VI Images

2010 ◽  
Vol 40 ◽  
pp. 124-149
Author(s):  
Brian A. Sparkes
Keyword(s):  
Social Life ◽  
Visual Language ◽  
Public Performance ◽  
Human Form ◽  
Daily Lives ◽  
Funerary Monuments ◽  
The Past ◽  
The Social ◽  
The Look ◽  
Greek World

As we have seen in previous chapters, throughout the Greek world, in cities, cemeteries, and sanctuaries, images, usually of figures in human form, were omnipresent, shaped at full and small size in wood, stone, and bronze, painted on panels and walls, and chosen as decoration for metal and clay vessels, for textiles, for jewellery and gems, for bone and ivory objects, and so on. Such images were constantly before the eyes of the men and women as they went about their daily lives. They acted as a visual language that was parallel to the oral versions in talk, recitation, songs, and plays. It is unlikely that the general public gave much thought to the men who made the images and gradually changed the look of the statues seen in the street, the reliefs that adorned the temples in the sanctuaries, the funerary monuments in the cemeteries, or the painted objects handled at home and elsewhere. They would have scanned the images for their content – figures created in their imagination or stories conjured up from the past that they had heard in public performance or private conversation, as well as scenes that related to the social life of their own day.

scholarly journals Death over time: brief notes about death and dying in the West

2014 ◽  
Vol 31 (3) ◽  
pp. 437-449
Author(s):  
Rosangela Werlang ◽  
Jussara Maria Rosa Mendes
Keyword(s):  
Social Life ◽  
Death And Dying ◽  
Necessary Condition ◽  
The West ◽  
Daily Lives ◽  
The Past ◽  
The People ◽  
The Social ◽  
Over Time ◽  
Human Finitude

This literature review deals with death and the changes in its concept and meanings over time, aiming to relate this to the different social organizations and issues that involve individuality and human finitude. It intends to arouse the reflection about this theme respected by all of us, and related to our own contingency. In this sense, the article provides several perspectives through different authors' voices, seeking to understand how we arrived at this contemporary stage where death must be forgotten at any cost. It is a forbidden subject even inevitably being part of our daily lives, and its guardians must increasingly insure the non-participation and non-involvement of the people. Therefore, understanding the past stages of death, from its proximity to its banishment from the social life, is a necessary condition to analyzing our own end, and the end of our own individuality.

Risking Debt for Honor

2017 ◽  
Vol 43 (1) ◽  
pp. 51-71
Author(s):  
Jennifer R. Cash
Keyword(s):  
Social Relations ◽  
Social Life ◽  
Urban Migration ◽  
Long Term Stability ◽  
The Past ◽  
Political Upheaval ◽  
The Social ◽  
Rural Urban Migration ◽  
The Republic

Research on godparenthood has traditionally emphasized its stabilizing effect on social structure. This article, however, focuses attention on how the practices and discourses associated with marital sponsorship in the Republic of Moldova ascribe value to the risks and uncertainties of social life. Moldova has experienced substantial economic, social, and political upheaval during the past two decades of postsocialism, following a longer period of Soviet-era modernization, secularization, and rural–urban migration. In this context, godparenthood has not contributed to the long-term stability of class structure or social relations, but people continue to seek honor and social respect by taking the social and economic risks involved in sponsoring new marriages.

scholarly journals GURIAH LIMPAPEH

2018 ◽  
Vol 7 (2) ◽  
pp. 218
Author(s):  
Intania Ananda Jonisa ◽  
Susas Rita Loravianti ◽  
Rasmida Rasmida
Keyword(s):  
Social Life ◽  
Open Space ◽  
Final Part ◽  
Behavior Patterns ◽  
Female Behavior ◽  
The Third ◽  
The Past ◽  
The Social ◽  
Main Medium ◽  
The Ideal

