New stylistic discoveries “Fluid Fusion” and “Flowinggraphics” in the works of the duet of artists Alexei and Irina Polyakov

2021 ◽  
pp. 671 (756)-676 (760)
Author(s):  
G.N. Ginzburg
Keyword(s):  
21St Century ◽  
World History ◽  
English Version ◽  
New Techniques ◽  
Works Of Art ◽  
History Of Art ◽  
The World ◽  
History Of ◽  
Art Community ◽  
Acrylic Paints

In the world history of art, various graphic techniques for making and printing works of art have had their own names: etching, woodcut, linocut, lithography, etc. The new definitions of the 21st century sound quite reasonable: “Flowinggraphics” and “Fluid Fusion”, based on technological and chemical discoveries work with acrylic paints. The purpose of my article is to acquaint the art community with new techniques and terms. English version of the article on pp. 756-760 is available at URL: https://panor.ru/articles/fluid-fusion-and-flowing-graphics-new-stylistic-descoveries-in-the-works-of-the-duet-of-artists-alexey-and-irina-polyakov/70067.html

Layard's drawings of the incised decorations on the Nimrud reliefs compared with the originals

Iraq ◽  
2005 ◽  
Vol 67 (2) ◽  
pp. 17-29 ◽  
Author(s):  
Peter V. Bartl
Keyword(s):  
Near East ◽  
Ancient Near East ◽  
Political Art ◽  
North West ◽  
The North ◽  
Works Of Art ◽  
Wide Range ◽  
History Of Art ◽  
The World ◽  
History Of

The orthostats from the North-West Palace of Ashurnasirpal II (883–859 BC) at Nimrud are among the most outstanding works of art from the Ancient Near East. Today they are to be found in museums all over the world and are looked at every day by thousands of visitors. Numerous books and articles have been written about their style, their meaning and their reconstruction. Thus one would think that nothing could have escaped the eye of observers. Nevertheless, some details have been largely overlooked by researchers. Among these is the incised decoration on the edges of the garments of some of the figures depicted, showing a wide range of simple geometric and floral designs as well as complex mythical and narrative scenes. It thus forms a valuable part of the repertoire of Neo-Assyrian artistic motifs and can help us understand the essence and meaning of Neo-Assyrian political art. The evidence of these incised decorations is not only of importance for the history of art but is also fundamental to the understanding of the significance of the clothes and of the figures wearing them, forming an integral and essential part of the mythical symbolic character of the figures.

scholarly journals The history of architecture and art and how it is seen by tourists

Turyzm ◽  
2014 ◽  
Vol 23 (2) ◽  
pp. 9-13
Author(s):  
Sylwia Kaczmarek
Keyword(s):  
Works Of Art ◽  
History Of Art ◽  
The World ◽  
History Of ◽  
History Of Architecture

The article presents the relation between the presence of works of art (buildings, sculptures, paintings) at different locations in the world, and tourism. The main theoretical and practical questions include the following: How important is knowledge of the history of art for seeing works of art? What other factors make modern travellers visit places where they can find these works of art?

scholarly journals Regional features of traditional embroidery of the North-West of Russia (Leningrad, Vologda, Novgorod and Pskov regions) of the late XIX and early XX century

2018 ◽  
Keyword(s):  
World History ◽  
North West ◽  
The North ◽  
Regional Features ◽  
Applied Art ◽  
History Of Art ◽  
The World ◽  
History Of ◽  
Color Scheme ◽  
History And Theory

Abstract: The article is devoted to the history and theory of ancient technological features of embroidery in the works of traditional applied art of the North-West of Russia (Leningrad, Vologda, Novgorod and Pskov regions). The author analyzes various techniques, ornaments, and color solutions of traditional embroidery. Describing a kind of technological variety of embroidery skill, the author believes that the artistic merits of embroidery in the North-West of Russia is the brightest page in the world history of art. Keywords: traditional applied art, European art, color scheme, national features, artistic and technological techniques, folk customs, ornament.

scholarly journals MENJADI BIJAK MELALUI SEJARAH

2014 ◽  
Vol 11 (2) ◽  
pp. 171
Author(s):  
Farid Abdullah
Keyword(s):  
Art History ◽  
World History ◽  
Time And Space ◽  
History Of Photography ◽  
The West ◽  
Works Of Art ◽  
History Of Art ◽  
History Of ◽  
Heavy Burden

