scholarly journals Igor Sava, Imunitatea în raporturile dintre domnie și mănăstirile Moldovei (secolele XV-XVI). Pentru o abordare interdisciplinară a problemei / Immunity and Its Significance for the Relations between Princely Power and Moldavia’s Monasteries during the Fifteenth and Sixteenth Century: For an Inter-Disciplinary Approach

2013 ◽  
Vol 1 (1-2) ◽  
pp. 67-92
Keyword(s):  
Social Order ◽  
Legal Status ◽  
Interdisciplinary Approach ◽  
Complex Issue ◽  
Head Of State ◽  
The Social ◽  
Essential Form ◽  
The Subject ◽  
Secular Power ◽  
The Church

This article resumes the discussion of an older problem of Romanian historiography - the Moldovan monasteries’ immunities from the 15th – 16th century. The author opts for an interdisciplinary approach to the subject, a methodology appropriate for addressing this complex issue. As a result of investigating the relevant sources, I find that Moldovan monasteries possessed a clearly defined legal status in the context of the cooperation between the head of state and the church according to Justinian’s principle of “Roman-Byzantine symphony”, the regulations required by the Orthodox canons, the Byzantine law and the local law, “Jus Valachicum”. The act of foundation is an essential form of medieval ideology, powerfully inserted in the religious sphere, in the domain of state power and in the social order. The monasteries had primarily a religious function, but, at the same time, they performed a social and ideological function, designed to disseminate Orthodoxy in society as an official ideology of the secular power. In its evolution, the institution of immunity cannot be extended either to the entire period under study or to all the monasteries in Moldova.

Walter Rauschenbusch and the Brotherhood of the Kingdom

1938 ◽  
Vol 7 (2) ◽  
pp. 138-155 ◽  
Author(s):  
C. Howard Hopkins
Keyword(s):  
Social Order ◽  
Society Of Jesus ◽  
Spanish American ◽  
Spanish American War ◽  
Storm And Stress ◽  
The Social ◽  
Walter Rauschenbusch ◽  
Jacob Riis ◽  
Manchester School ◽  
The Church

The Brotherhood of the Kingdom was organized in December, 1892, by a small group of converts to the ideal of the kingdom of God on earth who, not unmindful of the examples of St. Francis and of the Society of Jesus, planned to reestablish the idea of the kingdom “in the thought of the church and to assist in its practical realization in the world.” The year 1892 had witnessed a rising crescendo of social turbulence and political unrest throughout America. In the midwest the populist revolt was growing, while industrial warfare had broken out in the violent Homestead strike at the Carnegie steel plants. Jacob Riis had opened wide the festering tenements of the great cities in his revelation of How the Other Half Lives, while in intellectual circles the younger economists were rebelling against the tenets of the Manchester school. William Jennings Bryan's campaign for free silver was only four years away, and the Spanish–American War but six years in the future. Into such an atmosphere of storm and stress was born the Brotherhood of the Kingdom, dedicated to the realization of a spiritual ideal in the social order.

scholarly journals Designing the social estate of odnodvortsy of the western provinces in 1831

2017 ◽  
Vol 6 (2) ◽  
pp. 135-140
Author(s):  
Constantin Vadimovich Troianowski
Keyword(s):  
19Th Century ◽  
Legal Status ◽  
Social Hierarchy ◽  
Social Category ◽  
The Past ◽  
Imperial Russia ◽  
The Social ◽  
The Subject ◽  
The Right ◽  
The 19Th Century

This article investigates the process of designing of the new social estate in imperial Russia - odnodvortsy of the western provinces. This social category was designed specifically for those petty szlachta who did not possess documents to prove their noble ancestry and status. The author analyses deliberations on the subject that took place in the Committee for the Western Provinces. The author focuses on the argument between senior imperial officials and the Grodno governor Mikhail Muraviev on the issue of registering petty szlachta in fiscal rolls. Muraviev argued against setting up a special fiscal-administrative category for petty szlachta suggesting that its members should join the already existing unprivileged categories of peasants and burgers. Because this proposal ran against the established fiscal practices, the Committee opted for creating a distinct social estate for petty szlachta. The existing social estate paradigm in Russia pre-assigned the location of the new soslovie in the imperial social hierarchy. Western odnodvortsy were to be included into a broad legal status category of the free inhabitants. Despite similarity of the name, the new estate was not modeled on the odnodvortsy of the Russian provinces because they retained from the past certain privileges (e.g. the right to possess serfs) that did not correspond to the 19th century attributes of unprivileged social estates.