AbstrakKarya tari yang berjudul “Guriah Limpapeh” terinspirasi dari kehidupan sosial perempuan Minangkabau yang pengkarya amati di sekeliling pengkarya bersikap dan bertingkah laku tidak sesuai dengan etika idealnya perempuan Minangkabau. Dalam aplikasinya menginterpretasikan bergesernya nilai dan etika perempuan hari ini dan mengungkap nilai yang relevan dengan adat dan budaya Minangkabau. Dalam konsep gerak sebagai media utama tari pengkarya mengembangkan gerak yang relevan dengan konsep garapan, selain itu diperkuat dengan menggunakan drum sebagai properti dan setting. Karya ini digarap dalam tiga bahagian yakni pada bagian pertama menginterpretasikan tentang kehidupan dan aktivitas masyarakat di Kecamatan Matur, bahagian kedua menggambarkan perubahan memori pada dahulu dan zaman sekarang, kemudian bahagian ketiga menginterpretasikan bagaimana pola tingkah laku perempuan yang dalam adat Minangkabau yang disebut Simarewan dan Mambang Tali Awan yang menjadi konflik dalam garapan, sedangkan bagian endingnya adalah mengekspresikan idealnya perempuan Minangkabau yang disebut dengan Parampuan. Karya ini diperkuat dengan musik untuk memperkuat suasana, demikian juga elemen-elemen dan artistik lainnya untuk penampilannya memilih ruang terbuka atau outdoor. Kata Kunci: interpretasi, perempuan, adat MinangkabauAbstractThis work of dance entitled  as "Guriah Limpapeh" which is inspired from the social life of Minangkabau women, that the observed around the worker’s attitude and behaved not in accordance with the ideal ethics of Minangkabau women. In its application interpet the shifting values and ethics of women today and reveal values relevant to the customs and culture of Minangkabau. In the concept of motion as the main medium of the dance the developer develops a motion that is relevant to the concept of arable, besides being strengthened by using drums as property and settings. This work is worked on in three parts, namely in the first part of interpreting the life and activities of the community in the mature sub-district, the second part describes the change of memory in the past and present, then the third part interprets how the female behavior patterns in the Minangkabau tradition called simarewan and mambang tali awan  which becomes conflict in claim while the final part is expressing ideally the Minangkabau women who is called parampuan. This work is strengthened by music to strengthen the atmosphere, as well as other artistic and elements for his appearance in choosing open space or outdoor.Keywords: interpretation, women, adat Minangkabau.

Misoprostol on trial: a descriptive study of the criminalization of an essential medicine in Brazil

2021 ◽  
Vol 37 (10) ◽  
Author(s):  
Mariana Prandini Assis
Keyword(s):  
Public Health ◽  
Social Life ◽  
Descriptive Analysis ◽  
Essential Medicine ◽  
Social Consequences ◽  
Informal Markets ◽  
The Past ◽  
Legal Implications ◽  
Life Saving ◽  
The Social

Misoprostol is a medicine with a “double” social life recorded in several places, including Brazil. Within formal and authorized health facilities, it is an essential medicine, used for life-saving obstetric procedures. On the streets, or in online informal markets, misoprostol is treated as a dangerous drug used to induce illegal abortions. In the Brazilian case, despite a rich anthropological and public health analysis of the social consequences of misoprostol’s double life, there are no studies on the legal implications. This article offers such descriptive analysis, presenting and examining a comprehensive dataset of how Brazilian courts have treated misoprostol in the past three decades. It consists of an encompassing mapping of the “when, where, how, and who” of misoprostol criminalization in Brazil, pointing to the unjust consequences of the use of criminal law for the purpose of protecting public health.

