scholarly journals GAGASAN CERITA PANJI SEBAGAI ASPEK KETELADANAN

2018 ◽  
Vol 1 (2) ◽  
pp. 117-130
Author(s):  
Henri Nurcahyo
Keyword(s):  
Southeast Asia ◽  
Cultural Heritage ◽  
Fairy Tales ◽  
Performing Arts ◽  
Role Model ◽  
Raw Material ◽  
The Creation

The Panji story is a popular cultural heritage during the Majapahit period, spreading to various regions andcountries of Southeast Asia. Panji's story is not just a romantic story of Panji Asmarabangun with Dewi Sekartajibut has many interesting aspects that can be studied from various sides. There are many fairy tales that tell the story ofPanji, as well as the performing arts of tradition, art, the art of chanting, and even the Panji Story enshrined in reliefsof dozens of temples in East Java and hundreds of manuscripts of Panji scattered in various countries. From thevarious stories of Panji is contained noble values that can be a role model in the life of society and state. In the story ofPanji there is a load of courage, heroism, unyielding spirit, creativity in running tactics, caring for others, love animalsand flora, not vengeance, do not apply cruelly, love to study, devoted to mother, love and master various art and so on. The Panji is an ideal figure so much is personified by many Kings throughout history. The story of the Panji becomesintertwined between fairy tales and facts. The Panji story becomes a myth that eventually becomes a reference in life. Infact, the example of the Panji Story is not only reflected in its traits as a person but the moral of the story contained init, as well as the inspiration that can be picked as a raw material for the creation of artwork and also the creativeeconomy.

scholarly journals Nodos: Encyclopedia of the Performing Arts

2017 ◽  
Vol 18 (2) ◽  
pp. 33-46
Author(s):  
Diego Torres ◽  
Alicia Díaz ◽  
Virginia Cepeda ◽  
Facundo Correa ◽  
Alejandro Fernández
Keyword(s):  
Cultural Heritage ◽  
Citizen Science ◽  
Performing Arts ◽  
Semantic Knowledge ◽  
Intangible Cultural Heritage ◽  
Science Project ◽  
Semantic Wiki ◽  
The Creation ◽  
Collective Creation ◽  
Citizen Science Project

The main goal of Nodos is to promote the collective creation of semantic knowledge regarding performing arts. Recording and curating information about these expressions contributes to the preservation of the Intangible Cultural Heritage, as defined by UNESCO. One of the challenges related to the preservation of information is the large amount of people involved in the creation and development of scenic arts and the dynamism in these theater pieces. The large number of plays presented every year makes it difficult to keep records up to date, resulting in the loss of knowledge about many cultural pieces. This article introduces a way to record such cultural heritage in the context of a citizen science project. Nodos defines an ontology regarding performing arts and also uses a semantic wiki that helps in the implementation of the ontology. An evaluation of usability shows Nodos as an effective initiative to preserve and study performing arts. Keywords: Semantic Wiki; Intangible Cultural Heritage; Performing arts ontology.

‘Langen Katresnan’ Video Animasi dengan Tema Ramayana Episode Penculikan Shinta

2014 ◽  
Author(s):  
Ika Yulianti
Keyword(s):  
Performing Arts ◽  
New Work ◽  
Two Dimensional ◽  
The Public ◽  
The Creation

Ramayana story has been widely known in Indonesian society since centuries ago. This story has been disseminated from generation to generation. The story is familiar to the public in the form of this kakawin often staged in the form of performing arts, dramatari, puppet performances, as well as in the form of puppet or sculpture. Ramayana story has a lot of episodes, but in the creation of this animated video work taking Shinta kidnapping episode. This animated video works explored the form of characters and stories, as well as collaborate with dance, heater and musical arts. Kidnapping of Shinta’s story became the basis of the principal narrative in the creation of animated video with the theme of Ramayana episode kidnapping Shinta ‘Langen Katresnan’ which then developed in accordance with the ideas and concepts. It also supports the creation of new work that promotes originality of the work. This animated video works using two-dimensional techniques. This is actually a reference to that puppet animation that was first recognized by earlier ancestors.Keywords: puppet, Ramayana, animation

ACERVO ETNOGRÁFICO: ASPECTOS DA CULTURA MATERIAL DAS COMUNIDADES RIBEIRINHAS DAS RESERVAS MAMIRAUÁ E AMANÃ

2008 ◽  
Vol 4 (1) ◽  
pp. 41-50
Author(s):  
Marília de Jesus Silva e Sousa ◽  
Rita de Cássia Domingues-Lopes
Keyword(s):  
Sustainable Development ◽  
Raw Material ◽  
Development Institute ◽  
River Region ◽  
New Models ◽  
The Creation ◽  
Solimões River

The ethnographical collection of Mamirauá Sustainable Development Institute under the responsibility of the Handcraft Program and formed by an assortment of artifacts and handcrafts from the Medium Solimões River region coming from the communities living inside Mamirauá and Amanã Sustainable Development Reserves and neighboring municipalities. The creation of this collection is relevant because the artifacts and handcrafts collect are identity marks of its producers, their regions, and are also used by the craftsmen themselves as reference in their assessments which aim to detect changes occurred in the objects after a certain period of time, specially in the processing of raw material and the comparison with new models relative to size and the different weaving types. The collection consists of 300 pieces organized as follow: pottery, weavers, strings, fabrics, wood implements and other materials. The objectives of this paper are:(i) Discuss the importance of the formation of an Ethnographical Collection in the Medium Solimões River; (ii) Present the methodology used to form and organize the assortment which integrates the collection; and (iii) Present the results of the work developed until now inside the Technical Reserve.

