scholarly journals BOLESLAV YAVORSKYI’S MUSICAL AND PEDAGOGICAL IDEAS

2021 ◽  
Vol 1 (195) ◽  
pp. 186-191
Author(s):  
Larysa Psheminska ◽  
Keyword(s):  
Young People ◽  
Music Education ◽  
Music Composition ◽  
Experimental Studies ◽  
Active Role ◽  
Creative Development ◽  
Musical Education ◽  
Practical Development ◽  
The Subject ◽  
And Behavior

The article is devoted to the research and generalization of Boleslav Yavorskyi's musical-pedagogical ideas, a famous pedagogue with encyclopedic knowledge, an organizer of musical education, a pianist, a composer, a musicologist, a conductor, a scientist, an author of the fricative rhythm, a developer of the unique methodological conception of the creative development of a personality. The analysis of B. Yavorskyi's pedagogical activity allows us to understand the significance of his contribution into the theoretical and practical development of mass musical education, allows to broaden the understanding of his experimental studies on the methodological conception of the creative education of a personality, which should be taught through performing and understanding of a music and its perception. In the course of the research the assertion that the introduction of the subject «listening to music» into the practice by B. Yavorskyi became a fundamental process in his system of music education was actualized. According to the scientist, listening to music has a significant impact on the consciousness and behavior of a personality. In the research the author defined and generalized the pedagogical ideas of B. Yavorskyi, which were aimed at the development of thinking and creative abilities of children through: 1) obligatory participation of an any-profile musician in the choir performance; 2) introduction of the subject «Listening to music» into the practice of all educational music establishments;3) acquaintance with the phase-epoch before analysing of the music composition; 4) analysis of the influence of music on the emotional condition of the pupil; 5) intonation and remembering of the main melody of the composition; 6) reproduction of the composition in the drawings and paintings, in literary activity and stagings or dramatizing, using the method of Art Synthesis; 7) selection of the best compositions for listening and analysis; 8) development of speech culture when expressing verbally one’s own impressions of the music composition;9) creation of personal compositions: musical (songs, miniatures for the piano), plastic, painting (drawings), literary (poems, small prose works). There has been made a conclusion that audio, motor, spoken and musical associations are laid into the basis of musical-pedagogical conception of B. Yavorskyi and that the creative approach of the pedagog to the organization of the lessons and the active role of young people in the different genres of art promotes formation of their intellect, outlook, aesthetic and ethical qualities. Summing up, it should be said that musical-pedagogical education at the beginning. XX century was enriched greatly innovative pedagogical ideas of B. Yavorskyi, whose creative method became the basis for the development of the musical-educational upbringing of children and young people in different countries of the world in particular in the pedagogical activity of M. Leontovych, who was a student and follower of B. Yavorskyi.

scholarly journals 7. A Model of Integrality of Musical and Teaching Activities at the Lesson of Musical Education

2016 ◽  
Vol 11 (1) ◽  
pp. 58-65
Author(s):  
Marina Caliga
Keyword(s):  
Music Education ◽  
Teaching Activities ◽  
Musical Education ◽  
Student Integration ◽  
Musical Works ◽  
Musical Knowledge ◽  
The Subject

Abstract In this article the author investigates and applies accumulated experience in music education through the methodological integrality of musical didactic activities at musical education lesson. In this regard, musical didactic activities are not only pedagogical acts of transmission of musical knowledge, but their mission is the living of sound messages, the discovery of self through art and student integration through musical didactic activities. Integrating through musical didactic activities, students discover, create, analyze, summarize, compare, apply, reflect, operating various mechanisms of musical didactic activities, becoming not only the receiver, but also the subject of musical works.