Jaziret Fadel

2021 ◽  
pp. 104-126
Author(s):  
Amal Adel Abdrabo
Keyword(s):  
Social Life ◽  
Arab Countries ◽  
Ethnographic Study ◽  
Point Of View ◽  
Mutual Interaction ◽  
The Past ◽  
The Social ◽  
Preliminary Research ◽  
The Village ◽  
Key Questions

The plight of refugees fleeing from Palestine in 1948 raises several key questions regarding their historical fragmentation as a nation and their future. From a social anthropological point of view, the existing literature seems to tackle the Palestinian case from different perspectives influenced by the mass exodus of Palestinians from their homeland. Such perceptions took for granted the recognition of the state of “refugeeness” of the exiled Palestinians around the globe, while, in reality, it is a mutual interaction between people, place, and time. In the aftermath of the Arab-Israeli War at the beginning of the year 1948, more than 700,000 Palestinians fled their homes in Palestine to the nearby Arab countries, among them was Egypt. Some thousands settled in different areas all over Egypt. Based on a preliminary research on the literature, the author can argue that this is the first ethnographic study of the social life of the village of Jaziret Fadel and its Palestinian inhabitants in Egypt. The chapter is about tackling the historical trajectories, genealogies, memories, and present of the inhabitants of this village who seemed to be torn between two nostalgic pasts. The author's emphasis within this chapter is about how the narratives of the past memories could reveal a lot about the present time of the human societies and their future.

scholarly journals Presenting unwieldy pasts

2020 ◽  
Vol 13 (3) ◽  
pp. 245-252
Author(s):  
Katherine Hite ◽  
Daniela Jara
Keyword(s):  
Social Life ◽  
Social Dynamics ◽  
Late Phase ◽  
The Political ◽  
History And Memory ◽  
The Past ◽  
The Social ◽  
Political Struggles ◽  
Intellectual Traditions ◽  
The Rich

In the rich and varied work of memory studies, scholars have turned to exploring the meanings that different communities assign to the past, the social mediations of memories, as well as how the memories of subaltern subjects re-signify the relationship between history and memory. This special issue explores the ever present dynamics of unwieldy pasts through what have been termed “the spectral turn” and “the forensic turn.” We argue that specters (which appear in the literature as ghosts, or as haunting) and exhumations defy notions of temporality or resolution. Both trace the social dynamics that redefine the meanings of the past and that voice suffering, expose institutions’ limits, reveal disputes, explore affect and privilege political resistance. They draw from significant intellectual traditions across disciplinary and thematic boundaries in the natural and social sciences, the humanities, art and fiction. Their intellectual subjects range from work that explores the political struggles of confronting slavery and the possibility of reparations in the Americas long after it was formally abolished, to sensitive treatments of graves of Franco’s Spain. We suggest that both the spectral turn and the forensic turn have provided lenses to conceptualize the social life of unwieldy pasts, by exploring its dynamics, practices, and the cultural transmissions. They have also offered a language to communities that mobilize the political strength of resentment, deepened by the late phase of global capitalism and its consequent, deepening inequalities.

The Status of Women in Athens

1955 ◽  
Vol 2 (3) ◽  
pp. 119-124 ◽  
Author(s):  
Charles Seltman
Keyword(s):  
Legal Status ◽  
Married Women ◽  
Daily Lives ◽  
Ancient Athens ◽  
The Past ◽  
Domestic Servant ◽  
Religious Festivals ◽  
The Social ◽  
The Status ◽  
Status Of Women