Memorialising Europe

2008 ◽  
Vol 17 (2) ◽  
pp. 6-33 ◽  
Author(s):  
Peter Jan Margry
Keyword(s):  
Cultural Heritage ◽  
Civil Religion ◽  
Political Agenda ◽  
The Political ◽  
European Identity ◽  
European Values ◽  
Identity Based ◽  
The Creation ◽  
Political Unification ◽  
European Form

In the economic and political unification process of Europe, the idea of the creation of a pan-European identity was put high on the political agenda. With the failure of this effort, the emphasis shifted to the apparently less fraught concept of 'shared cultural heritage'. This article analyses how the politically guided rediscovery of Europe's past has contributed to the creation of a 'Religion of Heritage', not only by raising up a political altar for cultural heritage, but also through the revitalisation, instrumentalisation and transformation of the Christian heritage, in order to try to memorialise and affirm a collective European identity based on its Christian past. In the context of this process, the network of European pilgrims' ways appears to have been an especially successful performative form of heritage creation, which has both dynamised Christian roots as a relevant trans-European form of civil religion that has taken shape, capitalising on the new religious and spiritual demands created by secularisation, and responded to the demand for shared - and Christian inspired - European values and meanings in times of uncertainty and crisis.

KEPELBAGAIAN BUDAYA DALAM KONSEP “HARMONI JAWA” DI KAUMAN YOGYAKARTA

2019 ◽  
Vol 7 (1) ◽  
pp. 45-60
Author(s):  
CAMA JULI RIANINGRUM
Keyword(s):  
Cultural Heritage ◽  
Descriptive Analysis ◽  
17Th Century ◽  
Unique Characteristic ◽  
Analysis Method ◽  
Cultural Traditions ◽  
Qualitative Descriptive ◽  
The Creation ◽  
Residential Settlement

Harmoni adalah suatu kondisi yang serasi dari perbedaan dan pluralitas yang kemudian dengan bentukaslinya masing-masing dapat saling menyesuaikan dan menyatu dengan seimbang. Dalam Budaya jawadisebut selaras, yaitu terciptanya kehidupan yang nyaman dan indah dalam keragaman. Salah satu wujudharmoni Jawa secara visual dapat terlihat di sebuah permukiman di Yogyakarta, yang merupakan suatuwilayah permukiman warisan budaya Jawa dari abad ke-17. Digunakan metode analisis deskriptif kualitatifyang bertujuan untuk memaparkan keterkaitan dan jalinan semua aspek pembentuk yang mencerminkanproses adaptasi sehingga terbentuk harmonisasi permukiman. Pada masa kini, permukiman ini memilikikeunikan yang khas yaitu sebuah bentuk permukiman yang merupakan perpaduan yang harmonis daritiga budaya, yaitu budaya Jawa, Islam, dan budaya modern. Kondisi yang terbangun karena masyarakatnyataat pada tradisi budaya Jawa dalam melakukan adaptasi terhadap perubahan dan perkembangan jaman. Harmony is a synchronous integration of differences and pluralities which in their respective original statessucceed in adjusting to each other thereby forming a balanced union. In the context of Javanese culturecalled selaras, namely is the creation of a comfortable and beautiful existence within a diversity. One ofthe visual forms of Javanese harmony can be observed in a residential settlement in Yogyakarta, an areaof Javanese cultural heritage from the 17th century. A qualitative descriptive analysis method was usedaimed to describe the interrelationships and interweaving of all forming aspects reflecting the adaptationprocess which enabled the creation of such harmonious condition in a residential settlement. Today, thissettlement possesses a unique characteristic, that takes the form of a residential settlement where threecultures, namely the Javanese, Islamic, and modern cultures, are blended in harmony. This conditiondeveloped as a result of the community’s adherence to Javanese cultural traditions during their adaptionto changes and developments over the course of time.

From the Rise of Authentic Italian Restaurants in America to the Creation of New Multicultural Food Tourism Experiences

2021 ◽  
Vol 21 (1) ◽  
pp. 5-16
Author(s):  
Alessandra Campanari ◽  
Alessio Cavicchi
Keyword(s):  
Cultural Heritage ◽  
Business Models ◽  
Business Environment ◽  
Ethnographic Study ◽  
Italian American ◽  
The Us ◽  
The Creation ◽  
Food Tourism ◽  
Globalized World ◽  
Food Identity

With the emergence of culinary multiculturalism in the globalized world, ethnic restaurants have become central symbols of postmodern life, no longer relegated to a domestic and community sphere, but able to attract non-ethnic customers without necessarily destroy food cultural heritage. In line with this trend, the article aims to contribute to the literature on new food tourism experiences by examining contemporary Italian restaurants in the US to investigate how Italian food identity in ethnic restaurants is advertised and sold. Starting from the literature on Italian culinary immigration in America, from the rise of the first Italian restaurants to the invention of the Italian American culinary tradition, the article provides an ethnographic study to understand the changing business environment that is leading new entrepreneurs in foodservice to diversify their business models towards the creation of new food tourism experiences as a result of an ever-changing dialogue between tradition and innovation.

