scholarly journals Evolved but Not Fixed: A Life History Account of Gender Roles and Gender Inequality

2019 ◽  
Vol 10 ◽  
Author(s):  
Nan Zhu ◽  
Lei Chang
wisdom ◽  
2016 ◽  
Vol 1 (6) ◽  
pp. 118
Author(s):  
Mane Khachibabyan

This article demonstrates the place and role of the image of women in modernist art and literature, mainly focusing on Impressionism and Post-impressionism. It discusses the unique works of modernist painters and writers (Marie Cassatt, Edgar Degas, Edouard Manet, Pablo Picasso and Virginia Woolf) to explore how modernist art and literature both defined, reflected and shaped gender roles. The article discourses on the representations of feminist views and gender inequality in the works of some modernist artists.


2020 ◽  
Vol 9 (2) ◽  
Author(s):  
Fransiska Rahayu Myrlinda

ABSTRACT             Being males and females is biologically constructed since human beings were born. Meanwhile, there is also strict distinction done by society to divide people into men and women or usually called as doing gender stereotype. It effects on different assumptions that are attached to them. As the result, people are categorized based on their own gender roles in society. Java, as the symbol of patriarchal society, is the ethnic which agrees with this social phenomenon. Its beliefs symbolize how men and women have different social status. It also results in different gender roles. SITI is the film which deals with this phenomenon. It shows that being “obedient” Javanese women will give effect on social status towards different genders. The theories of sex and gender and also patriarchal society were used to get the reliable data. Keywords: SITI, Sex and Gender, Inequality, Javanese’s beliefs ABSTRAK                 Menjadi pria dan wanita secara biologis dibangun sejak manusia dilahirkan. Sementara itu, ada juga perbedaan mendalam yang masyarakat lakukan untuk membagi manusia menjadi pria dan wanita atau biasa disebut sebagai stereotip di gender. Hal ini berpengaruh pada perbedaan asumsi yang melekat padanya. Sebagai akibat, manusia dikategorikan berdasarkan peran gender mereka sendiri di masyarakat. Jawa, sebagai simbol masyarakat patriarkal, adalah etnis yang setuju dengan fenomena sosial ini. Kepercayaan yang ada pada masyarakat Jawa melambangkan bagaimana pria dan wanita memiliki status sosial yang berbeda. Hal ini juga menghasilkan peran gender yang berbeda. SITI adalah film yang merepresentasikan fenomena ini. Film ini menunjukkan bahwa sebagai perempuan Jawa yang “taat” akan memberikan efek pada status sosial dari gender yang berbeda. Teori seks dan gender serta masyarakat patriarki digunakan untuk mendapatkan data yang sesuai. Kata Kunci: SITI, Teori seks dan gender, Ketidaksetaraan, Kepercayaan Jawa


2016 ◽  
Vol 13 (1) ◽  
pp. 1285 ◽  
Author(s):  
Kübra Küçükşen

AbstractIntroduction : Social gender is a concept that is used to describe the roles to be fulfilled, behavioral patterns and duties and responsibilities expected from males and females in socialization process according to the culture of the society where they live in different from biological gender. Media is a significant tool for determination and internalization of social gender roles. In parallel with social change and transformation, the change had in mass communication tools become effective in every field. New communication aspect called as new media provide opportunity for individuals to express themselves and present their opinions on every issue freely different from other mass communication tools.Methods : In this study, it was aimed to investigate the comments made on the concepts of "gender equality" and "gender inequality" on the social sharing sites named Ekşi Sözlük and Uludağ Sözlük. The comments made over the concepts of “social gender equality” and “social gender inequality” in web site called “Ekşi Sözlük” and “Uludağ Sözlük” were reviewed during to 1 June- 15 September 2015 in this study and it was targeted to research the perception of social gender. For analyzing data, content analyzis was applied to comments.  Results :In the study, 105 comments made on Ekşi Sözlük and 39 comments made on Uludağ Sözlük in regard to the subject matter were categorized and analyzed as "gender equality/inequality" and "gender roles". According to the data attained from analysis of the study, as opposed to conventional media, it is seen that the comments made on gender are quite varied. Besides such comments which reduce women merely to a body, insult them, assert that they lack the knowledge, skills and competence for existing in the public sphere, comments exceeding the equalitarian viewpoint on the subject, grounding on justice and equity have been identified.Discussion : Reflections of the conventional patriarchal mentality are evidently seen in the comments on Ekşi Sözlük and Uludağ Sözlük. Being an environment where an issue is discussed by people in several numbers and having quite different opinions in different perspectives, social networking sites provide an important source of knowledge to the forms of peoples’ understanding and interpretation of social life. According to the data obtained in the research, the perception of social gender has still been produced in new media. However, it can be said that social gender perception is directed through the course where the understanding of “difference is not inequality” with an upper point of view exceeding the concepts of equality and inequality is grounded on in new media despite adopting an opponent discourse on the contrary to mainstream media.


