Sarah Schenirer and the Bais Yaakov Movement

2019 ◽  
Author(s):  
Naomi Seidman
Keyword(s):  
Electoral Politics ◽  
Orthodox Judaism ◽  
Youth Movements ◽  
Torah Study ◽  
Jewish Diaspora ◽  
Jewish Society ◽  
The Holocaust ◽  
The Subject ◽  
The Impact ◽  
First Time

Sarah Schenirer is one of the unsung heroes of twentieth-century Orthodox Judaism. The Bais Yaakov schools she founded in interwar Poland had an unparalleled impact on a traditional Jewish society threatened by assimilation and modernity, educating a generation of girls to take an active part in their community. The movement grew at an astonishing pace, expanding to include high schools, teacher seminaries, summer programmes, vocational schools, and youth movements, in Poland and beyond; it continues to flourish throughout the Jewish diaspora. This book explores the movement through the tensions that characterized it, capturing its complexity as a revolution in the name of tradition. The book presents the context which led to its founding, examining the impact of socialism, feminism, Zionism, and Polish electoral politics on the process, and recounts its history, from its foundation in interwar Kraków to its near-destruction in the Holocaust, and its role in the reconstruction of Orthodoxy in subsequent decades. A vivid portrait of Schenirer shines through. The book includes selections from her writings published in English for the first time. Her pioneering, determined character remains the subject of debate in a culture that still regards innovation, female initiative, and women's Torah study with suspicion.

scholarly journals Obrazy wojny i holocaustu w muzyce i sztuce. Szkic do edukacji interdyscyplinarnej / The Images of War and the Holocaust in Music and Art. A Sketch for Interdisciplinary Education

2014 ◽  
Vol 12 (2) ◽  
Author(s):  
Renata Gozdecka
Keyword(s):  
General Education ◽  
Core Curriculum ◽  
Interdisciplinary Education ◽  
World War ◽  
Subject Knowledge ◽  
Steve Reich ◽  
Primary Object ◽  
The Holocaust ◽  
The Subject ◽  
The Impact

AbstractThe main premise of the presented study is to show the impact of World War Two events on the creative achievements of selected artists who treated these dramatic events as the direct source of inspiration. The primary object of interest are selected musical pieces composed in the twentieth and twenty-first centuries, analyzed at the same time from the perspective of their correspondence with other domains of art: painting, sculpture, poetry, and partly with film. The article discussed Arthur Honegger’s Second and Third Symphony, compositions: Diffrent Trains by Steve Reich, and Diaries of Hope by Zbigniew Preisner, and in the field of fine art: inter alia the painting works by Izaak Celnikier, Xawery Dunikowski, Bronisław Wojciech Linke, and Andrzej Wróblewski, selected monument sculptures (e.g. in the Majdanek Concentration Camp in Lublin), and with special emphasis on works devoted to the tragedy of the Holocaust.An important aim of the paper is to show the possibility of utilizing the presented content in interdisciplinary teaching provided for in the Ministry of National Education’s core curriculum for general education in art subjects and the subject Knowledge of Culture.

Conclusion: The 1960s and Beyond

2015 ◽  
pp. 346-356
Author(s):  
David H. Weinberg
Keyword(s):  
Western Europe ◽  
Summer Camps ◽  
Educational Institutions ◽  
Sports Clubs ◽  
The Holocaust ◽  
New Institutions ◽  
The 1960S ◽  
The One ◽  
The Impact ◽  
First Time

This concluding chapter addresses the impact of the Holocaust on established forms of collective Jewish identity and commitment in France, Belgium, and the Netherlands. The profound rupture in both Jewish and general life during the war and the physical dislocation that followed meant that thousands of survivors in western Europe had to rediscover or discover for the first time their place among other Jews and among their fellow citizens. In attempting to find a new rationale for Jewish survival, leading Jewish figures of all stripes recognized that there could be no simple return to what they believed were the pre-war polarities of religious orthodoxy on the one hand and assimilationism on the other. With the aid of money from reparation payments and the guidance of organizations like the American Jewish Joint Distribution Committee (JDC), French, Belgian, and Dutch Jewish leaders created new institutions, such as Jewish community centres, summer camps, and sports clubs, to appeal to a mobile and unsettled population. While not all of these efforts were immediately successful, what slowly emerged were new forms of Jewish consciousness that enabled young men and women to express their commitment to a shared fate outside the traditional framework of formal religious and educational institutions.