scholarly journals The Spanish King’s Christmas Messages as a Ritual Genre of Institutional Discourse: A Comparative Study

2020 ◽  
Vol 18 (1) ◽  
pp. 57-70
Author(s):  
Marina M. Raevskaya ◽  
Irina V. Selivanova
Keyword(s):  
Media Coverage ◽  
Legal Status ◽  
Institutional Discourse ◽  
Peaceful Coexistence ◽  
Major Purpose ◽  
Communicative Strategies ◽  
Head Of State ◽  
The Social ◽  
Main Instrument ◽  
Scientific Value

The article deals with the Christmas messages of two Spanish monarchs, Juan Carlos I and Philip VI, issued from 1975 to 2018. These texts are considered to be a ritual genre of institutional discourse and are analyzed in the context of political rhetoric. Since the restoration of the monarchy in Spain in 1975, the Spanish King’s Christmas messages are thought to be the main instrument of communication of the Head of State with his citizens. Although they do not have any legal status and belong to the realm of customs and traditions, these speeches receive wide media coverage because they are one of the few occasions when the monarch addresses the Spanish people on television. This paper highlights the idea that the messages are ideologically driven and politically motivated since their major purpose is to strengthen the image of the monarchy and to convince people of the necessity and advantages of peaceful coexistence, respect for the law, and national pride. The article also focuses on the images of the past, the future, the speaker, the addressee (Spanish society), and the country. The scientific value of this paper is in providing a comparative analysis of the communicative potential of the Christmas speeches issued by Juan Carlos I and Felipe VI. It was revealed that the two monarchs appealed to the same values and feelings of their people. Juan Carlos I and Felipe VI underlined the importance of peaceful coexistence in Spain, a highly democratic country where the monarch is the symbol of its unity and permanence. As for linguistic aspects, the speeches comply with the rules of classical oratory and are characterized by a set of common features: for instance, both monarchs employ the same rhetorical devices and communicative strategies in order to impact the audience and make the message more direct and influential. Nevertheless, Felipe VI makes his messages more personal, emotional and appealing, in comparison with the messages of his predecessor. The authors described invariant and variative features of the Christmas speeches issued by two Spanish monarchs taking into account some differences which can be explained by the social, economic and political context of modern Spain.

scholarly journals “Intersubjectivity”: The Emergence of a Socio-Phenomenological Concept

2021 ◽  
Vol 27 (3) ◽  
pp. 35-59
Author(s):  
Irina Shmerlina
Keyword(s):  
Social Constructivism ◽  
Social Order ◽  
Social Process ◽  
Life World ◽  
Gradual Loss ◽  
Analytical Potential ◽  
The Social ◽  
Main Tendency ◽  
The Subject ◽  
Social Phenomenology

The article outlines the author’s vision of the formation and development of “intersubjectivity” as a concept of socially oriented thought. Introduced into sociohumanitarian knowledge by E. Husserl’s phenomenology, this notion initially possessed powerful sociological potential and was called to explain on an abstract-philosophical level the existence of social order from an egological perspective (which is the perspective of a subject with a sphere of consciousness that other participants of interaction have no access to). The main tendency inherent to the post-Husserlian change in the concept’s semantic profile is linked to the gradual loss of its metaphysical potential, as well as its psychologization and instrumentalization. Intersubjectivity — which is something that was brought into sociology by A. Schütz’s social phenomenology — gained a pragmatic interpretation, effectively becoming an axiomatically presupposed attribute of the “life world”. Constructivist semantic valences of the analyzed concept were implemented in the social constructivism of P. Berger and T. Lukman, and at this point said concept had pretty much exhausted its initial analytical potential. The reinvigoration of sociological interest towards this category is associated with a postclassical redirection of attention towards interactive processes of generating meanings within situations of the “life world”, processes that are multidimensional, conditioned by context and cannot be fully reduced to just the subject. The matter of whether returning to Husserl’s intuitions is appropriate demands further consideration, in order to consider other interpretations of intersubjectivity, including those that focus on the historical course of the social process.

