scholarly journals TRANSFORMASI VISUALISASI GAMBAR ILUSTRASI : pada Naskah Jawa Periode 1800-1920, Sebagai Refleksi Gejala Sosial-Budaya Masyarakat Jawa

2014 ◽  
Vol 1 (1) ◽  
pp. 74-83
Author(s):  
Nuning Damayanti Adisasmito
Keyword(s):  
Social Life ◽  
Visual Image ◽  
Visual Language ◽  
Colonial Period ◽  
Visual Object ◽  
Two Dimensional ◽  
The Past ◽  
Local Characteristics ◽  
Varied Range ◽  
Over Time

The tradition of writing and drawing illustrations found in old manuscripts in various ethnic In- donesia, especially on Java community. Most Old Javanese manuscript contains illustrations that unique and local characteristics of Javanese art. Illustration of the ancient Javanese manuscripts are well documented and have a varied range of visual form, unique in styling, how to draw, the theme, as well as a visual object. Visual image is an illustration concept frameworks Java community, as well as a reflection of social life - Javanese culture Colonial period.   Illustration on Java Script period 1800-1920 as an aesthetic concept attainment the expression symbol of the Java community. The illustrations in old Javanese manuscripts in 1800-1920 showed a correlation sustainability of such visual language in the era of the past to the present and into the characteristics of Java illustration style, which is the development over time. Illustration of the old Javanese manuscript in the year 1800-1920 has changed and developed its visual state as the interaction between the animism in the Pre-Hinduism era, cultural of Hinduism-Budhism, Islamic and Colonialism paradigms.   Of  all these characteristics into the connecting thread is narrative, symbolic and simplification form of the nature (stylized), two-dimensional shapes and stylized concepts wayang.   Keywords: illustration, illustration tradition, colonialism 1800-1920, Java script, stylized

Conclusion

2019 ◽  
pp. 213-216
Author(s):  
Paul Robinson
Keyword(s):  
Economic Development ◽  
National Identity ◽  
Social Life ◽  
Social Stability ◽  
Abstract Theory ◽  
The Past ◽  
Over Time

This concluding chapter argues that Russian conservatism is a response to the pressures of modernization and Westernization and, more recently, globalization. For the past two centuries, conservatives have sought to adapt to these pressures while preserving national identity and political and social stability. Although the specific policies being proposed have changed over time, conservatism's approach to change has remained consistent. In this way, Russian conservatism today evinces a clear continuity with Russian conservatism of the past. In particular, Russian conservatives have continually proposed forms of cultural, political, and economic development that are seen as building on existing traditions, identity, and forms of government and economic and social life, rather than being imposed on the basis of abstract theory and foreign models.

VI Images

2010 ◽  
Vol 40 ◽  
pp. 124-149
Author(s):  
Brian A. Sparkes
Keyword(s):  
Social Life ◽  
Visual Language ◽  
Public Performance ◽  
Human Form ◽  
Daily Lives ◽  
Funerary Monuments ◽  
The Past ◽  
The Social ◽  
The Look ◽  
Greek World

As we have seen in previous chapters, throughout the Greek world, in cities, cemeteries, and sanctuaries, images, usually of figures in human form, were omnipresent, shaped at full and small size in wood, stone, and bronze, painted on panels and walls, and chosen as decoration for metal and clay vessels, for textiles, for jewellery and gems, for bone and ivory objects, and so on. Such images were constantly before the eyes of the men and women as they went about their daily lives. They acted as a visual language that was parallel to the oral versions in talk, recitation, songs, and plays. It is unlikely that the general public gave much thought to the men who made the images and gradually changed the look of the statues seen in the street, the reliefs that adorned the temples in the sanctuaries, the funerary monuments in the cemeteries, or the painted objects handled at home and elsewhere. They would have scanned the images for their content – figures created in their imagination or stories conjured up from the past that they had heard in public performance or private conversation, as well as scenes that related to the social life of their own day.

