scholarly journals Mulheres na ciência: um estudo da presença feminina no contexto internacional

Author(s):  
Josefa Martins da Conceição ◽  
Maria Do Rocio Fontoura Teixeira

Resumo: Este artigo apresenta um levantamento do estado da arte da presença das mulheres na ciência e tem como objetivo resgatar suas participações no âmbito internacional, durante o período de 2007 a 2017. O estudo usou como metodologia artigos em formato digital, que puderam ser recuperados via internet, e livros eletrônicos e impressos. Foram utilizadas como expressões de busca “mulheres na ciência”, “mulher e ciência”, “mulheres cientistas”, “gênero e ciência”, “woman and science”; “women scientist”; “gender in science”, “femme et sciencia”, “mujeres y ciência”, “mujeres cientistas” e “genre y ciência”. Como fonte de coleta, foram utilizados dados das Bases Scopus, Jstor, Persée, Scielo, Scielo Livros e ProQuest Ebook Central. A partir do contexto histórico do tema, das leituras e análises realizadas, é possível afirmar que, apesar dos avanços do acesso à educação, da inserção das mulheres no espaço público e na ciência, os estudos ainda comprovam que - a despeito da crescente visibilidade do gênero feminino na ciência em algumas áreas, como a das ciências duras -, há uma forte resistência e luta para a conquista do espaço das mulheres na carreira científica.Palavras-Chave: Mulheres na ciência. Mulheres cientistas. Gênero na ciência. Estado da arte.  WOMEN IN SCIENCE: A STUDY OF WOMEN'S PRESENCE IN THE INTERNATIONAL CONTEXT Abstract: This article consists of the state of the art of women in science and aims to recover the presence and participation of women in the international scope during the period from 2007 to 2017. From the historical context of the theme, from the readings and analyzes carried out, it is possible affirm that, despite advances in access to education, women's inclusion in public space and science, studies still prove that - despite the increasing visibility of women in science in some areas, such as hard sciences - there is a strong resistance and struggle for the conquest of women's space in scientific careers.Keywords: Women in science. Women scientists. Gender in science. State of art. 

Author(s):  
Muyassarzoda Fayzieva

The participation and interest of women toward science are increasing gradually in the globe but if compare with general amount of scientists in the world with the number of women scientists; it will be clear that it is not a satisfactory result. This thesis is based on secondary data and author’s private minds about the role of human capital in the participation of women in science. The development of science among women and women scientists is achieved through the support by society and its participants.


2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Jung Sun Kim

Abstract Despite the efforts of the Korean government to implement gender mainstreaming in Science, Technology, Engineering and Mathematics (STEM), the gender gap remains intact. The low rank of Gender Gap Indices (GGI) of Korea is mainly due to the low economic participation of women, especially in STEM. However, Korea has been steadily advancing in terms of government policies for women in STEM. The enactment of the law on fostering and supporting women in science and technology in 2002 is attributed to the collective efforts of women scientists and engineers through a women in STEM organization. The next task for women’s networks would be to identify the barriers of gender disparities by gathering the voices of women in STEM.


This volume addresses the relationship between archaeologists and the dead, through the many dimensions of their relationships: in the field (through practical and legal issues), in the lab (through their analysis and interpretation), and in their written, visual and exhibitionary practice--disseminated to a variety of academic and public audiences. Written from a variety of perspectives, its authors address the experience, effect, ethical considerations, and cultural politics of working with mortuary archaeology. Whilst some papers reflect institutional or organizational approaches, others are more personal in their view: creating exciting and frank insights into contemporary issues that have hitherto often remained "unspoken" among the discipline. Reframing funerary archaeologists as "death-workers" of a kind, the contributors reflect on their own experience to provide both guidance and inspiration to future practitioners, arguing strongly that we have a central role to play in engaging the public with themes of mortality and commemoration, through the lens of the past. Spurred by the recent debates in the UK, papers from Scandinavia, Austria, Italy, the US, and the mid-Atlantic, frame these issues within a much wider international context that highlights the importance of cultural and historical context in which this work takes place.


