scholarly journals Digital Representation of a Conceptual Leather Puppet Character using Holographic Prism Glass

2020 ◽  
Vol 2 (1) ◽  
pp. 38
Author(s):  
M Wahyuni ◽  
M A Ayu ◽  
R Anhas ◽  
C H Pangaribuan
Keyword(s):  
Cultural Heritage ◽  
Qualitative Method ◽  
Young Generation ◽  
Digital Representation ◽  
Language Complexity ◽  
Detailed Explanation ◽  
Alternative Method ◽  
Long Duration ◽  
Key Concepts ◽  
Modern Era

Leather shadow puppet performances are slowly becoming iso-lated. They are no longer attracting the young generation to-wards its long duration and language complexity, inclusive of its incomprehensible storytelling and characters. To address this gap, this research utilized a descriptive qualitative method and mind map to transcribe and describe key concepts of both rede-signing and avatar creation of leather shadow puppet character. The purpose of this study was to explore an alternative method in representing leather puppet performance by implementing a holographic prism glass technique. The digital representation of a leather puppet through a holographic prism glass medium is a manifestation of appreciating Indonesian cultural artwork in the modern era. The contribution of this study is to provide a more detailed explanation of a new manner in exploring and preserving the narrative and figure of the cultural heritage.

scholarly journals TRADISI PADA RUMAH ADAT SUKU NGALUM OK DI ERA MODERNISASI (The Traditional House of Ngalum Ok Tribe in Modern Era)

2019 ◽  
Vol 3 (2) ◽  
pp. 187
Author(s):  
V. F. Agung Langgeng Prasetyo
Keyword(s):  
Cultural Heritage ◽  
Cultural Values ◽  
Qualitative Method ◽  
Future Generations ◽  
Form Function ◽  
Modern Era

Ngalum Ok is one among a large number of tribes in Indonesia. It is one of the major tribes in Papua and its members are those who inhabit Oksibil valley in Pegunungan Bintang Regency of Papua Province. The cultural values of this tribe are reflected in the form, function, and meaning of its traditional house architecture. In response to current developments that incline to modernization, attempts should be made to protect architecture of traditional house of Ngalum Ok Tribe, which is a cultural heritage for the present and future generations. To provide a coherent and complete macro and micro description about the traditional house of Ngalum Ok Tribe, a qualitative method with a descriptive structuralism approach is used. As the result indicates, this study has presented a clear and thorough description of form, function, and meaning of the traditional house of Ngalum Ok Tribe, which is a cultural heritage in this modern era for the present and future generations.

scholarly journals TRADISI PADA RUMAH ADAT SUKU NGALUM OK DI ERA MODERNISASI (The Traditional House of Ngalum Ok Tribe in Modern Era)

2019 ◽  
Author(s):  
Arteks Jurnal Teknik Arsitektur
Keyword(s):  
Cultural Heritage ◽  
Cultural Values ◽  
Qualitative Method ◽  
Future Generations ◽  
Form Function ◽  
Modern Era

Ngalum Ok is one among a large number of tribes in Indonesia. It is one of the major tribes in Papua and its members are those who inhabit Oksibil valley in Pegunungan Bintang Regency of Papua Province. The cultural values of this tribe are reflected in the form, function, and meaning of its traditional house architecture. In response to current developments that incline to modernization, attempts should be made to protect architecture of traditional house of Ngalum Ok Tribe, which is a cultural heritage for the present and future generations. To provide a coherent and complete macro and micro description about the traditional house of Ngalum Ok Tribe, a qualitative method with a descriptive structuralism approach is used. As the result indicates, this study has presented a clear and thorough description of form, function, and meaning of the traditional house of Ngalum Ok Tribe, which is a cultural heritage in this modern era for the present and future generations.

scholarly journals The Traditional House of Ngalum Ok Tribe in Modern Era

2019 ◽  
Vol 3 (2) ◽  
pp. 187-198
Author(s):  
V. F. Agung Langgeng Prasetyo
Keyword(s):  
Cultural Heritage ◽  
Cultural Values ◽  
Qualitative Method ◽  
Future Generations ◽  
Form Function ◽  
Modern Era

Ngalum Ok is one among a large number of tribes in Indonesia. It is one of the major tribes in Papua and its members are those who inhabit Oksibil valley in Pegunungan Bintang Regency of Papua Province. The cultural values of this tribe are reflected in the form, function, and meaning of its traditional house architecture. In response to current developments that incline to modernization, attempts should be made to protect architecture of traditional house of Ngalum Ok Tribe, which is a cultural heritage for the present and future generations. To provide a coherent and complete macro and micro description about the traditional house of Ngalum Ok Tribe, a qualitative method with a descriptive structuralism approach is used. As the result indicates, this study has presented a clear and thorough description of form, function, and meaning of the traditional house of Ngalum Ok Tribe, which is a cultural heritage in this modern era for the present and future generations.

