scholarly journals ARTISTIC INTERPRETATION OF THE ROLE OF ISLAM IN THE NOVEL “A TEMPEST-TESTED FATE” BY FIYUZA GATAULLINA

Author(s):  
G.M. Nabiullina

In regard to the growing interest of the people in religion, the Bashkir literature is changing. Modern writers are passionate about finding new methods and ways to display the values of the Islamic religion. Among them is Fiyuza Gataullina, whose spiritual investigations are determined by ideological and aesthetic content of the works and are inextricably linked to the religious atmosphere of the last century. Life experience and knowledge of Islamic culture traditions helped the author to create an artwork from everyday scenes of people's life. The specificity of her style is expressed in epithets that reveal the spiritual state of the heroes of the story. In her opinion, people even with a traditional family structure can be deeply religious and give their children a religious education based on love. The writer considers religion as a part of the overall spiritual integrity, which becomes the main concept of her creative method. The skill of the author is revealed in the professional interpretation of the precepts of Islam. Her ability to express complex experiences and feelings of the characters through the elements of nature makes a strong impression. She helps the reader to realize the psychological and philosophical role of religion, awakening in man the hope for the future, testing him for morality. The tension and drama of the events are solved in an original way, with an attempt to focus the reader's attention on one of the pillars of Islam - the prayer, through which the character of the Muslim woman is revealed. Thus, the analysis of the novel By F. Gataullina helps to understand that dua, which has firmly entered the life of Muslims, has incredible powers and takes an important place in the religious system of people's views.

2021 ◽  
Vol 2021 (2) ◽  
pp. 156-165
Author(s):  
Gulnur M. Nabiullina

A comprehensive study of the historical novel by the Bashkir prose writer Nuguman Musin revealed the axiological aspect of the work. The author uses the motifs of the folklore heritage, introducing truly folk features into his work, developing the traditions of national artistic prose, enriching it with new spiritual content based on the Islamic religion. The compositional center of the novel is the image of Aldar Batyr, who embodies the strength of the heroic spirit of the people, inherited from their ancestors. The religiosity of the characters determines their humane attitude to nature, where the forest is designated as a spiritual principle and consolidates moral forces, thus, nature becomes the most important object of testing a person for morality, performing the role of «spiritual substance». Religious relations in the novel are transformed and acquire a new artistic function, opening up the possibility of a long-term vision of the traditions of Islam in an axiological perspective.


Author(s):  
A. Sh. Sharipov ◽  

This article analyzes the role and place of religion in Uzbek-Turkish relations. In both countries, the Sunni sect of Islam is predominant. In Uzbekistan, religion is separated from the state, and religious activity is fully controlled by the state. The ruling party in Turkey makes extensive use of Islamic elements in governing. Mirziyoyev's rise to power in Uzbekistan marked the beginning of religious cooperation. In Uzbekistan, where religious control has been strong for many years, various forms of religious education, such as Islamic finance and foundation work, have been inactive. Today, after Saudi Arabia and Iran, Turkey claims to be a leader in the Islamic world. The extent to which Turkey's experience in religion and state relations is relevant to Uzbekistan is important.


2002 ◽  
pp. 58-67
Author(s):  
Leonid Kondratyk

Olger Hippolyt Bochkovsky (1884-1939) is a prominent Ukrainian sociologist, publicist and political figure. The most important area of his studies is the process of creation in which he distinguishes between two stages - ethnogenesis and natiogenesis. The ethnogenetic process, according to O. Bochkovsky, lasted until the Great French Revolution. Its main result is the formation of the people as - ethnographic raw materials. Let us dwell on this in more detail.


Author(s):  
Aleksei V. Makarychev

The article is devoted to the study of the “Shakespearean text” by Yuri Dombrovsky from the standpoint of Bakhtin dialogism. Clarifies the concept of “Shakespearean text” refers to and analyzes “Shakespearean text” by Dombrovsky, including artistic works – a trilogy of novels about Shakespeare (“Dark Lady” “Second-highest quality bed”, “Royal Rescript”) and two chapters of the novel “Dark Lady” (“Queen” and “Count Essex”), originally entered into its composition, but later was published separately, as well as two scientific and critical articles – “‘RetlandBaconSouthamptonShakespeare’: about the myth, anti-myth and biographical hypothesis” and “To Italians about Shakespeare”. The study author states that “Shakespearean text” by Yuri Dombrovsky dominated themes of tyranny and government that does not want to hear the people, of censorship, depriving the artist’s freedom of expression and the role of the artist in an unfree society. Special attention is paid to the problem of interaction between Shakespeare and monologue-authoritarian society in the artistic world created by the writer. The author hypothesizes that in the trilogy of short stories about Shakespeare, Dombrovsky addressed such problems of the totalitarian regime as censorship, cruelty and despotism of power from a relatively “safe” distance – the age of Shakespeare. The author notes the presence of a special situation of double dialogue in “Shakespearean text” by Yuri Dombrovsky: the dialogue is conducted through the Shakespearean era with the contemporary writer’s reality, power and culture. The article proves the similarity of Dombrovsky as a biographical author with the Shakespeare he portrayed, and notes the presence of common features in both writers (sacralization of creativity, impulsive character, addiction to alcohol, epileptic seizures, etc.). The conducted research allows us to conclude that Dombrovsky, attempting a dialogue with the monologue-authoritarian power, finds a voice through art, like “his” Shakespeare. Dombrovsky connects the ways of solving the problem of the artist and power with art as the only way to build a dialogue in the conditions of totalitarianism – not so much with the authorities, who are not able to hear it, as with themselves.


