scholarly journals KEY ASPECTS OF THE DEVELOPMENT OF CONDUCTING PERFORMANCE IN CHINA

2021 ◽  
Vol 60 (60) ◽  
pp. 184-199
Author(s):  
Yang Yan
Keyword(s):  
20Th Century ◽  
Symphony Orchestra ◽  
Integrated Approach ◽  
Active Involvement ◽  
Chinese Music ◽  
History Of ◽  
New Type ◽  
Foreign Education ◽  
The One ◽  
Key Aspects

Statement of the problem. Conducting performance in China is still a poorly explored area of the national musical art, which makes it necessary to deeply comprehend its main aspects and determine the originality of this important area of the country’s musical culture. This study is aimed at identifying the influence of the dynamics of historical development in China in the 20th century on the development of a conductor’s profession in the country. The recent researches and publications study the specifics of the conductor’s gesture (M. Mannone, I. Poggi, B. Silvey, L. Reizabal), personal conducting activities of the brightest representatives of this profession in different countries (C. Bongiovanni, J.-C. Branger, J. Orrego Salas, M. Walter and others). However no work mentions the activities of Chinese conductors. This profession is practically not studied among its Chinese representatives, too. Methodology of this research includes the study of scientific works devoted to various aspects of European conducting (R. Komurdzhi, Lee En Zhong, B. Smirnov, O. Tremzina), to the outstanding conductors (S. Bongiovanni, J.-C. Branger, J. Orrego Salas, M. Walter), general problems of connection of conducting with exact sciences (M. Mannone), and, especially, the history of the development of a new type of symphony orchestra in China (Hon-Lun Yang & M. Saffle, Mingyen Lee). Hence, it calls for an integrated approach, which includes historical-typological, comparative, genrestyle and dialectic methods. Results and Conclusions. Active involvement of European music has been taking place in China relatively recently – since the 1920s. In this way, the problems of creating a national conducting school and a symphonic culture of performance in the country became especially acute. The history of the development of the symphony orchestra and conductor’s performance of Chinese musical art of the twentieth century can be imagined as a single culture process that is constantly moving in the same vein encompassing all countries and continents. During the 20th century a new profession of musician-conductor of a new type of orchestra was formed in China, which combined instruments of the European symphony orchestra and national instruments. The formation of national symphonic schools in China is also linked to specific historical events: the modernization of Chinese music, the foreign education of many Chinese musicians, the influence of communist ideology (“exemplary performances”), on the one hand, and Western capitalist (Hong Kong orchestras), on the other. The specificity of the activity of the conductor of a new type of symphony orchestra is directly related to various changes in the quantitative and qualitative composition of the orchestra, special features for use of both individual instruments of the symphony orchestra and whole sections, and to technical capabilities of national and European instruments.

KAZAKH MUSIC CULTURE ON THE GLOBALIZATION CROSSROADS: ETHNIC TRADITIONS VERSUS COMPOSER SCHOOL IN INTERCULTURAL INTERACTION

2020 ◽  
Vol 384 (2) ◽  
pp. 185-193
Author(s):  
A. Raimkulova
Keyword(s):  
20Th Century ◽  
Cultural Policy ◽  
Information Technologies ◽  
Cultural Landscapes ◽  
Social Institutions ◽  
Music Culture ◽  
Oral Transmission ◽  
Intercultural Interaction ◽  
History Of ◽  
New Type

At the present stage, Kazakh musical culture is heterogeneous. It represents traditions coexisting at the same time and interacting with each other: Kazakh ethnic and newly established composer school (tradition). Examining changes in cultural landscapes of the 20th century I reveal the peculiarities of interaction and dialogue between two kinds of culture: ethnic and global (endogenous and exogenous). The procedures include the complex study of the history of Kazakh culture in the 20th century, stylistic analysis of traditional and composer’s music, semiotic approach to intercultural interaction, as far as a comparative analysis of oral and written music of 19th and 20th centuries. On one hand, dramatic changes in the structure of music culture were caused by external objective reasons: new industrial and postindustrial civilization phases (urbanization and information technologies); intensification of interaction with western (mainly Russian) cultures, etc. On the other hand, some changes were inspired by inner factors: diverse development of local song and kui (dombyra piece) traditions; Soviet cultural policy. As a result new type (or layer) of national culture – Kazakh composers’ music – appeared. It was connected with the formation of a national style based on transcriptions and borrowing. Traditional music was influenced by new social institutions (philharmonic halls, theatres, radio, conservatoire) that caused changes in the creative process (decrease of oral transmission, lack of traditional social context) as well as in the style (virtuoso performance, new genres of songs).