scholarly journals The role of cultural industries in modern cultural life of the region (on the example of N. D. Neustroev's comedy “Tieteybit”)

2021 ◽  
pp. 47-52
Author(s):  
Nurgun Vyacheslavovich Afanasev ◽  
Ul'yana Valer'evna Titova
Keyword(s):  
Cultural Heritage ◽  
Social Life ◽  
Creative Industries ◽  
Creative Industry ◽  
Young Generation ◽  
Regional Culture ◽  
Classical Literature ◽  
Cultural Life ◽  
The Impact

The object of this research is the role of the comedy “Tieteybit” by N. D. Neustroev in cultural life of the Sakha Republic (Yakutia). The subject is the impact of modern creative industries upon cultural life of the region. On the example of Nikolay Denisovich Neustroev's comedy play “Tieteybit”, the authors examine the use of creative approaches towards preservation and popularization of cultural heritage of the Sakha people. It is noted that over the recent years, a major event in the development of spiritual culture and cultural life of the region overall has become the innovations introduced by the contemporaries in staging the Yakut comedies. Motifs of the comedy “Tieteybit” served as the prototype for staging the the first Yakut musical comedy, and even a film. A survey was conducted touching upon the following questions: are the innovations introduced in culture in form of a screen version of classical literature with the elements of innovation encourage the young generation to studying the Yakut cultural heritage?; what is the relevance of the work by N. D. Neustroev “Tieteybit”? The conclusions is made that in the XXI century, N. D. Neustroev's comedy “Tieteybit” has become one of the basics for the development of creative industry of the region. As an instrument for the development of regional culture, creative industry may play the strongest and highly effective role in the development of social life of the region.

scholarly journals Designing Wayang Kulit Purwa with Gatotkaca as the Character in Game

2021 ◽  
Vol 2 (1) ◽  
Author(s):  
Nunnun Bonafix
Keyword(s):  
Digital Media ◽  
Rapid Development ◽  
Modern Society ◽  
Young Generation ◽  
Experience Design ◽  
Solid Foundation ◽  
The Times ◽  
Wayang Kulit ◽  
The Impact ◽  
Modern Era

Young generation nowadays has lack of knowledge on the culture of shadow puppet (wayang kulit) which is a heritage that has a high value of art and philosophy. This is caused by the impact of foreign cultures rapidly entering Indonesia. The rapid development of the information technology through internet & game has led to globalization that seems to be not limited to space and time. The speed of information and foreign cultures cannot be stopped. The culture of shadow puppet (wayang kulit) is getting eroded and is not much known by the modern society nowadays. This is an irony to a big nation which has a rich heritage, so it is our obligation as a citizen to maintain and preserve it. Based on the formulae of AIGA 2015 that defines (time + content + context) / time = experience design, the game of wayang kulit (shadow puppet) Gatotkaca put forbattled different experience to users in exploring the information and entertainment in those media. Having the spirit of moderate Postmodernism, the design plan called User Interface which combines the modern and classic traditional elements will encourage new experience to the users (Experience Design). The design recognizes times and trends, and it keeps changing as the development of the times. The design can be a pace setter to next individuals who are called to maintain and preserve national cultures, in general, and wayang kulit purwa, in particular, through digital media. The development in the modern era will not change the identity of shadow puppet (wayang kulit) culture since it has solid foundation.

scholarly journals The tourism industry and solving the problems of patriotic education for the young generation

2021 ◽  
Vol 9 (SPE3) ◽  
Author(s):  
Fadbir Magusovich Safin ◽  
Rafael Mirgasimoviz Valeev
Keyword(s):  
Cultural Heritage ◽  
Cultural Values ◽  
Tourism Development ◽  
Tourism Industry ◽  
Young Generation ◽  
Current State ◽  
The Social ◽  
Patriotic Education ◽  
Tourist Demand

The analysis of the current state and development of social tourism in Russia indicates the need for further research into its content and forms, aimed at introducing the historical and cultural values of our citizens, organizing their active and wholesome recreation, solving the problems of patriotic education for the country's younger generation. The paper discusses some issues of social tourism development in Russia, the role of social tourism in the preservation and development of historical and cultural heritage focuses on the need to develop measures to stimulate tourist demand, strengthen the social component of tourism in the country

scholarly journals Arqueologia marítima em Cabo Verde: enquadramento e primeiros resultados do projecto CONCHA

