Analisis Interpretasi Tugu Parameswara di Bundaran Jakabaring - Palembang

2021 ◽  
Vol 4 (1) ◽  
Author(s):  
Mukhsin Patriansah
Keyword(s):  
Strong Influence ◽  
Left Behind ◽  
The Earth ◽  
Art Works ◽  
Southern Thailand ◽  
History Of ◽  
The Creation ◽  
The Times ◽  
The Aesthetic ◽  
Almost All

This Parameswara monument is a sculpture artwork created to welcome PON 2004 ago. Analysis of this work will use the aesthetic approach, in addition to its monumental form of this work is also closely related to the history of Palembang as the center of the greatest kingdom civilization in the archipelago of the archipelago of Sriwijaya. As one of the great kingdom of Sriwijaya kingdom has a strong influence on the earth archipelago. This is evident until now from the traces he left behind. Likewise with the work of sculpture Parameswara is a work of sculpture symbolic abstraction created by Rita Widagdo. Rita Widagdo is one of the artists living in modren age, this is certainly very influential in the creation of this sculpture artwork. The presence of sculpture art works also provide an interpretation of the development of the times. Parameswara sculpture is not just a beautiful natural manifestation of natural simplification by simply capturing the essence of an object in the amatinya, the object is a creative stimulus so that the resulting work is an abstraction of reality. In the manifestation Rita Widagdo tends to use a concave and convex lines firmly to give the impression of a courage and strength that is the result of interpretation of Parameswara figures. Parameswara statue is a symbol of unifying Malay clumps in the archipelago. The reason, almost all Malays in the archipelago, especially in Malaysia, Singapore, southern Thailand, and Brunei originated from Palembang. They are all descendants of Parameswara and his followers, a commander of Palembang After the fall of Sriwijaya, Iskandar Shah or Parameswara fled north to find a new settlement.

Analisis Interpretasi Tugu Parameswara di Bundaran Jakabaring - Palembang

2019 ◽  
Vol 4 (1) ◽  
Author(s):  
Mukhsin Patriansyah
Keyword(s):  
Strong Influence ◽  
Left Behind ◽  
The Earth ◽  
Art Works ◽  
Southern Thailand ◽  
History Of ◽  
The Creation ◽  
The Times ◽  
The Aesthetic ◽  
Almost All

<p align="center"><strong>ABSTRACT</strong></p><p><em>This Parameswara monument is a sculpture artwork created to welcome PON 2004 ago. Analysis of this work will use the aesthetic approach, in addition to its monumental form of this work is also closely related to the history of Palembang as the center of the greatest kingdom civilization in the archipelago of the archipelago of Sriwijaya. As one of the great kingdom of Sriwijaya kingdom has a strong influence on the earth archipelago. This is evident until now from the traces he left behind. Likewise with the work of sculpture Parameswara is a work of sculpture symbolic abstraction created by Rita Widagdo. Rita Widagdo is one of the artists living in modren age, this is certainly very influential in the creation of this sculpture artwork. The presence of sculpture art works also provide an interpretation of the development of the times. Parameswara sculpture is not just a beautiful natural manifestation of natural simplification by simply capturing the essence of an object in the amatinya, the object is a creative stimulus so that the resulting work is an abstraction of reality. In the manifestation Rita Widagdo tends to use a concave and convex lines firmly to give the impression of a courage and strength that is the result of interpretation of Parameswara figures. Parameswara statue is a symbol of unifying Malay clumps in the archipelago. The reason, almost all Malays in the archipelago, especially in Malaysia, Singapore, southern Thailand, and Brunei originated from Palembang. They are all descendants of Parameswara and his followers, a commander of Palembang After the fall of Sriwijaya, Iskandar Shah or Parameswara fled north to find a new settlement.</em></p><p><strong><em>Keywords:</em></strong><em> Sriwijaya, Parameswara, Interpretation, Symbolic Abstraction</em></p><p align="center"><strong>ABSTRAK</strong></p><p><em>Tugu Parameswara ini merupakan karya seni patung yang dibuat untuk menyambut  PON 2004 yang lalu. Analisis karya ini  nantinya menggunakan pendekatan estetika, di samping bentuknya yang monumental karya ini juga erat kaitannya dengan sejarah kota Palembang sebagai pusat peradaban kerajaan terbesar di bumi Nusantara yakni kerajaan Sriwijaya. Sebagai salah satu kerajaan besar tentu kerajaan Sriwijaya memiliki pengaruh yang kuat di bumi Nusantara. Hal ini terbukti sampai saat sekarang dari jejak-jejak yang ditinggalkannya. Begitu juga dengan karya seni patung Parameswara merupakan karya seni patung abstraksi simbolik yang diciptakan oleh Rita Widagdo. Rita Widagdo merupakansalah satu seniman yang hidup dizaman modren, hal ini tentu sangat berpengaruh dalam penciptaan karya seni patung ini. Kehadiran karya seni patung ini turut memberikan interpretasi atas perkembangan zaman. Karya patung Parameswara bukan sekedar manifestasi alam yang indah melaikan simplifikasi alam dengan hanya menangkap hakikat dari sebuah objek yang di amatinya, objek tersebut merupakan rangsang cipta sehingga karya yang dihasilkan merupakan abstraksi dari realitas. Dalam perwujudannya Rita Widagdo cendrung menggunakan garis cekung dan cembung dengan tegas sehingga memberikan kesan suatu keberanian dan kekuatan yang merupakan hasil dari interpretasi terhadap tokoh Parameswara. Patung Parameswara merupakan simbol pemersatu rumpun Melayu di Nusantara. Pasalnya, hampir  semua orang Melayu yang ada di Nusantara, khususnya di Malaysia, Singapura, Thailand Selatan, dan Brunei berasal dari Palembang. Mereka semua keturunan dari Parameswara dan pengikutnya, seorang panglima dari Palembang Setelah jatuhnya Sriwijaya, Iskandar Shah atau Parameswara melarikan diri ke utara untuk menemukan sebuah pemukiman baru.</em></p><strong><em>Kata kunci : </em></strong><em>Sriwijaya, Parameswara, Interpretasi, Abstraksi Simbolik</em>

