scholarly journals The Information Development Process of Wintersweet, Orchid, Bamboo, and Chrysanthemum in Chinese Traditional Painting from the Perspective of Information Philosophy, Also on the Selection of Chinese Traditional Painting Materials

Proceedings ◽  
2020 ◽  
Vol 47 (1) ◽  
pp. 61
Author(s):  
Jian Cheng

The selection of traditional Chinese painting materials is often accompanied by other meanings given by people, and the process of giving meaning is the process of information development. Wintersweet, orchid, bamboo, and chrysanthemum, from their own form and people’s observation of them, have been given a special meaning: wintersweet, proud like snow and decent people; orchid, symbolizing the gentleman’s integrity and independence; bamboo, symbolizing the gentleman’s humility; chrysanthemum, symbolizing the gentleman’s hidden inner world, which is not trapped in the trivial things. This development process deals with the development process of in-itself information, for-itself information, and regenerated information. The wintersweet, orchid, bamboo, and chrysanthemum expressed by the artist in Chinese traditional painting is the social information of the three states of in-itself information, for-itself information, and regenerated information of three-state information. The selection of traditional Chinese painting materials has gone through the same process.

Proceedings ◽  
2020 ◽  
Vol 47 (1) ◽  
pp. 61
Author(s):  
Jian Cheng

The selection of traditional Chinese painting materials is often accompanied by other meanings given by people, and the process of giving meaning is the process of information development. Wintersweet, orchid, bamboo, and chrysanthemum, from their own form and people’s observation of them, have been given a special meaning: wintersweet, proud like snow and decent people; orchid, symbolizing the gentleman’s integrity and independence; bamboo, symbolizing the gentleman’s humility; chrysanthemum, symbolizing the gentleman’s hidden inner world, which is not trapped in the trivial things. This development process deals with the development process of in-itself information, for-itself information, and regenerated information. The wintersweet, orchid, bamboo, and chrysanthemum expressed by the artist in Chinese traditional painting is the social information of the three states of in-itself information, for-itself information, and regenerated information of three-state information. The selection of traditional Chinese painting materials has gone through the same process.


Author(s):  
William H. Ma

Xu Beihong was a key figure in modern Chinese art who used his Western academic training to remake Chinese art in the 20th century. He began his career in Shanghai as an illustrator and commercial painter. After briefly studying in Japan, he took another opportunity to study in France in 1919 at the Ecole Nationale Supérieure des Beaux-Arts under Pascal Dagnan-Bouveret (1852–1929). He was an avid defender of French academic style and an opponent of European modernism in the modernization of Chinese art; for this he was sometimes criticized for obstructing artistic progress in China. Returning to China, he served as the head of various university art departments and academies. As one of the first Chinese artists to achieve international fame, he met with many renowned cultural figures, including Rabindranath Tagore, in the interest of creating a unified Asian style of modernism. Addressing the social and political needs of modern Chinese art, his monumental works combined French academic composition and the aesthetics of Realism with traditional Chinese painting techniques and subjects. He is mostly known today for his later monochromatic paintings of horses, done with precisely controlled Chinese brushwork, yet at the same time able to convey a sense of expressive dynamic movement.


2020 ◽  
Vol 9 (1) ◽  
Author(s):  
Phu Van Han

After more than 30 years of national reform, Ho Chi Minh City has made great changes in economy, living standards and society for all population groups, including the Cham Muslim community. The study clarifies the social characteristics, community development trends in the current sustainable development process of the Cham Muslims. At the same time, explore the adaptability of the community, clarify the aspects of social life and the development of Cham Muslims in Ho Chi Minh City. Thereby, providing insight into a unique cultural lifestyle, harmony between religion and ethnic customs, in a multicultural, colorful city in Ho Chi Minh City today.


2019 ◽  
Vol 14 (1-2) ◽  
pp. 278-282
Author(s):  
Kirill A. Popov

This review is devoted to the monograph by Jan Nedvěd “We do not decline our heads. The events of the year 1968 in Karlovy Vary”. The Karlovy Vary municipal museum coincided its publishing with the fiftieth anniversary of the Prague spring which, considering the way of the presentation, turned the book not only to scientific event but also to the social one. The book describes sociopolitical trends in the region before the year 1968, the development of the reformist movement, the invasion and advance of the armies of the Warsaw Pact countries, and finally the decline of the reformist mood and the beginning of the normalization. Working on his writing, the author deeply studied the materials of the local archive and gathered the unique selection of the photographs depicting the passage of the soviet army through the spa town and the protest actions of its inhabitants. In the meantime, Nedvěd takes undue freedom with scientific terms, and his selection of historiography raises questions. The author bases his research on the Czech papers and scarcely uses the books of Russian origin. He also did not study the subject of the participating of the GDR’s army in the operation Danube, although these troops were concentrated on the borders of Karlovy Vary region as well. Because of this decision, there are no materials from German archives or historiography in the monograph. In general, the work lacks the width of studying its subject, but it definitively accomplishes the task of depicting the Prague spring from the regional perspective.


