomination is endowed with negative magical properties, which is why the linguocultural community imposes a ban on its use. A protective cultural function is superim- posed on the euphemism. The main pragmatic explanation for the use of the euphemism- amulet is the speaker's desire not to predict an encounter with an unwanted object, which is based on belief in the magical power of the word. The factors that determine the linguocultural specificity of euphemisms-amulets are revealed. The first factor is target selection. For the Russian linguocultural community, such targets include a totemic animal, evil forces representing another world, death. The second factor is the selection of nominations for the euphemistic function, which is determined by culturally marked background knowledge, ideas, and typical practices. The communicative- pragmatic platform for the use of euphemisms-amulets is the belief in the magical power of the word, in the fact that the use of the forbidden word can lead to negative consequences (in particular, to cause the appearance of something dangerous, undesirable). The work proves that the identified cultural factors are universal, based on universal archetypes: one's own / another's, permission / prohibition, life / death. At the same time, the fact of the appearance of the euphemism-amulet, the choice of its internal form is determined by national and cultural factors.


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