scholarly journals Karl Löwith’s Secularization Thesis and the Jewish Reception of Heidegger

Religions ◽  
2021 ◽  
Vol 12 (6) ◽  
pp. 411
Author(s):  
Daniel M. Herskowitz
Keyword(s):  
Twentieth Century ◽  
Martin Buber ◽  
Being And Time ◽  
Test Cases ◽  
Leo Strauss ◽  
Ernst Cassirer ◽  
Shed Light

This article argues that Karl Löwith’s thesis of secularization—in brief, that while modern philosophical notions present themselves as secular, they are in fact secularized, that is, they preserve features of the theological background they repress and remain determined by it—can serve as a productive hermeneutical key for framing and understanding an important strand in the twentieth century Jewish response to Heidegger’s philosophy. It takes Ernst Cassirer, Leo Strauss, and Martin Buber as test-cases and demonstrates that these three Jewish thinkers interpreted various categories of Heidegger’s Being and Time to be not simply secular but secularized Christian categories that continue to bear the mark of their theological origin even in their now-secular application and context. The article concludes with a number of reflections and observations on how Löwith’s thesis of secularization can shed light on the polemical and political-theological edge of this strand in Heidegger’s Jewish reception.

Veiling Esther, Unveiling Her Story

2018 ◽  
Author(s):  
Adam J. Silverstein
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Case Studies ◽  
Muslim World ◽  
Historical Narratives ◽  
Modern Times ◽  
Religious Background ◽  
Literary Context ◽  
Shed Light ◽  
Selection Of

This book examines the ways in which the biblical book of Esther was read, understood, and used in Muslim lands, from ancient to modern times. It zeroes-in on a selection of case studies, covering works from various periods and regions of the Muslim world, including the Qur’an, premodern historical chronicles and literary works, the writings of a nineteenth-century Shia feminist, a twentieth-century Iranian dictionary, and others. These case studies demonstrate that Muslim sources contain valuable materials on Esther, which shed light both on the Esther story itself and on the Muslim peoples and cultures that received it. The book argues that Muslim sources preserve important, pre-Islamic materials on Esther that have not survived elsewhere, some of which offer answers to ancient questions about Esther, such as the meaning of Haman’s epithet in the Greek versions of the story, the reason why Mordecai refused to prostrate himself before Haman, and the literary context of the “plot of the eunuchs” to kill the Persian king. Furthermore, throughout the book we will see how each author’s cultural and religious background influenced his or her understanding and retelling of the Esther story: In particular, it will be shown that Persian Muslims (and Jews) were often forced to reconcile or choose between the conflicting historical narratives provided by their religious and cultural heritages respectively.

Christianity, Plurality and Vernacular Religion in early Twentieth-Century Glastonbury: A Sign of Things to Come?

2015 ◽  
Vol 51 ◽  
pp. 302-321
Author(s):  
Marion Bowman
Keyword(s):  
Twentieth Century ◽  
Considerable Heterogeneity ◽  
Individual Level ◽  
The Past ◽  
Early Twentieth Century ◽  
Vernacular Religion ◽  
Important Time ◽  
To Come ◽  
Shed Light

This essay focuses upon a significant place, Glastonbury, at an important time during the early twentieth century, in order to shed light on a particular aspect of Christianity which is frequently overlooked: its internal plurality. This is not simply denominational diversity, but the considerable heterogeneity which exists at both institutional and individual level within denominations, and which often escapes articulation, awareness or comment. This is significant because failure to apprehend a more detailed, granular picture of religion can lead to an incomplete view of events in the past and, by extension, a partial understanding of later phenomena. This essay argues that by using the concept of vernacular religion a more nuanced picture of religion as it is – or has been – lived can be achieved.

Leo Strauss, Natural Right and History

2016 ◽  
Author(s):  
Ryan Balot
Keyword(s):  
Twentieth Century ◽  
Political Thought ◽  
The Political ◽  
Leo Strauss ◽  
Ancient Greek ◽  
Philosophical Inquiry ◽  
Natural Right ◽  
Philosophical Dialogue ◽  
Rational Order ◽  
Stated Purpose

This chapter evaluates the arguments and intentions of Leo Strauss’s most ambitious political text, Natural Right and History. Strauss’s stated purpose is to rehabilitate the ancient Greek and Roman conceptions of “natural right”—a term of art by which he referred to the justice inherent in the rational order of nature. His express motivation was to rebut the relativism and historicism that, in his view, characterized twentieth-century political thought. This chapter contends that the book’s core lies in its implicit presentation of philosophical inquiry as the highest human vocation. This idea is presented less through systematic argument than through Strauss’s own engagement with canonical political texts—an engagement designed to illustrate both the excitement and the fulfillment of philosophical dialogue. The political virtues, while defended on the surface of the text, remain as unsettled by the end as they were in the introduction.