scholarly journals The Orderliness of Music from the Perspective of Complex Information Systems

Proceedings ◽  
2020 ◽  
Vol 47 (1) ◽  
pp. 55
Author(s):  
Shan Zhang
Keyword(s):  
Information Systems ◽  
20Th Century ◽  
Natural Science ◽  
The Other ◽  
Western Music ◽  
Classical Period ◽  
20Th Century Music ◽  
Complex Information ◽  
History Of ◽  
The One

By applying the concept of natural science to the study of music, on the one hand, we can understand the structure of music macroscopically, on the other, we can reflect on the history of music to a certain extent. Throughout the history of western music, from the classical period to the 20th century, music seems to have gone from order to disorder, but it is still orderly if analyzed carefully. Using the concept of complex information systems can give a good answer in the essence.

Spiritual Crisis of the Beginning of the 20th Century: From Philosophical to Religious Interpretations

2021 ◽  
pp. 79-88
Author(s):  
Alexander V. Koltsov ◽  
Keyword(s):  
20Th Century ◽  
History Of Philosophy ◽  
The Other ◽  
German Philosophy ◽  
Religious Consciousness ◽  
Religious Context ◽  
Spiritual Crisis ◽  
History Of ◽  
History Of Culture ◽  
The One

The paper is an attempt to narrow down the notion of spiritual crisis which is now widely applied in research on history of culture of the 19th–20th centuries, with respect to history of German philosophy and observation of modern reli­giosity. The shift from the history of philosophy to the religious context is ful­filled through analysis of texts of two religious thinkers, A. Reinach and S. Frank, whose thought clearly demonstrates strong interconnection between the both fields. Analysis of contemporary studies on history of phenomenological philos­ophy (C. Möckel and W. Gleixner) lets firstly observe ways of application of Koselleck’s notion of crisis to investigations in the history of philosophy. Sec­ondly it discovers two possibilities of philosophical contextualization of the con­cept of spiritual crisis – on the one hand, as a constituent rhetorical element of the philosophical statement (Möckel), on the other hand, as a term which de­scribes the uniqueness of an intellectual situation of the beginning of the 20thcentury (Gleixner). Then these aspects of the rhetoric of crisis are applied to reli­gious philosophy of Reinach and Frank, what leads to interpretation of their works as a particular statement discovering the divine (or the holy) as a new cat­egory of religious consciousness.

Der Fall des Philosophen

2019 ◽  
Author(s):  
Hanna Gekle
Keyword(s):  
20Th Century ◽  
Oedipus Complex ◽  
The Other ◽  
Philosophical Theory ◽  
Ernst Bloch ◽  
The Uncanny ◽  
History Of ◽  
Painful Experience ◽  
The Moment ◽  
The One

The history of mental development on the one and the history of his writings on the other hand form the two separate but essentially intertwined strands of an archeology of Ernst Bloch´s thought undertaken in this book. Bloch as a philosopher is peculiar in that his initial access to thought rose from the depths of early, painful experience. To give expression to this experience, he not only needed to develop new categories, but first and foremost had to find words for it: the experience of the uncanny and the abysmal, of which he tells in Spuren, is on the level of philosophical theory juxtaposed by the “Dunkel des gerade gelebten Augenblicks” (darkness of the moment just lived) and his discovery of a “Noch-nicht-Bewusstes” (not-yet-conscious), thus metaphysically undermining the classical Oedipus complex in the succession of Freud. In this book, psyche, work and the history of the 20th century appear concentrated in Ernst Bloch the philosopher and contemporary witness, who paid tribute to these supra-individual powers in his work as much as he hoped to transgress them.

scholarly journals Authorial Self and Modernity as Reflected in Diaries and Memoirs. Three 19th-Century Hungarian Case Studies

2019 ◽  
Vol 9 (1) ◽  
pp. 85-97
Author(s):  
Béla Mester
Keyword(s):  
Intellectual History ◽  
Social Role ◽  
Public Intellectual ◽  
Self Reflection ◽  
Individual Character ◽  
History Of ◽  
New Type ◽  
The Moment ◽  
The One

