scholarly journals Al-Khalīlayn dalam Romantisme Sastra Arab

2021 ◽  
Vol 4 (1) ◽  
pp. 50-68
Author(s):  
Yusuf Haikal
Keyword(s):  
Life History ◽  
Data Collection ◽  
20Th Century ◽  
18Th Century ◽  
Arab World ◽  
Arabic Literature ◽  
Literature Study ◽  
Arab Region ◽  
Literary Figure ◽  
History Of

This article aims to provide an overview of romanticism in Arabic literature, in particular through two important figures in this school. important in the foundation and development of romanticism in Arabic literature. The method used in this article is descriptive qualitative and literature study. This study also uses the technique of observing and taking notes in data collection. From the discussion it can be concluded that the flow of romanticism is one of the popular streams that first appeared in the 18th century in Europe and entered the Arab region at the beginning of the 20th century. The entry of romanticism into the Arab world was pioneered by Khalīl Muthran. Apart from Khalīl Muthran, there is another Arabic literary figure who popularized this romanticism, namely Khalīl Gibran. These two Khalīls were important figures in the emergence and development of romanticism in Arabic literature. This can be seen from the life history of both of them who both studied literature in western countries. In addition, the works produced by these two figures show a strong romantic style, which strengthens the character of the two in Arabic literary romanticism

scholarly journals Perubahan Wazan Syair “Ya Syi’ru” Karya Abu Al-Qasim Al-Syabi

2020 ◽  
Vol 4 (2) ◽  
pp. 211-231
Author(s):  
Sarif Udin
Keyword(s):  
Data Collection ◽  
Qualitative Method ◽  
Arabic Literature ◽  
Literature Study ◽  
Arabic Poetry ◽  
Science Approach ◽  
History Of ◽  
Traditional Poetry ◽  
Descriptive Qualitative

The history of Arabic literature has revealed that the custom of the Arabs in general is to enjoy composing poetry. There are also various forms of traditional poetry, Absolute poetry and free poetry. To know the truth, damage and changes that occur in the poetry wazan needed ilmu Arūḍ science. In analyzing Arabic poetry, it cannot be done haphazardly, accuracy and skill in the ‘Arūd are needed. This needs to be considered because in order to get best analysis results. The purpose of this study is to describe the types of baḥr, zihāf and illat in the poetry ya syi'ru by Syabi, in accordance with the Arūḍ Science approach. this research uses descriptive qualitative method. Data collection techniques using literature study. the data in this study are words or sentences obtained from the poem entitled ya syi'ru. The data obtained are classified and analyzed by descriptive methods, according to the type of data obtained. The results showed that the type of baḥr used in the poems of ya syi'ru by Syabi is baḥr Majzu’ Kamil, Zihāf found in these poems is Iḍmar, zihāf jari majra illat (iḍmar). Zihāf who dominates in these verses is iḍmar. And the Illat found from the poem is illat tażyīl and tarfil. The most commonly found illat is illat tażyīl.

scholarly journals Syair Perahu Karya Hamzah Fansuri Dalam Kaitannya Dengan Budaya Maritim di Singkel

PANALUNGTIK ◽  
2021 ◽  
Vol 4 (1) ◽  
Author(s):  
Laila Abdul Jalil ◽  
Nuralam
Keyword(s):  
Life History ◽  
Data Collection ◽  
Historical Archaeology ◽  
Research Use ◽  
Literature Study ◽  
Literary Works ◽  
The Past ◽  
Maritime Culture ◽  
History Of ◽  
The Relationship

Hamzah Fansuri lived in the early era of the peak of the Aceh Darussalam kingdom. The Kingdom of Aceh Darussalam at that time visited by many traders from Arab, Parsi, Turkish, Bengal (India), Siamese, Portuguese, and Spain. Hamzah Fansuri is a Sufism scholar who developed Islamic teaching trough his poems. One of his poems is Syair Perahu. Syair Perahu besides containing Sufism also is related to the trade and wealth of Singkel sea. The discovery of foreign ceramics along the Singkel river is one proof of trade in the past. This research use method of manuscript study. The reason for choosing text studies is because Hamzah Fansuri produced many literary works in the form of poetry. The approach used in this study is historical archaeology to reveal the maritime culture of Singkel trough Syair Perahu by Hamzah Fansuri. Data collection is done trough literature study by collecting books, documents, and paper relating to the life history of Hamzah Fansuri and and literary works that he produces. The purpose of this reseach is to determine the relationship between Syair Perahu and maritime culture of Singkel. Based on a study of Syair Perahu, it is known that Hamzah Fansuri not only discusses the Sufism but also provides information about Singkel and trade in its time.

