scholarly journals University Marching Band Members Noise Dosages and Hearing Health-Related Knowledge

2021 ◽  
Vol 18 (21) ◽  
pp. 11497
Author(s):  
Nilesh J. Washnik ◽  
Jeffrey A. Russell ◽  
Ishan Bhatt ◽  
Rebecca Meier ◽  
Olivia Chuzie ◽  
...  
Keyword(s):  
Sound Level ◽  
Marching Band ◽  
Band Director ◽  
Sound Exposure ◽  
Band Students ◽  
Sound Levels ◽  
Dose Limits ◽  
Health Related ◽  
Hearing Health ◽  
High Sound

Objectives: (1) To measure sound exposures of marching band and non-marching band students during a football game, (2) to compare these to sound level dose limits set by NIOSH, and (3) to assess the perceptions of marching band students about their hearing health risk from loud sound exposure and their use of hearing protection devices (HPDs). Methods: Personal noise dosimetry was completed on six marching band members and the band director during rehearsals and performances. Dosimetry measurements for two audience members were collected during the performances. Noise dose values were calculated using NIOSH criteria. One hundred twenty-three marching band members responded to a questionnaire analyzing perceptions of loud music exposure, the associated hearing health risks, and preventive behavior. Results: Noise dose values exceeded the NIOSH recommended limits among all six marching band members during rehearsals and performances. Higher sound levels were recorded during performances compared to rehearsals. The audience members were not exposed to hazardous levels. Most marching band members reported low concern for health effects from high sound exposure and minimal use of HPDs. Conclusion: High sound exposure and low concern regarding hearing health among marching band members reflect the need for comprehensive hearing conservation programs for this population.

scholarly journals How Wildlife Respond to Natural Noise

2021 ◽  
Author(s):  
Dylan G.E. Gomes
Keyword(s):  
Sound Level ◽  
Anthropogenic Sources ◽  
Anthropogenic Noise ◽  
Frequency Noise ◽  
Spider Webs ◽  
Predator Prey ◽  
Sound Levels ◽  
Natural Noise ◽  
Acoustic Environments ◽  
High Sound

Animal sensory systems have evolved in a natural din of noise since the evolution of sensory organs. Anthropogenic noise is a recent addition to the environment, which has had demonstrable, largely negative, effects on wildlife. Yet, we know relatively little about how animals respond to natural sources of noise, which can differ substantially in acoustic characteristics from human-caused noise. Here we review the noise literature and suggest an evolutionary approach for framing the study of novel, anthropogenic sources of noise. We also push for a more quantitative approach to acoustic ecology research. To build a better foundation around the effects of natural noise on wildlife, we experimentally and continuously broadcast whitewater river noise across a landscape for three summers. Additionally, we use spectrally-altered river noise to explicitly test the effects of masking as a mechanism driving patterns. We then monitored bird, bat, and arthropod abundance and activity and assessed predator-prey relationships with bird and bat foraging assays and by counting prey in spider webs. Birds and bats largely avoided high sound levels in noisy environments. Bats also avoided acoustic environments dominated by high frequency noise while birds avoided noise that overlapped with their song, the latter trend suggesting that communication is impaired. Yet, when sound levels were high overlapping noise was not any more disruptive than non-overlapping noise, which suggests that intense noise interferes with more than communication. Avoidance of noise that overlapped in frequency with song was stronger for low-frequency singers. Bats that employ higher frequency echolocation were more likely to avoid high sound level noise; we explore potential explanations for this pattern. Most arthropod Orders responded to noise, yet the directions of effects were not consistent across taxa. Some arthropods increased in abundance in high sound level areas - perhaps in response to the absence of bird and bat predators. Reinforcing this possibility, visually foraging birds and passively listening bats decreased foraging effort beyond what was expected based on declines in abundance and activity. Orb-weaving spiders increased dramatically in high sound level areas, which could be due to a release from predation, an increase in prey capture, or direct attraction to high sound level river noise. Overall, we demonstrated significant changes to many vertebrate and invertebrate taxa during playback of whitewater river noise. We were able to parse out the effects of sound pressure level and background frequency on these individual taxa and predator-prey behaviors. Our results reveal that animals have likely long been affected by particular characteristics of noise, which may help explain contemporary responses to anthropogenic noise. As the spatial and temporal footprint of anthropogenic noise is orders of magnitude greater than intense natural acoustic environments, the insights provided by our data increase the importance of mitigating noise pollution impacts on animals and their habitats. It is clear that natural noise has the power to alter animal abundances and behavior in a way that likely reverberates through entire communities and food webs. Future work should focus on strengthening the relationships between these potential predators and prey and highlight how the structure of the system changes under such noise treatments.