scholarly journals The Royal Institution in Ancient Iran

2016 ◽  
Vol 12 (10) ◽  
pp. 71
Author(s):  
Jafar Aghazadeh ◽  
Hasan Mohammadi
Keyword(s):  
Analytical Method ◽  
Human Being ◽  
Human Beings ◽  
Main Obstacle ◽  
Ordinary Life ◽  
The Earth ◽  
Royal Institution ◽  
History Of ◽  
The Creation ◽  
The Right

<p>In the thoughts and beliefs of Iranians, kingdom has had a history of the creation of human beings on the earth. Accordingly, Iranians believe that the first creature and human being on the earth was the first king of Iran. Iranians connects the history of their mythical royal dynasties to the creation of humanity. For Iranians, the mythical kings of Iran are the creators of the royal institution and the functions and duties of the royal institution have been established, developed and transferred to next generations by the measures of these kings. The objective of the present study is to investigate the establishment of the royal institution and the development of royal institution in ancient Iran by a descriptive-analytical method. The findings indicate that Iranians had specific sacredness for their kings and called the first creature of Ahura Mazda as the King. In addition, they believed that kings should perform particular tasks whose formation was attributed to the mythical kings of Iran. Further, they believed that only those persons had the right of being a king who were from the race of kings and were approved by Ahura Mazda. to examine Lessing’s elucidation of authentic knowledge in <em>Shikasta</em>. The methodology appropriated in the paper entails depiction of visible world as an illusion of the Real pointed in Plato’s allegory of Cave and Nagarjuna’s Mundane Truth. We clarify emotion as the main motivator of such illusionary status stressed in both Plato and Nagarjuna’s thoughts. We argue that while the importance of reason and eradicating emotion cannot be ignored, what adjoins people to Truth is mindfulness and intuitive knowledge which is close to Nagarjuna’s non-dual patterns. By examining ordinary life as the illusion of Real, and emotion as the main obstacle to achieve the Truth emphasized in both Nagarjuna and Plato’s trends, we depart from other critics who undermine the eminence of essentialist trace in Lessing’s works and examine her approach towards Truth merely under postmodern lens. This departure is significant since we clarify while essentialism has been abandoned to a large extent and supporters of Plato have become scarce, amalgamation of his thoughts with spiritual trends opens a fresh way to earn authenticity in Lessing’s novel. </p><p> </p>

From Sixpenny Entry to Five Shilling Subscription: Charting Cathedral Outreach and Friends’ Associations in the 1920s and 1930s

2011 ◽  
Vol 10 (1) ◽  
pp. 94-118 ◽  
Author(s):  
Judith A. Muskett
Keyword(s):  
Social Welfare ◽  
Letters To The Editor ◽  
News Reports ◽  
The North ◽  
Gradual Development ◽  
History Of ◽  
The Creation ◽  
The Times

AbstractAll Anglican cathedrals in England have formal associations of Friends (like other institutions in the heritage sector). The majority arose in the 1920s/30s, a period that coincided with the gradual development of a focused outreach strategy by cathedrals, and the abandonment of sixpenny entrance fees. By analysing Letters to the Editor and news reports in The Times, this article explores the origins of cathedral Friends’ associations. The sources illustrate the benefits of Friendship for both sides of the dyad: for the cathedrals, primarily the five shilling subscriptions and the creation of an informed supporter base; and for the members, mainly esoteric benefits. It is also demonstrated that, in the north, Friends’ gifts directly replaced cathedral/diocesan resources being deployed for social welfare. A particular value in focusing on the history of the cathedral Friends’ movement is that it highlights the history of the cathedrals themselves in this difficult inter-war period.