scholarly journals http://habibiaislamicus.com/index.php/hirj/article/view/147

2020 ◽  
Vol 4 (2) ◽  
pp. 59-70
Author(s):  
Shabana Nazar ◽  
◽  
Abdul Rehman Saifee
Keyword(s):  
Life History ◽  
20Th Century ◽  
Arabic Language ◽  
Arabic Literature ◽  
Historical Novels ◽  
Authentic Materials ◽  
Modern Period ◽  
History Of

The Life History of “ Jurji Zaydan ”, His Personality and His landmark services in the Arabic Language and its Literature generally and History of Islam and Arabic Literature particularly are enlightened in this paper. He was a famous Arab Historian, Author, Writer, Novelist, Journalist, Linguist and Interpreter of Modern Period. His works of Arabic History and Arabic Literature were revolutionary. He is a great Novelist in this Modern Period. He wrote several books on History of Islam & Arabic Literature and a series of Novels on Big personalities of Islam, which serve the purpose of a resource and authentic materials. People from all walks of life can find his books as a resource to access due to the intellectual and authentic information they carry. He is not only a famous Historian, but He is a famous Writer and a great Novelist of 20th Century, Who wrote a series of Islamic Historical Novels. Thus, this paper is the depiction of Jurji Zaydan’s life history, his services, his books, Novels especially introduction of Novel ‘Azra-o-Quresh’ for the facilitation of upcoming researchers.

LITERARY ROMANTICISM AS A THEORETICAL ISSUE

2020 ◽  
pp. 19-27
Author(s):  
Vera V. Serdechnaia ◽  
Keyword(s):  
20Th Century ◽  
Conceptual Analysis ◽  
18Th Century ◽  
Theoretical Concept ◽  
Historical Research ◽  
Theoretical Issue ◽  
Main Research ◽  
Literary Process ◽  
History Of ◽  
The Subject

The article is devoted to the analysis of the concept of literary romanticism. The research aims at a refinement of the “romanticism” concept in relation to the history of the literary process. The main research methods include conceptual analysis, textual analysis, comparative historical research. The author analyzes the semantic genesis of the term “romanticism”, various interpretations of the concept, compares the definitions of different periods and cultures. The main results of the study are as follows. The history of the term “romanticism” shows a change in a number of definitions for the same concept in relation to the same literary phenomena. By the end of the 20th century, realizing the existence of significant contradictions in the content of the term “romanticism”, researchers often come to abandon it. At the same time, the steady use of the term “romanticism” testifies to the subject-conceptual component that exists in it, which does not lose its relevance, but just needs a theoretical refinement. Conclusion: one have to revise an approach to romanticism as a theoretical concept, based on the change in the concept of an individual in Europe at the end of the 18th century. It is the newly discovered freedom of an individual predetermines the rethinking for the image of the author as a creator and determines the artistic features of literary romanticism.

Form and History in Modern Arabic Poetics

2021 ◽  
Author(s):  
Huda Fakhreddine
Keyword(s):  
20Th Century ◽  
Arab World ◽  
Prose Poem ◽  
Poetic Tradition ◽  
Literary Traditions ◽  
History Of ◽  
The Rich ◽  
The 1960S ◽  
Fundamental Forces ◽  
Modern Arabic