Music Education in Teacher Training in Denmark

1987 ◽  
Vol 4 (3) ◽  
pp. 259-262 ◽  
Author(s):  
Preben Fahnøe
Keyword(s):  
Teacher Training ◽  
Music Education ◽  
Education Programme ◽  
Quality Of Instruction ◽  
Teachers College ◽  
Teacher Education Programme ◽  
Musical Education ◽  
Teacher Training Colleges ◽  
The Subject

From time to time the standard and content of musical education in Danish Teacher Training Colleges has been the subject of strong criticism. It has been argued that the courses are out of date; that they should be modernised, and that the quality of instruction should be improved. Yet the criticism is often imprecise – possibly because those who make it are not themselves sufficiently well-informed about the details of the existing courses and the problems faced by those who have to teach and administer them. The author, a very experienced musician, author of numerous music-education publications, and himself a Lecturer at a Teachers College, discusses the principles and problems of organising music as a specialist area of the teacher-education programme.

scholarly journals Young people are not blameworthy: the generation’s awareness of COVID-19 and behavioral responses

2021 ◽  
Vol 11 (1) ◽  
Author(s):  
Seung-Pyo Jun ◽  
Hyoung Sun Yoo ◽  
Chul Lee
Keyword(s):  
Young People ◽  
Credit Card ◽  
Reference Group ◽  
Behavioral Responses ◽  
Active Engagement ◽  
Significant Difference ◽  
Scientific Approach ◽  
The Subject ◽  
Internet Searches ◽  
And Behavior

AbstractAt a time when the COVID-19 pandemic has been ongoing for more than a year, young people have been the subject of vigilant scrutiny and criticism regarding their active engagement in social activities. We posed the question of whether young people's response to COVID-19 was different from that of other generations and analyzed awareness and behavior to investigate this question. Specifically, we examined internet searches for information on COVID-19 and credit card consumption in South Korea among young people in their 20s and compared them to a reference group of people in their 50s. Our research has confirmed that there was no statistically significant difference between young people and the reference group in this regard. Furthermore, in the 25 sub-sectors of industry we examined, young people's consumption activities recovered significantly faster than the reference group in only three sub-sectors. This study demonstrated that young people showed stronger interest than the reference group in their response to COVID-19, and that they cooperated with the government’s social distancing policy by reducing their activities. Through this study, we presented a scientific approach for evaluating young people in regard to their response to COVID-19, offering useful implications for designing appropriate policies for public health.

The state of musical education of schoolchildren in Poland in the post-war period (40-60 years of the XX century)

2020 ◽  
Vol 1(16) (2020) ◽  
pp. 14-21
Author(s):  
Anastasia Vilchkovska ◽  
Keyword(s):  
Music Education ◽  
Significant Role ◽  
Education System ◽  
Primary Schools ◽  
Geographical Location ◽  
School Education ◽  
Foreign Teachers ◽  
Musical Education ◽  
Difficult Time ◽  
The Subject

Relevance of research. The nearest Ukraine in terms of geographical location, culture, centuries-old historical ties and Slavic mentality is Poland. For the history of pedagogy in particular, the system of music education of schoolchildren is interesting to explore and analyze the difficult time of reconstruction of school education in Poland after the Second Word War, which killed 17% of the population. The purpose of the study is to analyze form and content of music education of Polish schoolchildren in the postwar (40-60 years of the 20th century). Research methods. Analysis and synthesis of Polish scientific and pedagogical literature on music education of schoolchildren, regulations, school curricula and program, materials of scientific and practical conferences empirical and independent data. Research results. After the end of the Second World War and the liberation of Poland from German occupation, the reconstruction of the virtually completely destroyed school system and the creation of new education system based on different ideological, political and economic principles before the pre-war period began. The restructuring of the school education system involved, firs of all, the definition of the new educational goal, which was set before the school. It was based on the idea of harmonious development of personality. A significant role in this process was given to the musical education of schoolchildren. The subject of “Singing” was introduced into the curricula of primary schools (grades 1-7), which had two hours in grades 1-5 and one hour in grades 6-7, as well as two hours for school choir classes pre week. A significant role in the development of the system of music education of foreign teachers-musicologists: E.Jagues-Dalcroze, Z. Kodály, James L. Mursell, C. Orff and others. They adapted to the conditions and Polish educational traditions. In the 1962, the name of the subject “Singing” was changed to “Music Education”, which was in line with pedagogical functions. Conclusions. In the postwar (40-60's) the modernization of the system of music education of schoolchildren was carried out. The organization content and forms of music education in secondary schools were based on the concepts of well-known in Europe scientists, teachers, musicologists, composers [É.Jagues. Dalkroze, Z. Kodály, J. Mursell, C. Orff], who adapted in accordance with the conditions and national Polish educational traditions. The musical education of the younger generation was greatly influenced by ideological and sociopolitical factors that determined the functioning of the socialist society of the Polish People's Republic.