It is essential for us to question our own views and those of our predecessors on the status of women in ancient Athens. With few exceptions these views display a kernel of prejudice and a pulp of misunderstanding, skinned over with the bloom of evasiveness. It is, indeed, odd to observe how inquirers into the social framework of Greek society have been misled, and how few classical scholars have attempted to give the lie to the extravagances spread abroad concerning the alleged attitude of Athenians to their womenfolk. Temptation to write up a violent contrast between the daily lives of Spartan and Athenian women was great, and in the last century other half-conscious feelings helped a false presentation. Again and again it has been said or implied that Athenian married women lived in an almost oriental seclusion, and that they were looked on with indifference approaching sometimes to contempt. Quite recently it was alleged in a broadcast that the Athenian social system relegated women to the condition of squaws, the matron being little more than a domestic servant. ‘As wives and mothers’, said the speaker, ‘Athenian women were despised.’ Literary passages have in the past been torn from their context as evidence for this, and the inferior legal status of women has been stressed. There are, however, important exceptions among scholars, of especial value being an essay by Professor A. W. Gomme, and a long section in The Greeks by Professor H. D. F. Kitto, whose remarks on truncated quotations from Aristophanes and Xenophon are very illuminating. Anyone interested in the question is advised to read again pages 219–36 in that little volume, as most of what follows simply strengthens what Kitto has written. In a variety of religious festivals women took conspicuous parts, and with the festivals we may put the theatre, because Athenian women formed a part of the audience, as is admitted in the last edition of Haigh's great work.

scholarly journals Methods for rationalization of the design of residential buildings in classical antiquity

2013 ◽  
Vol 11 (3) ◽  
pp. 221-229
Author(s):  
Aleksandra Miric ◽  
Goran Jovanovic
Keyword(s):  
Comparative Analysis ◽  
Social Life ◽  
Residential Buildings ◽  
Residential Building ◽  
Physical Structure ◽  
Classical Antiquity ◽  
Housing Conditions ◽  
The Past ◽  
The Social ◽  
Functional Units

The description of residential buildings in the past is made possible by studying the physical structure of the preserved architectural and movable archaeological finds, and also by the analysis of the written (epigraphic and numismatic) material findings, as well as the analysis of the written literary works which, through the author?s subjectivity, documented the social life. That is why the knowledge of the classical antiquity construction handbooks can only contribute to the understanding of the architecture, housing conditions, and thus facilitate the reconstruction of the ancient houses. Works about residential buildings by Columella, Vitruvius and Faventinus, three authors from different periods of the mature antiquity, are fully preserved. This paper presents the results of a comparative analysis of their works, which indicate that the recommendations for determining the properties of various functional units within the residential building were similar over a longer period of time observed here.

scholarly journals Filming family and negotiating return in making Haraka Baraka: Movement is a blessing

2015 ◽  
Vol 3 (2) ◽  
pp. 192-208
Author(s):  
Lana Askari
Keyword(s):  
Social Life ◽  
Documentary Film ◽  
Kurdistan Region ◽  
Social Navigation ◽  
The Past ◽  
Political Landscape ◽  
Iraqi Kurdistan ◽  
The Social ◽  
Return Journey ◽  
The Impact