Modern Arabic poetic forms developed in conversation with the rich Arabic poetic tradition, on one hand, and the Western literary traditions, primarily English and French, on the other. In light of the drastic social and political changes that swept the Arab world in the first half of the 20th century, Western influences often appear in the scholarship on the period to be more prevalent and operative in the rise of the modernist movement. Nevertheless, one of the fundamental forces that drove the movement from its early phases is its urgent preoccupation with the Arabic poetic heritage and its investment in forging a new relationship with the literary past. The history of poetic forms in the first half of the 20th century reveals much about the dynamics between margin and center, old and new, commitment and escapism, autochthonous and outside imperatives. Arabic poetry in the 20th century reflects the political and social upheavals in Arab life. The poetic forms which emerged between the late 1940s and early 1960s presented themselves as aesthetically and ideologically revolutionary. The modernist poets were committed to a project of change in the poem and beyond. Developments from the qas̩īdah of the late 19th century to the prose poem of the 1960s and the notion of writing (kitābah) after that suggest an increased loosening or abandoning of formal restrictions. However, the contending poetic proposals, from the most formal to the most experimental, all continue to coexist in the Arabic poetic landscape in the 21st century. The tensions and negotiations between them are what often lead to the most creative poetic breakthroughs.

Stranger Fictions

2021 ◽  
Author(s):  
Rebecca C. Johnson
Keyword(s):  
World Literature ◽  
Arab World ◽  
Central Place ◽  
Arabic Literature ◽  
The Novel ◽  
Reading Practices ◽  
Global Circulation ◽  
Wide Range ◽  
History Of ◽  
Modern Arabic

Zaynab, first published in 1913, is widely cited as the first Arabic novel, yet the previous eight decades saw hundreds of novels translated into Arabic from English and French. This vast literary corpus influenced generations of Arab writers but has, until now, been considered a curious footnote in the genre's history. Incorporating these works into the history of the Arabic novel, this book offers a transformative new account of modern Arabic literature, world literature, and the novel. This book rewrites the history of the global circulation of the novel by moving Arabic literature from the margins of comparative literature to its center. Considering the wide range of nineteenth- and early-twentieth-century translation practices, the book argues that Arabic translators did far more than copy European works; they authored new versions of them, producing sophisticated theorizations of the genre. These translations and the reading practices they precipitated form the conceptual and practical foundations of Arab literary modernity, necessitating an overhaul of our notions of translation, cultural exchange, and the global. The book shows how translators theorized the Arab world not as Europe's periphery but as an alternative center in a globalized network. It affirms the central place of (mis)translation in both the history of the novel in Arabic and the novel as a transnational form itself.

scholarly journals PERANG BUBAT, REPRESENTASI SEJARAH ABAD 14 DAN RESEPSI SASTRANYA

2018 ◽  
Vol 10 (1) ◽  
pp. 51
Author(s):  
Yeni Mulyani Supriatin
Keyword(s):  
Data Collection ◽  
20Th Century ◽  
18Th Century ◽  
The Other ◽  
16Th Century ◽  
Historical Aspect ◽  
14Th Century ◽  
Literary Structure ◽  
The Will ◽  
The Difference

Penelitian ini bertujuan mengungkap peristiwa Perang Bubat yang terjadi pada abad ke-14 atau tahun 1357 M dan resepsi sastranya. Masalah yang dibahas adalah bagaimana latar belakang terjadinya Perang Bubat, reaksi, dan tanggapannya. Teori yang digunakan adalah resepsi sastra. Metode untuk pengumpulan data adalah kualitatif dengan menerapkan prinsip resepsi sastra. Hasil penelitian menggambarkan bahwa terjadinya Perang Bubat adalah Raja Sunda tidak tunduk pada kehendak Gajah Mada dan Gajah Mada ingin menyatukan Nusantara. Resepsi sastra terhadap Perang Bubat dapat dikelompokkan menjadi 3, yaitu resepsi dari aspek kesejarahannya, resepsi pengaruhnya terhadap penciptaan karya baru, dan resepsi terhadap struktur sastra.  Simpulan penelitian ini adalah peristiwa Bubat diresepsi setelah dua abad berlalu, yaitu pada abad ke-16  dan peristiwa tersebut diresepsi ulang pada abad ke-20-an. Hasil resepsi sastra  dari abad ke-18 sampai dengan abad ke-20 cukup beragam. Keberagaman resepsi itu menunjukkan bahwa terdapat perbedaan horizon harapan pembaca.  This study aims to reveal the events of the Bubat War that occurred in the 14th century or the year 1357 AD and literary receptions that emerged after the incident occurred. The issue discussed is how the background of the Bubat War and the reactions and responses to the event through literary receptions. The theory used in analyzing data is literary receptions. The method used for data collection is qualitative by applying the principle of literary receptions. The results of this study illustrate that the background of the Bubat War have two versions and both controversial, the first version because the King of Sunda entourage do not obey to the will of Gajah Mada, on the other hand, the second version is that Gajah Mada tactics in unifying the archipelago while the Kingdom of Sunda is a state that has not been submitted. Literary receptions to the War of Bubat can be grouped into three, they are the reception of its historical aspect, the reception of its influence on the creation of new works, and the reception of the literary structure. The conclusion of this research is  Bubat event was perceived after two centuries passed, in the 16th century and the event was redrawn in the 20th century. Results of literary receptions in the 18th century until the 20th century quite diverse. The diversity of the receptions shows the difference in the horizon of readers' expectations.    