scholarly journals Musical Informatics Course for Musicians with using Music Computer Technologies

2020 ◽  
Vol 8 (6) ◽  
pp. 3040-3045
Keyword(s):  
New Media ◽  
Music Education ◽  
New Music ◽  
Sound Recording ◽  
Subject Knowledge ◽  
Musical Education ◽  
Professional Activities ◽  
Computer Technologies ◽  
The Subject ◽  
And Training

All over the world, educational researchers are looking for new ways to optimize music education in accordance with the new capabilities of digital tools. World-wide changes are being implemented through transmitting and presenting the information. Digital technologies have permeated music and musical education. Advances in sound recording and music creation technology, combined with new media capabilities, have defined previously non-existent directions for the development and distribution of music and require knowledge that musicians who have received classical musical education do not possess. The subject of the article is the evolution of current theoretical and practical bases for improving the knowledge of musicians using music computer technologies. Learning to play electronic musical instruments is to be required by contemporary society in connection with the demands for a higher level of professional activities in the field of music, the need to conduct a high-quality teaching that includes computer technologies in the field of art as s particular of the Digital Age School. The discipline of Musical Informatics, which has been constantly developing since the mid-70s (IRCAM, France), can have a significant impact on the formation of subject knowledge of musicians associated with the development of new music computer technologies and their use in creativity and training.

scholarly journals MUSICAL EDUCATION OF STUDENTS IN SCHOOLS OF THE REPUBLIC OF IRELAND

2021 ◽  
Vol 1 (195) ◽  
pp. 40-46
Author(s):  
Volodymyr Cherkasov ◽  
Keyword(s):  
Young People ◽  
Music Education ◽  
Cultural Values ◽  
Vocal Music ◽  
Republic Of Ireland ◽  
Musical Education ◽  
Practice Performance ◽  
Patriotic Education ◽  
The Republic ◽  
Education Of Students

The article examines and summarizes the experience of music education of students in schools of the Republic of Ireland, highlights the main trends and approaches to the content of lessons and extracurricular activities with students of different ages, aesthetic education through music and the formation of European and national values. Vocal and vocal-instrumental ensembles are created. Participation in such groups requires knowledge of musical notation, mastering the technique of reading notes, mastering the skills and abilities to use the means of musical expression. In addition to rock music, one of the most popular vocal genres in Ireland is shan-nose - highly ornamented improvisational singing (ie singing with a large number of chants), where there are several parts of voices, from which the overall composition is built. Over time, Irish folk music changed. Most of the songs are of rural origin and are associated with ancient Irish language traditions. More modern songs are performed in both Irish and English. Involvement of student youth in the performance of various genres of choral and vocal music promotes patriotic education and the formation of moral and aesthetic qualities that positively affect the worldview of young people, contribute to the involvement of world cultural values. Involvement of student youth in the performance of various genres of choral and vocal music promotes patriotic education and the formation of moral and aesthetic qualities that positively affect the worldview of young people, contribute to the involvement of world cultural values. A prominent place in the organization of musical and creative activities is given to independent work. To this end, teachers develop guidelines, conduct practical classes, which focus on methods and techniques of mastering the skills of playing a particular musical instrument. Using the methods of showing, explaining, demonstrating, illustrating, repeating individual musical episodes and overcoming performance techniques, students develop technical skills, memory, logical thinking, practice performance skills and gain experience in interpreting the content of a piece of music. It should be noted that musical education of students in schools of the Republic of Ireland has a stable approach and is based on the folk traditions of previous generations, meets modern requirements for the formation of musical culture of youth, aesthetic feelings and development of intellectual and creative abilities.