‘National Dignity’ and ‘Spiritual Reintegration’: The Discovery and Presentation of Jewish Folk Music in Germany

Jewishness ◽  
2008 ◽  
pp. 105-130
Author(s):  
Jascha Nemtsov
Keyword(s):  
Twentieth Century ◽  
Eastern Europe ◽  
Folk Music ◽  
Folk Song ◽  
Martin Buber ◽  
Cultural Divide ◽  
Jewish Thought ◽  
East And West ◽  
West European ◽  
Modern Jewish Thought

This chapter details how Jewish folk music was presented as high art to concert audiences in early twentieth-century Germany and how that strategy was criticized. In January of 1901, the first issue of the journal Ost und West (East and West) appeared in Berlin. It served as the most important organ of cultural Zionism for the next two decades, and, as its title suggests, it attempted to bridge the cultural divide between east and west European Jews with the aim of creating an ethnic nationalist goal. The first issue contained, among other things, an article by the renowned Jewish philosopher Martin Buber entitled ‘Jewish Renaissance’ — a term that was to characterize this movement. Critical to this renaissance was the establishment of a common spirit binding a modern nation. Although based in Germany, the leaders of the movement envisioned that this spirit would be found in the ‘authentic folk’ of eastern Europe and the ethno-poetry of the folk song. The chapter then uncovers the often overlooked story of these leaders, particularly Leo Winz and Fritz Mordechai Kaufmann, and the significance of their renaissance movement for modern Jewish thought and culture.

Fayz Mohammad Kāteb and Gholām Mohammad Ghobār’s Divergent Allegories of an Afghan Rebellion

2019 ◽  
Vol 11 (2) ◽  
pp. 203-223
Author(s):  
Elham Bakhtary
Keyword(s):  
Twentieth Century ◽  
National Narratives ◽  
British Occupation ◽  
Recent Scholarship ◽  
Early Twentieth Century ◽  
Religious Nature ◽  
Shed Light

AbstractRecent scholarship on Afghan historiography has shed light on how Afghan historians, particularly from the early twentieth century onwards, have used events such as the First Anglo-Afghan War for the purpose of national narratives. This article deepens this analysis by paying particular attention to how two prominent Afghan historians, Fayz Mohammad Kāteb and Gholām Mohammad Ghobār, rendered the Afghan rebellion that ended the British occupation in the First Anglo-Afghan War. Although Kāteb and Ghobār agreed on the religious nature of the rebellion, they had opposite interpretations regarding its leadership. This study explores how these opposite interpretations reflect a common underlying attempt to use the First Anglo-Afghan War as an historical allegory. As a court historian, Kāteb’s account is a testimony to his patron dynasty’s ability to protect Afghanistan, while Ghobār’s account reflects the author’s conviction in Afghanistan’s readiness for democracy.

Antarctic Archaeology

2017 ◽  
Author(s):  
A. Zarankin ◽  
Melisa A. Salerno
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
South Shetland Islands ◽  
Shetland Islands ◽  
The Past ◽  
Late Nineteenth ◽  
Dominant Narratives ◽  
Different Characteristics ◽  
Shed Light ◽  
Over Time

Antarctica was the last continent to be known. Human encounters with the region acquired different characteristics over time. Within the framework of dominant narratives, the early ‘exploitation’ of the territory was given less attention than late nineteenth- and early twentieth-century ‘exploration’. Nineteenth-century exploitation was especially associated with sealing on the South Shetland Islands. Dominant narratives on the period refer to the captains of sealing vessels, the discovery of geographical features, the volume of resources obtained. However, they do not consider the life of the ordinary sealers who lived and worked on the islands. This chapter aims to show the power of archaeology to shed light on these ‘invisible people’ and their forgotten stories. It holds that archaeology offers a possibility for reimagining the past of Antarctica, calling for a revision of traditional narratives.

THE DISCOURSE OF SOUND

Tempo ◽  
2016 ◽  
Vol 70 (277) ◽  
pp. 5-15 ◽  
Author(s):  
Martin Kaltenecker
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Eighteenth Century ◽  
Michel Foucault ◽  
Art Music ◽  
Sound Studies ◽  
Western Art ◽  
Compositional Styles ◽  
Technical Features ◽  
Shed Light

AbstractThis article offers a short overview of the development of listening theories concerning Western art music since the end of the eighteenth century. Referring to Michel Foucault, I consider such theories as discourses which produce ‘power effects', such as the training of listening attitudes, or the construction of specific spaces, such as the Festspielhaus in Bayreuth. During the eighteenth century, predominant discourses considered musical pieces as orations and, since the nineteenth century, as complex organisms or structures. In the last third of the twentieth century a focus on sound, evinced for instance by the field of ‘sound studies', has produced a new configuration that dissolves the prevailing model of structural listening. This perspective may shed light on some technical features of contemporary compositional styles, which I examine by considering the use of melodies, gestures and loops in two compositions by Fausto Romitelli and Simon Steen-Andersen.

scholarly journals Family Memory and Private Archives in the Soviet Twentieth Century

2013 ◽  
Vol 68 (02) ◽  
pp. 327-355
Author(s):  
Igor Narsky
Keyword(s):  
Twentieth Century ◽  
Soviet Union ◽  
Family Identity ◽  
The Soviet Union ◽  
Shed Light

This article examines two sets of private family archives and the diaries they contain. The authors included items from their own archives throughout their texts. What was their goal in inserting photographs, fragments of letters, official documents, and private papers into these texts? Can this practice shed light on the mechanisms of construction and preservation of family identity as well as on communication within families in the Soviet Union, a perspective that has otherwise remained inaccessible using other sources?

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