scholarly journals Bringing Back in the Spatial Dimension in the Assessment of Cultural and Creative Industries and Its Relationship with a City’s Sustainability: The Case of Milan

2021 ◽  
Vol 13 (19) ◽  
pp. 10878
Author(s):  
Aura Bertoni ◽  
Paola Dubini ◽  
Alberto Monti
Keyword(s):  
Local Level ◽  
Spatial Dimension ◽  
Creative Industries ◽  
Three Dimensions ◽  
Creative Economy ◽  
City Development ◽  
Creative Cities ◽  
Creative Vitality ◽  
Cultural And Creative Industries ◽  
The City

The Cultural and Creative Cities Monitor (CCCM) is a valuable tool to measure and compare European cities’ cultural and creative vitality. It addresses three dimensions: the presence of cultural venues and facilities (i.e., Cultural Vibrancy); the jobs and innovations connected to the so-called creative industries (i.e., the Creative Economy); and the enabling conditions for culture and creativity diffusion: human capital, diversity, trust and openness, international accessibility, and connectivity (i.e., an Enabling Environment). Comparing and ranking cities on these different dimensions offer policymakers the possibility of developing strategies related to their development (Montalto et al., 2019). However, as is recognized in the report presenting the CCCM, significant methodological limitations exist. They are related to both the tool and the potential behavioral implications it generates (JRC-OECD Handbook, 2008) and to the difficulties with addressing a multifaceted phenomenon with scant data, which offer limited opportunities to adequately measure cultural and creative cities (Van Puyenbroeck et al., 2021). In this paper, we integrate the CCCM framework to propose a spatially contextualized application at the city level as a tool to support policymakers’ understanding of the potential role of cultural and creative organizations in city development (Soini and Dessein, 2016). We, therefore, build our arguments on a recent stream of research showing the importance of the spatial dimension to understand the relevance of cultural and creative industries within a context and inform decision-makers (Boal-San Miguel and Herrero-Prieto, 2020). This spatial dimension is even more important at the city level, where public, private, and non-profit organizations interact to execute culture-led policies (Bonet and Négrier, 2018). In this case, the location of specific organizations may be critical in offering opportunities at the neighborhood level, paving the way to space-driven local level policies (e.g., the 15 min walking strategy; see e.g., Pisano, 2020).

scholarly journals Influence of Technology on Socio-spatial City Development

Prostor ◽  
2021 ◽  
Vol 29 (1 (61)) ◽  
pp. 118-129
Author(s):  
Ljiljana Vujadinović ◽  
Svetlana K. Perović
Keyword(s):  
Social Life ◽  
New Technologies ◽  
Spatial Dimension ◽  
Social Changes ◽  
Human Beings ◽  
Spiritual Values ◽  
City Development ◽  
Material Goods ◽  
And Function ◽  
The City

This paper is studying influence of new technologies on city development with accent on socio-spatial dimension. The primary goal of the paper is to point out the reflections of earlier ideas in the context of modern technological processes in cities. All social, technical and technological components of a community, and finally civilization, are reflected within space of the city. Although having remained the greatest consumer of many material goods, city has also become a ‘’producer’’ of many technical-technological and spiritual values of civilization. Taking into account acceleration of phenomena in the world of technology and technology featuring modernity, it reasonably brings a question on realistic chance for prediction of their further course and related social changes that are about to cause it. In many scenarios of urban future, one can sense the idea of a city as a result of high technological achievements of civilization. Special attention is paid on informational city which, connecting a lot of people into systems of interactive information technology change the way of their mutual communication, as well as their social life and culture of behaviour. Measure of organization and function of city is set by telecommunication technologies, information, and computers. If city is a ‘’print of a society in space’’, then a contemporary moment refers to ‘’digitalization’’ of human beings, digitalization of their interactions, new aesthetics, value and other criteria. The tendency of this paper is to contribute to the understanding of new technologies on 21st century cities interpreted primarily through the prism of certain theoretical and experimental ideas and concepts of the 20th century.

scholarly journals More or Less Political: Findings on a Central Feature of Local Engagement for Refugees in Germany

2019 ◽  
Vol 7 (2) ◽  
pp. 165-175 ◽  
Author(s):  
Verena Schmid ◽  
Adalbert Evers ◽  
Georg Mildenberger
Keyword(s):  
Focal Point ◽  
Local Level ◽  
Three Dimensions ◽  
Central Feature ◽  
Practical Action ◽  
Political Debates ◽  
Local Support ◽  
Local Engagement ◽  
The City ◽  
Political Character

The article is based on research in the region of Heidelberg—the city itself and two small municipalities nearby. It addresses three dimensions of local support movements for refugees: (1) the varying bundles of motives among those engaged, (2) the diversity of organizations concerned and (3) their interaction with the local political administration. A focal point of the study concerns features and processes that give actions and organizations a more or less political character. Our results reveal that, especially among newly engaged helpers and activists, political and apolitical motives coexist. Many people and their local organizations take positions in the country-wide controversial political debates on refugees, but for their practical action on location, moral concerns clearly prevail. Processes of politicization and depoliticization of refugee support largely depend on the ways and degrees to which nationwide political controversies and local developments intermesh. Politicization may take place due to controversies that call for more than a moral attitude, have an impact and build up at the local level. However, resistance to supportive action, be it by changing discourses or the persistence of traditional administrative routines, may also cause depoliticization, where volunteers and initiatives restrict themselves to acting as mere helpers that bring some human touch into an environment that longs to return to normality.