THE IMPACT OF "PUBLIC CULTURE" ON YOUTH SPIRITUALITY

2020 ◽  
Vol 3 (1) ◽  
pp. 130-135
Author(s):  
Mukhiddin Tursunmuratov ◽  
Keyword(s):  
Popular Culture ◽  
Young People ◽  
Public Culture ◽  
And Behavior ◽  
The Impact

This article provides a detailed description and explanation of the term "popular culture". It also analyzes a number of aspects of "popular culture" that are becoming more widespread today, their role and influence in the formation of the minds and behavior of young people, and draws the necessary conclusions. Most importantly, it also describes ways to protect young people from threats in the form of "popular culture" that negatively affect their morale.

PSYCHOLOGICAL APPROACHES TO PREVENTION OF EXTREMISM IN THE HIGHER EDUCATION SYSTEM

2020 ◽  
Vol 22 (12) ◽  
pp. 5-9
Author(s):  
Livak N.S. ◽  
Klimova I.V. ◽  
Lebedikhin V.V.
Keyword(s):  
Young People ◽  
Moral Education ◽  
Social Life ◽  
New Technologies ◽  
Value Orientations ◽  
Educational Process ◽  
Educational Work ◽  
Higher Education System ◽  
Student Community ◽  
And Behavior

Modern youth and the student community today play a key role in the development of social and social life. Due to the peculiarities of the university space, the student community is in constant interaction and communication, both in the framework of the educational process and events of various formats, and in social and everyday conditions. In the context of interactions, this social group, which is most at risk of spreading negative ideologies that threaten not only the personal security of everyone, but also peaceful coexistence in the conditions of a multinational society in Russia. In the absence of educational measures as a prevention, an unfavorable environment arises in which it is very easy to influence the thinking of young people, their involvement in nationalist movements, extremist activities, etc. Hence the concept of «youth extremism» appears, which is manifested in the views and behavior of young people based on the manifestation of aggression and non-acceptance of dissenters. The search for new technologies of psychological support that allow to form cultural tolerance, value orientations and prevent the spread of extremist ideologies becomes relevant. The authors consider a set of measures that contribute to the generalization, dissemination, as well as the introduction into the student environment of the best practices of spiritual and moral education, the development of interethnic and interreligious dialogue, and the prevention of negative ideologies. To implement these tasks, it is necessary to form a pool of specialists in the prevention of extremism in the student environment, hold seminars and meetings for vice-rectors of universities on security and educational work, as well as educational seminars for managers of student organizations. This will make it possible to form leadership student associations that broadcast the values of cultural tolerance to the youth environment.

Intersectionality, Black Youth and Political Activism

2020 ◽  
Author(s):  
Patricia Hill Collins
Keyword(s):  
Young People ◽  
Social Inequalities ◽  
Coming Of Age ◽  
Black Youth ◽  
Political Activism ◽  
The United States ◽  
Gender And Sexuality ◽  
Youth Activism ◽  
The Political ◽  
And Behavior

For youth who are Black, Indigenous, female, or poor, coming of age within societies characterized by social inequalities presents special challenges. Yet despite the significance of being young within socially unjust settings, age as a category of analysis remains undertheorized within studies of political activism. This essay therefore draws upon intersectionality and generational analyses as two useful and underutilized approaches for analyzing the political agency of Black youth in the United States with implications for Black youth more globally. Intersectional analyses of race, class, gender, and sexuality as systems of power help explain how and why intersecting oppressions fall more heavily on young people who are multiply disadvantaged within these systems of power. Generational analysis suggests that people who share similar experiences when they are young, especially if such experiences have a direct impact on their lives, develop a generational sensibility that may shape their political consciousness and behavior. Together, intersectionality and generational analyses lay a foundation for examining youth activism as essential to understanding how young people resist intersecting oppressions of racism, heteropatriarchy, class exploitation, and colonialism.

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