New life luxury: upcycled Scottish heritage textiles

2015 ◽  
Vol 43 (10/11) ◽  
pp. 1051-1064 ◽  
Author(s):  
Sara Keith ◽  
Maria Silies
Keyword(s):  
Added Value ◽  
Traditional Values ◽  
Design Work ◽  
Textile Mills ◽  
Content Type ◽  
Left Behind ◽  
The People ◽  
History Of ◽  
Cradle To Cradle ◽  
The Creation

Purpose – The term luxury and sustainability, within the fashion and textile industries are seldom seen as natural bedfellows. Recently however, the perception of luxury has begun to include a definition left behind in the twentieth century; beautifully hand crafted artefacts valued for the time, skill and design invested in them. It is possible though, for the concept of luxury textiles to embrace this definition and that of the sustainable credentials of a “Cradle to Cradle” (McDonough and Braungart, 2002) mindset (that of a life beyond original creation) and be fashionable. The paper aims to discuss these issues. Design/methodology/approach – Utilising a variety of methodologies including case studies, reflective practice and a practice-based approach; this paper examines the use of pre-consumer waste in the creation of new luxury textiles. Several projects are cited, offering examples of collaboration between textile mills and designers in the creation of new fabrics made from luxury by-products. This luxury waste is routinely shredded for automobile seat filling or landfill, however current sustainable thinking encourages a more creative solution to this circumstance. Designers have a crucial role to play in converting an unwanted by-product to one that is highly desirable. Findings – Traditional values of what constitutes a luxury item include the concept of time invested in making a unique handmade artefact. More recently, this premise has been overlooked in favour of branded goods. The slow fashion movement advocates the inherent value of craftsmanship coupled with the ethical use of sustainable and or local materials and processes. The traditional techniques of felting, weave and stitch are utilised to create beautiful, original textiles from discarded waste. By collaborating with local mills, designers provide solutions to something that could be perceived as a problem. Originality/value – The embedded narrative within these layered textiles provides an original quality and added value, building on their Scottish heritage. The resulting textiles reflect their provenance; the landscape they come from and the people who created them. As a result of purchase, the story continues with the new custodian, adding to the ongoing history of the textile. The design work and collaboration that this paper outlines embodies a transferable model for sustainable upcycled luxury textiles.

scholarly journals Studi Kritik Teori Penciptaan Dalam Kejadian 1:1-2 (Suatu Kajian terhadap Argumentasi Teori Celah)

2019 ◽  
Vol 1 (1) ◽  
pp. 62-78
Author(s):  
Djonly J. R. Rosang
Keyword(s):  
The Earth ◽  
Genesis 1 ◽  
History Of ◽  
The Creation ◽  
Creatio Ex Nihilo ◽  
Ex Nihilo ◽  
Biblical Perspective ◽  
In The Beginning ◽  
The Universe ◽  
Philosophic Perspective