scholarly journals Changing the Pattern: Reclaiming History, Constructing Herstory in Margaret Atwood’s Alias Grace

2019 ◽  
pp. 107-122
Author(s):  
Ana Sentov
Keyword(s):  
Working Class ◽  
Social Order ◽  
Medical Profession ◽  
Social Structures ◽  
Immigrant Status ◽  
Relevant Today ◽  
The Social ◽  
Female Protagonist ◽  
The Media ◽  
The Church

This paper will examine how Grace Marks, the female protagonist/narrator of Alias Grace (1996), reclaims her history, which is comprised of many different, often contradictory stories of her life and the crime for which she is imprisoned. These stories reflect the dominant discourse of a conservative male-dominated society, in which Grace is an outsider, due to her gender, class, age, and immigrant status. The law, the medical profession, the church, and the media all see Grace as a disruptive element: a woman who committed or assisted in a murder, a lunatic and/or a member of the working class who dared disturb the social order. Grace is revealed not as a passive victim, an object to be acted upon, but as an agent capable of reclaiming history and constructing herstory, challenging and defying the expectations of dominant social structures. The paper will show that Alias Grace, as a novel giving voice to the marginalized and the silenced, stands as a compelling work that examines and provides insights into the position of women and its changes over the course of history, provoking a discourse that remains relevant today

scholarly journals Performativity, Discourse and Communication: Relationship of Concepts

2021 ◽  
pp. 95-104
Author(s):  
Ruslana Bezuhla
Keyword(s):  
Interdisciplinary Approach ◽  
Modern Society ◽  
Subject Field ◽  
Social Sciences And Humanities ◽  
Sociological Approach ◽  
The Social ◽  
General Scientific ◽  
The Subject ◽  
Relationship Of ◽  
Historical Periods

The article analyzes approaches to the study of phenomena and concepts of performativity, discourse and communication, and makes it possible to trace how various types of communication are interconnected in the structure of artistic culture. It has been established that in modern society, performativity, discourse and communication provide a higher level of generalization and prevalence than in previous historical periods, which leads to an expansion of the subject field for the study of these phenomena. The aim of the work is to research and systematize existing theories conceptualizing performativity, communication and discourse in the mode of humanitarian knowledge. This approach will contribute to solving the scientific problem of clarifying the conceptual and categorical apparatus of modern cultural studies and art history. Methodology of work. The theoretical and methodological basis of the study were philosophical and general scientific approaches, principles and methods that made it possible to analyze the phenomena of performativity, discourse and communication from different-vector positions: the method of generalization, made it possible to determine the place of performativity, discourse and communication in the worldview paradigm due to the analysis of ambiguous formulations and statements about the phenomena, which were presented in various sources; an interdisciplinary approach ensured the use of the latest theoretical developments in the social sciences and humanities; the sociological approach made it possible to consider the phenomena of performativity, discourse and communication at the macrosocial and microsocial levels.

Introduction: Music-making in Domestic Space

2012 ◽  
Author(s):  
DEBORAH HOWARD
Keyword(s):  
Interdisciplinary Approach ◽  
Domestic Space ◽  
Musical Performance ◽  
Musical Life ◽  
Early Modern France ◽  
Music Making ◽  
The Social ◽  
Modern France ◽  
The Subject

The introduction sets the forthcoming chapters in the broader context of musical life in Early Modern France and Italy, with reference to existing scholarship on the subject. The occasions and locations in which musical performance took place are outlined, and the scope of the book is defined, stressing the close connections between France and Italy. A growing number of studies of secular music-making consider the social and ideological framework for performance, but usually without serious consideration of architectural settings. Yet these were crucial to the acoustic quality of the performance, for both players and listeners. The chapter therefore underlines the need for an interdisciplinary approach, to establish the background for the study of the emergence of the permanent theatre.

