scholarly journals THE EARLY HORIZON OF THE KUSHMANSKOE (UCHKAKAR) FORTIFIED SETTLEMENT, IX-XII CENTURIES

2021 ◽  
Vol 15 (3) ◽  
pp. 507-516
Author(s):  
Roman Nikolaevich Modin
Keyword(s):  
Material Culture ◽  
Small Area ◽  
Early Period ◽  
Archaeological Sites ◽  
Cultural Layer ◽  
Early Medieval ◽  
Small Thickness ◽  
Early Settlement ◽  
Early Horizon

The article considers the early chronological horizon of one of the key archaeological sites of the Chepetskaya archaeological culture - the Kushmanskoe (Uchkakar) fortified settlement. The paper highlights the issues of the features of the occupation layer of the early settlement, its dating, the characteristics of the identified structures and the material culture are given. The early medieval settlement on the territory of the Kushmanskoe (Uchkakar) fortified settlement was limited by defensive structures consisting of a wood-earth bank and a ditch. They defended a settlement with an area of 6-10 thousand sq. m. The occupation layer of the early settlement had a small thickness of 0.2 m. Several structures were identified in it and investigated by excavation, two of which are the remains of ground buildings, another is a stone laying of an unclear purpose. The material culture of the early horizon allows us to determine the time of the existence of an early settlement within the IX-X centuries. It ceased to exist after the destruction of defensive structures, the ruins of which partially blocked the occupation layer of the early settlement. The cultural layer of the late chronological horizon on this site of the settlement was formed already on the surface of the ruins of defensive structures of the early period. A small area of the early settlement, defensive structures, features of its occupation layer allow us to hypothesize: it was a refuge for people of another nearby fortified settlement - Kushmanskoe III settlement.

scholarly journals On the influence of Vatin and Verbicioara cultures in the finds of the Gamzigrad cultural group

Starinar ◽  
2009 ◽  
pp. 53-69
Author(s):  
Aleksandar Kapuran
Keyword(s):  
Material Culture ◽  
Bronze Age ◽  
Iron Age ◽  
Small Area ◽  
Ceramic Materials ◽  
Archaeological Sites ◽  
Cultural Elements ◽  
Middle Bronze Age ◽  
Middle Iron Age ◽  
The Bronze Age

The Timocka Krajina region has not been sufficiently investigated archaeologically, which coupled with the fact that a very small number of metal finds and remains have been discovered, makes the reconstruction of the start and end of the Bronze Age that much more difficult. Identification work in the area around Romuliana on two occasions in 2001 and 2008 led to the discovery of another 10 predominantly multi-layered sites dating back to the Bronze Age, of which 7 are highland settlements while 3 are lowland settlements located in the immediate vicinity of the Timok river or its tributaries. The discovered sites 1. Varsari, 2. Djokin Vis, 3. Kravarnik, 4. Mustafa, 5. Nikolov Savat, 6. Njiva Zore Brzanovic, 7. Petronj, 8. Potes-Petronj, 9. Strenjak and 10. Zvezdan; bare the characteristics of the material culture of the ?Gamzigrad group? of the Middle Iron Age. Besides known ceramic forms and characteristic ornamentation of this culture, there is a visibly strong influence of the Vatin (Crvenka-Cornes?i) and Verbicioara elements to a greater extent, and Paracin cultural elements to a lesser extent. Given that this material was collected during identification work, we are now aware of the stratigraphic relations between these elements, and have devoted more attention to common characteristics and interconnections from which certain conclusions can be drawn. Based on the finds from archaeological sites that have been excavated it can be concluded that the distribution of sites with Gamzigrad cultural characteristics is limited to a very small area, i.e. only to the vicinity of the Crni Timok river. Nearly at all sites, both highland and lowland, Vatin and Verbicioara elements are strongly visible on the ceramic materials. The geographic position of the Crni Timok, which is located in the area where the Paracin, Vatin and Verbichoar cultures connected and overlapped, could contribute to shedding light on the origin and characteristics of this phenomenon of the Middle Bronze Age in Eastern Serbia.