2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Catherine Jami

Abstract In recent decades research in the social sciences, including in the history of science, has shown that women scientists continue to be depicted as exceptions to the rule that a normal scientist is a man. The underlying message is that being an outstanding scientist is incompatible with being an ordinary woman. From women scientists’ reported experiences, we learn that family responsibilities as well as sexism in their working environment are two major hindrances to their careers. This experience is now backed by statistical analysis, so that what used to be regarded as an individual problem for each woman of science can now be identified as a multi-layered social phenomenon, to be analysed and remedied as such. Over the last five years, international scientific unions have come together to address these issues, first through the Gender Gap in Science Project, and recently through the setting up of a Standing Committee for Gender Equality in Science (SCGES) whose task is to foster measures to reduce the barriers that women scientists have to surmount in their working lives.


2021 ◽  
Vol 10 (1) ◽  
pp. 15-40
Author(s):  
Archana Prasad

This article explores some questions arising from recent debates on patriarchy and capitalism. The focus is on the role of women in communist-led peasant movements in India and the implications of such struggles on the project of women’s emancipation. The first section lays out a framework for discussing the interface between class consciousness and the anti-patriarchal project, whereby patriarchy is located within the structural contradictions arising out of the contestations within the process of accumulation. The second section documents the historical context, focusing on the relationship between land reforms and social transformation in semi-feudal and early capitalist contexts, and analyzes the extent to which communist-led struggles are anti-patriarchal in character. The third section turns to the participation of women in the contemporary struggles of both agricultural workers and peasant movements and underlines the new emerging dialectics between women’s and peasant organizations under a neoliberal state and with deepening agrarian distress.


2019 ◽  
pp. 29-32
Author(s):  
Ф. Хамдамова

The article is devoted to the issues of expanding opportunities for women in the field of science, especially in the field of technical and natural sciences, support for women scientists and researchers. The author considers the experience of foreign countries and the recommendations of international bodies, on the basis of which makes a number of proposals for the advancement of women in science.


2020 ◽  
Vol 15 (2) ◽  
pp. 1-5
Author(s):  
Olivier André Bonnaud

The engineering sciences, and more particularly microelectronics, are a field where the presence of women is very low, although they should logically account for half of the staff. The electronic and microelectronics sector is growing rapidly due to the development of the Internet and connected objects more generally known as the digital society. Industrialists in the field are lacking in skills and have a large number of job vacancies which are difficult to fill. These jobs cover almost all the professional facets that are entitled " Skilled manpower shortage". The arrival in this sector of a large number of female candidates could reduce this deficit and increase the sector's capacity for innovation through their difference of appreciation on many societal aspects. This paper discusses and analyses the presence of French young women in science studies from secondary school to doctorate level by linking this behavior to societal aspects. It then proposes approaches that are currently being carried out by the national academic network at the French level with the profession in the context of the implementation of an electronic sector by the government. These approaches aim to limit the loss of female candidates to other fields and to increase the attractiveness for young girls.


2020 ◽  
Vol 9 (3) ◽  
pp. 155-170 ◽  
Author(s):  
Elesa Huibregtse

On 25 October 1993, British artist Rachel Whiteread revealed her most ambitious sculptural work to date – House. The solidified space of this Victorian-era, terraced home physically existed for a mere 80 days; yet, during this time it became the subject of an intense media interest and heated public debate which reached the United Kingdom’s Houses of Parliament. While House has been discussed in depth within art historical scholarship for almost 30 years, trends in this academic body of work tend to focus on absence and memory in a highly contested public space, as well as thoughts on loss, death, architecture, the art market, politics and gentrification in London’s East End during the latter part of the twentieth century. What is lacking, however, is an examination of House within the larger context of visual culture and what it may, or may not, mean for contemporary viewers. Analysing the historical context of the work’s location through a Marxist lens, reveals the dehumanization which occurred within the East End’s class constructs throughout the nineteenth century, and its effect on housing policies well into the twentieth century. Reading the sculptural work itself, using the methodologies of semiotics, unveils mythologies regarding what is and is not expendable in our western spaces; particularly, the working class, houses and works of art in post-industrial capitalist societies. The ideologies embedded within these mythologies continue to appear in our mass media images to this day, leaving unanswered questions regarding what is truly valued in our societies. Thus, Whiteread’s unique work is an artistic intervention into an image-saturated environment, asking the viewers and readers of cultural texts to consider at what point in time we will seek to change how we treat that which has been arguably undervalued.


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