Music to Our Ears: Are Dancers at Risk for High Sound Level Exposure?

2020 ◽  
Vol 35 (4) ◽  
pp. 227-232
Author(s):  
Haley Busenbarrick ◽  
Kathleen L. Davenport
Keyword(s):  
Hearing Loss ◽  
Performing Arts ◽  
Sound Pressure ◽  
Sound Level ◽  
Sound Recording ◽  
Exposure Limits ◽  
Moderate Risk ◽  
Sound Exposure ◽  
Daily Dose ◽  
High Sound

Enduring exposure to high sound pressure levels (SPLs) can lead to noise-induced hearing loss (NIHL). In the performing arts population, NIHL has been studied primarily in the context of sound exposure experienced by musicians and less so by dancers. This research aimed to identify sound exposure that dancers may experience in some dance classes. Decibel levels were recorded in 12 dance classes (6 ballet, 4 modern, and 1 soft and 1 hard shoe Irish dance) at 8 different studios using the NIOSH SLM app on an iOS smartphone with external microphone. A minimum of five recordings of each class was measured, each collected on a different day, yielding a total of 114 measurements. Results showed that 20.2% of all recordings exceeded the recommended NIOSH sound exposure limits of both 100% projected daily dose and 85 LAeq. Analysis between styles of dance demonstrated significantly lower LAeq (p≤0.05) in soft shoe Irish dance compared to ballet (p=0.023), modern (p=0.035), and Irish hard shoe dance (p=0.009). Irish soft shoe dance demonstrated minimal to no risk of high sound exposure. Conversely, 53.25% of ballet, 90.9% of Irish hard shoe dance, and 68.24% of modern recordings exhibited minimal to moderate risk of high sound exposure. Furthermore, we found wide ranges of projected daily noise doses within classes taught by the same teacher. It is recommended that multiple recordings of dance environments be obtained, as a single sound recording may not accurately represent potential exposure. These findings indicate that dancers of Irish hard shoe, modern, and ballet may benefit from noise intervention such as audiometric testing, noise controls, and hearing protection.

Sound Levels in Classrooms and Effects on Self-Reported Mood among School Children

2003 ◽  
Vol 96 (3_suppl) ◽  
pp. 1289-1299 ◽  
Author(s):  
Pär Lundquist ◽  
Kjell Holmberg ◽  
Lage Burström ◽  
Ulf Landström
Keyword(s):  
School Children ◽  
Sound Level ◽  
Work Environments ◽  
Task Orientation ◽  
Sound Exposure ◽  
Recorded Sound ◽  
Sound Levels ◽  
Sound Environment ◽  
Exposure Levels ◽  
Lower Background

The principle of this field study is an investigation of recorded sound levels in 24 classrooms and relations between sound level measures and aspects of children's rated annoyance, task orientation, and inattentiveness. The background sound-exposure levels were distributed within the interval of 33–42 dB(A)eq and the activity sound level exposure ranged between 47–68 dB(A)eq. The recorded levels must be considered as high for work environments where steady concentration and undisturbed communication is essential. Results do not support the hypothesis that lower background-sound level and fewer students per class would improve the sound environment by generating a lower activity noise or the hypothesis that higher sound levels should increase annoyance and inattentiveness as well as deteriorate task orientation ratings.

scholarly journals The Relationship between Sound and Amenities of Transit-Oriented Developments

2019 ◽  
Vol 16 (13) ◽  
pp. 2413 ◽  
Author(s):  
Yalcin Yildirim ◽  
Diane Jones Allen ◽  
Amy Albright
Keyword(s):  
Built Environment ◽  
Environmental Planning ◽  
The United States ◽  
Sound Level ◽  
Light Rail ◽  
Transit Oriented Development ◽  
Sound Levels ◽  
Level Of Significance ◽  
High Sound

Experts in diverse fields have investigated sound in cities throughout the United States. This research aims to examine sound levels and determine its contributors at the transit-oriented development (TOD) station and neighborhood levels by studying selected Dallas Area Rapid Transit (DART) light rail stations. A multilevel analysis was performed to model the likelihood of TOD stations and neighborhoods affecting sound levels, controlling for station amenities, socio-demographics and built environment characteristics. Sound measurements were sampled in three time intervals with 15 min sampling over weekdays and weekends at TOD and non-TOD stations by a type II SPL meter that was mounted on a small camera tripod at a height of 1.5 m, at a distance of 1.5 m from rails and curbs. The research team found that amenities, built environmental characteristics, and neighborhood features have significant implications on sound levels at both the TOD station and the neighborhood level, which affects quality of life (QoL). TOD stations that include more amenities have a greater level of significance on sound levels. Additionally, neighborhoods with a pervasive street grid configuration, public facilities, and built environment densities are significantly associated with a likelihood of high sound levels. Conversely, higher population densities and intersection densities decrease the likelihood of a high sound level environment. These patterns provide an arena for transportation, urban, and environmental planning and policymaking to generate transformative solutions and policies.