Projective Visualization

2016 ◽  
pp. 274-289
Author(s):  
Luigi Cocchiarella
Keyword(s):  
Product Design ◽  
Visual Language ◽  
Design Development ◽  
150Th Anniversary ◽  
Architectural Engineering ◽  
The Past ◽  
Science And Art ◽  
Over Time

We will basically deal with three issues. Firstly, talking about visualization in relation to Design seems to be matter of the present era while talking about projection mostly pushes our feelings back to the past, despite even advanced digital visualizations are projection-based, or better, they are projective visualizations. Secondarily, these projective visualizations are not only mere supports to show design results but, mainly, they are irreplaceable thinking-and-operational tools for design development. Third, given their semantic wideness, these visualizations work as very customized tools in the various branches of Architectural, Engineering, or Product Design and so forth, as we also discussed in a cycle of seminars on The Visual Language of Technique Between Science and Art organized by the author during the celebrations of the 150th anniversary of Politecnico di Milano (Cocchiarella, 2015). Last, in order to connect the abovementioned issues we will remark the combined power of Geometry and Graphics, friendly called The Ghost and The Ghost-Buster and their roles over time.

scholarly journals Perancangan Ornamen "Harini" Melalui Kajian Visual Relief Latitavistara pada Candi Borobudur

Humaniora ◽  
2014 ◽  
Vol 5 (2) ◽  
pp. 1087
Author(s):  
Noor Latif CM
Keyword(s):  
Cultural Heritage ◽  
Visual Language ◽  
Visual Design ◽  
Visual Object ◽  
Religious Philosophy ◽  
Visual Appearance ◽  
The Past ◽  
Visual Elements ◽  
Local Product ◽  
Cultural Relics

Indonesia has many ornaments given that various cultures born in this archipelago. Variety of ornaments that characterizes a region refers to such cultural relics from the past. Excavation of the ornaments through the relics of the past with a rich in visual such as Borobudur may lead to the birth of the spirit of love of local product which is based on culture and tradition. Latitavistara relief which is part of the past Buddhist fragment became the main object in extracting visual object to bear a new visual language in the form of ornaments. The design of the ornament with a new visual appearance only used the visual elements of the flora in Latitavistara relief classified according to its clump type. The method used in this visual design referred to the simplification of the form leading to the symbolization inherent to the religious philosophy of Borobudur. Division levels in the pursuit of perfection contained in Borobudur were basis for determining the variations of ornament design generated. The results of this ornament design are expected to be applied into other visual disciplines which is not always be just a mere craft product. The spirit of recycling cultural heritage and traditions of the past to be a creative product with modern innovation becomes inseparable part of this design. 

scholarly journals Death over time: brief notes about death and dying in the West

2014 ◽  
Vol 31 (3) ◽  
pp. 437-449
Author(s):  
Rosangela Werlang ◽  
Jussara Maria Rosa Mendes
Keyword(s):  
Social Life ◽  
Death And Dying ◽  
Necessary Condition ◽  
The West ◽  
Daily Lives ◽  
The Past ◽  
The People ◽  
The Social ◽  
Over Time ◽  
Human Finitude

This literature review deals with death and the changes in its concept and meanings over time, aiming to relate this to the different social organizations and issues that involve individuality and human finitude. It intends to arouse the reflection about this theme respected by all of us, and related to our own contingency. In this sense, the article provides several perspectives through different authors' voices, seeking to understand how we arrived at this contemporary stage where death must be forgotten at any cost. It is a forbidden subject even inevitably being part of our daily lives, and its guardians must increasingly insure the non-participation and non-involvement of the people. Therefore, understanding the past stages of death, from its proximity to its banishment from the social life, is a necessary condition to analyzing our own end, and the end of our own individuality.

GREBEG MAULUD DALAM REPRESENTASI BUSANA DAN MOTIF BATIK DI KERATON YOGYAKARTA

CORAK ◽  
2013 ◽  
Vol 1 (2) ◽  
Author(s):  
Renta Vulkanita Hasan
Keyword(s):  
Social Life ◽  
Power Relations ◽  
Dress Code ◽  
Dynamic Nature ◽  
Cultural Shift ◽  
Native Culture ◽  
Cultural Centers ◽  
Human Creativity ◽  
Change Culture ◽  
Over Time

Culture growing in Indonesia and overseas intrinsically dynamic. Nature of culture as a result of human creativity is always moving and displacement. When his journey to the vibrant place anyway, culture is likely to mix with the native culture which then grow and develop into a new culture. Culture is a strong factor that affects the mindset. Over time, society has a way of looking at the world deal, behave, and interact with each other. In other words, they have their own color and pattern of the deal while making rules in social life. Yogyakarta in Java, which is known as one of the cultural centers of Java development, especially ritual Grebeg Maulud. Ritual Grebeg Maulud over time reflecting the constantly changing movement of social change, culture, politics, economics and society in his day. Ritual is a means of connecting Grebeg Maulud transcendental between man and God (Manunggaling Kawula-Gusti) and guidance from the teachings of the holy book (Islam). But this time Grebeg Maulud also has another function, namely as a spectacle. This suggests a cultural shift from the sacred to the profane. Batik as a dress code in the Carnival celebrations Grebeg Maulud is one reflection of the existence of culture in Yogyakarta Palace. The use of batik in a ritual procession Grebeg Maulud is a tradition that continues to this day. Batik palace is considered one of the symbols of the existence of power relations by creating a specific motive for a particular class. Dynamism of culture led to the use of batik is not only a marker of power relations, but also as an exciting treat for the fashion show at the Carnival lasts Grebeg Maulud.Keyword: Grebeg, Maulud, representations, clothing, batik, palace, Yogyakarta