Patterned Villagescapes and Road Networks in Ancient Southwestern Amazonia

2020 ◽  
pp. 1-15
Author(s):  
Sanna Saunaluoma ◽  
Justin Moat ◽  
Francisco Pugliese ◽  
Eduardo G. Neves
Keyword(s):  
Material Culture ◽  
Unmanned Aerial Vehicle ◽  
Spatial Planning ◽  
Road Network ◽  
Road Networks ◽  
Archaeological Sites ◽  
Remotely Sensed Imagery ◽  
Aerial Vehicle ◽  
Human Transport ◽  
Southwestern Amazonia

Our recent data, collected using remotely sensed imagery and unmanned aerial vehicle surveys, reveal the extremely well-defined patterning of archaeological plaza villages in the Brazilian Acre state in terms of size, layout, chronology, and material culture. The villages comprise various earthen mounds arranged around central plazas and roads that radiate outward from, or converge on, the sites. The roads connected the villages situated 2–10 km from each other in eastern Acre. Our study attests to the existence of large, sedentary, interfluvial populations sharing the same sociocultural identities, as well as structured patterns of movement and spatial planning in relation to operative road networks during the late precolonial period. The plaza villages of Acre show similarity with the well-documented communities organized by road networks in the regions of the Upper Xingu and Llanos de Mojos. Taking into consideration ethnohistorical and ethnographic evidence, as well as the presence of comparable archaeological sites and earthwork features along the southern margin of Amazonia, we suggest that the plaza villages of Acre were linked by an interregional road network to other neighboring territories situated along the southern Amazonian rim and that movement along roads was the primary mode of human transport in Amazonian interfluves.

Singa Transitional: Rock-art Saywas Marking Boundaries of Identity and Socializing Landscape in Huánuco, Peru

2021 ◽  
Vol 31 (2) ◽  
pp. 247-263
Author(s):  
Jonathan J. Dubois
Keyword(s):  
Material Culture ◽  
Rock Art ◽  
Social Changes ◽  
Regional Survey ◽  
Intermediate Period ◽  
Social Trends ◽  
The North ◽  
The Andes ◽  
Early Horizon ◽  
Landscape Feature

This paper introduces a new art style, Singa Transitional, found painted onto a mountainside near the modern town of Singa in the north of Huánuco, Peru. This style was discovered during a recent regional survey of rock art in the Huánuco region that resulted in the documentation of paintings at more than 20 sites, the identification of their chronological contexts and an analysis of the resulting data for trends in changing social practices over nine millennia. I explore how the style emerged from both regional artistic trends in the medium and broader patterns evident in Andean material culture from multiple media at the time of its creation. I argue that the presence of Singa Transitional demonstrates that local peoples were engaged in broader social trends unfolding during the transition between the Early Horizon (800–200 bc) and the Early Intermediate Period (ad 0–800) in Peru. I propose that rock art placed in prominent places was considered saywa, a type of landscape feature that marked boundaries in and movement through landscapes. Singa Transitional saywas served to advertise the connection between local Andean people and their land and was a medium through which social changes were contested in the Andes.

scholarly journals Looking beyond appearances: a multi-analytical approach on the prehistoric clay weights

2019 ◽  
Vol 7 (1) ◽  
Author(s):  
Bogdan Manea ◽  
Mircea Lechintan ◽  
Gabriel Popescu ◽  
Theodor Ignat ◽  
Vasile Opriş ◽  
...  
Keyword(s):  
Material Culture ◽  
Analytical Approach ◽  
Experimental Archaeology ◽  
Relevant Information ◽  
Archaeological Sites ◽  
Cultural Complex ◽  
Multiple Dimensions ◽  
Size Modification ◽  
Multiple Meanings ◽  
Transformation Processes