scholarly journals How memory survives: Descendants of Auschwitz survivors and the progenic tattoo

Thesis Eleven ◽  
2021 ◽  
pp. 072551362110424
Author(s):  
Alice Bloch
Keyword(s):  
Family Histories ◽  
The Holocaust ◽  
Private And Public ◽  
The Subject ◽  
The Impact

The impact of the Holocaust on the descendants of survivors and the ways in which they embrace, embody and memorialise their family histories is the subject of this paper. The paper explores intergenerational storytelling and silences about the Holocaust through the lens of the number that was tattooed on the bodies of inmates in the Auschwitz complex and has been replicated on the bodies of some survivor descendants. The number has become a symbol of the crimes of the Holocaust though its meaning has changed during different periods of Holocaust remembrance. Using the genealogy of the tattoo, this paper explores its meaning in relation to private and public memorialisation for the descendants of survivors living in Israel who have replicated the number on their own body. An earlier version of this paper was presented in December 2020 at La Trobe University’s Agnes Heller Annual Sociology Lecture.

Jewish and Muslim Messianism in Yemen

1990 ◽  
Vol 22 (2) ◽  
pp. 201-228 ◽  
Author(s):  
Bat-Zion Eraqi Klorman
Keyword(s):  
19Th Century ◽  
Muslim Society ◽  
Literary Expression ◽  
The Bible ◽  
Jewish Diaspora ◽  
Jewish Society ◽  
The Future ◽  
History Of ◽  
The Subject ◽  
The 19Th Century

The last three messianic claimants to appear in the Jewish diaspora appeared in Yemen in the 19th century. At this time and place the mutual influences of Jews and Muslims were notable both in messianic movements and in literary expression. Muslim society in Yemen was aware of the messianic tension among the Jews, and individual Muslims even took part in each of the known messianic movements. Conversely—and this is the subject of this article—Jewish society, at least on the popular level, was receptive to Muslim apocalyptic ideas and beliefs and integrated them into Jewish apocalyptic anticipations.The belief in messianism and the sharing of ideas on redemption or of the golden age in the eschatological era (i.e., at the End of Time) have long been maintained by the Jews. Some of the concepts that served as paradigms for later messianic speculations were derived from the Bible. For instance, the concept of rescue—the rescue by God of the Israelites from slavery in Egypt—became the example of God's intervention to help his people and mirrored the rescue at the End of Days. Likewise, the Davidic kingdom was believed to be the fulfillment of an ancient covenant between God and the Israelites—and, therefore, the Davidic kingdom became in the history of Jewish messianism the paradigm for how the future kingdom would be, how the covenant would be fulfilled. Also, the term “messiah” (mashiah)—i.e., the anointed one—was originally the official title for the Davidic kings and the early root for the later messiah; hence, it would be a Davidic descendant who would lead the Jews into the messianic age.

Diaspora and Denial: The Holocaust and the “Question” of the Armenian Genocide

1998 ◽  
Vol 7 (1) ◽  
pp. 3-24
Author(s):  
Gregory F. Goekjian
Keyword(s):  
Structural Difference ◽  
Armenian Genocide ◽  
Historical Discourse ◽  
Jewish Diaspora ◽  
The Holocaust ◽  
Armenian Diaspora ◽  
The Creation ◽  
The Impact ◽  
The Relationship

