THE USE OF ZOONYMS AS EMOTIONALLY-ATTITUDINAL UNITS FOR THE PEOPLE’S DESCRIPTION IN AFRO-AMERICAN CULTURE (based on the novel «Sula» by T. Morrison)

Author(s):  
Valentina Stepanova

The amount of linguistic research, dedicated to the study of lexical units based on the names of animal world’s representatives, grows every year. One of the reasons for this particular interest lies in the lack of sufficient theoretical base which could enable scientists to systematize the necessary cultural and sociolinguistic data. Researchers consider animals’ names in searching for the cultural code of a definite ethnic group, as well as pointing out specifics of the figurative component of thematic groups included in zoonyms. This approach allows them to examine those additional meanings that a certain lexical unit acquires within the stated national culture. The consideration of the corresponding units in the context of African-American writers’ works is of great interest within the originality of the plots themselves, as well as the folkloristic and mythological background found in the majority of the constructions with the zoonym element. The novel «Sula» by an outstanding writer Tony Morrison is one of these works. The writer’s texts are based on unique cultural and historical experience of African-Americans, specifics of their self-knowledge with an inherent belief in magic and myth. This article examines the termbase used for the analysis of zoonymocontaining lexical units. The most frequent nominations used for the evaluation of human characteristics and actions are demonstrated and described on the basis of the selected examples. Three categories of nomination (age, behavior, appearance) are considered in greater detail. The author of the article makes a conclusion about the frequency of the constructions with negative, neutral and positive connotations within the stated groups, as well as their usage for the description of a person's preferred and criticized qualities.

Author(s):  
Vicent Cucarella-Ramon

Jesmyn Ward’s second novel, Salvage the Bones (2011), offers a literary account of an African American family in dire poverty struggling to weather the horrors of Hurricane Katrina on the outskirts of Bois Sauvage, Mississippi. This article focuses on the novel’s ‘ideology of form’, which is premised on biblical models of narration —grounded on a literary transposition of The Book of Deuteronomy— that serves to portray the victimization of African Americans in mythical tones to evoke the country’s failed covenant between God and his chosen people. It also brings into focus the affective bonds of unity and communal healing relying on the idiosyncratic tenet of home understood as national space— following Winthrop’s foundational ideology. As I will argue, the novel contends that the revamped concept of communal home and familial bonds —echoing Winthrop’s emblem of national belonging— recasts the trope of biblical refuge as a potential tenet to foster selfassertion and to rethink the limits of belonging and acceptance.


InNavis, an excerpt from the novel The Queen of Palmyra byMinroseGwin, Florence, a young White girl glimpses the racial tensions in her small town of Millville in a subtle but significant interaction between her Mama and the customers of her cake business. Mama's insistence on referring to African-Americans as "Negroes" (a more respectful address, according to Mama's African-American acquaintances) instead of "colored" upsets some of her "Cake Ladies," as Florence calls them, but Mama is supported by her friend,Navis. When Florence asks whether Mama plans to make Florence's father say it, too, Mama slaps her and sends her to her room. Later, Florence sees her mother's upset reaction but doesn't quite understand it fully.


Author(s):  
Koritha Mitchell

This book demonstrates that popular lynching plays were mechanisms through which African American communities survived actual and photographic mob violence. Often available in periodicals, lynching plays were read aloud or acted out by black church members, schoolchildren, and families. This book shows that these community performances and readings presented victims as honorable heads of households being torn from model domestic units by white violence, counter to the dominant discourses that depicted lynching victims as isolated brutes. Examining lynching plays as archival texts that embody broad networks of sociocultural exchange in the lives of black Americans, the author finds that audiences were rehearsing and improvising new ways of enduring in the face of widespread racial terrorism. Images of the black soldier, lawyer, mother, and wife helped readers assure each other that they were upstanding individuals who deserved the right to participate in national culture and politics. These powerful community coping efforts helped African Americans band together and withstand the nation's rejection of them as viable citizens.