Abstract In this paper we analyzed a batch of 64 clay weights from three archaeological sites located in Romania (Gumelniţa, Măgura-Jilava, and Sultana) that belong to Kodjadermen-Gumelniţa-Karanovo VI cultural complex (4600–3900 cal. BC). Our approach includes an interdisciplinary investigation based on technological analysis, experimental archaeology, and X-ray CT scans coupled with statistical analysis. This investigation has a high potential to reveal relevant information regarding the technological background (e.g., inclusion, voids, temper, etc.), manufacturing stages (e.g., modeling, shaping, kneading, etc.), or transformation processes (e.g., drying and firing vs. weight and size modification) in order to identify, explain and understand the chaîne operatoire for this type of artefacts. Moreover, correlation of the results with the experimental archaeology could offer an integrative interpretation about the material culture of past humans and its multiple meanings, but also critical information about the multiple dimensions of manufacture for these objects (e.g., time, effort, physical–chemical processes, etc.). The multi-analytical approach proposed here also includes a comparative study of technological aspects of these clay weights across the three archaeological sites investigated, as well as the experimental replicas.

Secular geomagnetic field variations in Bulgarian lands during Classical Age and Late Antiquity – new archaeomagnetic data

2021 ◽  
Author(s):  
Maria Kostadinova-Avramova ◽  
Petar Dimitrov ◽  
Andrei Kosterov ◽  
Mary Kovacheva
Keyword(s):  
Material Culture ◽  
Late Antiquity ◽  
Basic Research ◽  
Reference Points ◽  
Archaeological Sites ◽  
Historical Sources ◽  
National Science ◽  
Basic Research Grant ◽  
National Science Fund ◽  
Research Grant

<p>Numerous historical sources and archaeological monuments attest the age of Antiquity in Bulgaria – from both the early Roman period (I – III c.) and Late Antiquity (IV – VI c.). Owing to systematic archaeological excavations, lasting more than 100 years, plenty of information has been accumulated concerning not only all aspects and manifestations of its material culture, but also their evolution and chronology.  This in turn allows for interdisciplinary fields such as archaeomagnetism to progress.</p><p>There are many archaeomagnetically studied archaeological structures from the Antiquity. The results included in the Bulgarian database form 74 reference points. However, only 20 of them are full-vector determinations because 70 % of the investigated materials are bricks. Hence, the secular variation of declination is poorly constrained within the considered period. Moreover, the reuse of bricks in the constructions occurred quite often (especially in the Late Antiquity) providing for possible errors in archaeological dating. In addition, stronger effects of magnetic anisotropy and cooling rate are usually expected for bricks than for hearths, domestic ovens, production kilns or burnt dwelling remains (there are no results from pottery in the Bulgarian dataset) and both factors are not evaluated for most of the older results. All this can explain the contradictions observed between some of the experimental results juxtaposed over the absolute time scale. In an attempt to clarify these contradictions 13 baked clay structures from eight archaeological sites were archaeomagnetically studied producing seven new directional and eight new intensity data. The samples collected possess variable magnetic properties suggesting differences in clay sources and/or firing conditions. Magnetically soft minerals prevail in seven structures but in the remaining six, abundant HCSLT phase is detected. The success rate of archaeointensity determination experiments vary from 49 to 100 %. It appears that samples containing HCSLT phase always produces good araeointensity results unlike those with the dominant presence of soft carriers.</p><p>The new reference points are compared with the present compilation of Bulgarian archaeomagnetic dataset and with the data from the neighboring countries.</p><p> </p><p>This study is supported by the grant KP-06-Russia-10 from the Bulgarian National Science Fund and Russian Foundation of the Basic Research grant 19-55-18006.</p>

Poet of the Medieval Modern

2021 ◽  
Author(s):  
Francesca Brooks
Keyword(s):  
Twentieth Century ◽  
Material Culture ◽  
Middle Ages ◽  
Early Medieval ◽  
Far Right ◽  
Early Middle Ages ◽  
History Of ◽  
Catholic History ◽  
In Parenthesis ◽  
Stone Sculpture