Introduction

2018 ◽  
Author(s):  
Telesca Giuseppe
Keyword(s):  
Structural Analysis ◽  
Institutional Change ◽  
Cultural Context ◽  
The Past ◽  
Final Goal ◽  
Social Structural ◽  
Country Analysis ◽  
Cross Country ◽  
Over Time

The ambition of this book is to combine different bodies of scholarship that in the past have been interested in (1) providing social/structural analysis of financial elites, (2) measuring their influence, or (3) exploring their degree of persistence/circulation. The final goal of the volume is to investigate the adjustment of financial elites to institutional change, and to assess financial elites’ contribution to institutional change. To reach this goal, the nine chapters of the book introduced here look at financial elites’ role in different European societies and markets over time, and provide historical comparisons and country and cross-country analysis of their adaptation and contribution to the transformation of the national and international regulatory/cultural context in the wake of a crisis or in a longer term perspective.

Newman's Early Roman Catholic Legacy, 1845-1854

2017 ◽  
Author(s):  
C. Michael Shea
Keyword(s):  
Nineteenth Century ◽  
Catholic Church ◽  
Roman Catholic ◽  
Roman Catholic Church ◽  
John Henry Newman ◽  
Christian Doctrine ◽  
European Continent ◽  
The Past ◽  
Immaculate Conception ◽  
Over Time

For the past several decades, scholars have stressed that the genius of John Henry Newman remained underappreciated among his Roman Catholic contemporaries, and in order to find the true impact of his work, one must look to the century after his death. This book takes direct aim at that assumption. Examining a host of overlooked evidence from England and the European continent, Newman’s Early Legacy tracks letters, recorded conversations, and obscure and unpublished theological exchanges to show how Newman’s 1845 Essay on the Development of Christian Doctrine influenced a cadre of Catholic teachers, writers, and Church authorities in nineteenth-century Rome. The book explores how these individuals then employed Newman’s theory of development to argue for the definability of the new dogma of the Immaculate Conception of Mary during the years preceding the doctrine’s promulgation in 1854. Through numerous twists and turns, the narrative traces how the theory of development became a factor in determining the very language that the Roman Catholic Church would use in referring to doctrinal change over time. In this way, Newman’s Early Legacy uncovers a key dimension of Newman’s significance in modern religious history.

Introduction

2018 ◽  
Author(s):  
Stephanie Downes ◽  
Sally Holloway ◽  
Sarah Randles
Keyword(s):  
Material World ◽  
The Past ◽  
Over Time

This book is about the ways in which humans have been bound affectively to the material world in and over time; how they have made, commissioned, and used objects to facilitate their emotional lives; how they felt about their things; and the ways certain things from the past continue to make people feel today. The temporal and geographical focus of ...

Anti-corruption in History

2017 ◽  
Keyword(s):  
Financial Institutions ◽  
Global Media ◽  
Policy Makers ◽  
The Past ◽  
Human Wellbeing ◽  
Modern Period ◽  
Legitimate Power ◽  
Wide Range ◽  
Scant Attention ◽  
Over Time

Anticorruption in History is the first major collection of case studies on how past societies and polities, in and beyond Europe, defined legitimate power in terms of fighting corruption and designed specific mechanisms to pursue that agenda. It is a timely book: corruption is widely seen today as a major problem, undermining trust in government, financial institutions, economic efficiency, the principle of equality before the law and human wellbeing in general. Corruption, in short, is a major hurdle on the “path to Denmark”—a feted blueprint for stable and successful statebuilding. The resonance of this view explains why efforts to promote anticorruption policies have proliferated in recent years. But while the subjects of corruption and anticorruption have captured the attention of politicians, scholars, NGOs and the global media, scant attention has been paid to the link between corruption and the change of anticorruption policies over time and place. Such a historical approach could help explain major moments of change in the past as well as reasons for the success and failure of specific anticorruption policies and their relation to a country’s image (of itself or as construed from outside) as being more or less corrupt. It is precisely this scholarly lacuna that the present volume intends to begin to fill. A wide range of historical contexts are addressed, ranging from the ancient to the modern period, with specific insights for policy makers offered throughout.

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