A sound exposure level study near the Camden Sound area, Browse Basin

2011 ◽  
Vol 51 (2) ◽  
pp. 705
Author(s):  
Andrew Long ◽  
Alec Duncan ◽  
Amos Maggi ◽  
Jeremy Colman ◽  
Jens Wisløff ◽  
...  
Keyword(s):  
Sound Level ◽  
Seismic Survey ◽  
Exposure Level ◽  
Underwater Sound ◽  
Marine Animals ◽  
Worst Case ◽  
Sound Exposure ◽  
Sound Levels ◽  
Marine Seismic ◽  
Threshold Criteria

A common approach to environmental risk assessment when assessing the level of risk to marine animals during marine seismic surveys is to compare either measured or modelled estimates of underwater sound levels to a known sound level threshold criteria. Over the years, a number of measures have been used to calculate and characterise underwater sound thresholds, including: sound pressure level (SPL), a root mean square (RMS) calculation, and—more recently—sound exposure level (SEL). SEL was suggested in 2007 by an expert panel of researchers as an appropriate measure to reduce the risk of temporary threshold shift (TTS) occurring in marine animals. Petroleum Geo-Services (PGS) commissioned an SEL study in preparation for a large MultiClient 3D seismic survey planned for the environmentally sensitive Camden Sound area, Western Australia, in late 2010. The Centre for Marine Science and Technology (CMST) at Curtin University built a comprehensive bathymetric model of the Camden Sound area and used two seabed geoacoustic models, with sand/limestone—as worst case, most reflective—and silt—as best case, least reflective. Acoustic propagation modelling over the frequency range of 8–1 kHz was used to build 3D maps of sound levels throughout all areas relevant to the seismic survey. The CMST SEL modelling results were integrated with other airgun array and SEL modelling pursued by PGS, and represent part of a broader environmental management strategy by PGS. Discussion is also given to other variants of SEL modelling.

Sound Exposure of Healthcare Professionals Working with a University Marching Band

2018 ◽  
Vol 29 (01) ◽  
pp. 083-089
Author(s):  
Jeffrey A. Russell ◽  
Moegi Yamaguchi
Keyword(s):  
Performing Arts ◽  
Sound Pressure ◽  
Healthcare Providers ◽  
Marching Band ◽  
Hearing Disorders ◽  
Sound Exposure ◽  
Band Music ◽  
Sound Levels ◽  
Marching Bands ◽  
Sound Pressure Levels

AbstractMusic-induced hearing disorders are known to result from exposure to excessive levels of music of different genres. Marching band music, with its heavy emphasis on brass and percussion, is one type that is a likely contributor to music-induced hearing disorders, although specific data on sound pressure levels of marching bands have not been widely studied. Furthermore, if marching band music does lead to music-induced hearing disorders, the musicians may not be the only individuals at risk. Support personnel such as directors, equipment managers, and performing arts healthcare providers may also be exposed to potentially damaging sound pressures. Thus, we sought to explore to what degree healthcare providers receive sound dosages above recommended limits during their work with a marching band.The purpose of this study was to determine the sound exposure of healthcare professionals (specifically, athletic trainers [ATs]) who provide on-site care to a large, well-known university marching band. We hypothesized that sound pressure levels to which these individuals were exposed would exceed the National Institute for Occupational Safety and Health (NIOSH) daily percentage allowance.Descriptive observational studyEight ATs working with a well-known American university marching band volunteered to wear noise dosimeters.During the marching band season, ATs wore an Etymotic ER-200D dosimeter whenever working with the band at outdoor rehearsals, indoor field house rehearsals, and outdoor performances. The dosimeters recorded dose percent exposure, equivalent continuous sound levels in A-weighted decibels, and duration of exposure. For comparison, a dosimeter also was worn by an AT working in the university’s performing arts medicine clinic. Participants did not alter their typical duties during any data collection sessions. Sound data were collected with the dosimeters set at the NIOSH standards of 85 dBA threshold and 3 dBA exchange rate; the NIOSH 100% daily dose is an exposure to 85 dBA over 8 h. Dose data for each session were converted to a standardized dose intensity by dividing the dose percentage by the duration of the exposure and setting the NIOSH standard as a factor of 1.0. This allowed convenient relative comparisons of dose percentages of vastly different exposure durations. Analysis of variance examined relationships of noise exposures among the venues; post hoc testing was used to assess pairwise differences.As hypothesized, ATs were exposed to high sound pressure levels and dose percentages greatly exceeding those recommended by NIOSH. Higher sound levels were recorded in performance venues compared with rehearsal venues. In addition to the band music, crowd noise and public address systems contribute to high sound levels at performances.Our results suggest that healthcare providers working with marching bands are exposed to dangerous levels of sound during performances. This is especially true at venues such as football stadiums, where crowd noise and public address systems add to sound pressure. A hearing conservation program, including protection, should be required for all healthcare staff who work with marching bands. Moreover, our results should inform hearing conservation practices for marching musicians, directors, and support personnel.