Ars Aeterna ◽  
2020 ◽  
Vol 12 (2) ◽  
pp. 20-33
Author(s):  
Ammar A. Aqeeli

AbstractTim O’Brien’s Vietnam-based The Things They Carried has been criticized for exclusively depicting the painful and traumatic experiences of the American soldiers in the war zone. Despite the limited number of Vietnamese characters in the novel, and despite their relegation to the role of powerless and voiceless onlookers, their presence shows the degree of the power imbalance between Vietnam and America. This article demonstrates how O’Brien infused sentiments in his stories to emphasize his opposition to the war and his concern for the dignity of the Vietnamese people. O’Brien asserts that the main purpose of the United States’s invasion was to make Vietnam a learnable and controllable place. Through his critique of the United States’s imperial ambitions in Vietnam, O’Brien provides a representative voice for the people of Vietnam to share their sufferings from an unjust war.


Author(s):  
Victor Bassey Edet

Evolving discourses within the sphere of Christian experience and social development reveals that social transformation in the society cannot be separated from spiritual transformation. Religion as a social phenomenon has therefore become an acknowledged and strategic dimension in the development thinking and practice in contemporary society. But despite apparent contributions of religion to the development of many societies such as Nigeria, the role of religion, especially Christianity, has not been given due recognition in the history and development of a number of societies such as Ibesikpo Asutan of Akwa Ibom State. This study therefore examines the religious experience of the people towards development between 1912 when Christianity arrived and 2019. The method adopted for this work is the phenomenological and descriptive designs. Findings reveal that besides the consciousness of the transcendent and the question of God's existence, Christian missions in Ibesikpo Asutan have contributed immensely toward the development of the area.


2021 ◽  
pp. 155-177
Author(s):  
Sarah Mortimer

From the 1560s, tensions between Protestant and Catholics escalated and this was accompanied by a wave of writing on political and religious ideas, especially in France and the Netherlands. There was a renewed interest in the nature and origins of authority within the political sphere, particularly the importance of the ‘people’ and the ways in which their will could be both represented and controlled. This chapter considers some of the key texts of resistance theory written in the 1560s and 1570s, including Francogallia and the Vindiciae, Contra Tyrannos in France, and George Buchanan’s De Jure Regni apud Scotos in Scotland. Discussions of liberty and privileges in the Netherlands during the Dutch Revolt are also considered; here historically based arguments began to be supplemented by appeals to wider principles of morality and natural law. The election of Henry of Valois to the Polish throne provides one example of elective monarchy in practice. This chapter discusses the role of religion and of legal arguments in the development of resistance theories. It also highlights some of the practical and conceptual difficulties in appealing to popular sovereignty, especially in a period of deep confessional divisions, and shows how the authority of magistrates could be understood in different ways.


Author(s):  
Christina Phillips

This chapter introduces the topic of religion and literature, theorises the novel as a secular genre, and develops a concept of religion as the other in the Arabic novel. It begins with a discussion of the relationship between religion and literature, identifying imagination, metaphorical language and mythos as areas of overlap, before turning to the question of religion and the Arabic novel as a modern form which eschews faith and dogma but is nevertheless packed with religious themes, images, characters, language and intertextuality. This is accounted for by the form’s secularism, which is theorised in terms of Charles Taylor’s conditions of belief. Literary secularism is not static and stable however, thus religion emerges as the other in the Egyptian novel, with all the ambivalence which alterity characteristically entails. This religious other calls into question postcolonial studies’ over-valorisation of the East/West binary insofar as it has obscured the critical role of religion in Arab postcolonial literature and identity.


Author(s):  
Martin Kämpchen

The focus of this chapter is on a comparison of the two educational systems—one, Odenwaldschule–Ecole d’Humanité, and second, Rabindranath Tagore’s school in Santiniketan. For both, the most important underlying principle was freedom of the students to express and develop themselves. The similarities between the two systems are obvious: emphasis on a natural life, the role of religion, of asceticism, of music and singing, of co-education, of the ritualizing of daily life, and the reverence of the child’s personality. The idea of seva (social service) distinguished Tagore’s school. The importance of manual work and of the crafts has an important place in Geheeb’s school, but not so much in Santiniketan.


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