Abstract The role of the diaries and memoirs in the process of the conscious self-reflection and their contribution to the emergence of modern individual personalities are well-known facts of the intellectual history. The present paper intends to analyze a special form of the creation of modern individual character; it is the self-creation of the writer as a conscious personality, often with a clearly formulated opinion about her/his own social role. There will be offered several examples from the 19th-century history of the Hungarian intelligentsia. This period is more or less identical with the modernization of the “cultural industry” in Hungary, dominated by the periodicals with their deadlines, fixed lengths of the articles, and professional editing houses on the one hand and the cultural nation building on the other. Concerning the possible social and cultural role of the intelligentsia, it is the moment of the birth of a new type, so-called public intellectual. I will focus on three written sources, a diary of a Calvinist student of theology, Péter (Litkei) Tóth, the memoirs of an influential public intellectual, Gusztáv Szontagh, and a belletristic printed diary of a young intellectual, János Asbóth.

scholarly journals Food justice and Christian ethics

2012 ◽  
Vol 33 (2) ◽  
Author(s):  
Heinrich Bedford-Strohm
Keyword(s):  
Economic Model ◽  
Food Justice ◽  
The Public ◽  
Active Involvement ◽  
Economic Ethic ◽  
Political Problem ◽  
Preferential Option ◽  
History Of ◽  
The One ◽  
Ecologically Sustainable

The article dealt with the moral and political problem of international food justice in which the deep contradiction between the present situation of malnourishment and starvation in large parts of the global population on the one hand and the biblical notion of the preferential option for the poor on the other hand was described. This ecumenically widely accepted notion was clarified in several aspects. How deeply this is rooted in the history of Christian social thought was shown by Martin Luther�s writings on the economy which have remained relatively unknown in the churches and in the scholarly world. The article then presented three models of Christian economic ethic: the technical economic model, the utopian economic model and the public theological economic model. On the basis of the public theological model seven challenges for international food justice were presented. The basis for these challenges is an understanding of globalisation which guarantees just participation for everyone and deals with nature in an ecologically sustainable way. The interests of small farmers are the basis for judging the activities of big agro-corporations. Public theology is the background for an active involvement of the churches as agents of a global civil society to promote international food justice.

scholarly journals Introduction: The Return of the Exception

2021 ◽  
Vol 96 ◽  
pp. 7-15
Author(s):  
Rafał Mańko ◽  
Przemysław Tacik ◽  
Gian Giacomo Fusco
Keyword(s):  
20Th Century ◽  
War On Terror ◽  
The State ◽  
State Of Exception ◽  
Political Systems ◽  
The Unconscious ◽  
Freedom Of Movement ◽  
Emergency Powers ◽  
History Of ◽  
The One

The history of the 20th century, and more recently the two-decades long war on terror, have taught us the lesson that the normalisation of the state of exception (intended here as the proliferation of legal instruments regulating emergency powers, and their constant use in varied situations of crisis) is never immune from the risk of leaving long-lasting impacts of legal and political systems. With the “Return of the Exception” we intend to bring to the fore the fact that in the pandemic the state of exception has re-appeared in its “grand” version, the one that pertains to round-the-clock curfews and strong limitations to the freedom of movement and assembly, all adorned by warfare rhetoric of the fight against an invisible enemy – which, given the biological status of viruses, it cannot but be ourselves. But “return” here must be intended also in its psychoanalytic meaning. Much like the repressed that lives in a state of latency in the unconscious before eventually returning to inform consciousness and reshape behaviour, the state of exception is an element that remains nested in law’s text before reappearing in a specific moment with forms and intensity that are not fully predictable. Still, it remains cryptic whether the pandemic inaugurates a new epoch of liberal legality – the post-law – or just augurs its structural crisis.

scholarly journals Amateur Magazines of Tomsk Seminarians: The History of Magazine “Soyus”

2021 ◽  
Vol 20 (6) ◽  
pp. 54-61
Author(s):  
V. A. Esipova
Keyword(s):  
20Th Century ◽  
Early 20Th Century ◽  
Theological Seminary ◽  
Historical Reconstruction ◽  
Structural Element ◽  
Single Issue ◽  
Social Democratic ◽  
Archival Documents ◽  
History Of ◽  
The One