The creation of the universe, according to the Holy Bible has actually done as said in Genesis 1-2. However, there are some people who are still struggling in order to search for the reason to question the process of how is this universe actually began, so that they will look for scientific consideration to find the “theoretical justification” over the biblical truth. This writing aims to give an answer to the gap theory in Genesis 1:1-2. The author, through the study Genesis 1:1-2, the result of this study concluded as follows. First, there is no exegesis background that is strong enough for gap theory to give an assumption that there was an unmeasurably period of time or age in the creation of the universe. Second, a biblical statement, “In the beginning God created the heavens and the earth ... for in six days the LORD made heaven and the earth” (Gen. 1:1; Ex. 20:11) is an ultimate fact of God’s power and majesty in creating the earth from nothing to existence with His Word (creatio ex Nihilo). Third, the doctrine of world’s creation must be the foundation of faith that is tested in the authority of God’s words (2 Tim. 3:16) and the entire creation of God which become the medium of scientifical activity in the history of humanity must be according to the biblical perspective. Fourth, The statement of Genesis 1:1 appears to be refutation toward various scientific theories and human’s philosophic perspective that are opposite the biblical truth (Gen. 1-2, Ps. 33:4-9).Pernyataan Alkitab tentang penciptaan alam semesta sebenarnya sudah tuntas sebagaimana dikemukakan dalam Kejadian 1-2. Namun ada saja orang yang berusaha mencari alasan untuk mempertanyakan proses terjadinya alam semesta ini, sehingga mencoba mencari pertimbangan ilmiah untuk menemukan “pembenaran teoritis” atas kebenaran Alkitab. Tulisan ini bertujuan untuk memberi jawab terhadap teori celah (gap theory) dalam Kejadian 1:1-2, melalui studi biblika penulis mengemukakan argumentasi paham teori celah, dalam kajian metode induktif terhadap studi teks Kejadian 1:1-2. Hasil studi ini disimpulkan bahwa: Pertama, bahwa tidak ada dasar eksegesis yang kuat bagi teori celah untuk memberi ruang bagi asumsi adanya rentang waktu periode atau zaman yang tak terukur dalam proses penciptaan semesta. Kedua, pernyataan Alkitab, “Pada mulanya Allah menciptakan langit dan bumi ... dalam waktu enam hari lamanya” (Kej. 1:1, Kel. 20:11) adalah suatu fakta Alkitab yang tak terbantahkan sebagai tindakan kemahakuasaan dan keagungan Allah menciptakan dunia dari yang tidak ada menjadi ada dengan firman-Nya (creatio ex nihilo). Ketiga, doktrin penciptaan harus menjadi landasan iman Kristen yang  diuji dalam otoritas Firman Allah yang berkuasa (2 Tim. 3:16) serta dunia ciptaan Allah dan segala isinya menjadi arena kegiatan ilmiah dalam lintasan sejarah manusia haruslah berdasarkan perspektif Alkitab. Keempat,  pernyataan penciptaan Kejadian 1:1 merupakan sanggahan terhadap berbagai teori ilmu pengetahuan dan pandangan filsafat manusia yang bertentangan dengan kebenaran Alkitab (Kej. 1-2, Mzm. 33:4-9).

scholarly journals The historical-biographical film: destinies and personalities

2021 ◽  
Author(s):  
Dumitru Olarescu ◽  
Keyword(s):  
Significant Role ◽  
National Cinema ◽  
Nonfiction Film ◽  
Non Fiction ◽  
History Of ◽  
Biographical Film ◽  
The Creation ◽  
The Times

The history of national cinema shows that the evolution of non-fiction biographical film began with subjects dedicated to prominent personalities. These were included in the film magazine “Soviet Moldova” and in the almanac “Life in pictures”. In 1961, the first historical-biographical film “The Legendary Brigade Commander”- a eulogy to Grigore Kotovski (director A. Litvin) appeared at the “Moldova-film” studio, followed by other films dedicated to the heroes of the times: Pavel Tkacenko, Elena Sârbu, Tamara Cruciok, which were dominated by a pronounced propagandistic character. A new level of national historical-biographical film can be noticed in the late 1960s and early 1970s, when the filmmakers: Emil Loteanu (“Academician Tarasevici”), Andrei Buruiană (“Ştefan Neaga”), Vlad Druc (“Ion Creangă”) made their debut. Yet, the idea of biography especially predominates in the creation of Anatol Codru, who played a significant role in the affirmation stage of this kind of nonfiction film, bringing through his films, “Alexandru Plămădeală”, “Alexei Şciusev”, “Dimitrie Cantemir”,”Vasile Alecsandri” a new breath in the context of the films made before him. He imposed himself through a poetic-philosophical vision on the destinies and the creation of the personalities, who contributed to the spiritual prosperity of the nation.

Stages of Development of Electromechanical Systems of Simulators for Training Cosmonauts to Work in Conditions of Zero Gravity and Low Gravity

2021 ◽  
Vol 64 (2) ◽  
pp. 5-13
Author(s):  
Georgiy Pyatibratov ◽  
◽  
Oleg Kravchenko ◽  
Dmitriy Bogdanov ◽  
Azamat Bekin ◽  
...  
Keyword(s):  
Solar System ◽  
Control Systems ◽  
Space Exploration ◽  
Zero Gravity ◽  
Stages Of Development ◽  
Low Gravity ◽  
The Earth ◽  
History Of ◽  
The Creation ◽  
Technical Solutions

The history of the creation and the stages of development of domestic simulators for training cosmonauts to work in conditions of weightlessness and low gravity of the planets of the solar system are analyzed. The principles of construction of simulators with the use of the force-compensating principle, which provide on the Earth the imitation of the motion of astronauts in zero gravity, are considered. The features of the implementation of simulators of different generations and the stages of development of their electromechanical force-compensating systems are given. The directions for further improvement of control systems and possible technical solutions for the creation of promising simulators for training cosmonauts to solve new problems in the implementation of lunar and Martian space exploration programs are determined.