The Holocaust and the Armenian Genocide have been considered comparable events ever since the term “genocide,” coined by Raphael Lemkin in 1944, was used at Nuremberg. The comparison leads to the recognition of differences between the two genocides, differences often used by revisionist historians to deny the very substance of genocide to the Armenian case. I want to argue that these differences are real, but that they are structural, not substantive, and that the impact of structural difference may be understood through an examination of the relationship among modern historiography, genocide, and diasporization. Put simply, the Holocaust constituted a symbolic end to the Jewish diaspora, whereas the Genocide is the symbolic origin of the Armenian diaspora. In actuality, of course, an enormous and powerful Jewish diaspora remains after the Holocaust, and Armenia had a significant diaspora for centuries before the Genocide. But whereas the Holocaust resulted in the creation of a concentrated, modern center for Jewish historical discourse, the Armenian Genocide erased that center, creating a “nation” that has had to exist in exile and memory—in diaspora

scholarly journals ЗОБРАЖЕННЯ ОДЯГУ І АТРИБУТІВ СВЯТИХ В ІКОНОПИСІ ЛІВОБЕРЕЖНОЇ УКРАЇНИ ТА КИЇВЩИНИ ДРУГОЇ ПОЛОВИНИ XVII – ПЕРШОЇ ПОЛОВИНИ XVIII ст.

2020 ◽  
pp. 129-146
Author(s):  
М. С. Хребтенко
Keyword(s):  
18Th Century ◽  
17Th Century ◽  
Left Bank ◽  
Scientific Papers ◽  
Technological Level ◽  
The Subject ◽  
Western European ◽  
The Impact ◽  
First Time ◽  
Painting Techniques

To identify and analyze ways of depiction of clothing in the iconography of the Left Bank Ukraine and Kyiv region in the second half of the 17th - the first half of the 18th centuries. The author conducted a field exploration of painted icon monuments from the mentioned period in the collections of Ukrainian museums. The data obtained was supplemented with information from published scientific papers and archival sources. The analysis performed made it possible to trace the peculiarities of the depiction of different fabrics in the iconography of the Left Bank Ukraine and Kyiv region in the second half of the 17th – first half of the 18th centuries, and to identify the aspects of the effects on it of Byzantine and Western European painting techniques. It is revealed that in the Ukrainian icon painting till the end of the 17th century was used a method for depicting fabrics, whose roots go back to the Byzantine system of tempera painting. Although white levkas remained dominant in Ukrainian iconography, by the beginning of the 18th century masters could tone grounds and make imprimaturas, which had their influence on the process of painting clothing and the icon in general. Since about the second quarter of the 18th century the use of grisaille underpaints has been encountered in some icons. These innovations demonstrate the impact of Western European painting at the technical and technological level. Gold and silver were widely used for decorating icons. In that time to decorate the icons were widely used leaf gold and silver and powdered gold and silver. For the first time, the subject of research is the process of painting the garment part of the icons of Left-Bank Ukraine and the Kiev region in the second half of the XVII - the first half of the XVIII centuries. The methods of depicting clothing and common techniques for decorating and depicting texture of fabrics are described and analyzed in detail. The study expands knowledge about Ukrainian icon painting and reveals the technique of its creation.

scholarly journals SOLVENCY II TECHNICAL PROVISIONS FOR GENERAL INSURERS

2015 ◽  
Vol 20 (1) ◽  
pp. 7-129 ◽  
Author(s):  
S. Dreksler ◽  
C. Allen ◽  
A. Akoh-Arrey ◽  
J. A. Courchene ◽  
B. Junaid ◽  
...  
Keyword(s):  
Best Practice ◽  
Working Party ◽  
Solvency Ii ◽  
Good Luck ◽  
Raising Awareness ◽  
The Subject ◽  
The Many ◽  
The Impact ◽  
First Time ◽  
Reference Tool

AbstractThis paper brings together the work of the GI Solvency II Technical Provisions working party. The working party was formed in 2009 for the primary purpose of raising awareness of Solvency II and the impact it would have on the work that reserving actuaries do. Over the years, the working party’s focus has shifted to exploring and promoting discussion of the many practical issues raised by the requirements and to promoting best practice. To this end, we have developed, presented and discussed many of the ideas contained in this paper at events and forums. However, the size of the subject means that at no one event have we managed to cover all of the areas that the reserving actuary needs to be aware of. This paper brings together our thinking in one place for the first time. We hope experienced practitioners will find it thought provoking, and a useful reference tool. For new practitioners, we hope it helps to get you up-to-speed quickly. Good luck!