scholarly journals Considerations to some forms of the verb a fi: sum and sunt

Diacronia ◽  
2018 ◽  
Author(s):  
Gheorghe Chivu
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
History Of ◽  
Literary Writing ◽  
The 19Th Century

The history of the verbal forms sum and sunt, introduced into the literary writing by the Transylvanian Latinist School, reveals a winding process in the elaboration of certain cultured norms proper to the modern literary Romanian. Not at all linear, this process was concurrently influenced by two, often divergent, tendencies that were active from the end of the 18th century up to the beginning of the 20th century: the use of some cultured forms, borrowed from Latin or created according to Latin patterns; and the revitalization of certain linguistic forms with regional diffusion. Initially proposed as literary pronunciations, the two verbal forms were soon adopted and used as etymological graphic forms that corresponded to sîm and suntu from certain conservative patois. During the second half of the 19th century (sum), and during the first decades of the 20th century (sunt), the two graphic forms became orthoepic norms as well, due to the phonological tradition of the Romanian writing.

scholarly journals Protestant cemeteries in Czechia: a necrogeographical perspective

Geografie ◽  
2016 ◽  
Vol 121 (1) ◽  
pp. 187-207
Author(s):  
Zdeněk R. Nešpor
Keyword(s):  
20Th Century ◽  
18Th Century ◽  
Regional Distribution ◽  
Social Geography ◽  
Data Sources ◽  
Important Research ◽  
History Of ◽  
Research Questions ◽  
Czech Lands ◽  
The Impact

The article introduces the field of necrogeography to Czech social geography and provides information on existing (nationwide) data sources. The author takes the issue of Protestant confessional cemeteries as an example, briefly outlines the history of these special types of burial fields (established principally from the end of the 18th century until approximately the mid-20th century), and provides a historical geographical analysis of their regional distribution in the Czech Lands. The article proves the impact of religious and geographical factors on the emergence (and eventual demise) of non-Catholic Christian confessional cemeteries and, at the same time, the research unveiled a number of important research questions to be addressed by Czech necrogeography in the future.

Arabic Literature Goes Digital

2019 ◽  
pp. 28-47
Author(s):  
Teresa Pepe
Keyword(s):  
Arab World ◽  
Historical Context ◽  
Arabic Literature ◽  
The Internet ◽  
Ethnographic Research ◽  
Short History ◽  
Online Publishing ◽  
Internet Media ◽  
History Of ◽  
Publishing Houses

This chapter provides the historical context in which Egyptian blogs appeared. Drawing on ethnographic research on the Internet and in the Egyptian literary sphere, it shows that the introduction of Internet tools in the Arab world was soon accompanied by the emergence of numerous platforms for distributing and discussing Arabic literature, such as forums, literary websites, online publishing houses, the Internet Arab Writers Union, and so on. This atmosphere was conducive to the adoption of blogs as a platform for literary experimentation in Egypt. The chapter then focuses on blogging in the Arab world and in particular in Egypt, providing a short history of its development. It also addresses how Internet media have affected Arabic literature as a tool for publishing and distribution, as in the case of book-blogs.

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