THE MAIN PROBLEMS OF COLLECTING THE DOCUMENTARY HERITAGE AND CREATING THE STATE ARCHIVAL FUND OF THE USSR IN 1917–1930S

2021 ◽  
pp. 82-99
Author(s):  
Nina I. Khimina ◽  
Keyword(s):  
Cultural Heritage ◽  
The State ◽  
Record Keeping ◽  
History Of Collecting ◽  
Russian State ◽  
Archival Documents ◽  
History Of ◽  
The Creation ◽  
State Archives ◽  
Effective Use

The article examines the history of collecting documentary and cultural heritage since 1917 and the participation of archives, museums and libraries in the creation of the Archival Fund of the country. In the 1920s and 1930s, archival institutions were established through the efforts of outstanding representatives of Russian culture. At the same period, the structure and activities of the museums created earlier in the Russian state in the 18th – 19th centuries were improved. The new museums that had been opened in various regions of Russia received rescued archival funds, collections and occasional papers. It is shown that during this period there was a discussion about the differentiation of the concepts of an “archive”, “library” and a “museum”. The present work reveals the difficulties in the interaction between museums, libraries and archives in the process of saving the cultural heritage of the state and arranging archival documents; the article also discusses the problems and complications in the formation of the State Archival Fund of the USSR. During this period, the development of normative and methodological documents regulating the main areas of work on the description and registration of records received by state repositories contributed to a more efficient use and publication of the documents stored in the state archives. It is noted that museums and libraries had problems connected with the description of the archival documents accepted for storage, with record keeping and the creation of the finding aids for them, as well as with the possibilities of effective use of the papers. The documents of the manuscript departments of museums and libraries have become part of the unified archival heritage of Russia and, together with the state archives, they now provide information resources for conducting various kinds of historical research.

scholarly journals Vedic Philosophy and Swami Nigamananda

2019 ◽  
Vol 7 (12) ◽  
pp. 17
Author(s):  
Sangram Keshari Mallik ◽  
Dr. Braja Kishore Sahoo
Keyword(s):  
Cultural Heritage ◽  
Code Of Conduct ◽  
Literary Creation ◽  
Ancient India ◽  
Vedic Literature ◽  
The World ◽  
Independent Entity ◽  
The Creation ◽  
Rig Veda ◽  
The Individual

Wonder that is India. India is wonderful because of its abundant and affluent cultural heritage. The cultural heritage of India is prudential of its spiritual richness and classical creativity. Vedic literature is the most wonderful and unparallel literary creation of Ancient India. Vedic literature has made this country worthy of worship. Vedas are without beginning and without end. Veda is author-less. It is Apauruseya. They are considered to be the direct word of the Divine.  Vedic knowledge appeared in the dawn of the cosmos within the heart of Brahma. Brahma imparted this knowledge in the form of sound (Sabda) to his sons who are great sages. They transmitted the Vedic sound heard from Brahma to their disciples all over universe. There are four Vedas. They are the Rig Veda, Yajur Veda, Sama Veda and Atharva Veda.  Four Vedas contain four types of texts such as The Samhitas, The Arankayas, The Brahmanas and The Upanishads. Veda is accepted as a code of conduct to Sanatan Dharma. The teaching of Veda is the concept that the individual is not an independent entity, but, rather, a part of the Universal Consciousness.  Upanishads is the manifestation of Vedantic thought. Sada Darshan (Six Systems of Vedanta) is a very important part of Vedic philosophy.  Swami Nigamananda a great Master of Vedic Literature achieved Nirbikalpa Sidhi of Vedanta in the year 1904.  The philosophy of Vedanta is reflected in the creation of Swami Nigamananda. In his writings (Yogi Guru, Jnani Guru, Tantrik Guru, Premik Guru, Brahmacharya Sadhana and Vedanta Viveka) he has explained the main scriptures of Vedas such as The Upanishads, The Bramha Sutras and The Bhagavad Gita. His philosophy teaches us to love and live in a state of eternal freedom. The Philosophy of Swami Nigamananda is a synthesis of Sankar and Gouranga i.e. knowledge and love. Knowledge envisages the path of analysis and Love, the path of synthesis. In this way Nigamananda convincingly reconciled the two apparently contradictory creeds of Adi Shankaracharya and Gauranga Mohapravu. “He advised his disciples to combine Shankara’s view and Gournaga’s way and walk on this path of synthesis. In fact attainment of Jnana through Bhakti is the nucleus of his philosophy. Through his teachings and works, he proclaimed to the world the fundamental harmony of all religions that there are many paths which lead to the same goal”.

Sign in / Sign up

Export Citation Format

Share Document