Stanislaw Sreniowski, From a Book of Madness And Atrocity

2008 ◽  
pp. 312-316
Author(s):  
Jacek Leociak
Keyword(s):  
Common Fate ◽  
Normal Life ◽  
The Holocaust ◽  
First Time ◽  
The Town

The title of this text, From the Book of Madness and Atrocity, published here for the first time, indicates its generic and stylistic specificity, its fragmentary, incomplete character. It suggests that this text is part of a greater whole, still incomplete, or one that cannot be grasped. In this sense Śreniowski refers to the topos of inexpressibility of the Holocaust experience. The text is reflective in character, full of metaphor, and its modernist style does not shun pathos. Thus we have here meditations emanating a poetic aura, not a report or an account of events. The author emphasises the desperate loneliness of the dying, their solitude, the incommensurability of the ghetto experience and that of the occupation, and the lack of a common fate of the Jews and the Poles (“A Deserted Town in a Living Capital”; “A Town within a Town”; “And the Capital? A Capital, in which the town of a death is dying . . . ? Well, the Capital is living a normal life. Under the occupation, indeed . . . .”).

Managing Service Quality, Food Quality, Price Fairness and Customer Retention: A Holistic Perspective

2020 ◽  
Vol 2 (1) ◽  
pp. 1-5
Author(s):  
Ammar Ahmed ◽  
Rafat Naseer ◽  
Muhammad Asadullah ◽  
Hadia Khan
Keyword(s):  
Service Quality ◽  
Food Quality ◽  
Service Sector ◽  
Customer Retention ◽  
Price Fairness ◽  
Policy Makers ◽  
Restaurant Management ◽  
The Subject ◽  
Research Propositions ◽  
The Impact

In this competitive environment, organizations strive to satisfy their customer by providing best quality service at affordable and fair prices with a view to enhance their revenues. To achieve the objective of revenue maximization, organizations strive to identify the factors that help them in retaining their customers. Drawing from the signalling theory of marketing, the current study proposes a novel conceptual model representing the impact of service quality with food quality and price fairness on customer retention in restaurant sector of Pakistan. The paper underlines an important arena of knowledge for academicians as well as organizational scientists on the subject. On the basis of literature available on the variables understudy, the present study forwards eight research propositions worthy of urgent scholarly attention. The conceptualized model of the present article can also be viewed significant in unleashing further avenues for the restaurant management entities, policy makers and future researchers in the domain of managing in the service sector businesses.

‘Where Men and Gods Command’: the monument, the crypt, and the magic word

Derrida Today ◽  
2019 ◽  
Vol 12 (1) ◽  
pp. 80-98
Author(s):  
Thomas Houlton
Keyword(s):  
The Holocaust ◽  
Memory Power ◽  
The Subject ◽  
Exquisite Corpse ◽  
Physical Manifestation

This paper examines the relationships between monumental commemoration and memory, placing Rachel Whiteread's Memorial to the Austrian Jewish Victims of the Shoah (2000) as the physical manifestation of Derrida's archive as a place where memory, power, writing and representation intersect. I consider the context and characteristics of Whiteread's memorial alongside the concept of the crypt, formulated by Derrida in his ‘Fors’ to Nicolas Abraham and Maria Torok's The Wolf Man's Magic Word (1976). I propose that the archive, formed as it as around the crypt, is a place where death and desire co-habit, and that the Holocaust, the subject of Whiteread's sculpture, is itself an archive that has been constructed around what Maria Torok terms the ‘exquisite corpse’. This exquisite corpse of the Holocaust encrypts, even in its own commemoration, the erotics and desires of the ‘Nazi father’ or ‘Hitler in uns’, what Derrida terms ‘the tombstone of the illicit’. This paper poses the question that we are, even as we remember the Jewish dead, simultaneously re-encrypting the forgetful, murderous Nazi father, and advocates that we maintain a watchfulness on the threshold of the archive, the monument, the text, in order to resist total resolution, complete meaning, the forgetful re-inscription of acts of atrocity.

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