The early Middle Ages provided twentieth-century poets with the material to reimagine and rework local, religious, and national identities in their writing. Poet of the Medieval Modern focuses on a key figure within this tradition, the Anglo-Welsh poet and artist David Jones (1895–1974), and represents the first extended study of the influence of early medieval culture and history from England on Jones and his novel-length late modernist poem The Anathemata (1952). The Anathemata, the second major poetic project after In Parenthesis (1937), fuses Jones’s visual and verbal arts to write a Catholic history of Britain as told through the history of man-as-artist. Drawing on unpublished archival material including manuscripts, sketches, correspondence, and, most significantly, the marginalia from David Jones’s Library, Poet of the Medieval Modern reads with Jones in order to trouble the distinction we make between poetry and scholarship. Placing this underappreciated figure firmly at the centre of new developments in modernist and medieval studies, Poet of the Medieval Modern brings the two fields into dialogue and argues that Jones uses the textual and material culture of the early Middle Ages—including Old English prose and poetry, Anglo-Latin hagiography, early medieval stone sculpture, manuscripts, and historiography—to re-envision British Catholic identity in the twentieth-century long poem. In The Anathemata Jones returned to the English record to seek out those moments where the histories of the Welsh had been elided or erased. At a time when the Middle Ages are increasingly weaponized in far-right and nationalist political discourse, the book offers a timely discussion of how the early medieval past has been resourced to both shore up and challenge English hegemonies across modern British culture.

scholarly journals PARTICIPATION OF THE INSTITUTE FOR THE HISTORY OF MATERIAL CULTURE (THE MOSCOW BRANCH) OF THE ACADEMY OF SCIENCES OF THE USSR IN THE ACTIVITIES OF THE EXTRAORDINARY STATE COMMISSION (1943–1944)

2020 ◽  
Author(s):  
А.А. Кудрявцев ◽  
С.А. Володин
Keyword(s):  
Material Culture ◽  
Archaeological Sites ◽  
Research Institution ◽  
Hard Time ◽  
Archaeological Collections ◽  
State Commission ◽  
Institute Staff ◽  
History Of ◽  
Academy Of Sciences ◽  
Burial Grounds

В 1943–1944 гг. сотрудники Института истории материальной культуры принимали участие в работе Чрезвычайной государственной комиссии (ЧГК). Это выражалось в составлении инструкций по установлению стоимости различных археологических памятников для определения нанесенного им ущерба в период оккупации, составлении их списков и анкетировании. В 1944 г. ИИМК по заданию ЧГК организовал восемь экспедиций в освобожденные районы РСФСР и УССР с целью обследования ряда поселений и курганных могильников, а также музеев с археологическими коллекциями, пострадавших в военные годы. Участие в деятельности ЧГК позволило Московскому отделению ИИМК сохранить основные функции научного учреждения в тяжелый период войны. In 1943–1944 the staff of the Institute for the History of Material Culture was involved in the work performed by the Extraordinary State Commission. The Institute staff prepared guidelines to be used in assessing the value of various archaeological sites to determine the damage caused to the sites during the occupation period, prepared relevant lists and conducted questionnaire-based interviews. In 1944 by order of the Extraordinary State Commission, the Institute organized eight expeditions to the liberated regions of the Russian SFR and the Ukrainian SSR in order to survey a number of settlements and kurgan burial grounds as well as museums with archaeological collections damaged during the war. Involvement in the activities of the Extraordinary State Commission enabled the Moscow Branch of the Institute to continue performing its main functions as a research institution during the hard time of the war.

scholarly journals Bienes De Consumo Cotidiano, Cultura Material E Identidad A Lo Largo Del Camino Real En El Norte De México

Xihmai ◽  
2014 ◽  
Vol 9 (18) ◽  
Author(s):  
Patricia Fournier Garcí­a ◽  
Bridget M. Zavala Moynahan
Keyword(s):  
Social Identity ◽  
Material Culture ◽  
Everyday Life ◽  
20Th Century ◽  
Archaeological Sites ◽  
Historical Sources ◽  
Camino Real ◽  
Palabras Clave ◽  
Royal Road ◽  
Life Consumption