<strong>Abstract</strong><br />This is article about a book of Art history. The book aims have been exploratory rather than critical. The authors, Hugh Honour and John Fleming (1984),  referred exposition to interpretation and evaluation, so far as they are separable. The appeal of some works of art in this book is never purely visual, it is<br />just simply to delight our eyes. It is heavy burden to bear in mind that these conceptions are peculiar to the West perspective. It try to vast a large horizon in both time and space, attention on historically prominent periods and areas,<br />which are also those of most basic interest. Chapters are arranged chronogically, across a wide geographical panorama in order to allow crucial events in world history of humankind. This article also focus to history of photography, that was closely allied with both painting and print making, since of its invention in the 1830s. At last, history of art inevitably reflect the feelings and minds of their authors, who have been almost as diverse as the artists about whom they write, as diverse and many-sided as the works of art themselves.<br /><br /><br /><strong>Abstrak</strong><br />Tulisan ini adalah bedah buku tentang sejarah seni. Tujuan buku adalah melakukan penjelajahan daripada bacaan kritis. Penyusunnya, Hugh Honour dan John Fleming, memilih penjelasan terperinci dan sarat penilaian, yang sesungguhnya keduanya dapat terpisah. Karya-karya seni yang ditampilkan pada buku penuh visual, bermaksud untuk menyenangkan amatan pembaca. Beban besar dipikul buku ini, terkait<br />sudut pandang Barat yang rumit. Cakrawala luas ruang dan waktu dibentangkan luas pada buku ini. Penyusunan bab dibuat secara kronologis, merentang panorama geografis teramat lebar dalam rangka menjelaskan peristiwa-peristiwa penting sejarah umat manusia. Tulisan ini juga memusatkan diri pada sejarah fotografi, yang memiliki hubungan erat dengan seni lukis dan cetak mencetak, sejak temuan pada tahun 1830. Pada akhirnya, sejarah adalah cermin dari perasaan dan pikiran penulisnya, yang selalu berbeda-beda seperti halnya seniman yang mereka tulis. Berbeda-beda dan memiliki berbagai sudut pandang seperti halnya karya seni.<br /><br /><br />*) Staf Pengajar Fakultas Pendidikan Seni dan Desain, Universitas Pendidikan

scholarly journals Regional features of traditional embroidery in the Russian North of Russia (Olonets sewing-Karelia)

2017 ◽  
Keyword(s):  
World History ◽  
The North ◽  
Regional Features ◽  
History Of Art ◽  
The World ◽  
Russian North ◽  
History Of

The Article is devoted to regional features of traditional embroidery in the North of Russia. The author analyzes various techniques, ornaments, and colors of Karelian embroidery. Describing a kind of embroidery skill, the author believes that the artistic merits of embroidery in the North of Russia is the brightest page in the world history of art.

War of Perception, Perception of Time

2018 ◽  
Vol 12 (2) ◽  
pp. 252-267
Author(s):  
Kuniichi Uno
Keyword(s):  
Michel Tournier ◽  
Crucial Question ◽  
History Of Art ◽  
The World ◽  
History Of ◽  
Desert Island ◽  
Perception Of Time

For Gilles Deleuze's two essays ‘Causes and Reasons of Desert Islands’ and ‘Michel Tournier and the World Without Others’, the crucial question is what the perception is, what its fundamental conditions are. A desert island can be a place to experiment on this question. The types of perception are described in many critical works about the history of art and aesthetical reflections by artists. So I will try to retrace some types of perception especially linked to the ‘haptic’, the importance of which was rediscovered by Deleuze. The ‘haptic’ proposes a type of perception not linked to space, but to time in its aspects of genesis. And something incorporeal has to intervene in a very original stage of perception and of perception of time. Thus we will be able to capture some links between the fundamental aspects of perception and time in its ‘out of joint’ aspects (Aion).

RISHTAN SCHOOL OF CERAMICS

2019 ◽  
Vol 16 (2) ◽  
pp. 73-77
Author(s):  
Akmal Marozikov ◽  
Keyword(s):  
Central Asia ◽  
Building Materials ◽  
Works Of Art ◽  
The World ◽  
Ferghana Valley ◽  
History Of ◽  
Made In ◽  
National Style

Ceramics is an area that has a long history of making clay bowls, bowls, plates,pitchers, bowls, bowls, bowls, pots, pans, toys, building materials and much more.Pottery developed in Central Asia in the XII-XIII centuries. Rishtan school, one of the oldest cities in the Ferghana Valley, is one of the largest centers of glazed ceramics inCentral Asia. Rishtan ceramics and miniatures are widely recognized among the peoples of the world and are considered one of the oldest cities in the Ferghana Valley. The article discusses the popularity of Rishtan masters, their products made in the national style,and works of art unique to any region