scholarly journals IMPACT OF CREATIVE INDUSTRIES ON THE VISUAL IMAGE OF A CITY

2019 ◽  
pp. 70-72
Author(s):  
A. M. Tormakhova
Keyword(s):  
Urban Space ◽  
Visual Image ◽  
Creative Industries ◽  
Economic Feasibility ◽  
Individual Development ◽  
Added Value ◽  
Practical Significance ◽  
City Development ◽  
Modern City ◽  
The City

The aim of the article is to highlight the specificity of visual transformations that occur in the modern urban space under the influence of the development of creative industries. The research methodology involves an interdisciplinary approach and engaging a range of cultural, sociological, and philosophical works. The works of modern foreign researchers Z.Bauman, Ch. Landry, D.Hezmondhalsh are attracted.The sphere of urban planning and the problem of creative industries are being studied. Thanks to creative industries is appears new jobs, the solution of social problems (especially in poor areas), as well as the transformation of urban space. The modern city is a reflection of the transformational processes taking place in the world. There is a change in the form of regulation of the city development policy, from the state to the municipal. There are conditions for activating creative industries that can be defined as an individual creative background, skill or talent that can create added value and jobs through the production and exploitation of intellectual property. The development of creative industries has economic feasibility, but this process is accompanied by a change in the image of the city. Urban space is the text of culture, which often combines non-interconnected components. The visual image of the modern city is repulsive and attractive, it is difficult to bring it to a single concept, but it continues to be the center of human life. Scientific novelty lies in the study of the relationship of the development of creative industries in the urban space and their impact on the visual image of the city. Practical significance is connected with the emphasis on the need to invent an individual development strategy for each city as a “creative city”, where the sphere of cultural production is leading. Promising is the direction of creative industries in a single direction and minimizing the factors influencing the negative perception of the vision of the city.

Counting on Carrington Road: Street Numbers as Metonyms of the Urban

2018 ◽  
Vol 17 (4) ◽  
pp. 433-450 ◽  
Author(s):  
Alexandra Crosby ◽  
Kirsten Seale
Keyword(s):  
Visual Presentation ◽  
Creative Industries ◽  
Creative Economy ◽  
Top Down ◽  
Fine Grained ◽  
Creative City ◽  
Starting Point ◽  
Urban Futures ◽  
Post Industrial ◽  
The City

As urban renewal agendas are fortified in cities globally, ‘creativity’ – as contained within discourses of the creative industries, the Creative City and the creative economy – is circulated as the currency of secure post-industrial urban futures. Using the nexus between creativity and the urban as a starting point, the authors investigate how local enterprises visually communicate the urban in a neighbourhood that is characterized by the interface between manufacturing and creative industries. This research takes a fine-grained approach to the notion of creativity through an audit and qualitative analysis of the visual presentation, material attributes and semiotic meaning of street numbers. The authors do this by collecting data on and analysing how street numbers have been made, selected, used, replaced and layered in a contested industrial precinct in Australia’s largest city, Sydney. They contend that street numbers, as a ubiquitous technology within the city that is both operational and creative, are metonyms for what they understand to be urban. In arguing for vernacular readings of the city, they make use of a top-down, governmental mode of reading the city – the operational legibility of street numbering – as an intervention in current discourses of the urban and of creativity in the city.

Interconnections between the cultural and creative industries and tourism: challenges in four Ibero-American capital cities

2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Claudia Helena Henriques ◽  
Silvina Renee Elias
Keyword(s):  
Buenos Aires ◽  
New Technologies ◽  
Creative Industries ◽  
Comparative Case Study ◽  
Tourism Impacts ◽  
Content Type ◽  
Capital Cities ◽  
Creative Cities ◽  
Cultural And Creative Industries

Purpose This paper aims to investigate the European and Latin America urban cultural policies that could enhance cultural and creative sustainable tourism products development. Design/methodology/approach The methodological framework is based on a comparative case study regarding the importance, dynamics and policies associated to cultural and creative tourism in four Ibero-American cities, namely, Brasilia, Buenos Aires, Lisbon and Madrid. Findings This exploratory analysis underlines the growing importance of cultural and creative tourism in the four capital cities. On one hand, cities reveal different tourism impacts and, on the other hand, they are associated to different cultural and creative sector structures. Cities cultural and creative performance put in evidence that sustainable cities index, global talent competitiveness index and cultural and creative cities monitor, tend to position Madrid in the first place followed by, Lisbon, Buenos Aires and Brasilia. Research limitations/implications In general, and despite the importance of space in the creative process, there is little research on the geography of the creative industries and there is a lack of cross-country comparative studies so that it is difficult to assess the particularities of each model of creativity. Practical implications Cities could enhance more efforts in investing, not only in the traditional cultural infrastructures but also on the new forms of culture, new technologies, new makers, new audiences based on their attributes, activities and labels, in a framework of urban sustainable policies based on “innovation,” “inclusiveness” and “interconnectivity.” Originality/value The originality of the paper lies in the comparative analysis of four cities based on cultural and creative sector and tourism interconnections. Simultaneously, it lies in an exploratory model application.