Overview of laws and regulations aimed at protecting the hearing of patrons within entertainment venues

2020 ◽  
Author(s):  
Elizabeth Francis Beach ◽  
Johannes Mulder ◽  
Ian O’Brien ◽  
Robert Cowan
Keyword(s):  
Sound Level ◽  
Future Research ◽  
Sound Exposure ◽  
Sound Levels ◽  
The World ◽  
Regulatory Measures ◽  
Music Venues ◽  
Hearing Damage ◽  
North And South America ◽  
North And South

Abstract Background Recreational noise—specifically loud music experienced at music venues—has been recognized as a hazard for hearing damage and associated pathologies such as tinnitus. In Europe and other countries around the world, there is a range of regulatory and legislative approaches to managing the sound levels and minimizing the risk of hearing damage for those attending music venues. It is important to have an understanding of these different approaches to inform the development of future regulations and legislation. Methods In December 2018, an online search of legislative instruments was conducted, and we identified 18 items that were aimed at protecting the hearing of people attending entertainment venues. Results Twelve documents were from European jurisdictions and the remainder were from cities or states of North and South America. The regulatory measures included in the documents ranged from sound level limitations, real-time sound exposure monitoring, mandatory supply of protective devices, requirements for signage and warnings, loudspeaker placement restrictions and the provision of ‘quiet spaces’. Conclusions European countries are well advanced in terms of providing legislation and other regulatory documents aimed at protecting people at entertainment venues when compared with the rest of the world. Future research is required to assess the effectiveness of these regulatory measures in reducing the risk associated with sound exposure at music venues.

Neural encoding of single-formant stimuli in the cat. II. Responses of anteroventral cochlear nucleus units

1994 ◽  
Vol 71 (1) ◽  
pp. 59-78 ◽  
Author(s):  
X. Wang ◽  
M. B. Sachs
Keyword(s):  
Cochlear Nucleus ◽  
Modulation Depth ◽  
Peak Height ◽  
Nerve Fibers ◽  
Sound Level ◽  
Neural Encoding ◽  
Sound Levels ◽  
Anteroventral Cochlear Nucleus ◽  
Wide Range ◽  
High Sound

1. We have studied responses of anteroventral cochlear nucleus (AVCN) units to single-formant stimuli (SFS), in an effort to make quantitative comparisons with responses observed in auditory-nerve fibers (ANFs) to the same stimuli (Wang and Sachs 1993) and to reveal some of the signal processing mechanisms at the AVCN. Single-unit recordings and subsequent analyses were performed on each type of commonly recorded units, namely primarylike (Pri), primarylike with notch (PN), sustained chopper (ChS), transient chopper (ChT), and onset chopper (OnC), as well as a few onset (On) units, from the AVCN in anesthetized cats. The responses were obtained at a wide range of sound levels and at a frequency range of 1-10 kHz. Modulation in the envelopes of discharge patterns was quantified by a measure called modulation depth. 2. At moderate to high sound levels, most AVCN units were found to have enhanced modulation depth compared with that of ANFs, although the degree of enhancement varies among different types. All AVCN units, except Pri type, showed an enhancement in modulation depth over that of the highest of ANFs at moderate to high sound levels in the order of (from the highest to the lowest) On, OnC, ChT/PN, and ChS. Specifically, 1) modulation depth in Pri units was comparable to that of high spontaneous rate (SR) ANFs at low sound levels and to that of low/medium SR ANFs at high sound levels (in dB SPL). When sound level was normalized by unit threshold, Pri units, on average, exhibited only limited enhancement in envelope modulation at high sound levels (> 80 dB re threshold); 2) PN units showed substantially enhanced modulation depth over that of all SR groups of ANFs at moderate to high sound levels in dB SPL or dB re threshold scales; 3) significant enhancement in modulation depth was seen in both ChS and ChT units, with a slightly higher modulation depth in ChT type across sound levels (in dB SPL or dB re threshold); 4) modulation depth of OnC units was higher than those of primary-like (Pri and PN) and chopper (ChS and ChT) units at a wide range of sound levels; 5) responses from a limited sample of On units showed the highest modulation depth among all types of AVCN units. 3. Detailed analysis revealed that the enhanced modulation depth in the responses of AVCN units is the result of increased envelope peak height and decreased envelope minimum, relative to those of ANFs.(ABSTRACT TRUNCATED AT 400 WORDS)