This article focuses on how Kurdish returnees experience the process of returning “home”, how they imagine and (re) negotiate their future, through the discussion of my documentary film, Haraka Baraka: Movement is a Blessing, which tells the story of my parents’ return to Iraqi Kurdistan after living in the Netherlands for more than 20 years.  While over the past decade, the Kurdistan Region has developed into a safe-haven situated within a conflict-laden area, the recent tension around the Islamic State’s (IS) expansion has changed the social and political landscape significantly in the Middle East, leading to new considerations for potential returnees. Based on the fieldwork I conducted through filming my own family during their return journey, I argue that using visual anthropological tools can open a window onto diasporic movements and illuminate social life in times of crisis by challenging the representation of Kurdish migrants and addressing the impact of uncertainty in their lives. Keywords: Kurdish diaspora; social navigation; visual Anthropology.Filmandina malbatê û behsa vegerê di çêkirina Haraka Baraka: Movement is a Blessing de Babeta vê nivîsarê Kurdên vegerayî û serhatiya wan di pêvajoya vegera bo ‘malê’ da ye. Nivîsar bala xwe dide wê yekê ka vegerayî bi çi rengî paşeroja xwe xeyal û ji nû ve guftûgo dikin. Ev mijar bi rêka filma min a belgeyî ya bi navê Haraka Baraka: Movement is a Blessing tê nîqaş kirin, ku çîroka vegera dê û bavên min bo Kurdistana Iraqê ya piştî pitir ji 20 salên jîna li Holendayê vedibêje. Di demekê de ku Herêma Kurdistanê di nav deh salên borî de bûye stargeheke ewle li devereke pir bi şer û pevçûn, kêşe û nerihetiyên vê dawiyê yên ji ber mezinbûna DAEŞê, dîmenê civakî û sîyasî yê li Rojhilata Navîn gelek guhartiye, ku bi vê yekê re hizr û fikarên nû xistine ber wan Kurdên ku niyeta wan a vegerê heye. Li ser bingehê xebata meydanî, ya ku min di qonaxa filmandina rêvingiya malbata xwe ya vegerê da encam da, ez îdia dikim ku bikaranîna amûrên antropolojîk ên dîtinî (vîzuel) dikare pencereyeke nû veke bi ser hereketên diyasporayê de û ronahiyê bixe ser jiyana civakî di demên qeyranê de, ku ji bo çespandina vê yekê ez li dijî temsîlên serdest ên koçberên kurd radibim û her wiha karîgeriya guman û nediyariyê ya li ser jiyana wan nîqaş dikim. فیلم گرتن له‌ بنە ماڵە و باس کردن لە گە ڕانەوە لە کاتی دە رهێنانی "حە‌رە کە بەرەکە:جووڵانەوە خێروبه‌ره‌كه‌ته"‌(Haraka Baraka: Movement is a Blessing) ئە م وتاره، بە یارمەتی باسكردن له بەڵگە فیلمەکەم، "حەرەکە بەرەکە: جووڵانەوە خێروبهرهكهته"، کە چیرۆکی گەڕانەوەی دایکوبابم بۆ کوردستانی ئێراق پاشی بیست ساڵ ژیان لە وڵاتی هۆڵەند دەگێڕێتەوە، تیشک دەخاتە سەر ئەو بابەتە کە ئهو کوردانهی دهگەڕێنهوه بۆ وڵات چۆن پڕۆسەی گەڕانەوە بۆ "ماڵەوە" ئەزموون دەکەن و، چۆنی داهاتووی خۆیان دەهێننە بەر چاو ودهیخهنه بهر لێوردبوونهوه و پێداچوونهوه. لە ماوەی دە ساڵی ڕابردوودا، هەرێمی کوردستان گەشەی سەندووە و بووە بە حەشارگەیەکی بێمەترسیی لە ناودڵی ناوچەیەکی لێوانلێو لە ململانێ و بەیەکداداندا، بهڵام، ئەو شڵەژانەی ئەم دواییانە، لە ئاکامی پەرە سەندنی دەوڵەتی ئیسلامیی(داعش)، بە شێوەیەکی گرینگ دیمەنی کۆمەڵایەتیی وسیاسیی ڕۆژهەڵاتی ناڤینی گۆڕیوە. هەربەم هۆیەوە، ئهوانهی كه تهمای گهڕانهوهیان ههیه دهستیان كردووه به لێوردبوونهوهیهكی نوێ له تهماكهیان.. لە سەر بنەمای ئەم کارە مەیدانییەی کە لە ڕێگەی فیلمگرتن لە بنەماڵەکەی خۆم، لە جەنگەی سەفەری گەڕانەوەیاندا، کردووە، وای بۆ دەچم کە بە کارهێنانی ئامرازگەلی مرۆڤناسانەی دیتنی (visual anthropological tools) دەتوانێت لە ڕێگەی بهرهوڕووبوونهوه له گهڵ شێوهی نواندنی کۆچبەرانی کورد وئاماژە پێدان بە بێتهكلیفی و سهرگهردانی له ژیانیان دا، پهنجهرهیهك  بەرەوڕووی جووڵانهوهی تاراوگەنشینیی بکاتەوە و ژیانی کۆمەڵایەتیی لە کاتی قەیرانەکاندا ڕووناک بكاتهوه.

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