scholarly journals CREATIVE CITIES RESEARCH IN PENANG, MALAYSIA: A REVIEW OF CONCEPTUAL AND METHODOLOGICAL FRAMEWORK

2015 ◽  
Vol 13 ◽  
Author(s):  
Khoo Suet Leng ◽  
Nurwati Badarulzaman ◽  
Narimah Samat ◽  
Morshidi Sirat ◽  
Sharifah Rohayah Sheikh Dawood
Keyword(s):  
New Economy ◽  
Creative Industries ◽  
Policy Framework ◽  
Creative Economy ◽  
Methodological Framework ◽  
Methodological Issues ◽  
Creative Cities ◽  
Contemporary Research ◽  
Creative City ◽  
Conducting Research

A heightened interest in the notions of ‘creative cities, creative industries and creative economy’ has propelled research in these emerging areas of the New Economy. As an emerging area, some conceptual and methodological issues need to be addressed prior to adopting the creative city paradigm as part of the strategic and policy framework towards a creative economy. This paper presents a review of key conceptual and methodological issues that need to be considered when conducting research on creative cities in Malaysia. The conceptual and methodological issues relating to creative cities and creative industries should be addressed and dealt with in order to facilitate an enabling framework for contemporary research in this emerging area.

Artists, Cities, and Tourism

2020 ◽  
pp. 50-69
Author(s):  
Ezequiel Azevedo Santos ◽  
Graça Joaquim
Keyword(s):  
Creative Industries ◽  
International Tourism ◽  
Central Research ◽  
Research Areas ◽  
The Social ◽  
Social Recovery ◽  
Relationship Of ◽  
Cultural And Creative Industries ◽  
The Relationship ◽  
The City

Within the framework of the “Tourfly” project, in which cultural and creative industries are central research areas, the authors investigated the relationship of artists with the city of Lisbon by analyzing six emblematic cases where artists are core in the emergence of creative tourism in the city, in terms of both domestic and international tourism. Between the gentrification problem and the social recovery of human communities, the presence of simulacra in tourist offer as opposing to authenticity experiences, the data from six focus group is presented, discussed, and theorized along this current chapter bringing a contribution for the understanding of artists' role in the design of both innovative and social sustainable tourist practices.

scholarly journals URBAN CREATIVE CLUSTERS AS A FACTOR OF GLOBAL ECONOMIC EFFICIENCY

2020 ◽  
pp. 33-43
Author(s):  
Tatiana Podolskaya ◽  
Alexey Baranov ◽  
Ludmila Tomashevskaya
Keyword(s):  
Public Space ◽  
Creative Industries ◽  
Added Value ◽  
Production Factor ◽  
Creative Economy ◽  
Creative Cities ◽  
Practice Experience ◽  
Theoretical Approaches ◽  
Modern Development ◽  
Key Indicators

In the paper the authors analyze theoretical approaches to definition and classification of creative clusters, including used by the international economic organizations. The role and influence of creative economy for modern development of the urbanized cities is shown. In the paper the production factor which is basic for creation of added value in creative economy is designated. The authors show influence of the creative industries on development of world economy using of relevant analytical materials and statistical data. On the basis of the retrospective analysis from the Russian and foreign practice experience of creation and development of the creative cities is analyzed. Such mechanisms of change of the urbanized cities’ public space as a placemaking and redevelopment are described. In the study the comparative analysis of creative economy’s key indicators of the world capitals – leaders in development of the creative environment in dynamics is carried out. Analysis is based on the data of the Global Creativity Index and the interrelation of creativity level with urban saturation and competitiveness of the countries and cities.

scholarly journals Model of creative economic development for micro, small and medium-sized culinary industries in Kupang City Indonesia

2019 ◽  
Vol 3 (1) ◽  
pp. 143-152
Author(s):  
Maria C. B. Manteiro ◽  
Enos Kabu
Keyword(s):  
Economic Growth ◽  
Economic Development ◽  
Mass Media ◽  
Business Development ◽  
Creative Industries ◽  
Development Model ◽  
Creative Economy ◽  
Travel Agencies ◽  
The City

An effort which can be conducted by the local government of Kupang city, Indonesia, to maintain its economic growth is by optimizing the role of creative industries of micro, small and medium-sized enterprises (MSMEs). One of the well-developed MSMEs in Kupang city is a culinary business. Interestingly, almost 70% of the culinary industry in the city is dominated by menus from outside rather than maintaining a typical menu of East Nusa Tenggara province which is processed creatively. The business development model of this industry tends to be partial, not integrated yet with policymakers, and other businesses, such as travel agencies and mass media. The purpose of this study was to identify and map the existence of the culinary business and to find out the model of developing a creative economy based culinary business in Kupang city, Indonesia. The object of this research was MSMEs actors who run business in the culinary industry in the city.

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