The problem of publications made by students in the early 20th century recently became a matter of interest among scholars. The purpose of the article is to study one of them, “Soyuz” magazine, which was published by students of the theological seminary in Tomsk in 1907. The problem is that not a single issue of the magazine has survived to this day. Therefore, the research relies on the method of historical reconstruction based on the archival documents. The main achievements of this study are as follows. Based on the analyses of previously unknown archival sources, it reconstructs the history of the magazine, its team, printing equipment, and capacities, and the list of authors. It discovers a description of the magazine made by the Tomsk gendarme office. The article contains the contents of two issues of the magazine. It establishes that the magazine stuck to social-democratic ideas and was the structural element of the Tomsk branch of the All-Russian Seminary Union. It indicates the place of the magazine among other Tomsk periodicals. On the one hand, it fully fitted into the practice of the work of social-democratic organizations, on other hand, in terms of the methods of technical and organizational creation, it was a typical students self-published publication.

scholarly journals The Foundations of N.K. Mikhailovsky's Theory. Formation of “Subjective Sociology”, Late 1860s – mid-1870s

2021 ◽  
Vol V (2) ◽  
pp. 55-78
Author(s):  
Andrey Teslya
Keyword(s):  
20Th Century ◽  
Social Theory ◽  
Russian Empire ◽  
Social Democrats ◽  
The Public ◽  
Special Analysis ◽  
The Social ◽  
History Of ◽  
The Russian Empire ◽  
The One

Nikolai Konstantinovich Mikhaylovsky (1842–1904) is one of the most well-known and influential Russian publicists of the last third of the 19th and the beginning of 20th century, ideologist of the Narodniki movement, the author of the conception known as “subjective sociology” and the editor of journal Russian wealth at the end of his life. Yet, while his role in the history of Russian social movement or literary-aesthetic views have been quite fully studied, his social theory has rarely become the object of the special analysis during the last century. On the one hand, it was shadowed by the theories which appeared earlier and had more influence even abroad (outside the Russian empire) as, for example, the ideas of Herzen, Bakunin, Chernyshevsky, Lavrov. On the other hand, Mikhaylovsky, who was severely criticized by Russian social democrats in 1894–1901, was perceived as a rather weak theorist. In this article, we demonstrate the essential differences between the early conceptual advances of Mikhaylovsky and P.L. Lavrov and assert that the conception of the former was influenced both by the rethinking of the Darwinism from a viewpoint of understanding of nature and by the conclusions for social theory. Unlike Lavrov, Mikhaylovsky, as well as Herzen, was an advocate of non-teleological understanding of progress and favored the interpretation of history as logical yet free from strict determinism. In conclusion, Mikhaylovsky’s opinion about the society, which was formed at the end of 1860s – first quarter of 1870s, appears as a quite consistent and elaborated system, an answer to the theoretical challenges. Firstly, on the part of the Darwinism and the attempt to apply it to the analysis of the society. Secondly, on the part of the organicism. Lastly, we give an interpretation to the decline of the public interest to the social theory of Mikhaylovsky at the end of the 19th – beginning of 20th century.

scholarly journals Linguosemiotic peculiarities of the text in TikTok: “the word of others” in the new multimedia reality

Litera ◽  
2021 ◽  
pp. 127-134
Author(s):  
Anastasiya Gennad'evna Gotovtseva ◽  
Ernest Sergeevich Karpov
Keyword(s):  
Social Network ◽  
Continuous Sampling ◽  
Common Features ◽  
Research Material ◽  
Urban Folklore ◽  
History Of ◽  
New Type ◽  
Lip Sync ◽  
The Subject ◽  
The One

The subject of this research is the tendency towards formation of a new semiotic code of entertainment content, observed in the Russian segment of Tiktok social network. The goal of this research is to determine the new trends in recreational segment of the modern social network, the popularity of which depends on the number users’ likes and reposts. The research material contains the continuous sampling of videos for the period from February to March 2021. The analysis of videos of the Russian-speaking users allows revealing the tendency towards the emergence of a new type of recreational content at the intersection of plagiarism and parody. This implies voice-covering of the fragments of stand-up show in a different context: for example, a fragment from comedy show is lip-synced by a woman while preparing meal. In other words, the authors of such content do not claim to be original, they virtually lip-sync with synchronization of another person's speech (moreover, the TikTok format allows seeing the link to the original soundtrack). At the same time, such content is far from parodic, as there is no mimicking or gesturing of the original. This rather implies the renovation of the open text tradition, which historically accompanies the emergence of a new form of broadcasting information. Such content also indicates common features with the folklore: the author's story  is voice-covered by various users repeatedly, like an anecdote or the history of urban folklore. The conclusion is made on the emerging semiotic tendency of the polycode multimedia text, which on the one hand has deep historical roots, while on the other hand is substantiated by the modern technological capabilities and ways of broadcasting information.

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