Thinking About the Concept of Social Gender With a Film

2020 ◽  
pp. 228-247
Author(s):  
Berceste Gülçin Özdemir
Keyword(s):  
Social Order ◽  
Female Characters ◽  
The Public ◽  
Male Characters ◽  
Making Sense ◽  
The Social ◽  
Narrative Cinema ◽  
Feminist Film ◽  
The Subject ◽  
The Public Sphere

The concept of social gender is an interdisciplinary matter of debate and is still questioned today. Making sense of this concept is understood by the ongoing codes in the social order. However, the fact that men are still positioned as dominating women in the contrast of the public sphere/private sphere prevents the making sense of the concept of gender. This study questions the concept of social gender through the female characters and male characters presented in the film Tersine Dünya (1993) within the framework of Judith Butler's thoughts regarding the notion of the subject. The thoughts of feminist film theorists also bring the strategies of representation of female characters up for discussion. Butler's thoughts and the discourses of feminist film theorists will enable both making sense of social gender and a more concrete understanding of the concept of the subject. The possibility of deconstruction of patriarchal codes by using classical narrative cinema conventions is also brought up for discussion in the examined film.

The English Roman Catholic Bishops and The Social Order, 1918–26

2001 ◽  
Vol 25 (3) ◽  
pp. 543-564
Author(s):  
Kester Aspden
Keyword(s):  
Working Class ◽  
Social Order ◽  
Roman Catholic ◽  
Pastoral Letter ◽  
Political Views ◽  
The Social ◽  
Two Sides ◽  
General Strike ◽  
The Church

It is ironic that it should have been the leader of the church with the greatest proportion of working-class members who took up the most hostile stance to the General Strike of 1926. While Francis Bourne (1862–1935), Cardinal Archbishop of Westminster, won the plaudits of the Establishment for his unambiguous denunciation of the strike, that cautious septuagenarian Randall Davidson, Archbishop of Canterbury, found himself cast in the unlikely role of the workers’ friend after his illstarred attempt to conciliate the two sides. Sheridan Gilley has highlighted another contrast: while in 1926 Bourne found himself sharply opposed to labour, in a 1918 pastoral letter he had been insistent that the Church should reach an accommodation with the ‘modern labour unrest’. While Gilley implies that his General Strike condemnation was uncharacteristic, Buchanan suggests that this was closer to expressing his ‘real political views’ than his 1918 statement. This article aims to provide a closer examination of the shift in Bourne’s attitude, and to consider the broader episcopal response to social and political questions during these fraught years.

Coleridge's Theory of the Church in the Social Order

1934 ◽  
Vol 3 (4) ◽  
pp. 285-299
Author(s):  
Cyril K. Gloyn
Keyword(s):  
Social Order ◽  
Economic Status ◽  
The State ◽  
Industrial Society ◽  
Social Stability ◽  
Political Position ◽  
French Writer ◽  
The Social ◽  
Social Mind ◽  
The Church

The era of the English Reform Bill of 1832 presented difficulties and dangers to both state and church. For the state it set the task of achieving a social order—of forming a new social mind—in a period when social change had destroyed the basis of custom in English life and thought. The rise and growth of mechanized industry had produced both a new working class separated from the land and the processes of production and with only its labor to sell in return for a meager livelihood, and a new industrial middle class which, finding itself excluded from the rights and privileges of the state, had set about the task of acquiring a political position comparable to its new economic status. Though the latter group secured the passage of the Reform Bill, to secure social stability was a much more difficult task. The industrial society showed itself as a divided society, described by Disraeli as “two nations between whom there is no intercourse and no sympathy … as if they were dwellers in different zones, or inhabitants of different planets,” a society in whose towns a French writer of the period could discover “nothing but masters and operatives.”

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