2020 ◽  
pp. 2071-2084
Author(s):  
José Bettencourt ◽  
Adilson Dias ◽  
Carlos Lima ◽  
Christelle Chouzenoux ◽  
Cristovão Fonseca ◽  
...  
Keyword(s):  
Cultural Heritage ◽  
Archaeological Site ◽  
17Th Century ◽  
Cape Verde ◽  
Port Cities ◽  
Archaeological Materials ◽  
Training Activities ◽  
Early Modern Era ◽  
Modern Era ◽  
And Training

Among the partners of the UNESCO Chair The Ocean’s Cultural Heritage are CHAM and IPC (Cape Verde) which defined as essential action the underwater archaeological site inventory of that archipelago. This action started in 2018 as part of the European project CONCHA, that aims to address the different ways that port cities developed around the Atlantic during the early modern era. CONCHA’s surveys were conducted on the island of Santiago, in Ribeira Grande anchorage, in São Francisco (17th century) and in Urânia shipwrecks (1809). The project included the underwater survey, a review of the documentation and of the archaeological materials, recovered from the sites, at the Museum of Archaeology in Praia. Dissemination and training activities were also carried out. This paper systematizes the results of these works.

scholarly journals A Review on Historical Earth Pigments Used in India’s Wall Paintings

Heritage ◽  
2021 ◽  
Vol 4 (3) ◽  
pp. 1970-1994
Author(s):  
Anjali Sharma ◽  
Manager Rajdeo Singh
Keyword(s):  
Cultural Heritage ◽  
Analytical Techniques ◽  
Present Knowledge ◽  
Wall Paintings ◽  
Material Sources ◽  
Technical Details ◽  
Indian Painting ◽  
Modern Era

Iron-containing earth minerals of various hues were the earliest pigments of the prehistoric artists who dwelled in caves. Being a prominent part of human expression through art, nature-derived pigments have been used in continuum through ages until now. Studies reveal that the primitive artist stored or used his pigments as color cakes made out of skin or reeds. Although records to help understand the technical details of Indian painting in the early periodare scanty, there is a certain amount of material from which some idea may be gained regarding the methods used by the artists to obtain their results. Considering Indian wall paintings, the most widely used earth pigments include red, yellow, and green ochres, making it fairly easy for the modern era scientific conservators and researchers to study them. The present knowledge on material sources given in the literature is limited and deficient as of now, hence the present work attempts to elucidate the range of earth pigments encountered in Indian wall paintings and the scientific studies and characterization by analytical techniques that form the knowledge background on the topic. Studies leadingto well-founded knowledge on pigments can contribute towards the safeguarding of Indian cultural heritage as well as spread awareness among conservators, restorers, and scholars.

Digital Representation of Cultural Heritage and Coffee Culture by Chinese Indonesian And Malaysian Coffee Brands

2021 ◽  
Vol 12 (1) ◽  
pp. 9-9
Author(s):  
Wang Changsong ◽  
Ahadzadeh Ashrafsadat ◽  
Taufiqur Rahman ◽  
Ayu Amalia ◽  
Erwan Sudiwijaya
Keyword(s):  
Political Economy ◽  
Cultural Heritage ◽  
Upward Mobility ◽  
Coffee Consumption ◽  
New Technique ◽  
Digital Representation ◽  
Material Substance ◽  
Symbolic Meanings ◽  
Global Connections ◽  
Digital Formats

Coffee is called Kopi in both Indonesia and Malaysia. It was said to be introduced to these two countries during the period of colonisation. Various studies (i.e., Robelt McStocker, 1987; Jeff Neilson & Felicity Shonk, 2014; Cheryl Chang & Ian McGonigle, 2020) have discussed the coffee industries, coffee consumption and political economy of livelihood opportunities in these coffee-producing regions. In her book titled, "Coffee Culture: Local Experiences, Global Connections", Tucker (2010) asserts that "coffee is a material substance, but culture infuses with social and symbolic meanings" (p. 6). Both Indonesia and Malaysia demonstrate their own patterns of appreciation on coffee culture and cultural heritage in digital formats in a modern setting. According to Jambunathan (2019), upward mobility in coffee-business families in these regions is playing a role, as well-educated younger generations have successfully propelled new technique and advance application on numerous aspects of coffee business. Keywords: Website Communication, Coffee Culture, Cultural Heritage, Indonesia, Malaysia

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