Author(s):  
Syeda Bushra Zaidi

This qualitative study of Pakistani-Urduwedding songs allows a closer look at the gender situation,and towards the understanding of the process ofconstruction and perpetuation of gender-basedstereotypes. However, the major concern of this study is tounderstand the portrayal of each gender along with thequestion that does such portrayal underlines thetraditional gender roles and gender inequality. Taking adiscourse analysis perspective, this study analyzes textualdata from the lyrics of the seventeen wedding songs. Thesong selection was based on purposive samplingtechnique. The data were collected through transcriptionand recording of the audios of the songs. As a result ofthematic analysis thirteen themes emerged, ten portrayingthe female gender and four portraying the male gender.These themes reveal important findings that support andreinforce the gender-based stereotypes and also reflectgender hierarchy, normative heterosexual relationships,kinship norms and gender subversions.Key words: Gendered discourse, gender roles, genderedstereotypes, wedding songs


Feminismo/s ◽  
2021 ◽  
pp. 23
Author(s):  
Paula López-Rúa

Given the importance of novel formations in science and speculative fiction, the aim of this paper is to analyse a selection of morphosemantic and semantic neologisms that occur in the feminist dystopia The Handmaid’s Tale (1985), namely those items more closely connected with women’s lives. These items are gathered, classified and discussed by resorting to the tools provided by Morphology, Lexical Semantics, Onomastics and Women’s Studies. Therefore, the paper explores how new names for people (Econowives, Offred), activities (Particicution), artifacts (Birthmobile) and places (the Colonies) play a part in the linguistic task of female subjugation. It shows how in a fictional republic where gender roles and religious totalitarianism are taken to extremes, the forms and meanings of words are manipulated to enhance power relations and gender inequality, impose an orthodox frame of mind (comply with the system), and avoid uncomfortable truths. Neologisms provide a sense of authenticity in the narrative and show how language evolves to satisfy various needs, not only pragmatic, but also social, ideological and euphemistic.


2020 ◽  
Vol 59 (10) ◽  
pp. 93-97
Author(s):  
Sabina Azim Azimova ◽  

Thus, such a conclusion can be come in the end on this problem. Prohibitions in both international documents and national legislation of the countries play a role in solving the problem, but not enough. As can be seen, in most cases, early marriage is the result of traditions and ways of thinking. It is this way of thinking that creates gender stereotypes, and gender stereotypes create gender inequality by being supported by gender roles. This creates problems for girls' education, economic and political participation, and girls are discriminated against as domestic creatures and subject to early marriage. Accordingly, in most cases, these girls, who are uneducated and uninformed, marry their children early in the future and the problem of early marriage continues in this way, taking the form of cause-and-effect, and effect-and-cause. Key words: marriage, early marriage, inequality, gender inequality, minimum age


2020 ◽  
Vol 17 (4) ◽  
pp. 499-509
Author(s):  
Ágnes Erőss ◽  
Monika Mária Váradi ◽  
Doris Wastl-Walter

In post-Socialist countries, cross-border labour migration has become a common individual and family livelihood strategy. The paper is based on the analysis of semi-structured interviews conducted with two ethnic Hungarian women whose lives have been significantly reshaped by cross-border migration. Focusing on the interplay of gender and cross-border migration, our aim is to reveal how gender roles and boundaries are reinforced and repositioned by labour migration in the post-socialist context where both the socialist dual-earner model and conventional ideas of family and gender roles simultaneously prevail. We found that cross-border migration challenged these women to pursue diverse strategies to balance their roles of breadwinner, wife, and mother responsible for reproductive work. Nevertheless, the boundaries between female and male work or status were neither discursively nor in practice transgressed. Thus, the effect of cross-border migration on altering gender boundaries in post-socialist peripheries is limited.


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