Author(s):  
Leah Wright Rigueur

This chapter studies how, as the 1970s progressed, black Republicans were able to claim clear victories in their march toward equality: the expansion of the National Black Republican Council (NBRC); the incorporation of African Americans into the Republican National Committee (RNC) hierarchy; scores of black Republicans integrating state and local party hierarchies; and individual examples of black Republican success. African American party leaders could even point to their ability to forge a consensus voice among the disparate political ideas of black Republicans. Despite their ideological differences, they collectively rejected white hierarchies of power, demanding change for blacks both within the Grand Old Party (GOP) and throughout the country. Nevertheless, black Republicans quickly realized that their strategy did not reform the party institution.


2020 ◽  
Vol 47 (3) ◽  
pp. 66-84
Author(s):  
Betty Wilson ◽  
Terry A. Wolfer

In the last decade, there have been a shocking number of police killings of unarmed African Americans, and advancements in technology have made these incidents more visible to the general public. The increasing public awareness of police brutality in African American communities creates a critical and urgent need to understand and improve police-community relationships. Congregational social workers (and other social workers who are part of religious congregations) have a potentially significant role in addressing the problem of police brutality. This manuscript explores and describes possible contributions by social workers, with differential consideration for those in predominantly Black or White congregations.


Author(s):  
Richard Archer

Except in parts of Rhode Island and Connecticut, slavery was a peripheral institution, and throughout New England during and after the Revolution there was widespread support to emancipate slaves. Some of the states enacted emancipation laws that theoretically allowed slavery to continue almost indefinitely, and slavery remained on the books as late as 1857 in New Hampshire. Although the laws gradually abolished slavery and although the pace was painfully slow for those still enslaved, the predominant dynamic for New England society was the sudden emergence of a substantial, free African American population. What developed was an even more virulent racism and a Jim Crow environment. The last part of the chapter is an analysis of where African Americans lived as of 1830 and the connection between racism and concentrations of people of African descent.


Author(s):  
William L. Andrews

In this study of an entire generation of slave narrators, more than sixty mid-nineteenth-century narratives reveal how work, family, skills, and connections made for social and economic differences among the enslaved of the South. Slavery and Class in the American South explains why social and economic distinctions developed and how they functioned among the enslaved. Andrews also reveals how class awareness shaped the views and values of some of the most celebrated African Americans of the nineteenth century. Slave narrators discerned class-based reasons for violence between “impudent,” “gentleman,” and “lady” slaves and their resentful “mean masters.” Status and class played key roles in the lives and liberation of the most celebrated fugitives from US slavery, such as Frederick Douglass, Harriet Jacobs, William Wells Brown, and William and Ellen Craft. By examining the lives of the most- and least-acclaimed heroes and heroines of the African American slave narrative, Andrews shows how the dividing edge of social class cut two ways, sometimes separating upper and lower strata of slaves to their enslavers’ advantage, but at other times fueling convictions among even the most privileged of the enslaved that they deserved nothing less than complete freedom.


Author(s):  
Nicholas Wolterstorff

The chapter begins by briefly taking note of various ways in which Christian liturgical enactments are related to the doing of justice. Attention then turns to the fact that at the heart of the biblical story is an appalling case of the perversion of justice. Christians worship one who was unjustly crucified. The chapter employs The Cross and the Lynching Tree, by the African-American theologian James Cone, to bring to light some of the implications of this fact. Cone notes that Christ’s crucifixion is central in African-American preaching and hymnody, and that the pain and injustice of the crucifixion are highlighted rather than concealed because African-Americans identify with Jesus in his pain and as a victim of injustice. After noting that the pain and injustice of Christ’s crucifixion are veiled in most liturgies, the chapter concludes by asking whether they should not instead be highlighted.


Author(s):  
Anthony B. Pinn

This chapter explores the history of humanism within African American communities. It positions humanist thinking and humanism-inspired activism as a significant way in which people of African descent in the United States have addressed issues of racial injustice. Beginning with critiques of theism found within the blues, moving through developments such as the literature produced by Richard Wright, Lorraine Hansberry, and others, to political activists such as W. E. B. DuBois and A. Philip Randolph, to organized humanism in the form of African American involvement in the Unitarian Universalist Association, African Americans for Humanism, and so on, this chapter presents the historical and institutional development of African American humanism.


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