Resumen A lo largo del Camino Real los habitantes usaron la cultura material - incluyendo objetos de uso cotidiano destinados a la preparación, almacenamiento y servicio de alimentos- para construir y reafirmar aspectos identitarios. En este ensayo, derivado de nuestras investigaciones concluidas en 2013, consideramos patrones de consumo de estos objetos desde el siglo XVIII hasta inicios del XX reflejados en inventarios de bienes de la época y contextos arqueológicos de la Nueva Vizcaya colonial (hoy Durango y Chihuahua). Contrastamos entre las vajillas que emplearon las personas con alto poder adquisitivo y los de uso entre el común de la gente, según los registros documentales y los contextos arqueológicos con diversas funciones y temporalidades registrados en el valle del Rí­o Sextí­n, Durango.   Palabras clave: Nueva Vizcaya, Camino Real, consumo cotidiano, haciendas, identidad Abstract   The residents along the Royal Road used material culture, including everyday life objects related to the preparation, storage and serving of foods, to construct and reaffirm aspects of their social identity and status. In this article, based on our research finished in 2013, we consider their consumption as reflected in 18th to 20th century documents and archaeological contexts from southern New Biscay (modern-day Durango and Chihuahua). We compare ceramic goods used by individuals with high economic standing with those employed by commoners, as registered in historical sources and data from archaeological sites with diverse functions and temporalities, recorded in the Sextí­n valley, Durango. Keywords: New Biscay, Royal Road, everyday life consumption, haciendas, identity

scholarly journals Elitism and Status: Reassessing Settlement Hierarchy in Early Medieval England

2020 ◽  
Vol 38 (2) ◽  
pp. 9-42
Author(s):  
Hana Lewis
Keyword(s):  
Material Culture ◽  
Hierarchical Model ◽  
Medieval England ◽  
Rural Settlements ◽  
Early Medieval ◽  
Social Functions ◽  
The Status ◽  
Source Of Information ◽  
Scholarly Attention

The complexities of identifying and understanding settlement hierarchy in early medieval England (c. 5th–11th centuries) is the focus of much debate. Within this field of enquiry, settlement arrangements, architecture, landholding patterns and material culture are commonly used in the identification of a range of settlement types. These include royal complexes, monastic institutions, towns and trading/production sites such as emporia. This same evidence is also used to interpret the status and role of these sites in early medieval England. This paper advances the current understanding of settlement hierarchy through an assessment of rural settlements and their material culture. These settlements have received comparatively less scholarly attention than higher profile early medieval sites such as elite, ecclesiastical and urban centres, yet represent a rich source of information. Through analysis of material culture as evidence for the consumption, economic and social functions which characterise rural settlements, a picture of what were inherently complex communities is presented. The findings further support the need to reassess settlement hierarchy in early medieval England and a new hierarchical model is proposed.  

scholarly journals Kreatywność za drutem kolczastym: archeologia i sztuka okopowa z pierwszowojennego obozu jenieckiego w Czersku (woj. pomorskie)

2019 ◽  
Vol 23 ◽  
pp. 105-136
Author(s):  
Dawid Kobiałka
Keyword(s):  
Material Culture ◽  
Historical Context ◽  
Archaeological Sites ◽  
Archaeological Research ◽  
Prisoner Of War ◽  
The Third ◽  
Anthropological Research ◽  
Special Category

This article discusses the results of archaeological and anthropological research concerning material remains of a prisoner of war camp in Czersk (Pomeranian province, Poland) (Kriegsgefangenenlager Czersk). In the first part, I sketch a broader historical context related to building and functioning of the camp in forests around Czersk between 1914–1919. After that, the role and meaning of  archaeological research on such type of archaeological sites are presented. In the third part, I focus on a very special category of the camp heritage which is called trench art. The last part of this paper is a case study where an assemblage of objects classified as trench art that was found at the camp is described and interpreted. This text aims at highlighting the value of such prisoners and camp’s heritage. Such material culture is a material memory of extraordinary prisoners’ creativity behind barbed wire. It makes one aware of how every piece of trash, rubbish was re-cycled during day-to-day life behind barbed wire.

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