The Great Influenza

2018 ◽  
Author(s):  
Samuel K. Cohn, Jr.
Keyword(s):  
Social Behaviour ◽  
East Coast ◽  
World History ◽  
Collective Violence ◽  
Large Cities ◽  
Surgeon General ◽  
The Us ◽  
History Of Disease ◽  
The World ◽  
History Of

This chapter examines evidence principally from the US that the Great Influenza provoked profiteering by landlords, undertakers, vendors of fruit, pharmacists, and doctors, but shows that such complaints were rare and confined mostly to large cities on the East Coast. It then investigates anti-social advice and repressive decrees on the part of municipalities, backed by advice from the US Surgeon General and prominent physicians attacking ‘spitters, coughers, and sneezers’, which included state and municipal ordinances against kissing and even ‘big talkers’. It then surveys legislation on compulsory and recommended mask wearing. Yet this chapter finds no protest or collective violence against the diseased victims or any other ‘others’ suspected of disseminating the virus. Despite physicians’ and lawmakers’ encouragement of anti-social behaviour, mass volunteerism and abnegation instead unfolded to an extent never before witnessed in the world history of disease.

scholarly journals PROFESSOR ZDZISŁAW ŻYGULSKI JR.: AN OUTSTANDING PERSON, A GREAT PERSONALITY, A MUSEUM PROFESSIONAL, A RESEARCHER ON ANTIQUE WEAPONS, ORIENTAL ART AND EUROPEAN PAINTING (1921–2015)

Muzealnictwo ◽  
2017 ◽  
Vol 58 (1) ◽  
pp. 2-13
Author(s):  
Teresa Grzybkowska
Keyword(s):  
Museum Studies ◽  
The United States ◽  
Leonardo Da Vinci ◽  
Large Set ◽  
New York University ◽  
History Of Art ◽  
The World ◽  
History Of ◽  
Polish Art ◽  
Set Up

Professor Zdzisław Żygulski Jr. (1921–2015) was one of the most prominent Polish art historians of the second half of the 20th century. He treated the history of art as a broadly understood science of mankind and his artistic achievements. His name was recognised in global research on antique weapons, and among experts on Rembrandt and Leonardo da Vinci. He studied museums and Oriental art. He wrote 35 books, about 200 articles, and numerous essays on art; he wrote for the daily press about his artistic journeys through Europe, Japan and the United States. He illustrated his publications with his own photographs, and had a large set of slides. Żygulski created many exhibitions both at home and abroad presenting Polish art in which armour and oriental elements played an important role. He spent his youth in Lvov, and was expatriated to Cracow in 1945 together with his wife, the pottery artist and painter Eva Voelpel. He studied English philology and history of art at the Jagiellonian University (UJ), and was a student under Adam Bochnak and Vojeslav Molè. He was linked to the Czartoryski Museum in Cracow for his whole life; he worked there from 1949 until 2010, for the great majority of time as curator of the Arms and Armour Section. He devoted his whole life to the world of this museum, and wrote about its history and collections. Together with Prof. Zbigniew Bocheński, he set up the Association of Lovers of Old Armour and Flags, over which he presided from 1972 to 1998. He set up the Polish school of the study of militaria. He was a renowned and charismatic member of the circle of international researchers and lovers of militaria. He wrote the key texts in this field: Broń w dawnej Polsce na tle uzbrojenia Europy i Bliskiego Wschodu [Weapons in old Poland compared to armaments in Europe and the Near East], Stara broń w polskich zbiorach [Old weapons in Polish armouries], Polski mundur wojskowy [Polish military uniforms] (together with H. Wielecki). He was an outstanding researcher on Oriental art to which he dedicated several books: Sztuka turecka [Turkish art], Sztuka perska [Persian art], Sztuka mauretańska i jej echa w Polsce [Moorish art and its echoes in Poland]. Prof. Zdzisław Żygulski Jr. was a prominent educator who enjoyed great respect. He taught costume design and the history of art and interiors at the Academy of Fine Arts in Cracow, as well as Mediterranean culture at the Mediterranean Studies Department and at the Postgraduate Museum Studies at the UJ. His lectures attracted crowds of students, for whose needs he wrote a book Muzea na świecie. Wstęp do muzealnictwa [Museums in the world. Introduction to museum studies]. He also lectured at the Florence Academy of Art and at the New York University. He was active in numerous Polish scientific organisations such as PAU, PAN and SHS, and in international associations such as ICOMAM and ICOM. He represented Polish art history at general ICOM congresses many times. He was also active on diverse museum councils all over Poland.

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