2020 ◽  
Vol 3 (152) ◽  
pp. 92-99
Author(s):  
S. M. Geiko ◽  
◽  
O. D. Lauta

The article provides a philosophical analysis of the tropological theory of the history of H. White. The researcher claims that history is a specific kind of literature, and the historical works is the connection of a certain set of research and narrative operations. The first type of operation answers the question of why the event happened this way and not the other. The second operation is the social description, the narrative of events, the intellectual act of organizing the actual material. According to H. White, this is where the set of ideas and preferences of the researcher begin to work, mainly of a literary and historical nature. Explanations are the main mechanism that becomes the common thread of the narrative. The are implemented through using plot (romantic, satire, comic and tragic) and trope systems – the main stylistic forms of text organization (metaphor, metonymy, synecdoche, irony). The latter decisively influenced for result of the work historians. Historiographical style follows the tropological model, the selection of which is determined by the historian’s individual language practice. When the choice is made, the imagination is ready to create a narrative. Therefore, the historical understanding, according to H. White, can only be tropological. H. White proposes a new methodology for historical research. During the discourse, adequate speech is created to analyze historical phenomena, which the philosopher defines as prefigurative tropological movement. This is how history is revealed through the art of anthropology. Thus, H. White’s tropical history theory offers modern science f meaningful and metatheoretically significant. The structure of concepts on which the classification of historiographical styles can be based and the predictive function of philosophy regarding historical knowledge can be refined.


Author(s):  
Iain McLean

This chapter reviews the many appearances, disappearances, and reappearances of axiomatic thought about social choice and elections since the era of ancient Greek democracy. Social choice is linked to the wider public-choice movement because both are theories of agency. Thus, just as the first public-choice theorists include Hobbes, Hume, and Madison, so the first social-choice theorists include Pliny, Llull, and Cusanus. The social-choice theory of agency appears in many strands. The most important of these are binary vs. nonbinary choice; aggregation of judgement vs. aggregation of opinion; and selection of one person vs. selection of many people. The development of social choice required both a public-choice mindset and mathematical skill.


SAGE Open ◽  
2021 ◽  
Vol 11 (3) ◽  
pp. 215824402110383
Author(s):  
Ana Elena Builes-Vélez ◽  
Lina María Suárez Velásquez ◽  
Leonardo Correa Velásquez ◽  
Diana Carolina Gutiérrez Aristizábal

In recent years, urban design development has been an important topic in Latin American cities such as Medellín due to the transformation of their urban spaces, along with the new methods used to evaluate the social, morphological, and, in some cases, economic impacts that have been brought about by the urban development projects. When inquiring about the development process and impact of urban studies, and the inhabitants’ relation to a transformed space, it is important to establish the context within which images, drawings, and photographs are analyzed, using graphical approaches triangulated with other research methods to define comparative criteria. In this article, we reflect on the expanded use of various research tools for the analysis of urban transformation, taking with reference the experience lived by a group of researchers in two Latin American cities. From this, it is intended to understand how they work and how they allow us to understand the urban transformation of these cities, the data obtained, and the vision of the researchers.


Author(s):  
Hans Ottosson ◽  
Emma Hirschi ◽  
Christopher A. Mattson ◽  
Eric Dahlin

In this paper we present a starting point for designing for and/or assessing the social impact of engineered products. The starting point is a set of tables comprising products, their general functional characteristics, and the accompanying social impacts. We have constructed these tables by first extracting a set of social impact categories from the literature, then 65 products were qualitatively reviewed to find their social impact. The resulting product impact tables can be used at either the beginning of the product development process to decide what social impact to design for and discover product functions that lead to it, or later to qualitatively assess the social impact of a product being designed and/or to assess the impact of an existing product.


Religions ◽  
2021 ◽  
Vol 12 (5) ◽  
pp. 342
Author(s):  
Tine Vekemans

In early 2020, Jain diaspora communities and organizations that had been painstakingly built over the past decades were faced with the far-reaching consequences of the COVID-19 pandemic and its concomitant restrictions. With the possibility of regular face-to-face contact and participation in recurring events—praying, eating, learning, and meditating together—severely limited in most places, organizations were compelled to make a choice. They either had to suspend their activities, leaving members to organize their religious activities on an individual or household basis, or pursue the continuation of some of their habitual activities in an online format, relying on their members’ motivation and technical skills. This study will explore how many Jain organizations in London took to digital media in its different forms to continue to engage with their members throughout 2020. Looking at a selection of websites and social media channels, it will examine online discourses that reveal the social and mental impact of the pandemic on Jains and the broader community, explore the relocation of activities to the digital realm, and assess participation in these activities. In doing so, this article will open a discussion on the long-term effects of this crisis-induced digital turn in Jain religious praxis, and in socio-cultural life in general.


2019 ◽  
Vol 44 (3) ◽  
pp. 92-95
Author(s):  
Hua Wei

In order to find a way to combine traditional culture with modern living needs, taking “Chinese painting” as the breakthrough point, through the study of the development process and artistic characteristics of Chinese painting, four aspects of classical philosophy, natural landscape image, brush and ink composition artistic conception, and abstract aesthetic conception contained in Chinese painting are summed up. The results of the study provide enlightenment for contemporary residential landscape design, and summarize the methods of creating Chinese paintings in residential landscape design. Thus, a residential landscape model with the characteristics of “Chinese painting” is found out.


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