In defence of the word

1977 ◽  
Vol 6 (4) ◽  
pp. 15-20
Author(s):  
Eduardo Galeano ◽  
William Rowe
Keyword(s):  
Buenos Aires ◽  
Spanish Language ◽  
The Other ◽  
South American ◽  
Government Information ◽  
Documentary Evidence ◽  
The Earth ◽  
History Of ◽  
The Government ◽  
Almost All

During long sleepless nights and days of depression, a fly buzzes and buzzes around the head:' Writing, is it worth it?' In the midst of the farewells and the crimes, will words survive? Does this profession, which one has chosen or which has been chosen for one, make any sense? I am South American. In Montevideo, where I was born, I edited some newspapers and journals; one after the other they were closed down, by the government or by the creditors. I wrote several books: they are all banned. At the beginning of ‘73, my exile began. In Buenos Aires, we founded Crisis. It was a cultural journal with the biggest circulation in the history of the Spanish language. In August of last year its last number appeared. It could not continue. When words can be no worthier than silence, it is better to say nothing. And to hope. Where are the writers and journalists who produced the journal? Almost all have left Argentina, Some are dead. Others, imprisoned or disappeared. The novelist Haroldo Conti, or what remained of him, was seen for the last time in the middle of May 1976. Broken by torture. Nothing more has been heard of him. Officially, he was not detained. The government washes its hands. The poet Miguel Angel Bustos was taken from his home and has disappeared. The poet Paco Urondo was killed in Mendoza. The writers Paoletti and Di Benedetto are in prison: As is Luis Sabini, the journal's head of production: he is accused of possessing arms because he had a bullet to make himself a key ring. Our editor, Carlos Villar Arauja, was the first to go. In July 1975 he had to leave the country. He had published a courageous work, with documentary evidence, on oil in Argentina. That edition of Crisis was put on sale in the kiosks and, six evenings later, Carlos did not come home to sleep. They interrogated him with his eyes covered. The police denied holding him. Two days later he was flung, by a miracle still alive, into the woods of Ezeiza. The police said they had arrested him by mistake. They circulated lists of those condemned to death. The poet, Juan Gelman, editor in chief, had to take a plane. Some time later, they came looking for him in his home in Buenos Aires. As he was not there, they took his children away. The daughter turned up alive. Of the son and daughter-in-law, seven months pregnant, nothing is known. Unofficial government information indicated that they had been in prison and had been set free. The earth has swallowed them up. In such stormy times, the profession of writing is dangerous. In such circumstances, one recovers pride and joy in words, or loses respect for them for ever.

Darwin, Concepción, and the Geological Sublime

2012 ◽  
Vol 25 (1) ◽  
pp. 49-71 ◽  
Author(s):  
Paul White
Keyword(s):  
Nineteenth Century ◽  
Popular Science ◽  
Early Nineteenth Century ◽  
Earth History ◽  
The Sublime ◽  
The Earth ◽  
History Of ◽  
The Aesthetic ◽  
Popular Audience

ArgumentDarwin's narrative of the earthquake at Concepción, set within the frameworks of Lyellian uniformitarianism, romantic aesthetics, and the emergence of geology as a popular science, is suggestive of the role of the sublime in geological enquiry and theory in the early nineteenth century. Darwin's Beagle diary and later notebooks and publications show that the aesthetic of the sublime was both a form of representing geology to a popular audience, and a crucial structure for the observation and recording of the event from the beginning. The awesome spectacle of the earthquake proved in turn the magnitude of the forces at stake in earth history, and helped to make geology an epic conjoining the history of civilization with the history of the earth.

scholarly journals Role of the Research Institute of Engines (NIID) in the development of special transport engines

2021 ◽  
Vol 1 (1) ◽  
pp. 6-13
Author(s):  
N.I. Troitskiy ◽  
Keyword(s):  
Research And Development ◽  
History Of ◽  
The Creation ◽  
Armored Vehicles ◽  
Post War ◽  
Almost All ◽  
Research Institute

The history of the creation and development of the head institute of the Ministry of Defense In-dustry of the USSR for engines - the Research Institute of Engines (nowadays JSC “NIID”) is con-sidered. Institute participated in the development and improvement of almost all post-war engines for armored vehicles: the 5TD (6TD), V2, 2V, UTD, GTD-1000T families and its modifications. Research and development of the institute ensured the provision of comprehensive technical assis-tance to the factories of the industry and the creation of an advanced scientific and technical re-serve.

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