Coding of envelope modulation in the auditory nerve and anteroventral cochlear nucleus

1992 ◽  
Vol 336 (1278) ◽  
pp. 399-402 ◽  
Keyword(s):  
Cochlear Nucleus ◽  
Auditory Nerve ◽  
Narrow Band ◽  
Modulation Depth ◽  
Sound Level ◽  
Sound Levels ◽  
Anteroventral Cochlear Nucleus ◽  
Threshold Mechanism ◽  
Single Form ◽  
High Sound

We have investigated responses of the auditory nerve fibres (ANFS) and anteroventral cochlear nucleus (AVCN) units to narrow band ‘single-form ant’ stimuli (SFSS). We found that low and medium spontaneous rate (SR) ANFS maintain greater amplitude modulation (AM) in their responses at high sound levels than do high SR units when sound level is considered in dB SPL. However, this partitioning of high and low SR units disappears if sound level is considered in dB relative to unit threshold. Stimuli with carrier frequencies away from unit best frequency (BF) were found to generate higher AM in responses at high sound levels than that observed even in most low and medium sr units for stimuli with carrier frequencies near BF. AVCN units were shown to have increased modulation depth in their responses when compared with high SR ANFS with similar BFS and to have increased or comparable modulation depth when compared with low SR ANFS. At sound levels where AM almost completely disappears in high SR ANFS, most AVCN units we studied still show significant AM in their responses. Using a dendritic model, we investigated possible mechanisms of enhanced AM in AVCN units, including the convergence of inputs from different SR groups of ANFS and a postsynaptic threshold mechanism in the soma.

Quantifying Vocal Power: Correlation of Whole-Body Anaerobic Power to Vocal Function Measures

2020 ◽  
Vol 63 (8) ◽  
pp. 2597-2608
Author(s):  
Emily N. Snell ◽  
Laura W. Plexico ◽  
Aurora J. Weaver ◽  
Mary J. Sandage
Keyword(s):  
Fundamental Frequency ◽  
Forced Vital Capacity ◽  
Vital Capacity ◽  
Anaerobic Power ◽  
Performance Outcomes ◽  
Sound Level ◽  
Whole Body ◽  
Vocal Function ◽  
Laryngeal Diadochokinesis ◽  
High Sound

Purpose The purpose of this preliminary study was to identify a vocal task that could be used as a clinical indicator of the vocal aptitude or vocal fitness required for vocally demanding occupations in a manner similar to that of the anaerobic power tests commonly used in exercise science. Performance outcomes for vocal tasks that require rapid acceleration and high force production may be useful as an indirect indicator of muscle fiber complement and bioenergetic fitness of the larynx, an organ that is difficult to study directly. Method Sixteen women (age range: 19–24 years, M age = 22 years) were consented for participation and completed the following performance measures: forced vital capacity, three adapted vocal function tasks, and the horizontal sprint test. Results Using a within-participant correlational analyses, results indicated a positive relationship between the rate of the last second of a laryngeal diadochokinesis task that was produced at a high fundamental frequency/high sound level and anaerobic power. Forced vital capacity was not correlated with any of the vocal function tasks. Conclusions These preliminary results indicate that aspects of the laryngeal diadochokinesis task produced at a high fundamental frequency and high sound level may be useful as an ecologically valid measure of vocal power ability. Quantification of vocal power ability may be useful as a vocal fitness assessment or as an outcome measure for voice rehabilitation and habilitation for patients with vocally demanding jobs.

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